CAA News Today

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Artists’ Rejection Letters Add Up—Should They Hold onto Them?

Nothing irks artists more than criticism and rejection. A lot of meaning is imputed to what is often a form letter: the art isn’t good; the artist is a bad artist; the artist is an idiot for having submitted artwork in the first place; the person who sent the letter is stupid and biased; that person expressed the considered opinion of the entire world. (Read more from the Huffington Post.)

When Students Won’t Do the Reading

Is there a more common lament among college instructors than “Why won’t students just do the reading?” It’s an important and difficult question. In my experience, many students understand, at least in the abstract, that the reading is important. (Read more from Inside Higher Ed.)

Museums Are Keeping a Ton of the World’s Most Famous Art Locked Away in Storage

Most of Georgia O’Keeffe’s work is in storage. Nearly half of Pablo Picasso’s oil paintings are put away. Not a single Egon Schiele drawing is on display. Since the advent of public galleries in the seventeenth century, museums have amassed huge collections of art for society’s benefit. But just a tiny fraction of that art is actually open for people to view and enjoy. (Read more from Quartz.)

A Brief History of Women in Video Art

In the 1960s, following the postwar advent of television in America, video cameras became available to consumers and quickly found their way into the hands of the international art scene. Unlike traditional mediums, however, this one wasn’t dominated by men. (Read more from Artsy.)

AAUP Member Presses to Launch Diversity Fellowship

The Association of American University Presses congratulates the University of Washington on the receipt of a $682,000 grant from the Andrew W. Mellon Foundation to create a pipeline program to diversify academic publishing through funded acquisitions apprenticeships at four university presses. (Read more from the Association of American University Presses.)

Essential PhD Tips: Ten Articles All Doctoral Students Should Read

If you’re still deciding whether to study for a doctorate, or even if you’re nearing the end of your PhD and are thinking about your next steps, we’ve selected ten articles that you really should take a look at. They cover everything from selecting your topic to securing a top job when your years of hard graft come to an end. (Read more from Times Higher Education.)

Feminist Art Historian Amelia Jones Believes That Art History Should Embrace New Narratives and Diverse Voices

“What I am trying to do in my academic life is change art discourse. I want to change the field of art history. It is time to have a new narrative and it is time to bring new, more diverse voices to the field.” So maintains Amelia Jones, vice dean of critical studies at the Roski School of Art and Design at the University of Southern California. (Read more from the Huffington Post.)

Art-Forgery Trial Set to Begin

On the verge of a trial over the art-forgery scandal that sank one of New York’s most venerable galleries, this much is agreed upon: the black-and-red painting that sold for more than $8 million in 2004 is definitely not by Mark Rothko. Whether that fact was known by Ann Freedman, the former president of Knoedler and Co. who sold the work to the family of Sotheby’s chairman Domenico De Sole, is another matter. (Read more from the Wall Street Journal.)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Here Are the Guerrilla Girls on The Late Show with Stephen Colbert

The anonymous feminist art collective Guerrilla Girls appeared on The Late Show with Stephen Colbert last week and talked about gender inequality in the art world. The collective is known for wearing gorilla masks and using the names of deceased female artists as monikers. Kathe, Zubeida, and Frida were the members that spoke with Colbert. (Read more from ARTnews.)

How Advocates of African American Art Are Advancing Racial Equality in the Art World

Only a small group of African Americans occupy curatorial positions at mainstream museums, relatively few African American artists have been given major solo museum shows, and works by nineteenth- and twentieth-century African American artists are undervalued by the art market relative to those by white artists of equal standing. Change doesn’t come organically, however. It takes individuals. (Read more from Artsy.)

New York Dealers Cannot Afford to Represent Emerging Artists

For visitors to New York art galleries who want to know why the prices are so high—or for artists who want to exhibit their work in those galleries—part of the blame may lie with the landlord, or with the real-estate market as a whole. Rents are high, averaging $100 to $200 per square foot in Chelsea and $80 to $120 on the Lower East Side. (Read more from the Huffington Post.)

Help Desk: Self-Promotion

I’m an artist who just got a solo show at a little gallery but have no idea how to promote it. I didn’t go to art school and don’t have a huge group of people to invite. I’m lost on how to market the show. Where do I start? (Read more from Daily Serving.)

320 Hours: Slow Looking and Visitor Engagement with El Greco

By the time the painting returned to its home in Cleveland, El Greco’s Holy Family with Saint Mary Magdalene and I had spent 320 hours and four months together. As an interpretation assistant for the Portland Art Museum, I was in the gallery four days a week, interacting with visitors, experimenting with interpretive strategies, and reflecting on this four-hundred-year-old painting. This experience gave me room to experiment with visitor engagement, changed how I approach the act of looking, and influenced my teaching outside the museum. (Read more from Art Museum Teaching.)

