CAA News Today
New in caa.reviews
posted by CAA — May 01, 2020
Andrew Griebeler discusses the Getty exhibition Balthazar: A Black African King in Medieval and Renaissance Art. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — March 27, 2020
B. Deniz Çalış Kural considers the book Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul by Ünver Rüstem. Read the full review at caa.reviews.
Valérie Kobi discusses Charlotte Guichard’s La griffe du peintre: La valeur de l’art (1730–1820). Read the full review at caa.reviews.
Itay Sapir writes about The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655) by Marije Osnabrugge. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — March 20, 2020
John Muse writes about Dread Scott’s Slave Rebellion Reenactment, a contemporary recreation of the 1811 German Coast Uprising. Read the full review at caa.reviews.
Catherine Spencer explores the immersive traveling exhibition Nick Cave: Until. Read the full review at caa.reviews.
Alison Singer discusses three recent shows at the Baltimore Museum of Art: Generations: A History of Black Abstract Art; Melvin Edwards: Crossroads; and Every Day: Selections from the Collection. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — March 13, 2020
Nina Lubbren discusses Jean-Léon Gérôme and the Crisis of History Painting in the 1850s by Gülru Çakmak. Read the full review at caa.reviews.
Yanhua Zhou writes about Meiqin Wang’s Socially Engaged Art in Contemporary China: Voices from Below. Read the full review at caa.reviews.
Ron E. Reichman reviews the SFMOMA exhibition and catalog April Dawn Alison. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — March 06, 2020
The three former field editors for theory and historiography—David Carrier, Michael Ann Holly, and Andrei O. Pop—reflect on the state of the field(s) and the place of reviewing in the theoretical life of art history. Read the full discussion at caa.reviews.
Tobias Vogt writes about the 2019 Venice Biennale, May You Live in Interesting Times. Read the full review at caa.reviews.
Esra Akın-Kıvanç discusses The Making of the Artist in Late Timurid Painting by Lamia Balafrej. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — February 28, 2020
Diana Seave Greenwald reviews Out of Earshot: Sound, Technology, and Power in American Art, 1860–1900, by Asma Naeem. Read the full review at caa.reviews.
Grace Harpster discusses the exhibition Through a Glass, Darkly: Allegory and Faith in Netherlandish Prints from Lucas van Leyden to Rembrandt at the Carlos Museum, Atlanta. Read the full review at caa.reviews.
Susan Danly writes about the catalog Winslow Homer and the Camera: Photography and the Art of Painting by Dana E. Byrd and Frank H. Goodyear III. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — February 21, 2020
Jessamine Batario considers Sam Rose’s Art and Form: From Roger Fry to Global Modernism. Read the full review at caa.reviews.
Holly Flora discusses Women, Art and Observant Franciscan Piety: Caterina Vigri and the Poor Clares in Early Modern Ferrara by Kathleen Giles Arthur. Read the full review at caa.reviews.
Kerri A. Pfister reviews the exhibition Della Robbia: Sculpting with Color in Renaissance Florence. Read the full review at caa.reviews.
Nancy Locke delves into Carol Armstrong’s book Cézanne’s Gravity. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — February 07, 2020
Dániel Margócsy reviews Insect Artifice: Nature and Art in the Dutch Revolt by Marisa Anne Bass. Read the full review at caa.reviews.
Sven Dupré writes about Art and Optics in the Hereford Map: An English Mappa Mundi, c. 1300 by Marcia Kupfer. Read the full review at caa.reviews.
Beth Saunders discusses Anthony W. Lee’s book The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — January 31, 2020
Sabra Moore writes about the Harwood Museum’s exhibition Judy Chicago: The Birth Project from New Mexico Collections. Read the full review at caa.reviews.
Whitney Davis and Justin Underhill review Scale and the Incas by Andrew James Hamilton. Read the full review at caa.reviews.
Malika Maskarinec discusses Art and Form: From Roger Fry to Global Modernism by Sam Rose. Read the full review at caa.reviews.
Deadlines extended! Serve on a CAA Committee or Editorial Board
posted by CAA — January 27, 2020
Attendees at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo
Each spring, members have the opportunity to provide crucial service to the field and gain an inside view by volunteering to work on a CAA committee or editorial board.
Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.
CURRENT OPPORTUNITIES
Art Journal—Editor-In-Chief
Deadline (extended): June 1, 2020
caa.reviews—Field Editor for East Asian Art
Deadline (extended): June 1, 2020
Publications Committee—Two Members
Deadline (extended): June 1, 2020
PAST OPPORTUNITIES
Art Journal / Art Journal Open (AJO) Editorial Board—Three Members
Deadline: April 15, 2020
The Art Bulletin Editorial Board—One Member
Deadline: April 15, 2020
The Art Bulletin—One Reviews Editor or Coeditor Team
Deadline: April 15, 2020
caa.reviews Editorial Board—Three Members (One an Emerging Professional)
Deadline: April 15, 2020
caa.reviews—Eight Field Editors
African Art, African Diaspora/African American Art, Architecture and Urban Planning, Asian Art, Contemporary Art, Exhibitions: East Coast, Exhibitions: Midwest, Exhibitions: West Coast
Deadline: April 15, 2020