CAA News Today
CAA Names Appointed Directors to the Board of Directors
posted by CAA — April 30, 2020
CAA has named John Davis, Katy Rogers, and Kenneth Wissoker to our Board of Directors as appointed directors, each for a four-year term. “CAA’s appointed directors bring experience and perspectives that complement the strength and vision of the elected members of CAA’s board. The extent of scholarship, leadership, and professional accomplishment of the three new appointed directors will be invaluable to CAA as we begin strategizing as to how the organization can best serve our members and the art community at large in light of the ongoing effects of the COVID-19 crisis,” said N. Elizabeth Schlatter, President of CAA. “We are exceedingly grateful for the service and dedication of these appointed directors as well as that of all of our board members who volunteer so much time and commitment to our field.”

John Davis
John Davis is a historian of the art and architecture of the United States. For twenty-five years, he served on the faculty of Smith College, where he taught in the art history and American studies programs, chaired the Art Department, and served as Associate Provost and Dean for Academic Development. In 2017, he joined the Smithsonian Institution as Provost and Under Secretary of Museums, Education, and Research, with responsibility for nineteen museums, nine research institutes, twenty-two libraries, fellowships and internships, and the National Zoo. He is currently serving as the Interim Director, Cooper Hewitt, Smithsonian Design Museum, in New York City. He has been a visiting professor in Japan, Belgium, and France and is an elected member of the American Antiquarian Society. His most recent publication is Art of the United States, 1750-2000: Primary Sources (2020), coauthored with Michael Leja.

Katy Rogers
Katy Rogers is vice president and secretary of the Dedalus Foundation, where she also serves as the Programs Director and Director of the Robert Motherwell catalogue raisonné project. A graduate of the University of Colorado, she received her MA in Art History from Hunter College. She is also an alumna of the Whitney Museum of American Art’s Independent Study Program (ISP) where she was a Helena Rubinstein Curatorial Fellow. She is the co-author of the catalogue raisonné of Motherwell’s paintings and collages (Yale University Press 2012), and of Robert Motherwell: 100 Years (Skira 2015). She is currently working on a catalogue raisonné of Motherwell’s drawings to be published by Yale University Press in fall 2022. Since 2013, she has been the President of the Catalogue Raisonné Scholars Association where she co-organized the 2015 conference “The Catalogue Raisonné and its Construction” and the 2018 conference “The Afterlife of Sculptures: Posthumous Casts in Scholarship, the Market, and the Law.”

Ken Wissoker
Ken Wissoker is Senior Executive Editor at Duke University Press, acquiring books across the humanities, social sciences, and the arts. He joined the Press as an Acquisitions Editor in 1991; became Editor-in-Chief in 1997; was named Editorial Director in 2005; and assumed his current position in 2020. In addition to his duties at the Press, he serves as Director of Intellectual Publics at The Graduate Center, CUNY in New York City. He has published more than a thousand books which have won over one hundred and fifty prizes. He has written on publishing for The Chronicle of Higher Education, The Scholarly Kitchen, and Cinema Journal, and writes a column for the Japanese cultural studies journal “5.” He speaks regularly on publishing at universities in the United States and around the world.
About CAA Appointed Directors
Appointed directors bring a variety of views and skills that contribute to CAA’s growth and stability as a professional support organization. In February 2010, CAA members approved an amendment to Article VII, Section IV of the organizational By-laws to establish a new category of appointed director. Learn more.
Announcing the 2020 Terra Publication Grant Winners
posted by CAA — March 31, 2020
2020 TERRA FOUNDATION FOR AMERICAN ART INTERNATIONAL PUBLICATION GRANT WINNERS
CAA is pleased to announce the 2020 recipients of the Terra Foundation for American Art International Publication Grant.
This program, which provides financial support for the publication of book-length scholarly manuscripts in the history of American art, is made possible by a generous grant from the Terra Foundation for American Art. For this grant, “American art” is defined as art (circa 1500–1980) of what is now the geographic United States.
