CAA News Today

Harper Montgomery reviews Collective Situations: Readings in Contemporary Latin American Art, 1995–2010, edited by Bill Kelley Jr. and Grant H. Kester. (caa.reviews)

Nicoletta Rousseva writes about Revolution Every Day: A Calendar, edited by Robert Bird, Christina Kiaer, and Zachary Cahill. Read the full review at caa.reviews.

James P. Anno reviews Michelangelo and the Viewer in His Time by Bernadine Barnes. Read the full review at caa.reviews.

Mark Erdmann writes about Kyoto Visual Culture in the Early Edo and Meiji Periods: The Arts of Reinvention edited by Morgan Pitelka and Alice Y. Tseng. Read the full review at caa.reviews.

Valeria Federici reviews Art in the Age of the Internet, 1989 to Today edited by Eva Respini. Read the full review at caa.reviews.

Natasha Kurchanova writes about Moscow Vanguard Art: 1922–1992 by Margarita Tupitsyn. Read the full review at caa.reviews. 

Robert Summers discusses Hold It Against Me: Difficulty and Emotion in Contemporary Art by Jennifer Doyle, and Performance by Diana Taylor. Read the full review at caa.reviews. 

Meg R. Jackson reviews Wall Writers: Graffiti in Its Innocence by Roger Gastman, Trina Calderon, and Caleb Neelon, and Basquiat before Basquiat: East 12^th Street, 1979–1980, edited by Nora Burnett Abrams. Read the full review at caa.reviews.

Sarah Stefana Smith writes about Blacktino Queer Performance, edited by E. Patrick Johnson and Ramón H. Rivera-Servera. Read the full review at caa.reviews.

Cristina Morandi reviews The Restless Earth (La Terra Inquieta) edited by Massimiliano Gioni and Micola Brambilla. Read the full review at caa.reviews.

Andrea Gyorody reviews Paik’s Virtual Archive: Time, Change, and Materiality in Media Art by Hanna B. Hölling. Read the full review at caa.reviews.

Lisandra Estevez reviews Baroque Seville: Sacred Art in a Century of Crisis by Amanda Wunder. Read the full review at caa.reviews.

Sabine T. Kriebel reviews Photography and Humour by Louis Kaplan. Read the full review at caa.reviews.

Carol Damian reviews Heaven, Hell, and Everything in Between: Murals of the Colonial Andes by Ananda Cohen Suarez. Read the full review at caa.reviews.

Cindy Teresa Peña writes about Paint the Revolution: Mexican Modernism, 1910–1950 edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello. Read the full review at caa.reviews.

Brigit Ferguson discusses Gothic Sculpture in America III: The Museums of New York and Pennsylvania, edited by Joan A. Holladay and Susan L. Ward. Read the full review at caa.reviews.

Ellen Handy reviews Clarence H. White and His World: The Art and Craft of Photography, 1895–1925 by Anne McCauley. Read the full review at caa.reviews.

Jenifer Neils writes about The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity by Guy Hedreen. Read the full review at caa.reviews. 

Eric Michael Wolf discusses Austin by Ellsworth Kelly, and the exhibition Form into Spirit: Ellsworth Kelly’s Austin at the Blanton Museum of Art. Read the full review at caa.reviews.

Christopher Kasprzak explores the exhibition Calder: Hypermobility at the Whitney Museum of American Art. Read the full review at caa.reviews.

Samuel Johnson writes about Soviet Salvage: Imperial Debris, Revolutionary Reuse, and Russian Constructivism by Catherine Walworth. Read the full review at caa.reviews.