CAA News Today

Rembrandt van Rijn, Self-Portrait with Raised Saber, 1634, etching, with touches of burin (state II of II), retouched by a later hand with brush and gray ink, image: 4 13/16 x 4 in., sheet: 4⅞ x 4 in. Fondation Custodia, Collection Frits Lugt, Paris (artwork in the public domain)

Colin B. Bailey, Margaret Iacono, and Joanna Sheers. Rembrandt and His School: Masterworks from the Frick and Lugt Collections. Frick Collection, New York, February 15–May 15, 2011.

Brian Bishop, Untitled (Passage: Seventeen), 2010, casein on paper, 5 x 5 in. (artwork © Brian Bishop)

Robert Bunkin and Colleen Randall. Charged Brushes: Ten Artists from the Registry. Painting Center, New York, March 1–26, 2011.

Unknown Russian artist, The Virgin of the Sign, late 16th–early 17th century, tempera on wood with gilt, 28 x 34½ in. Chazen Museum of Art. Gift of Joseph E. Davies, 37.1.3 (artwork in the public domain; photograph by Eric Tadsen)

Thomas E. A. Dale. Holy Image, Sacred Presence: Russian Icons, 1500–1900. Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin, March 12–June 5, 2011.

Baby quilt by Katumbi Muzavar from Karnataka-India, 2005 (photograph by Henry John Drewal)

Henry John Drewal. Soulful Stitching: Patchwork Quilts by Africans (Siddis) in India. Latimer/Edison Gallery, Schomburg Center for Research in Black Culture, New York Public Library, New York, February 1–June 30, 2011.

Alexandre Rapin, Self-Portrait, 19th century, graphite on paper. Dahesh Museum of Art. Gift of DeCourcy E. McIntosh. 2002.63 (artwork in the public domain)

J. David Farmer and Alia Nour. The Essential Line: Drawings from the Dahesh Museum of Art. Palitz Gallery, Lubin House, Syracuse University, New York, February 9–March 24, 2011.

Rachel Hines, Lollygagging, November 8, 2010, performance at Oregon State University (artwork © Rachel Hines; photograph by Maggie Hudson)

Julie Green. Three Rache(a)ls: Rachel Hines, Rachael Huffman, and Rachel Warkentin. Fairbanks Gallery, Oregon State University, Corvallis, Oregon, November 8–29, 2010.

Michelle Y. Hyun. Dear Pratella, what do you hear?. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, May 1–22, 2011.

Ellen G. Landau. Mercedes Matter: The Hofmann Years. Wiegand Gallery, Notre Dame de Namur University, Belmont, California, January 26–February 26, 2011.

Bruce Goff at his University of Oklahoma School of Architecture office, ca. 1954. Bruce A. Goff Archives, Ryerson and Burnham Archives, Art Institute of Chicago (photograph by Philip B. Welch and provided by Scott W. Perkins)

Scott W. Perkins and Ghislain d’Humieres. Bruce Goff: A Creative Mind. Price Tower Arts Center, Bartlesville, Oklahoma, January 9–May 1, 2011.

Bruce Goff, animation still of an unrealized design, John Garvey House project, Urbana, Illinois, 1952 (animation by Skyline Ink Animation Studios, Oklahoma City; photograph provided by Scott W. Perkins)

Scott W. Perkins and Ghislain d’Humieres. Bruce Goff: A Creative Mind. Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 9, 2010–January 2, 2011.

Mary Salvante and Ellie Brown. Body, Mind, and Hair. Rowan University Art Gallery, Glassboro, New Jersey, October 11–November 13, 2010.

Torkwase Dyson, Untitled (West African mask, V-8 Model engine, and bling t-shirt), 2008, mixed media, plastic, wood, bullet heads, and cotton, 24 x 8 x 13 in. (artwork © Torkwase Dyson; photograph provided by Flanders Art Gallery)

Michelle Joan Wilkinson. Material Girls: Contemporary Black Women Artists. Reginald F. Lewis Museum of Maryland African American History and Culture, Baltimore, Maryland, February 12–October 16, 2011.

Helen Frankenthaler Adriatic, 1968, acrylic on canvas, 132⅛ x 93 in. Norton Simon Museum, Gift of the Artist. P.1969.138 (artwork © 2011 Helen Frankenthaler; photograph © 2011 Artists Rights Society [ARS], New York)

Gloria Williams. Surface Truths: Abstract Painting in the Sixties. Norton Simon Museum, Pasadena, California, March 25–August 15, 2011.