How to Explain Pictures to a Difficult Date

We live in an age when “kitsch” almost defies definition but is tossed around with great abandon: If Jeff Koons can turn tacky garden sculptures and gift-shop figurines into gazillion-dollar collectibles, lauded by a fair number of critics, what then becomes of kitsch? (Read more from Vasari21.)

Getting Your Citations in Order

Failure to acknowledge is not as big a sin as outright plagiarism, but there is something disconcerting about it. Two related problems necessarily task academics. One confronts those who enter a new field: how to make sure to build on already existing developments and avoid unnecessary wheel reinvention. The answer—as all research students are told—is to do the desk research first. (Read more from Times Higher Education.)

Facing an Impossible Choice

Maybe the problem with academics is that we take too much pride in our jobs. No doubt that sounds counterintuitive: How can pride in our work be a bad thing? It can when it inspires far too many PhDs to labor willingly for far too long in contingent positions. (Read more from Vitae.)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Should Art Grants Be Awarded to Artists Who Don’t Need the Money?

When talking to the founders of the James W. Ray Distinguished Artist Award in Seattle, I was trying to raise a general discussion around the fact that many arts funders don’t take financial need into account when deciding who gets their money. I’m not talking about making need the decisive factor. I’m talking about making it one factor among several. (Read more from the Stranger.)

The Most Relevant Art Today Is Taking Place outside the Art World

When artists operate outside the gallery space, whether because their work functions best there or because they are forced to, they are both creating valuable art and making the limitations of traditional art institutions visible—physically, historically, and conceptually. Perhaps such work can even change those institutions, those structures of looking. (Read more from Artsy.)

The Robots Are Coming

Artists as diverse as Rachel Whiteread, Oscar Murillo, and Yayoi Kusama are beginning to use the high-tech fabrication methods once available to only the most commercially successful artists. Lower-cost robots that mimic an artist’s arm movements and joints are starting to replace the pricey computer-numerical-control machines that Jeff Koons uses to produce his sleek, industrial aesthetic. (Read more from the Art Newspaper.)

The Secret to All Great Art Forgeries

In A Forger’s Tale, the convicted forger Shaun Greenhalgh reveals that he drew Leonardo da Vinci’s La Bella Principessa, which has been valued upwards of $100 million. Greenhalgh even admits that he modeled the subject after a supermarket checkout girl. If his claims are true, how did this forgery go unnoticed for so long? How did it pass the sniff tests of so many art historians and purported experts? (Read more from the New Republic.)

College Degree Gap Grows Wider for Whites, Blacks, and Latinos

The racial gap in who’s graduating from college has widened since 2007, a new report shows. While more blacks and Latinos are graduating from college now, the percentage of whites graduating has grown even faster. About 33 percent of African American adults had at least a two-year college degree in 2015, up from about 28 percent in 2007. For Latinos, that figure grew to about 23 percent from 19 percent, while whites grew to 47 percent from 41 percent. (Read more from the Hechinger Report.)

Translating Research into Practice

During the past twenty years, college and university faculty have begun to utilize several areas of the learning sciences, including cognitive psychology, to inform pedagogy. Much of this work has happened in ways that have helped our profession to more effectively teach and our students to more effectively learn. However, we still have much work to do if we claim that we have a well-developed set of tools that can be applied across disciplines. (Read more from Faculty Focus.)

Helen Molesworth’s Permanent-Collection Show at MOCA Is Upending the Story of Art

Enter the permanent collection galleries of any museum of modern and contemporary art in the United States and it’s likely you’ll lay eyes on a familiar story: the muscular narrative of the Abstract Expressionists attacking their canvases, continuing through the pathways of 1960s Pop and 1970s Minimalism before landing at the Neoexpressionism of the 1980s. Pay a visit to Los Angeles’ Museum of Contemporary Art, however, and you will see that story turned on its head. (Read more from the Los Angeles Times.)

What Money Can Buy

The urge to change the world is normally thwarted by a near-insurmountable barricade of obstacles: failure of imagination, failure of courage, bad governments, bad planning, incompetence, corruption, fecklessness, the laws of nations, the laws of physics, the weight of history, inertia of all sorts, psychological unsuitability on the part of the would-be changer, the resistance of people who would lose from the change, the resistance of people who would benefit from it, the seduction of activities other than world-changing, lack of practical knowledge, lack of political skill, and lack of money. (Read more from the New Yorker.)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

What Is the Future of Higher Education?

