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CAA News Today

The CAA Annual Conference is the world’s largest international forum for professionals in the visual arts. More than four thousand artists, art historians, curators, educators, and students are expected to meet February 10–13, 2010, at the Hyatt Regency in Chicago.

2010 Annual Conference Website

The conference website, which contains registration information, travel and hotel details, Career Services features, reception and meeting listings, special events, and more, was launched yesterday.

The conference website expands on the 2010 Conference Information and Registration booklet that will arrive in members’ mailboxes later this month; new material and information will be added regularly between now and February.

Listings of session titles and chairs are also available on the conference website. Full session details, including the names of panelists and their paper titles, will be posted soon.

Register Online Now

Online registration opened yesterday. You can also buy tickets for other events, such as the Gala Reception, professional-development workshops, and postconference tours. Alternatively, you may use the printed forms in Conference Information and Registration.

Early registration is available through December 11, 2009:

  • Members: $155
  • Student and retired members: $90
  • Nonmembers: $280

Reserve Your Hotel Room

CAA was able to renegotiate cheaper hotel rates at the Hyatt Regency Chicago, the headquarters hotel, to help save conference attendees even more money. See Travel & Lodging on the conference website for full details.

Filed under: Annual Conference, Membership

New CAA Affiliated Societies

posted by August 26, 2009

CAA welcomes two art organizations into its family of affiliated societies: the European Architectural History Network and Public Art Dialogue. Affiliated societies are groups of art professionals and other organizations whose goals are generally consonant with those of CAA, with a view toward facilitating intercommunication and mutual enrichment.

The European Architectural History Network (EAHN) supports research and education by providing a public forum for the dissemination of knowledge about the histories of architecture. Based in Europe, it serves architectural historians and scholars in allied fields without restriction on their areas of study. The network seeks to overcome limitations imposed by national boundaries and institutional conventions through increasing the visibility of the discipline among scholars and the public; promoting scholarly excellence and innovation; fostering inclusive, transnational, interdisciplinary, and multicultural approaches to the history of the built environment; encouraging communication among the disciplines that study space; facilitating the open exchange of research results; and providing a clearinghouse for information related to the discipline.

Public Art Dialogue (PAD), cochaired by Harriet F. Senie and Cher Krause Knight, is an organization devoted to public art. Its membership includes art historians, artists, curators, administrators, architects, landscape architects, and others engaged with the wide arc that encompasses public art. PAD’s goal is to provide platforms for dialogue among public-art professionals and students across disciplines.

For more information on CAA’s affiliated societies, please write to Emmanuel Lemakis, CAA director of programs.

Filed under: Affiliated Societies, Membership

The J. Paul Getty Museum in Los Angeles has posted free audio recordings from eight 2009 Annual Conference sessions that took place at the Getty Center and Getty Villa. The audio can be streamed online or downloaded for playback on a computer or MP3 player. File sizes range from 41 to 142 MB.

Here are the sessions:

  • “That Captured Instant of Time: Realism and Drama in Baroque Sculpture,” chaired by Catherine Hess
  • “Luxury Devotional Books and Their Female Owners,” chaired by Thomas Kren and Richard Leson
  • “What We Talk about When We Talk about Artist’s Books,” chaired by Marcia Reed
  • “European Drawings, 1400–1900,” chaired by Lee Hendrix and Stephanie Schrader
  • “Networks and Boundaries,” chaired by Thomas Gaehtgens
  • “Cabinet Pictures in Seventeenth-Century Europe,” chaired by Andreas Henning
  • “The Medieval Manuscript Transformed,” chaired by Kristen Collins and Christine Sciacca
  • “The Art and Archaeology of Ancient Greece, Rome, and Etruria,” chaired by Karol Wight

The sessions are among several Highlights of Past Programs, which also include videos of interviews with the artists Jim Dine and Robert Irwin. The Getty’s Museum Symposia section makes available papers from a 2006 symposium, “Looking at the Landscapes: Courbet and Modernism.”

CAA offers audio recordings from many other 2009 conference sessions, as well as from other recent conferences. Please visit CAA’s Conference Audio Recordings for more information.

Filed under: Annual Conference — Tags:

Individual CAA members may submit a session proposal for the centennial Annual Conference, taking place February 9–12, 2011, in New York. Proposals should cover the breadth of current thought and research in art, art and architectural history, theory and criticism, pedagogical issues, museum and curatorial practice, conservation, and developments in technology.

The Annual Conference Committee welcomes session proposals that include the work of established artists and scholars, along with that of younger scholars, emerging and midcareer artists, and graduate students. Particularly welcome are those sessions that highlight interdisciplinary work. Artists are especially encouraged to propose sessions appropriate to dialogue and information exchange relevant to artists.

Session proposals are only accepted online; paper forms and postal mailings are not required. To set up an account, please email Lauren Stark, CAA manager of programs, who will register your email address and provide you with a password. For full details on the submission process, please visit Chair a Conference Session. Deadline: September 1, 2009; no late applications are accepted.

