CAA News Today

                     

Geoffrey Batchen reviews Emanations: The Art of the Cameraless Photograph edited by Philomena Mariani. Read the full review at caa.reviews.

Daniel R. Quiles discusses the exhibition catalogue Hélio Oiticica: To Organize Delirium, with contributions by Lynne Zelevansky, Elizabeth Sussman, James Rondeau, Donna De Salvo, and Anna Katherine Brodbeck. Read the full review at caa.reviews.

Victoria Rovine writes about The Art of Life in South Africa by Daniel Magaziner. Read the full review at caa.reviews.

Patrick Salland explores the exhibition catalogue Ancient Egypt Transformed: The Middle Kingdom edited by Adela Oppenheim, Dorothea Arnold, Dieter Arnold, and Kei Yamamoto. Read the full review at caa.reviews.

Jeffrey Abt examines The Invention of the American Art Museum: From Craft to Kulturgeschichte, 1870–1930 by Kathleen Curran. Read the full review at caa.reviews.

Francesca Balboni reviews Social Medium: Artists Writing, 2000–2015 edited by Jennifer Liese. Read the full review at caa.reviews. 

Saisha Grayson discusses Embodied Avatars: Genealogies of Black Feminist Art and Performance by Uri McMillian. Read the full review at caa.reviews.

Johanna Függer-Vagts writes about Paul Klee: The Visible and the Legible by Annie Bourneuf. Read the full review at caa.reviews.

Dorothy Hoogland Verkerk evaluates Cosmos and Community in Early Medieval Art by Benjamin Anderson. Read the full review at caa.reviews. 

Joseph Salvatore Ackley reviews The Bronze Object in the Middle Ages by Ittai Weinryb. Read the full review at caa.reviews. 

Carol Ann Dixon discusses the exhibition catalogue Wifredo Lam: The EY Exhibition, edited by Catherine David. Read the full review at caa.reviews.

Anna Tahinci writes about the exhibition catalogue Nina Katchadourian: Curioser, edited by Veronica Roberts. Read the full review at caa.reviews.