A bachelor’s degree is more valuable than ever, yet college enrollment in the United States is declining. As the economy has improved and tuition has increased, more young adults have sought options outside higher education. The plight of for-profit colleges—which tend to enroll low-income students—has accounted for much of the enrollment drop. State support for higher education has also weakened. (Read more from the Atlantic.)

Five Legal Cases Changing the Art Market as We Know It

How is the law changing the art market, and what are the key problems to watch for in 2016? Here Artsy has considered five of the most significant issues for collectors and industry professionals alike. (Read more from Artsy.)

Taxing Times: Private Museums under Scrutiny by US Government

The United States government is scrutinizing the tax-exempt status of private museums and questioning whether some institutions benefit their wealthy founders more than the general public. The Senate Finance Committee sent a letter to eleven single-donor museums in November requesting information about attendance, opening hours, trustees, and grant-making activities. (Read more from the Art Newspaper.)

The Postdoctoral Applicant

Much of the advice for job applicants seems to focus on ABD candidates or on PhDs immediately after their defense. How different is the job market for someone like me—a postdoc with significantly more publications and experience? (Read more from Vitae.)

More Grads Have “Excessive” Debt

The growing public focus on student-loan debt in recent years has been driven by some numbers that really matter—like the passing of the $1 trillion threshold in the amount of total outstanding loan debt—and some that are less meaningful, such as anecdotal reports about baristas who accumulated $120,000 in debt. Exactly which data points tell the true story about the seriousness of the crisis is to some extent in the eye of the beholder. (Read more from Inside Higher Ed.)

Options for Paying Down Debt during Grad School

Many graduate students are in one or more kinds of debt, be it student loans, an auto loan, credit-card debt, a mortgage, or personal loans. How a graduate student should manage debt depends on the ability to repay it, a personal disposition toward debt, and the type and terms of the debt. Students who can pay down debt during grad school must choose their repayment method and balance that goal with other financial priorities. (Read more from GradHacker.)

With Millennial Philanthropy Money Flowing, Arts Groups Miss Out

Though millennials are a generosity-minded bunch, their data-driven approach has left a traditional beneficiary of charitable giving out in the cold: the arts. Cultural institutions, which have historically been high on the list of those with flush pockets, as well as smaller arts nonprofits, are straining to attract a new generation of donors that demands a metric for each dollar spent. (Read more from the Seattle Times.)

How 2015 May Have Marked the End of the Art Market’s Boom Years

There are signs that the art market reached terminal velocity in 2015 but is now slowing down. This was a year of new records as billionaires battled for trophy works of art, spending enormous sums of money in the process. Yet buyers showed increasing discernment, balking at the obvious instances of auction-house greed and snubbing works that were simply not good enough for their price tags. (Read more from the Guardian.)

As 2015 comes to a close, CAA would like to wish a safe and happy holiday season to its members, subscribers, partners, and other visual-arts professionals. As we reflect on the past twelve months, we would like to offer CAA News readers a look at the most accessed articles from the past year.

I’m a Liberal Professor, and My Liberal Students Terrify Me

I’m a professor at a midsize state school. I have been teaching college classes for nine years now. I have won (minor) teaching awards, studied pedagogy extensively, and almost always score highly on my student evaluations. Yet things have changed since I started teaching. The vibe is different. I wish there were a less blunt way to put this, but my students sometimes scare me—particularly the liberal ones. (Read more from Vox.)

Why Absolutely Everyone Hates Renoir

When God-Hates-Renoir protesters recently rallied outside the Museum of Fine Arts in Boston, there was only one reason why anyone might have been surprised to see them there. The museum isn’t mounting a big Renoir show, or celebrating the artist in some other way. Any institution foolhardy enough to do so knows by now to expect some kind of pushback, because everyone hates Renoir, and everyone always has. (Read more from the Atlantic.)

Entire USC First-Year MFA Class Is Dropping Out

We are a group of seven artists who made the decision to attend USC Roski School of Art and Design’s MFA program based on the faculty, curriculum, program structure, and funding packages. We are a group of seven artists who have been forced by the school’s dismantling of each of these elements to dissolve our MFA candidacies. In short, due to the university’s unethical treatment of its students, we, the entire incoming class of 2014, are dropping out of school and dropping back into our expanded communities at large. (Read more from Art and Education.)

Speaking for the “Quitters” and “Failures”

In the eyes of many academics, as Leonard Cassuto recently pointed out, I am considered a failure because I did not earn a doctorate. Meanwhile, American universities are awarding more doctorates than ever. And yet I have something most of those newly minted PhDs will never have: a full-time, tenured teaching job. (Read more from the Chronicle of Higher Education.)

Why Is College So Expensive If Professors Are Paid So Little?