Filed under: Annual Conference, Membership

CAA wishes to thank the artists, art historians, curators, critics, and educators who generously served during Career Services at the 2009 Annual Conference as mentors for the Artists’ Portfolio Review and Career Development Mentoring, as leaders of the Professional Development Roundtable Discussions, as presenters of the Career Development Workshops, and as speakers at Orientation.

Artists’ Portfolio Review

Michael Bzdak, Sue Canning, Carole Garmon, Les Joynes, Jason Lahr, Marius Lehene, Suzanne Lemakis, Meg Linton, Holly Morrison, Margaret Murphy, Alastair Noble, Liz Roth, Richard Tichich.

Career Development Mentoring

Becca Albee, Pam Aloisa, Susan Altman, Michael Aurbach, Lucinda Bliss, Sally Cornelison, Connie Cortez, Julie Nelson Davis, Carole Gorman, Reni Gower, Julie Green, Randall C. Griffin, Courtney Grim, Richard Heipp, Jim Hopfensperger, Dennis Y. Ichiyama, Arthur Jones, Heather McPherson, Mary McInnes, David Raizman, David Sokol, Steve Teczar, Ann Tsubota, Jaime Ursic.

Roundtable Leaders

Susan Altman, Michael Aurbach, Sally Block, Diane Burko, Nicola Courtright, Diane Edison, Suzanne Lemakis, Harold Linton, Andrea Polli, Norie Sato, Marie Thibeault.

Career Development Workshops

Barbara Bernstein, Steven Bleicher, Mika Cho, David Dombrosky, Kate Kuykendall, Harold Linton, David Sokol.

Orientation

Michael Aurbach, Irina D. Costache, Margaret Lazzari, David Sokol.

“Toward an Art Pedagogy for the Twenty-First Century,” “Torture, Extraordinary Renditions, and the Aesthetics of Disappearance,” and “About Face: Portrait, Mask, and Facial Expression in Mesoamerica and the Andes, 6000 BC–AD 1600”—these are titles of only three of the many exciting sessions from the 2009 Annual Conference in Los Angeles. They are also available as audio recordings from Conference Media. Nearly eighty sessions—including special Saturday sessions hosted by the Feminist Art Project—are included.

A set of MP3 audio recordings from the conference is available for only $149.95, either as a download or on interactive CD-ROMs. Individual sessions, available only as downloads, are $24.95 each. Please visit Conference Media to view the list of sessions and to order.

Whether you took part in, attended, or missed a particular conference session, these recordings are a must-have for your library, research, or teaching. Listen to them while walking across campus, while driving in your car or using public transportation, or while relaxing in your home.

You can also purchase session audio recordings from the 2006–8 conferences in Boston, New York, and Dallas–Fort Worth.

Photo: A 2009 Annual Conference session (photograph by Brad Marks)

Filed under: Annual Conference

ARTexchange at the 2008 Annual Conference in Dallas-Fort Worth (photograph by Teresa Rafidi)CAA’s Services to Artists Committee invites artist members to participate in ARTexchange, an open forum for sharing work at the Annual Conference. ARTexchange, to be held Friday evening, February 27, at the Los Angeles Convention Center, is free and open to the public; a cash bar is available.

The space on, above, and beneath a six-foot table is available for each artist’s exhibition of prints, paintings, drawings, photographs, sculptures, and small installations; performance, sound, and spoken word are also welcome. Previous ARTexchange participants have found that this parameter sparked creative displays, and the committee looks forward to surprises and inspiring solutions at the upcoming conference. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets—bring fully charged batteries.

To participate in Los Angeles, please write to the ARTexchange coordinators, with the subject heading “CAA ARTexchange.” Include your CAA member number and a brief description of what you plan to present. Please provide details regarding performance, sound, spoken word, or technology-based work, including laptop presentations. You will receive an email confirmation. Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference.

Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline: December 15, 2008.

Photograph by Teresa Rafidi.

The titles of papers and names of presenters at the 2009 Annual Conference in Los Angeles have been published on the conference website. Arranged by day and time, session listings also give the chronological order of speakers, session locations, and names of session chairs.

Information about poster sessions and sessions and events taking place at the Getty Center, Getty Villa, and J. Paul Getty Museum are also published.

Filed under: Annual Conference

The website for the 2009 Annual Conference in Los Angeles, which contains registration information, travel and hotel details, Career Services features, reception and meeting listings, special events, and more, has been launched. You can also register for the conference online.

The conference website expands the Conference Information and Registration booklet that was mailed to all members earlier this month. A new feature is a list of frequently asked questions about the conference; more details will be added between now and February.

Complete session listings, including those held in ARTspace, will be posted soon. You will be able to sample the approximately 150 sessions in detail, search by keyword and browse by conference day, and find out who is speaking and the titles of their papers.

