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In accordance with CAA’s practice to regularly update its Standards and Guidelines in the fields of art and art history, the Board of Directors adopted two documents at its meeting on February 26, 2012, that address fair use of visual resources in teaching, scholarship, and libraries.

Christine Sundt, editor of the journal Visual Resources and cochair of CAA’s Committee on Intellectual Property, presented the Statement on the Fair Use of Images for Teaching, Research, and Study, authored and published by the Visual Resources Association (VRA) in 2011, and the Code of Best Practices in Fair Use for Academic and Research Libraries, produced by the Association of Research Libraries (ARL) in 2012.

Fair Use of Images for Teaching, Research, and Study

Visual Resources Association: Statement on the Fair Use of Images for Teaching, Research, and Study is a helpful tool for educators and scholars who rely on images for teaching, research, publishing, and other academic work. The statement describes the six uses of images that fall within the doctrine of fair use according to United States copyright law: the use of images for the purpose of teaching; the preservation and transferring of images from one format to another; the creation of online image resources for students; the use of images by students in the context of the classroom; the sharing of images among cultural or educational institutions; and the inclusion of images in theses and dissertations.

The statement is intended to instill confidence in the scholarly community by clarifying the many educational and academic contexts to which fair use can be applied. The statement, reviewed by a committee of legal experts and copyright scholars who have determined the accuracy of each example of fair use, is by no means exhaustive on the subject of fair use, and it only addresses copyright laws within the United States.

Fair Use of Images for Academic and Research Libraries

The Code of Best Practices in Fair Use for Academic and Research Libraries (2012) describes eight examples of common library practices that are affected by the rules of copyright and fair use. Because the prevalence of digital technologies in higher education has changed the way in which students and faculty use libraries and offer access to academic coursework, the code urges institutions to clarify and update research database systems and to transfer archive material deemed as “at risk items” into a digital format. The code also discusses the need to reproduce library material for disabled students and faculty without bias.

Like the VRA statement, the ARL code does not claim to cover the topic of fair use exhaustively. Rather, its objective is to expand understanding and engagement with copyright laws for librarians and library users. The code was created through the process of interviewing sixty-five librarians across the United States who represented a wide spectrum of academic and research libraries.

At its February 2012 meeting, the CAA Board of Directors chose new officers—four vice presidents and a secretary—from among its members to serve one-year terms, from May 2012 to April 2013. Elected officers (other than the president) hold their positions for one year and may be reelected to a second term. For more information about the election process for officers, please read Article VII, Section 5 of the CAA By-laws.

Patricia McDonnell, Vice President for External Affairs

The board reelected Patricia McDonnell, director of the Ulrich Museum of Art at Wichita State University in Kansas, for a second term as vice president for external affairs. A member of the board since 2009, McDonnell will work closely with Linda Downs, CAA executive director, and Nia Page, CAA director of membership, development, and marketing, on fund-raising initiatives and advocacy matters.

 

DeWitt Godfrey, Vice President for Committees

DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University in Hamilton, New York, was elected vice president for committees. He will act as a liaison between the board and the nine Professional Interests, Practices, and Standards Committees and coordinate committee work that advances CAA’s goals. A board member since 2009, Godfrey succeeds Maria Ann Conelli, dean of the School of Visual, Media, and Performing Arts at Brooklyn College, City University of New York, who served two terms as vice president for committees. (Conelli has been named secretary; see below.)

Jacqueline Francis, Vice President for Annual Conference

Jacqueline Francis, professor of art history at California College of the Arts in San Francisco, has been named vice president for Annual Conference. She will chair the Annual Conference Committee, which determines conference programming and content, and work with CAA staff to devise and implement flexible session scheduling and formats for the event. A board member since 2009, Francis succeeds Anne Collins Goodyear, assistant curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, who served CAA in this position for one year. (Goodyear will become board president in May 2012; see below.)

Randall C. Griffin, Vice President for Publications

The board reelected Randall C. Griffin, professor of art history at Southern Methodist University in Dallas, Texas, to a second term as vice president for publications. A member of the board since 2008, Griffin will oversee CAA’s publications program, serve as chair of the Publications Committee, and be a resource for the editorial boards of the three scholarly journals, The Art Bulletin, Art Journal, and caa.reviews.

 

Maria Ann Conelli, Secretary

Maria Ann Conelli, dean of the School of Visual, Media, and Performing Arts at Brooklyn College, City University of New York, has been elected secretary. This officer attends and records minutes for all board and Executive Committee meetings. In addition, the secretary notifies CAA members about the Annual Members’ Business Meeting, held every year at the Annual Conference, and attends and records minutes of this meeting. A board member since 2009, Conelli succeeds DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University, who has become vice president for committees (see above).