Twenty-five years ago, a student at a public college or nonresearch university campus would see twice as many faculty as administrators on average; now the ratio is roughly equal. Just 20 percent of the teaching workforce in 2013 were permanent or tenure track. About half worked part-time or as adjuncts, often stitching together temporary gigs at different institutions. (Read more from the Nation.)

Dealing with Inappropriate Emails from Students

About once a week I will open my inbox and be greeted by an email that will leave me at a loss for words. A few nights ago, for instance, one student emailed me at 10:30 PM on a Sunday requesting—”urgently”—a meeting at 7:30 the next morning. She wanted to discuss an assignment that was due the day after and couldn’t make it any other time during the day. I decided not to respond—at least not immediately. (Read more from GradHacker.)

Making the Most of the Syllabus

On the first day of class, after a brief introduction to the class topic and my related background, I pass out the syllabus in hard copy. We then read the document together out loud. I ask a student to read the first paragraph. Then the next student reads the next paragraph, and so on. In addition to ensuring that every student reads the entire syllabus, I help students get over possible anxieties about hearing themselves speak in front of their peers. (Read more from Inside Higher Ed.)

What Ever Happened to Google Books?

It was the most ambitious library project of our time—a plan to scan all of the world’s books and make them available to the public online. “We think that we can do it all inside of ten years,” Marissa Mayer, who was then a vice president at Google, said to the New Yorker in 2007, when Google Books was in its beta stage. “It’s mind-boggling to me, how close it is.” Today, the project sits in a kind of limbo. (Read more from the New Yorker.)

Great Colleges to Work for 2015

This special issue features results of the Chronicle’s eighth annual Great Colleges to Work For survey, based on responses from nearly 44,000 campus employees. The survey found that at colleges recognized for a strong workplace culture, employees were more likely to feel acknowledged, supported, well informed by their leaders, and engaged in a common mission. (Read more from the Chronicle of Higher Education.)

Dying of Exposure

At some point, two years ago, maybe, I stopped doing things for free: no free writing, no free talks, no free critiques with artists or art students, nothing. I didn’t make the decision out of avarice; I made it as a matter of survival. I used to accept all kinds of invitations to do such things, paid or not, when I was a tenured professor. But, of course, the privilege of not having to think about my intellectual labor in those terms was predicated on the very fact that I was being paid, by my university, if not by the publishers, colleges, students, or artists who hosted the events to which I was invited. (Read more from Art Practical.)

Thirty Art-Writing Clichés to Ditch in the New Year

It’s a new year, which is a fine excuse as any to ditch old bad habits. Here below, I have assembled a not-at-all exhaustive list of art-writing words that I could do without in 2015. I admit that I’ve been guilty myself of abusing some or all of them—but of course that’s what New Year’s resolutions are for. (Read more from Artnet News.)

Behind the Impasse That Led USC’s 2016 MFA Students to Withdraw in Protest

The graduate class of 2016 at USC’s Roski School of Art and Design has withdrawn in protest from the visual-arts program over administration and curriculum changes. The conflict stems from changes made to the program after students had already arrived on campus, as well as resignations by prominent faculty members. (Read more from the Los Angeles Times.)

Is Adjuncting the “Kiss of Death”?

Numerous commentators have observed that being an adjunct, as a recent essay put it, “actually seems to decrease your chances of securing a tenure-track position.” Some have even gone so far as to label adjuncting a career destroyer, the proverbial “kiss of death.” But is it really? (Read more from Vitae.)

The Hostile Renegotiation of the Professor-Student Relationship

There is a scourge on college campuses today, driving a wedge between students and faculty. Political correctness? Maybe that, too. But I’m referring instead to the newly triumphant caricature of today’s undergrad (and perhaps some grad students as well) as a hypersensitive, helicoptered student-customer who will file a Title IX complaint if the dining hall kale isn’t organic. Today’s undergrad is so entitled as to demand to be employable after graduation. (Read more from the New Republic.)

O Adjunct! My Adjunct!

I spent half of my undergraduate career figuring out what I didn’t want to do. I started off in the journalism program, switched to literature, was undecided for a few panicked, free-floating months, and studied photography for a time. But the spring of my sophomore year, I enrolled in a fiction-writing workshop with an instructor named Harvey Grossinger. What I didn’t know at the time—and what I wouldn’t figure out for the better part of the next decade—was that Harvey was an adjunct. He didn’t tell us, and I didn’t know to ask. As an undergraduate, I never heard the term. (Read more from the New Yorker.)

The Conference Manifesto

We are weary of academic conferences. We are humanists who recognize very little humanity in the conference format and content. We have sat patiently and politely through talks read line by line in a monotone voice by a speaker who doesn’t look up once, wondering why we couldn’t have read the paper ourselves in advance with a much greater level of absorption. (Read more from the New York Times.)