Online registration has begun. You can also buy tickets for other events, such as the Gala Reception, Professional Development Workshops, and postconference tours. Alternatively, you may use the printed forms in Conference Information and Registration.

Filed under: Annual Conference

CAA holds its 98th Annual Conference in Chicago, Illinois, from Wednesday, February 10, to Saturday, February 13, 2010. The Annual Conference Committee invites session proposals that cover the breadth of current thought and research in art, art and architectural history, theory and criticism, pedagogical issues, museum and curatorial practice, conservation, and developments in technology. Session proposals are accepted through an online submission process at http://conference.collegeart.org/2010.

The process of fashioning the conference program is a delicate balancing act. The 2010 program is shaped by four broad submission categories: Historical Studies, Contemporary Issues/Studio Art, Educational and Professional Practices, and Open Forms.

Also included in the mix are sessions presented by affiliated societies, CAA committees, and, for balance and programmatic equity, open sessions (which have a broad, inclusive topic or theme). Most program sessions, however, are drawn from submissions by individual members; the committee greatly depends on the participation of the CAA membership in forming the conference.

The Annual Conference Committee welcomes session proposals that include the work of established artists and scholars, along with that of younger scholars, emerging and midcareer artists, and graduate students. Particularly welcome are those sessions that highlight interdisciplinary work. Artists are especially encouraged to propose sessions appropriate to dialogue and information exchange relevant to artists.

The committee considers proposals from CAA members only. Once selected, session chairs must remain current members through 2010. No one may chair a session more than once in a three-year period. (That is, individuals who chaired sessions in 2008 or 2009 may not chair a session in 2010.)

Sessions may bring together scholars and participants in a wide range of fields, including but not limited to: anthropology, history, economics, philosophy, religion, literary theory, and new media. In addition, the committee seeks topics that have not been addressed in recent conferences or areas that have traditionally been underrepresented.

Proposals need not conform to traditional panel formats; indeed, experimentation is highly desirable. To this end, CAA presents Open Forms, a session category that encourages the submission of experimental and nontraditional formats (e.g., roundtables, performances, forums, conversations, multimedia presentations, and workshops). Open Forms sessions may be preformed, with participants chosen in advance by session chairs. Please note that these sessions require advance planning by the session chair; apply only if you have the time required to attend to such tasks.

Sessions selected by the Annual Conference Committee for the 2010 conference are considered regular program sessions; that is, they are 2½-hours long, are scheduled during the eight regular program time slots during the four days of the conference, and require a conference badge for admission. With the exception of the Open Forms category, CAA session proposals may not be submitted as preformed panels with a list of speakers. Proposals for papers for the 2010 sessions are solicited through the 2010 Call for Participation, published in February 2009.

Each CAA affiliated society and CAA committee may submit one proposal that follows the guidelines outlined above. A letter of support from the society or committee must accompany the submission. The Annual Conference Committee considers it, along with the other submissions, on the basis of merit.

Session Categories
Below are descriptions of the four general submission categories.

  • Historical Studies: This category broadly embraces all art-historical proposals up to the third quarter of the twentieth century
  • Contemporary Issues/Studio Art: This category is intended for studio-art proposals, as well as those concerned with contemporary art and theory, criticism, and visual culture
  • Educational and Professional Practices: This category pertains to session proposals that develop along more practical lines and address the educational and professional concerns of CAA members as teachers, practicing artists and critics, or museum curators
  • Open Forms: This category encourages experimental and alternative formats that transcend the traditional panel, with presentations whose content extends to serve the areas of contemporary issues, studio art, historical studies, and educational and professional practices

Proposal Submission Guidelines
For the 2010 conference, all session proposals are completed online. Please visit http://conference.collegeart.org/2010 to begin your application. Prospective chairs must include the following in their proposal:

  • Top sheet: a completed session-proposal form, which must be filled out online and then printed. Please size your hard copy to fit an 8½ x 11 inch sheet of paper
  • Second sheet: if you have prior approval of one of CAA’s affiliated societies or a CAA committee to submit an application for a sponsored session, you must include an official letter of support from the society or committee. If you are not submitting an application for a sponsored session, please skip this step
  • Third sheet: your CV and, if applicable, the CV of your cochair; no more than two pages in length each

Please mail eighteen (18) collated and stapled copies of your entire session-proposal application to the CAA manager of programs (mailing address appears at the end of the article). Do not use paper clips.

The Annual Conference Committee makes its selection solely on the basis of merit. Where proposals overlap, CAA reserves the right to select the most considered version or, in some cases, to suggest a fusion of two or more versions from among the proposals submitted.

The submission process must be completed online. Eighteen printed, stapled, and collated copies of your completed application must be sent by mail to: Manager of Programs, Sessions 2010, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: September 1, 2008; no late applications are accepted.

For questions, please contact Susan DeSeyn-Lodise, CAA sessions coordinator.

Filed under: Annual Conference