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Several organizations, including the American Society of Media Photographers, the Professional Photographers of America, and the Graphic Artists Guild, have filed a class-action lawsuit against Google, claiming that by scanning millions of books the internet company has infringed on their members’ copyrights and failed to compensate them for their work.

According to Miguel Helft of the New York Times, the new lawsuit is separate from the Google Book Settlement between the company and a consortium of individuals and authors’ organizations. That decision is pending in the US District Court for the Southern District of New York. Helft writes, “Google’s settlement with authors and publishers largely excluded photographs and other visual works. Legal experts said it was not unexpected that Google would face claims from groups that were not part of the original case and are not covered by it.”

The Getty Research Institute in Los Angeles, California, has received a grant from the Samuel H. Kress Foundation to convene an international task force of art librarians, scholars, and information specialists from Europe and the United States to discuss the future of art bibliography. Recent events, including discussions of art-library closures, scant funding resources for ongoing support of art libraries and projects internationally, and the cessation of the Getty’s support for the continuation of the Bibliography of the History of Art (BHA) provide the catalyst to review current practices, take stock of changes, and seriously consider developing more sustainable and collaborative ways of supporting the bibliography of art history in the future.

The organizers of the task force—Kathleen Salomon of the Getty Research Institute; Rüdiger Hoyer from the Zentralinstitut für Kunstgeschichte, Munich; and Jan Simane of the Kunsthistorisches Institut in Florenz and chair of the Art Libraries Section of International Federation of Library Associations and Institutions (IFLA)—invite the art-historical community to participate in a discussion to be held on Tuesday, April 20, 2010, in New York. The meeting will take place 1:00–5:30 PM at the Metropolitan Museum of Art (courtesy of Kenneth Soehner). Two panels presenting “thoughts from the field” will be followed by an open discussion.

The issues that come forward in the meeting will help lay the groundwork for the subsequent meeting of the smaller task force that will address what is and is not feasible for art bibliography in the future. The outcomes of the meeting and next steps will be posted and shared with the wider art-historical community.

Seating for the meeting is limited and must be reserved ahead of time: please RSVP to Diane Lazar by April 12. If you are unable to attend, there will be a recap and discussion session at the annual conference of the Art Libraries Society of North America in Boston, Massachusetts, on Sunday, April 25, 2:30–3:30 PM, as well as at the Art Libraries Section meeting of IFLA‘s general conference and assembly, to be held in August in Gothenburg, Sweden.

Filed under: Libraries, Online Resources, Research — Tags: ,

Spring Obituaries in the Arts

posted by April 05, 2010

CAA recognizes the lives and achievements of the following artists, architects, scholars, teachers, philanthropists, and other important figures in the visual arts.

  • Diane Bergheim, an arts advocate based in Alexandria, Virginia, died on March 27, 2010, at the age of 84
  • George Ehrlich, a professor emeritus of art and architectural history at the University of Missouri in Kansas City, died on November 28, 2009. He was 84
  • Werner Forman, a photographer of art objects who chronicled ancient, Asian, and other non-Western art, died on February 13, 2010, at age 89
  • Peter Foster, an architect and the surveyor of Westminster Abbey from 1973 to 1988, died on March 6, 2010. He was 90
  • Bruce Graham, the architect of the Sears Tower and John Hancock Center in Chicago, died on March 6, 2010, at the age of 84
  • Denys Hinton, a British architect who brought modernism to church architecture, died on February 10, 2010, at age 88
  • Terry Rossi Kirk, a scholar of architecture who taught at American University in Rome and authored The Architecture of Modern Italy, died on October 17, 2009. He was 48
  • Lionel Lambourne, a curator and scholar at the Victoria and Albert Museum in London, died on February 12, 2010, at age 76
  • Lesley Lewis, an author and a historian of art and architecture who was one of the first four students at the Courtauld Institute of Art, died on January 29, 2010, at the age of 100
  • Rhoda “Dodie” Helen Masterman, an artist and teacher who drew illustrations for novels by Tolstoy, Joyce, Balzac, and more, died on December 17, 2009. She was 91
  • Robert McCall, an artist known for his depictions of outer space and for a six-story mural at the Smithsonian National Air and Space Museum in Washington, DC, died on February 26, 2010. He was 90
  • John Walker McCoubrey, who taught the history of American, English, and French art of the eighteenth to twentieth centuries at the University of Pennsylvania for more than thirty years, died on February 9, 2010, at the age of 86
  • Alexander McQueen, a celebrated, innovative, and rebellious London fashion designer, died on February 11, 2010. He was 40
  • Charles Moore, a photographer of the civil rights movement whose work reached millions in Life, died on March 11, 2010, at the age of 79
  • Edmund “Ted” Pillsbury, who transformed the Kimbell Art Museum in Fort Worth, Texas, during his eighteen years as director, died on March 25, 2010. He was 66
  • Natalie Rothstein, a curator and textiles scholar who spent her entire career at the Victoria and Albert Museum in London, died on February 18, 2010, at the age of 79
  • Charles Ryskamp, a former director of both the Frick Collection and the Pierpont Morgan Library in New York who also taught literature at Princeton University, died on March 26, 2010. He was 81
  • Mortimer D. Sackler, a psychiatrist and co-owner of a pharmaceutical company who generously donated to the Guggenheim Museum, the Metropolitan Museum of Art, Tate Gallery, and the Jewish Museum in Berlin, among others, died on March 24, 2010. He was 93
  • Norman Schureman, an artist and professor at the Art Center College of Design in Pasadena, California, died on March 20, 2010. He was 50
  • Der Scutt, a modernist architect with several building in New York, including Trump Tower, died on March 14, 2010, at age 75
  • John Sergeant, a British artist known for his stunning chiaroscuro in his charcoal drawings, died on January 7, 2010. He was 72
  • David Slivka, a sculptor and painter from the New York School of Abstract Expressionism who helped create a death mask for the poet Dylan Thomas, died on March 28, 2010, at the age of 95
  • Frank Williams, an architect of high-end hotels and condominiums in New York who mixed modern and traditional styles, died on February 25, 2010. He was 73