How Art Became Irrelevant

In terms of quantifiable data—prices spent on paintings and photographs and sculptures, visitors accommodated, funds raised, and square footage created at museums—the picture could hardly be rosier. Equally robust is the art market, to judge by a Christie’s auction on May 11 that set several records, including the highest price ever paid at auction for a work of art. But quantifiable data can only describe the fiscal health of the fine arts, not their cultural health. Here the picture is not so rosy. (Read more from Commentary.)

Dear Liberal Professor, Students Aren’t the Problem

In a recent Vox essay, a self-described “liberal professor,” writing under a pseudonym, explained how students had changed over his nine years in the college classroom. His liberal students now “terrify” him, he wrote, with their identity politics and imagined grievances. Here we go, I thought, another lament of the loss of white-male privilege, this time set at the university. What I quickly realized, however, was that the essay might be better characterized as a jeremiad, a cautionary tale that exaggerates current woes to elicit social change. (Read more from Vitae.)

The Benefits of No-Tech Note Taking

The moment of truth for me came in the spring 2013 semester. I looked out at my visual-communication class and saw a group of six students transfixed by the blue glow of a video on one of their computers, and decided I was done allowing laptops in my large lecture class. “Done” might be putting it mildly. Although I am an engaging lecturer, I could not compete with Facebook and YouTube, and I was tired of trying. The next semester I told students they would have to take notes on paper. Period. (Read more from the Chronicle of Higher Education.)

Historian Uses Lasers to Unlock Mysteries of Gothic Cathedrals

Thirteen million people visit the Notre Dame Cathedral in Paris every year, entering through massive wooden doors at the base of towers as solidly planted as mountains. They stand in front of walls filigreed with stained glass and gaze at a ceiling supported by delicate ribs of stone. If its beauty and magnificence is instantly apparent, so much about Notre Dame is not. To begin with, we don’t know who built this cathedral—or how. (Read more from National Geographic.)

I’m Paid Less Than My Colleagues. Help!

I’m in the biological sciences at an R1 school and am a relatively new full professor. Recently, I was shown the mean salary for all faculty at this rank within my department. To my surprise, my salary was about 20 percent less than this number. Meanwhile the mean salary for full professors in my department is approximately 6 percent lower than the average provided by the Chronicle’s latest salary report for my university. (Read more from Vitae.)

What’s the Point of a Professor?

In the coming weeks, two million Americans will earn a bachelor’s degree and either join the work force or head to graduate school. They will be joyous that day, and they will remember fondly the schools they attended. But as this unique chapter of life closes and they reflect on campus events, one primary part of higher education will fall low on the ladder of meaningful contacts: the professors. (Read more from the New York Times.)

Slow Teaching

At some point on the first day of classes I am going to ask my students to answer some questions anonymously. In all honesty, why did you enroll in this course? What final grade you would be happy with? What about this class are you most concerned or anxious about? Exploring students’ responses over the years has led me to identify two prevailing suspicions: that art-history courses are based on rote memorization of names and dates, and that class time will consist of a battery of artworks crammed into a swiftly delivered lecture. (Read more from Art History Teaching Resources.)

A Guide to Thesis Writing That Is a Guide to Life

How to Write a Thesis, by Umberto Eco, first appeared on Italian bookshelves in 1977. For Eco, the playful philosopher and novelist best known for his work on semiotics, there was a practical reason for writing it. Up until 1999, a thesis of original research was required of every student pursuing the Italian equivalent of a bachelor’s degree. Collecting his thoughts on the thesis process would save him the trouble of reciting the same advice to students each year. (Read more from the New Yorker.)

What Are Some Good Art Documentaries?

What are some worthwhile art documentaries? I am an art instructor and working on compiling a list of films for my students to watch in their spare time. Any suggestions? (Read more from Burnaway.)

Six Dos and Don’ts for Gallery Representation

The road to getting into a gallery can seem impossibly rocky with obstacles at every turn. How do you know if you’re choosing the right path and using the right approach? We chatted with a veteran gallery owner and turned to the experts for six important dos and don’ts to achieving gallery representation. (Read more from Artwork Archive.)

Thirteen Art-History Emojis We Desperately Wish Were Real

This one goes out to all the art-savvy texters of the world, looking to add some of history’s finest manifestations of creative expression to their OMGs and LOLs. It’s been over two years since the glory days of #emojiarthistory, when the art world banded together to adapt art classics into emojis using the options available. What if, instead of using two dancing ballerinas to signify a Diane Arbus photo, there existed a whole realm of ready-made art emojis based on the canon of art history? (Read more from the Huffington Post.)

