CAA News Today
CWA Picks for July–August 2011
posted by Christopher Howard — August 16, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
The CWA Picks for July–August 2011 shine invigorating spotlights on two momentous forces that supported and inspired international artistic developments in the twentieth century: the Baltimore sisters Claribel and Etta Cone, and the writer and impresario Gertrude Stein. The Jewish Museum in New York hosts an exhibition dedicated to the Cones’ stunning collection of modern art, and the Contemporary Jewish Museum in San Francisco focuses on the Stein’s life and legacy.
If in New York, CWA also suggests viewing a new multichannel video work by Dara Birnbaum at Marian Goodman Gallery and taking a journey around the world via Ruth Gruber’s photographs at the International Center of Photography. Elsewhere, The Guerrilla Girls Talk Back is a recommended exhibition of newly acquired prints, multiples, and ephemera at the National Museum of Women in the Arts in Washington, DC, and Claude Cahun’s comprehensive retrospective at Jeu de Paume in Paris, France, addresses issues in feminist scholarship and turning points in the understanding of the female artist.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: Claribel Cone, Gertrude Stein, and Etta Cone sitting a table in Settignano, Italy, June 26, 1903. Baltimore Museum of Art. Dr. Claribel Cone and Miss Etta Cone Papers, Archives and Manuscripts Collection, CG.12 (photograph provided by the Baltimore Museum of Art)
Participate in ARTexchange at the Los Angeles Conference
posted by Lauren Stark — August 09, 2011
CAA’s Services to Artists Committee invites artist members to participate in ARTexchange, an open forum for sharing work at the 2012 Annual Conference. Free and open to the public, ARTexchange will be held on Friday, February 24, 5:30–7:30 PM, in a central location at the Los Angeles Convention Center. A cash bar will be available.
ARTexchange is an annual event showcasing the art of CAA members, who can exhibit their paintings, drawings, prints, photographs, sculptures, and digital works using the space on, above, and beneath a six-foot folding table. Artists may also construct temporary mini-installations and conduct performance, sound, and spoken-word pieces in their space. In the past, many ARTexchange participants found the event to be their favorite part of the conference, with the table parameter sparking creative displays.
To be considered for ARTexchange in Los Angeles, please send your full name, your CAA member number, a brief description of the work you want to exhibit (no more than 150 words), and a link to your website to Lauren Stark, CAA manager of programs. Artists presenting performance or sound art, spoken word, or technology-based work, including laptop presentations, must add a few sentences about their plans. Accepted participants will receive an email confirmation. Because ARTexchange is a popular venue with limited space, early applicants will be given preference. Deadline extended: January 6, 2012.
Participants are responsible for their work; CAA is not liable for losses or damages. Sale of work is not permitted. Participants may not hang artworks on walls or run power cords from laptops or other electronic devices to outlets—bring fully charged batteries. For the first time, CAA will provide wireless internet to ARTexchange participants free of charge.
Top image: The artist Dennis Olsen chats about his work with a fellow printmaker, Pantea Karimi, at ARTexchange in 2011 (photograph by Bradley Marks)
Bottom image: The interdisciplinary artist Rachel Hines performs a work called Interview during ARTexchange in New York (photograph by Bradley Marks)
Apply for Service on a CAA Committee
posted by Vanessa Jalet — July 08, 2011
CAA invites you to apply for service on one of its nine innovative, productive Professional Interests, Practices, and Standards Committees, which address crucial issues in the visual arts and propose solutions that advance CAA’s goals and the profession as a whole. Working on a committee is also an excellent way to network with other members.
Committee activity is busiest at the Annual Conference, where each group usually presents one or two sessions. Other committees do more: the Services to Artists Committee conceives and implements ARTspace, ARTexchange, and the Media Lounge, and the Students and Emerging Professionals Committee puts together lunchtime programming on professional-development topics for the Student and Emerging Professionals Lounge.
Throughout the year, committee activities are more diverse, and you will have the opportunity to bring up topics important to you and your colleagues for discussion and action. If developments in pedagogy interest you, apply for the Education Committee. Worried about artists’ copyright or the high cost of image reproduction? The Committee on Intellectual Property monitors and advises on these pressing issues.
This year, two committees conducted surveys directed at their particular CAA constituencies. The Museum Committee sought input from museum and gallery professionals, and the International Committee queried members based outside the United States and foreign-born artists and scholars working in America. The Professional Practices Committee tackles urgent professional matters such as the increase of adjuncts in higher education; it also writes and revises Standards and Guidelines that, once approved by the CAA Board of Directors, become authoritative and comprehensive documents for art-related disciplines. The Committee on Diversity Practices has added a hitherto underserved area, older and senior professionals, to its list of concerns, and the Committee on Women in the Arts publishes the monthly CWA Picks of exhibitions and events related to feminist art and scholarship, among other projects.