Anne Collins Goodyear, President

In October 2011, the board chose Anne Collins Goodyear, assistant curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, in Washington DC, to serve as the organization’s next president for a two-year term, beginning May 2012. A member of the board since 2006, Goodyear has served as vice president for external affairs (2007–9), vice president for publications (2009–11), and vice president for Annual Conference (2011–12). She succeeds Barbara Nesin, who has led the board since May 2010.

 

The CAA Board of Directors welcomes four newly elected members, who will serve from 2012 to 2016:

Barbara Nesin, CAA board president, announced the election results during the Annual Members’ Business Meeting, held on Friday, February 24, at the 100th Annual Conference in Los Angeles.

The Board of Directors is charged with CAA’s long-term financial stability and strategic direction; it is also the association’s governing body. The board sets policy regarding all aspects of CAA’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.

For the annual board election, CAA members vote for no more than four candidates; they also cast votes for write-in candidates (who must be CAA members). The four candidates receiving the most votes are elected to the board.

CAA seeks nominations and self-nominations from individuals interested in shaping the future of the organization by serving on the Board of Directors for the 2013–17 term. The board is responsible for all financial and policy matters related to the organization. It promotes excellence in scholarship and teaching in the history and criticism of the visual arts, and it encourages creativity and technical skill in the teaching and practice of art. CAA’s board is also charged with representing the membership on issues affecting the visual arts and the humanities.

Candidates must be current CAA members. Nominations and self-nominations should include the following information: the nominee’s name, affiliation, address, email address, and telephone number, as well as the name, affiliation, and email address of the nominator, if different from the nominee. Please send all information by mail or email to: Vanessa Jalet, Executive Assistant, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline: April 2, 2012.

Filed under: Board of Directors, Governance

The annual election of CAA members to serve on the Board of Directors has begun. Visit the main board election page or click the candidates’ names below to read their statements, biographies, and endorsements—and to watch their video presentations—before casting your vote.

The six candidates for the 2012–16 term are:

To vote, log into your CAA account with your CAA user/member ID# and password. Then click the Vote Now image at the center of the screen to begin the process. If you are already logged in, click the Home link at left, and then the Vote Now image.

You may vote for up to four candidates (including one write-in candidate, if you wish) who will serve on the board for four years. The election ends at 5:00 PM (PST) on Friday, February 24, 2012.

Questions? Contact Vanessa Jalet, CAA executive assistant.

Join the 2012 Nominating Committee

posted by November 28, 2011

CAA invites you to help shape the future of the organization by serving on the 2012 Nominating Committee. Each year, this committee nominates and interviews potential candidates for the CAA Board of Directors and selects the final slate for the membership’s vote. The candidates for the 2012–16 board election will be announced in early December 2011.

The current Nominating Committee will choose the new members of its own committee at its business meeting, to be held at the 2012 Annual Conference in Los Angeles in February. Once selected, all committee members must propose, in the spring, a minimum of five and a maximum of ten people for the board. Service on the committee also involves conducting telephone interviews with candidates during the summer and meeting in September 2012 to select the final board slate. Finally, all Nominating Committee members attend their business meeting, at the New York conference in 2013, to select that year’s committee.

Nominations and self-nominations should include a brief statement of interest and a two-page CV. Please send all materials to: Maria Ann Conelli, Vice President for Committees, c/o Vanessa Jalet, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Materials may also be sent as Microsoft Word attachments to Vanessa Jalet. Deadline: January 9, 2012.

Anne Collins Goodyear, associate curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, has been elected president of the CAA Board of Directors for a two-year term, beginning May 2012. A member of the board since 2006, Goodyear has served as vice president for external affairs (2007–9), vice president for publications (2009–11) and vice president for Annual Conference (2011–12). She succeeds Barbara Nesin of the Art Institute of Atlanta, who has led the board since May 2010.

Goodyear writes, “CAA sets a standard for professional excellence and best practices that is not only enjoyed by our membership, but which resonates far beyond. In an era of increasing financial constraints and expanding channels for outreach, the association must continue to aspire to balancing nimbleness with the reflection that goes along with responsible judgment. These are challenges I would enjoy addressing in tandem with CAA staff, fellow board members, and the membership at large.”

Goodyear began work at the National Portrait Gallery in Washington, DC, in 2001 and was promoted from assistant to associate curator in 2009. Her recent exhibitions include Inventing Marcel Duchamp: The Dynamics of Portraiture, organized with James W. McManus (2009), and Reflections/Refractions: Self-Portraiture in the Twentieth Century, collaborating with Wendy Wick Reaves (2009). Both exhibitions were accompanied by scholarly catalogues of the same title. Goodyear has also helped organize six installations for the museum’s ongoing Portraiture Now series, initiated in 2006. Additionally, she has taught a graduate seminar in American art at George Washington University since 2008.