The Art of Having Difficult Conversations

The ability to have difficult conversations is important for career success, productivity, and relationships in almost every field, and higher education is no exception. However, despite the need to have these conversations, the idea of addressing sensitive issues can be scary. This article provides strategies for having difficult conversations and gives example scripts. (Read more from Inside Higher Ed.)

Ten Tips for More Efficient and Effective Grading

Many instructors dread grading, not just because grading takes up a sizable amount of time and can prove itself a tedious task, but also because instructors struggle with grading effectively and efficiently. However, effective grading does not have to take inordinate amounts of time, nor does one need to sacrifice quality for speed. The following tips can help instructors grade more effectively while enhancing student learning. (Read more from Faculty Focus.)

A Win for Academic Freedom: Steven Salaita Awarded Back-to-Back Victories against University That Fired Him

The first part of June has awarded back-to-back victories to Steven Salaita, a professor who last year was dismissed from his post at the University of Illinois, Urbana-Champaign, for posting tweets considered by some to be beyond the pale of proper academic discourse. What makes this case especially interesting—and what the recent court decision and a critical vote by the largest confederation of US professors in the country shows—is the undue and improper interference of wealthy donors on the internal affairs of public educational institutions. (Read more from Salon.)

There Is No Excuse for How Universities Treat Adjuncts

Apart from feeling sorry for the underpaid faculty, why should we care that college professors have the same job conditions as day laborers, fast-food workers, cashiers, taxi drivers, or home-care aides? They did, after all, choose to pursue a career in higher ed. Administrators at these institutions of higher learning argue that they need to use adjuncts because it is the only way to keep tuition from rising even faster than it has. And isn’t access to education the higher good? (Read more from the Atlantic.)

Re: Your Recent Email to Your Professor

In the age of social media, many students approach emailing similar to texting and other forms of digital communication, where the crucial conventions are brevity and informality. But most college teachers consider emails closer to letters than to text messages. This style of writing calls for more formality, more thoroughness, and more faithful adherence to the conventions of Edited Standard Written English—that is, spelling, punctuation, capitalization, and syntax. (Read more from Inside Higher Ed.)

Using Smarthistory to Generate Good Conversations in the Art-History Survey

I had been aware of Smarthistory for years, occasionally assigning videos as supplemental readings and directing students to its content. But following their use of the Khan Academy platform in 2011, the site’s content expanded exponentially. Suddenly, there were enough videos on diverse topics that I could assign Smarthistory videos for every topic in my syllabus. (Read more from Smarthistory.)

Does Color Even Exist?

Color perception is an ancient and active philosophical problem. It’s an instance of the wider category of sensory perception, but since the color spectrum fits on a single line, it has always been of particular interest. In her new book Outside Color, M. Chirimuuta gives a serendipitously timed history of the puzzle of color in philosophy. To read Outside Color as a layman feels like being let in on a shocking secret: neither scientists nor philosophers know for sure what color is. (Read more from the New Republic.)

That “Useless” Liberal-Arts Degree Has Become Tech’s Hottest Ticket

Stewart Butterfield, Slack Technologies’ cofounder and CEO, proudly holds an undergraduate degree in philosophy from Canada’s University of Victoria and a master’s degree from Cambridge in philosophy and the history of science. “Studying philosophy taught me two things,” says Butterfield. “I learned how to write really clearly. I learned how to follow an argument all the way down, which is invaluable in running meetings.” (Read more from Forbes.)

There’s a Game for That: Teaching Art History with “Reacting to the Past”

When faculty facilitate involvement in activities such as simulations and games, and when students work collaboratively through role play and debate, deeper learning and transfer occurs. As part of my efforts to include more active and student-centered learning opportunities into my courses and to encourage knowledge, skills, and attitudes that support higher-order thinking tasks such as analysis, synthesis, and evaluation, I added a “Reacting to the Past” role-playing game to my introductory-level art-history course. (Read more from Art History Teaching Resources.)

Two Bronzes Attributed Convincingly to Michelangelo

A team of art historians, scientists, and anatomical experts has announced that a pair of bronze statues—meter-high, idealized, muscular nude male followers of the god Bacchus riding panthers—are by Michelangelo and date from around 1508–10. The pair, which is in a private collection, will go on display on February 3 at the Fitzwilliam Museum in Cambridge. (Read more from the Art Newspaper.)