Read all past obituaries in the arts on the CAA website.

Filed under: Obituaries, People in the News

The J. Paul Getty Trust released a statement this morning that tells us “as of April 1, 2010, the Bibliography of the History of Art (BHA) will be available free of charge on the Getty website.” The move, which comes a day after the important research database was to be shut down permanently, is a welcomed one. While free access to BHA for individuals and institutions is good for everyone especially those “institutions in developing countries and independent scholars worldwide” who were unable to afford a subscription. The Getty, however, has remained silent about further updates to the database, which ceased last year. [UPDATE: the Getty will not be adding new records to the database but hopes another organization will do so.]

From the Getty press release:

Since ending its collaboration with the Institut de l’Information Scientifique et Technique (INIST)–CNRS in December 2007, the Getty has been searching for partners to continue the production and distribution of BHA. This process has been complicated, and with no suitable arrangement immediately available, the Getty decided to act on its commitment to the scholarly community by providing access to BHA directly from its own Web site.

The relaunched BHA includes the International Bibliography of Art (IBA), covering the years 2008 and part of 2009, as well as the Répertoire de la litterature de l’art (RILA), a predecessor of BHA that was maintained by CAA for many years. RILA records from 1975 to 1989 will be online by May 1, 2010.

Filed under: Libraries, Online Resources, Research — Tags: ,

In response to Museums Advocacy Day, held on March 22–23, Senator Kirsten Gillibrand (D-NY) is circulating a “Dear Colleague” letter to encourage her fellow senators to ask the Senate Appropriations Committee for $50 million in funding for the Office of Museum Services, a branch of the Institute of Museum and Library Services. The amount requested for fiscal year 2011 is a $14.8 million increase over the current fiscal year. Gillibrand’s letter is similar to a separate effort in the House of Representatives, supported by Representatives Paul Tonko (D-NY), Louise Slaughter (D-NY), and Leonard Lance (R-NJ).

The American Association of Museums (AAM) has prepared a form letter that you may use to send an urgent message to your senators. Use the online fields to enter your contact information, which will then select your senator’s name and address. You can then download (as an .rtf) and print the letter to mail or fax, or choose the email option to send your letter right away. You can edit and personalize your missive before sending.

In response to Museums Advocacy Day, held on March 22–23, Senator Kirsten Gillibrand (D-NY) is circulating a “Dear Colleague” letter to encourage her fellow senators to ask the Senate Appropriations Committee for $50 million in funding for the Office of Museum Services, a branch of the Institute of Museum and Library Services. The amount requested for fiscal year 2011 is a $14.8 million increase over the current fiscal year. Gillibrand’s letter is similar to a separate effort in the House of Representatives, supported by Representatives Paul Tonko (D-NY), Louise Slaughter (D-NY), and Leonard Lance (R-NJ).

The American Association of Museums (AAM) has prepared a form letter that you may use to send an urgent message to your senators. Use the online fields to enter your contact information, which will then select your senator’s name and address. You can then download (as an .rtf) and print the letter to mail or fax, or choose the email option to send your letter right away. You can edit and personalize your missive before sending.

Any serious reckoning of how Americans participate in arts and cultural activities must account for demographic and geographic diversity. Prior National Endowment for the Arts (NEA) publications, including the 2008 Survey of Public Participation in the Arts, already have examined the age, race and ethnicity, gender, and education and income status of arts-goers.