The four Terra Foundation grantees for 2020 are:
- Monica Bravo, Greater American Modernism: U.S. Photographers and the Mexican Cultural Renaissance, Yale University Press
- José E. Muñoz, Cruising Utopia: The Then and There of Queer Futurity, Brook, translation from English to French
- Craig Owens, Craig Owens: The Indignity of Speaking for Others. Selected Essays, Même pas l’hiver, translation from English to French
- Mona Schieren, Transcultural Translation in the Oeuvre of Agnes Martin: The Construction of Asianistic Aesthetics in American Art after 1945, Columbia University Press and Transcript Verlag, translation from German to English
The International Author Conference Subventions confer two non-US authors of top-ranked books travel funds and complimentary registration to attend CAA’s 2021 Annual Conference in New York, February 10-13; they also received one-year CAA memberships.
The two author awardees for 2020 are:
- Gaëtan Thomas
- Alice Wambergue
CAA Announces Isimeme Omogbai as Executive Director and CEO
posted by CAA — March 30, 2020

Isimeme Omogbai.
CAA is pleased to announce Isimeme (Meme) Omogbai as its next executive director in an executive search process guided by Arts Consulting Group. Omogbai succeeds David Raizman, who has served as CAA’s interim executive director since July 2019. Omogbai begins at CAA on March 30, 2020.
“It is a pleasure to welcome Meme Omogbai to CAA as Executive Director,” says Jim Hopfensperger, President of CAA. “The Search Committee conveyed its confidence that Meme will apply her unique administrative experiences, striking energy, and clear vision to the important work ahead at this key moment in the Association’s history.”
As executive director, Omogbai is an employee of the CAA Board of Directors and serves as the Association’s chief executive officer. In this role, she will work with board members, committees, and task forces to develop the Association’s strategic plans. Omogbai’s experience in resource management and the museum world will greatly benefit the membership and the larger visual arts, design, education, and cultural communities with whom CAA works. Omogbai will oversee a wide variety of initiatives, including the CAA Annual Conference, an advocacy program, member services activities, the career center, fellowships, grants and opportunities offered by CAA, and the publications program, which includes The Art Bulletin, Art Journal, Art Journal Open, and caa.reviews.
“I am joining CAA at an unprecedented period in world history as people across the globe are trying to understand what COVID-19 means for their families, communities and organizations. As I embark on this new role, I want to emphasize that maintaining the health, well-being, and safety of our staff, membership, and stakeholders is and will always be a top priority,” says Omogbai. “We have seen examples of the indomitable human spirit overcome adversity. Art inspired by challenging experiences is a common thread for many of the world’s most distinguished creative minds. Now more than ever there is a need to provide access to robust edifying visual arts experiences that are inclusive of diverse practices and practitioners for every adult and child, professional and student, nationality and race across the globe. Together we can achieve these objectives. With CAA as the preeminent international leadership organization in the visual arts, promoting these arts and their understanding, we will have the opportunity to perform an invaluable service to humanity.”
Before joining CAA, Omogbai served as a member and past Board Chair of the New Jersey Historic Trust, one of four landmark entities dedicated to preservation of the state’s historic and cultural heritage and Montclair State University’s Advisory Board. Named one of 25 Influential Black Women in Business by The Network Journal, Omogbai arrives with over 25 years of diversified experience in corporate, government, higher education, and museum sectors.
As the first American of African descent to chair the American Alliance of Museums, Omogbai led an initiative to rebrand the AAM as a global, inclusive alliance. While COO and Trustee, she spearheaded a major transformation in operating performance at the Newark Museum and achieved four consecutive years of 4-star ratings for superior management. During her time as Deputy Assistant Chancellor of New Jersey’s Department of Higher Education, Omogbai received Legislative acknowledgement and was recognized with the New Jersey Meritorious Service Award for her work on college affordability initiatives for New Jersey families.
Omogbai received her MBA in Finance & Management Consultancy from Rutgers University and holds a CPA. She did post-graduate work at Harvard University’s Executive Management Program and has earned the designation of Chartered Global Management Accountant. She studied global museum executive leadership at the J. Paul Getty Trust Museum Leadership Institute, where she also served on the faculty.
New in caa.reviews
posted by CAA — March 27, 2020
B. Deniz Çalış Kural considers the book Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul by Ünver Rüstem. Read the full review at caa.reviews.
Valérie Kobi discusses Charlotte Guichard’s La griffe du peintre: La valeur de l’art (1730–1820). Read the full review at caa.reviews.
Itay Sapir writes about The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655) by Marije Osnabrugge. Read the full review at caa.reviews.