An Illustrated Guide to Arthur Danto’s “The End of Art”

In an obituary for the New York Times, Ken Johnson described Arthur Danto as “one of the most widely read art critics of the Postmodern era.” Danto, both a critic and a professor of philosophy, is celebrated for his accessible and affable prose. Despite this, his best-known essay, “The End of Art,” continues to be cited more than it is understood. What was Danto’s argument? Is art really over? And if so, what are the implications for art history and art making? (Read more from Hyperallergic.)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Academics: Forget about Public Engagement, Stay in Your Ivory Towers

Academics are constantly encouraged to engage with the public more often, but this advice ignores the way that specialized knowledge already affects civic life. Specialization has social importance—but often only after decades of work. It is time for us to reassess what we mean by public scholarship. We must recognize the value of the esoteric knowledge, technical vocabulary, and expert histories that academics produce. (Read more from the Guardian.)

Give Your Syllabus an Extreme Redesign for the New Year

Do you ever feel like you want to get more out of your syllabus? Sure, it plays center stage during the first day of class, but does it really have to end there? Perhaps it’s a matter of presentation. (Read more from GradHacker.)

Built-In Self-Assessment: A Case for Annotation

If we want students to be critical thinkers, we must routinely and explicitly give them structured practice opportunities to critically examine their own thinking. Squeezing two or three metacognitive activities into a hectic semester teaches students that such reflection is only for special occasions. Rather, student self-evaluation should be a daily course routine. (Read more from Faculty Focus.)

Virtual-Reality Lab Explores New Kinds of Immersive Learning

For students attending class via webcam or video lecture, the video is two dimensional, and the audio doesn’t sound as it would if they were in a real classroom. Ramani Duraiswami, a computer-science professor and cofounder of the start-up company VisiSonics, thinks virtual-reality technology could help the experience feel more immersive. (Read more from the Chronicle of Higher Education.)

Dual Careers, One Academic

I’ve seen a lot written and discussed about the so-called two-body problem, as universities take on the challenge of dual-career couples coming into a new position. It’s a particularly important issue in my field, as the majority of married women in it are married to men in the field. The problem is that I’m not one of them, as I married someone whose career is outside academia. (Read more from Tenure, She Wrote.)

Swiss Artists Program Laptop to Make Random Purchases from the Dark Web

It’s unlikely that police will swoop down on a south London art gallery and apprehend a laptop that is busy making random purchases from a secretive part of the web known as the dark net. Then again, it depends what the automated shopping bot known as Random Darknet Shopper chooses to buy online and have delivered to the gallery. (Read more from the Independent.)

New Site Lets You Report Facebook and Other Networks When They Censor Art

Nudity in art has been around for thousands of years, but Facebook still can’t take it. The social-media site has blocked users like Frédéric Durand-Baïssas for sharing paintings, including Gustave Courbet’s L’Origine du Monde. Though some people have protested by creating Facebook groups like Artists Against Art Censorship, recording every instance of censorship—let alone fighting back—is next to impossible. (Read more from Hyperallergic.)

Art History, Feminism, and Wikipedia

What might the internet’s most popular general reference and free-access encyclopedia (not to mention the fifth-largest website in the world) offer a centuries-old academic discipline? How might its participatory model—the fact that anyone can access and edit most of its articles—generate new stakeholders in and audiences for our field? (Read more from Art History Teaching Resources.)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Confronting America’s Shameful Mass Incarceration with Art

Yoko Ono and Chris Burden are known for challenging the relationship between the art and the audience. The thirty-three-year-old performance artist Lech Szporer does this, too. But, unlike the hard-to-define nature of his antecedents, Szporer’s The Cage Project and its kin clearly express their purpose, and the performances are accompanied by actions that the larger public can more easily recognize as real. (Read more from the New Yorker.)

Help Desk: Culture and Compensation

The problem: sincere offers, from sweet, well-intended people, to show my work without compensation. The result: my polite refusal is taken as a slight, and I’m thought of as ungrateful. These people think they are doing me a favor and are confused when their request is turned down. What I’d like to have access to: an article written for the layperson that elucidates the situation. (Read more from Daily Serving.)

For Art to Flourish and Leave Its Trace

Art museums pledge to collect, display, study, interpret, and conserve works of art because those objects provide rich and soulful echoes of who we are. How will art made using interactive, decidedly variable, hastily obsolescent high-tech media fare? Digital and computer-based artworks are an active force behind retooling the museum and expanding methods of stewardship. (Read more from the Voices of Contemporary Art Journal.)

Researchers Observe Effects of Art on the Brain

When it comes to art, beauty may be in the eye of the beholder, but some scientists now are looking for it in bursts of brain waves. Seeking a biological basis for our response to art, researchers from the University of Houston recorded the electrical brain activity from 431 gallery visitors last year as they explored an exhibit of works by the conceptual artist Dario Robleto at the Menil Collection. (Read more from the Wall Street Journal.)