Goodyear earned her MA and PhD in art history from the University of Texas at Austin, after receiving a BA in the history of art and architecture and French civilization at Brown University in Providence, Rhode Island. She has published essays in the scholarly journals American Art and Leonardo and contributed chapters to several exhibition catalogues and edited volumes, including Unexpected Reflections (2010), The Political Economy of Art: Creating the Modern Nation of Culture (2008), Cold War Modern: Art and Design in a Divided World (2008), and Photography Theory (2007).

Within CAA, Goodyear served on the Museum Committee, chaired the Education Committee, and participated on the Task Force on Practical Publications, the Task Force on Editorial Safeguards, the Strategic Plan Steering Committee, and the Centennial Task Force, among other groups. Equally active outside the organization, she has chaired the Washington, DC, chapter of ArtTable since 2010 and currently leads the Smithsonian Network Review Committee, which oversees programming for the institution’s documentaries and other videos. As chair of the Smithsonian’s Material Culture Forum, she facilitated interdisciplinary programing for scholars in the nation’s capital.

Goodyear continues, “I have been a member of CAA since my years as a graduate student. During that time, I had the opportunity to see firsthand John Clarke’s clear passion for and enjoyment of his service on the CAA board and his role as president. Dr. Clarke’s enthusiasm for CAA touched each of the students with whom he worked. I would ultimately seek to bring a similar level of engagement and commitment to the role of president, and would seek to inspire future leaders to become further engaged with the organization to render it as adaptive and responsive as possible to the diverse emerging needs of emerging and established professionals in the visual arts.”

The CAA board chooses its next president from among the elected directors in the fall of the current president’s final year of service, providing a period in which the next president can learn the responsibilities of the office and prepare for his or her term. For more information on CAA and the Board of Directors, please contact Vanessa Jalet, CAA executive assistant.

A full report on the October board meeting is forthcoming later this month.

Open House at CAA’s New Office

posted by October 07, 2011

CAA invites members to attend a special Open House of the organization’s new office on Saturday, October 22, 2011, from 12:00 to 2:00 PM. The office is located at 50 Broadway, 21st Floor, New York, NY 10004.

Many CAA staffers will be on hand to give informal tours of the office and to answer questions about day-to-day work. Members of the Board of Directors, in town for its fall meeting taking place the next day, can talk to you about the larger issues CAA is facing.

The new office, which CAA has called home since July, is located in a rich historical district near Wall Street, Bowling Green, Battery Park, and Trinity Church. The National Museum of the American Indian and Arturo Di Modica’s famous bronze sculpture of the Charging Bull are both a stone’s throw away, and Zuccotti Park and Occupy Wall Street are a few blocks to the north.

Light refreshments will be served. A photo ID is required to enter the building. Please RSVP for the Open House by Thursday, October 20, 2011.

 

Filed under: Board of Directors, Membership

CAA’s future depends on strong leadership. For the past several years, the organization has offered members the option to vote online in the annual Board of Directors election—and the majority of you have done so. Only a few voters (1.57 percent) use paper ballots sent by mail. Thus the board determined at its February 2011 meeting that future CAA elections will only be conducted online.

In November, CAA will notify you by email when it publishes the statements and biographies for the six candidates participating in the 2012–16 board election. To make sure you receive this message, log into your CAA account to add or update your email address. When the polls open in December, all members can vote by logging into their CAA account.

Filed under: Board of Directors, Governance — Tags:

2011 Nominating Committee Members

posted by March 22, 2011

CAA is pleased to announce the members of the 2011 Nominating Committee, which is charged with identifying and interviewing potential candidates for the Board of Directors and selecting the final slate of candidates for the membership’s vote. The committee members and their institutional affiliations are:

  • Maria Ann Conelli, American Folk Art Museum, Vice President for Committees and Chair
  • Jay Coogan, Minneapolis College of Art and Design and CAA Board
  • Linda Downs, CAA Executive Director (ex officio)
  • Helen C. Evans, Metropolitan Museum of Art
  • Jonathan Fineberg, University of Illinois, Urbana-Champaign
  • Jacqueline Francis, California College of the Arts and CAA Board
  • Patricia Mathews, Hobart and William Smith Colleges and CAA Board
  • Clarence Morgan, University of Minnesota
  • Norie Sato, Independent Artist, Seattle

The 2010 Nominating Committee chose the new members of the committee at its recent business meeting, held during the 2011 Annual Conference in New York in February. The Board of Directors also appointed three liaisons. CAA publishes a call for nominations and self-nominations for Nominating Committee service in CAA News and on the website in late fall of every year.