Another way to understand arts participation is by asking where it takes place. Come as You Are: Informal Arts Participation in Urban and Rural Communities is the NEA’s first research publication in several years to examine the “informal arts”—such as playing a musical instrument, attending an art event at a place of worship, or visiting a craft fair. This finding is part of new research from the NEA, announced earlier this during a visit by NEA Chairman Rocco Landesman to Chelsea, Michigan, as part of the NEA’s Art Works Tour. The publication provides an analysis of arts participation in rural and urban areas.

Come as You Are: Informal Arts Participation in Urban and Rural Communities is available in print and pdf on the NEA website.

Filed under: Advocacy, Publications, Research — Tags:

CAA learned last week, through the Art History Newsletter, that the Getty Research Institute in Los Angeles is withdrawing the Bibliography of the History of Art (BHA) from distribution on March 31, 2010. With the closing, hundreds of thousands of records and abstracts in the database will soon be unavailable to scholars worldwide—indefinitely.

Subscribers to BHA, which include many academic libraries and research institutions, received notice about the shutdown from the Getty earlier this month. While there are some alternatives—among them Art Index, Avery Index, and ARTbibliographies Modern—the loss of this invaluable resource is immense and will be deeply felt throughout the international art-history community. Indeed, BHA’s “coverage has not been duplicated in any single database available to us,” writes Jill E. Luedke, a librarian and art-subject specialist at Temple University.

Since June CAA has made numerous communiqués by phone and email to the Getty regarding the demise of BHA, receiving only one inconclusive response. From what CAA can gather from other sources, the closure appears to be strictly a budgetary decision. The Getty attempted to find an organization that would purchase the database and software program that they had developed, but found none. CAA was not privy to the negotiations to find a buyer.

As the world’s most comprehensive bibliographic database of publications in art history, BHA covers the visual arts in Europe and America from late antiquity to the present. Copublished with the Institut de l’Information Scientifique et Technique in France, BHA originated in part as the International Repertory of the Literature of Art (RILA), created in 1972 under the auspices of CAA and supported by grants from public endowments and private foundations. The Getty’s bibliography includes RILA records from 1972 to 1989 and those from the Repertory of Art and Archaeology (RAA) from 1973 to 1989, and had been growing ever since.

Michael Rinehart, formerly editor in chief of RILA and BHA for nearly thirty years, wrote in 2009: “It is highly unlikely that any commercial vendor will want to maintain it. It is equally clear that the Getty intends to end BHA with or without a plan for its continuation…. Whatever the original understanding between the CAA and the Getty may have been, it is self-evident that the CAA entrusted RILA to the Getty in the expectation that it would continue.”

Art historians and researchers were first alerted to the possible closure in June 2009, and CAA published a response at that time. The Getty released a statement in the same month, but negotiations with other organizations, as noted above, failed to produce a solution to keep BHA alive.

Filed under: Libraries, Online Resources, Research — Tags: ,

The March CAA News—which presents a wrap-up of the wildly successful 2010 Annual Conference in Chicago—has just been published. You may download a PDF of it immediately.

This issue offers conference summaries from multiple perspectives by key players, including CAA’s conference director Emmanuel Lemakis, Services to Artists Committee members Brian Bishop and Sabina Ott, and more. Dawoud Bey’s keynote address at Convocation is reprinted in full, and a report from the Board of Directors meeting is also included. And don’t miss the wide selection of full-color photographs from the many conference events.

If you missed the web article on the Coalition on the Academic Workforce’s statement on part-time faculty, or the calls for editorial-board members of CAA’s journals, you can catch up with the March newsletter.

The CAA News editor is still accepting submissions for the Endnotes section for the May issue. Please send your listings for recent solo exhibitions, books published, and exhibitions curated, as well as news about your new position or your grant or fellowship, to Christopher Howard.

Interested in advertising in CAA News? Please contact Bradford Nordeen at 212-691-1051, ext. 252.

The Office of the Intellectual Property Enforcement Coordinator (IPEC), a federal agency in the Executive Office of the President, seeks opinions on how the federal government should enforce copyrights and handle infringements. In a two-part survey, IPEC not only solicits written submissions about economic costs associated with intellectual-property violations, but also requests specific recommendations on how such violations can be dealt with. All comments should be sent by email.

Public Knowledge, a digital-issues interest group based in Washington, DC, writes, “The request for comments seems geared to take in complaints from big media companies and other major holders of copyrights, patents, and trademarks,” but also that it is “open to everyday consumers, citizens, and members of the public.”

An area that art historians may wish to address, for example, is the way that copyright controls on images have made it difficult for electronic texts to include copyrighted art images. For artists, an area of concern is the high cost of registering copyright in a visual image, and lack of good bulk registration tools at the US Copyright Office for visual-image rights holders.

Read more about the issue on the Public Knowledge website, which also includes a sample letter that you can tailor to your needs. Deadline: 5:00 PM on March 24, 2010.