Influencing How Students Discuss Content

When students are talking with each other about content, many of us worry. We’ve all heard less-than-impressive exchanges. For example, four students are in a group discussing three open-ended questions about two challenging readings. In less than five minutes, they’re already on question three. Or, they’re working with clickers, supposedly exchanging ideas about a problem, but the group has already decided on one member’s solution. (Read more from Faculty Focus.)

Thoughts about Ashgate and Libraries

By now you are probably aware of the ongoing discussion about the fate of Ashgate Publishing, which was acquired by Informa last summer. Over the years Ashgate has increasingly become a respected venue for art historians, especially younger scholars publishing their early books on diverse and often groundbreaking topics that were organized—as the press matured—into a variety of interesting series. (Read more from the ARLIS/NA Collection Development SIG Blog.)

Breaking It to Your Family

We often discuss the effects of the tenure track on faculty lives. Much like the military, family members are also “drafted” into the academic lifestyle. Last month, we discussed how to break it to yourself that tenure does not mean less work. Here, we address this hard fact as it relates to families. The reality is that, even after gaining tenure, you may well face a relentless and often invisible set of career demands that can confuse and frustrate family members. (Read more from Inside Higher Education.)

Academic Job Hunts from Hell: Inappropriate, Hostile, and Awkward Moments

A doctoral student on the job market described a truly uncomfortable moment during a campus visit. An assistant professor giving her a campus tour stopped in front of an office filled with packing boxes and gestured inside, stating with a wistful air, “This is mine, or rather was. They are firing me; hence the opening.” Then he stood there, waiting for her reaction. My informant was so shocked that she responded, “That’s nice….” (Read more from the Chronicle of Higher Education.)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Three Artists Who Think outside the Box

Rick Lowe’s achievements resonated well beyond Houston. Theaster Gates and Mark Bradford, who both cite him as an influence, are Lowe’s coconspirators in a mode of political or “social practice” art that actively involves them in underserved neighborhoods. Now old friends who have over the years spoken on many panels together and called each other regularly for advice, the three artists have also assisted each other on their large-scale, community-based artworks. (Read more in the New York Times.)

Revisiting the Educational Turn (How I Tried to Renovate an Art School)

At the dawn of the 2000s, the idea of an “educational turn” in the art world was everywhere. On paper, this evolution seemed irresistible, logical, even profound. So much so that, back then, curators such as Hou Hanru, Maria Lind, Okwui Enwezor, and Ute Meta Bauer started to occupy significant positions within art schools. But none lasted too long. (Read more from Art Review.)

How to Be a Brilliant Conference Chair

Think of the worst conference chairs you have ever experienced. The ones who forgot or mispronounced the speakers’ names or failed to turn up altogether. The ones who didn’t notice the shy hand-raisers and only called on the masters of gesticulation. Or the ones who took advantage of the opportunity to tell the audience about their fascinating research and superior knowledge. Although such debacles can be something of a scholarly rite of passage, there are ways to avoid these pitfalls. (Read more from the Guardian.)

Isabelle Graw on Twenty-Five Years of Texte zur Kunst

There’s no arguing that the publication Texte zur Kunst, founded in 1990 in Cologne by Stefan Germer and Isabelle Graw, has shaped art criticism in Germany and beyond. What started as a small enterprise run from the heart of the German art underground and read by a close circle of like-minded thinkers has, in the course of twenty-five years and one hundred issues, produced a veritable theoretical canon. (Read more from Artnet News.)

I Fit the Description

On his way to get a burrito before work, the artist and professor Steve Locke was detained by Boston police. He noticed a police car in the public parking lot behind Centre Street. As he was walking away from his car, the cruiser followed him. He walked down Centre Street and was about to cross over to the burrito place when the officer got out of the car. “Hey my man,” he said. He unsnapped the holster of his gun. (Read more from Art and Everything After.)

The Mass Market Ain’t What It Used to Be (and What That Means for the Arts)

What does it mean to “engage with an audience”? Whole industries thrive on trying to define, quantify, and strategize engagement and building audience. It breaks down into three parts: Can you find an audience? Can you motivate it to respond in some desired way? Can you convince that audience to continue a relationship with you? (Read more from Diacritical.)

Is It Unwise to Post Unpublished Papers Online?

Is it unwise to make unpublished papers publicly available (e.g., on ResearchGate or Academia.edu)? I’d like to do this but have two concerns. The first is that someone will steal the work. My second concern relates to publishability—journals don’t want previously published work. (Read more from Vitae.)

How to Explain Art to Your Mother

How do I explain to my mother why her sweet little girl, who got straight As in school and still goes to church, is interested in a photograph of a naked child stomping on his mother? In most families you could skirt the issue, tucking it away in the conversational corner reserved for politics and religion. But I’m married to an artist, and just this year we set out to make a living primarily from selling his art. (Read more from Burnaway.)