News from the Art and Academic Worlds
posted by CAA — March 25, 2020
|
|
|
|
|
|
Want articles like these in your inbox? Sign up for our weekly newsletter:
New in caa.reviews
posted by CAA — March 20, 2020
John Muse writes about Dread Scott’s Slave Rebellion Reenactment, a contemporary recreation of the 1811 German Coast Uprising. Read the full review at caa.reviews.
Catherine Spencer explores the immersive traveling exhibition Nick Cave: Until. Read the full review at caa.reviews.
Alison Singer discusses three recent shows at the Baltimore Museum of Art: Generations: A History of Black Abstract Art; Melvin Edwards: Crossroads; and Every Day: Selections from the Collection. Read the full review at caa.reviews.
News from the Art and Academic Worlds
posted by CAA — March 18, 2020
|
|
|
|
Want articles like these in your inbox? Sign up for our weekly newsletter:
CAA-Getty International Program at CAA 2020
posted by CAA — March 17, 2020
2020 CAA-Getty International Program Participants, photo by Stacey Rupolo.
Front row, left-right: Julia Waite (New Zealand), Saurabh Tewari (India), Daria Jaremtchuk (Brazil), Ali Mahfouz (Egypt), Akande Abiodun (Nigeria), Aleksandra Paradowska (Poland), Iro Katsaridou (Greece), Priya Maholay-Jaradi (Singapore), Giuliana Vidarte (Peru); Back row, left-right: Valeria PazMoscoso (Bolivia), Nora Veszpremi (Hungary/UK), Eiman Elgibreen (Saudi Arabia), Pedith Chan (Hong Kong), Mariana Levytska (Ukraine), Daniela Lucena (Argentina), Katarzyna Cytlak (Poland), Daria Panaiotti (Russia), Jean-Arsène Yao (Côte d’Ivoire), Irene Bronner (South Africa); Not pictured: Ganiyu Jimoh (Nigeria)
One for the Scrapbook! The 2020 CAA-Getty International Program participants—twenty scholars from nineteen countries—arrived in Chicago on the Sunday before the conference to get ready for a busy week of meetings, sessions, and one-on-one conversations. With this year’s participants, the program now includes 135 scholars from 48 countries, adding for the first time representatives from Bolivia, Singapore, and Côte d’Ivoire.
The preconference colloquium on February 11 was held at the School of the Art Institute of Chicago and featured papers on indigenous artists and contemporary art, the politics of cultural heritage, new subjects for art history, artistic exiles, and critical pedagogies.
Eleven US-based CAA members served as hosts for the international visitors, introducing them to scholars in their fields, taking them to Chicago-area museums, and attending their preconference colloquium.
Toward the end of the week, five alumni added their voices to the annual Global Conversation session, this year addressing Art History and the Politics of Vision.
As Julia Waite, from New Zealand, summarized the week: “Attending the CAA conference was hugely stimulating, and I left feeling excited about the future of art history. It reminded me of the strengths of deep art historical research in providing a more complex and nuanced understanding of art and society.”
Coronavirus-Related CAA Office Closure
posted by CAA — March 16, 2020
The recent outbreak of coronavirus (COVID-19) has forced us to make major changes to lives. It has hit our members hard, with the movement of classes online for the remainder of the semester, the closure of major museums, and the cancellation of exhibitions, art fairs, conferences, and meetings. Over the last ten days, we have been posting resources on our twitter feed and on CAA News to help those affected by this health crisis.
RESOURCES FOR CORONAVIRUS-AFFECTED ARTISTS AND FACULTY
For the health and well-being of our staff, we have moved to working remotely. That means that our offices in New York City are closed until further notice.
If you have questions about your membership, please email us at membership@collegeart.org, as we will be checking our voicemails infrequently. Please be patient with your request as we navigate this new way of working under extraordinary circumstances.
Above all, please remain safe and healthy!
New in caa.reviews
posted by CAA — March 13, 2020
Nina Lubbren discusses Jean-Léon Gérôme and the Crisis of History Painting in the 1850s by Gülru Çakmak. Read the full review at caa.reviews.
Yanhua Zhou writes about Meiqin Wang’s Socially Engaged Art in Contemporary China: Voices from Below. Read the full review at caa.reviews.
Ron E. Reichman reviews the SFMOMA exhibition and catalog April Dawn Alison. Read the full review at caa.reviews.