Committee members serve three-year terms (2012–15), with at least one new member rotating onto a committee each year. Candidates must possess expertise appropriate to the committee’s work and be current CAA members. Members of all committees volunteer their services without compensation. The following vacancies are open for terms beginning in February 2012:
- Committee on Diversity Practices: three members
- Committee on Intellectual Property: one member
- Committee on Women in the Arts: two members
- Education Committee: two members
- International Committee: two members
- Museum Committee: three members
- Professional Practices Committee: two members
- Services to Artists Committee: four members
- Student and Emerging Professionals Committee: three members
CAA’s president and vice president for committees will review all candidates in late November 2011 and make appointments in early December, prior to the 2012 Annual Conference in Los Angeles, where CAA will conclude its yearlong Centennial Celebration. All new members are introduced to their committees during their respective business meetings at the conference.
Nominations and self-nominations should include a brief statement (no more than 150 words) describing your qualifications and experience and an abbreviated CV (no more than two pages). Please send all materials to Vanessa Jalet, CAA executive assistant. Deadline: October 14, 2011.
Image: The Student and Emerging Professionals Committee hosted a breakfast at the American Folk Art Museum during the 2011 Annual Conference (photograph by Bradley Marks)
June Picks from CAA’s Committee on Women in the Arts
posted by Christopher Howard — June 16, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
The CWA Picks for June 2011 include a nationwide list of screenings for !Women Art Revolution, Lynn Hershman Leeson’s documentary film on the feminist art movement, and a retrospective of the work of the mask-clad Guerrilla Girls, opening at the National Museum of Women in the Arts in Washington, DC. In addition, two events—a three-day conference in Lisbon and a survey of the infamous Young British Artist, Tracey Emin, in London—give an international flavor to the picks.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
May Picks from CAA’s Committee on Women in the Arts
posted by Christopher Howard — May 06, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
The CWA Picks for May 2011 include an exhibition of new work by Uta Barth at the Art Institute of Chicago, a career-spanning survey for Loïs Mailou Jones at the Women’s Museum in Dallas, and a show at the Rock and Roll Hall of Fame and Museum in Cleveland, called Women Who Rock: Vision, Passion, Power.
In addition, two events—a graduate-student symposium and a lecture by Gail Levin—will take place next weekend (May 14–15) at the Brooklyn Museum in New York.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: Chrissie Hynde’s jacket for the cover of the Pretenders’ self-titled debut album from 1980 (photograph provided by the Rock and Roll Hall of Fame and Museum)
April Picks from CAA’s Committee on Women in the Arts
posted by Christopher Howard — April 06, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
The CWA Picks for April 2011 include three exhibitions: Sheila Hicks: 50 Years in Philadelphia, Lynda Benglis in New York, and Vija Celmins: Television and Disaster 1964–1966 in Los Angeles. The committee also selected a conversation between the artist Diane Burko and the geographer Åsa Rennermalm, who will discuss climate issues and activism.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
2011 Nominating Committee Members
posted by Vanessa Jalet — March 22, 2011
CAA is pleased to announce the members of the 2011 Nominating Committee, which is charged with identifying and interviewing potential candidates for the Board of Directors and selecting the final slate of candidates for the membership’s vote. The committee members and their institutional affiliations are:
- Maria Ann Conelli, American Folk Art Museum, Vice President for Committees and Chair
- Jay Coogan, Minneapolis College of Art and Design and CAA Board
- Linda Downs, CAA Executive Director (ex officio)
- Helen C. Evans, Metropolitan Museum of Art
- Jonathan Fineberg, University of Illinois, Urbana-Champaign
- Jacqueline Francis, California College of the Arts and CAA Board
- Patricia Mathews, Hobart and William Smith Colleges and CAA Board
- Clarence Morgan, University of Minnesota
- Norie Sato, Independent Artist, Seattle
The 2010 Nominating Committee chose the new members of the committee at its recent business meeting, held during the 2011 Annual Conference in New York in February. The Board of Directors also appointed three liaisons. CAA publishes a call for nominations and self-nominations for Nominating Committee service in CAA News and on the website in late fall of every year.
CAA Seeks Jury Members for the Awards for Distinction
posted by Lauren Stark — March 18, 2011
CAA invites nominations and self-nominations for individuals to serve on ten of the twelve juries for the annual Awards for Distinction for three years (2011–14). Terms begin in May 2011; award years are 2012–14. CAA’s twelve awards honor artists, art historians, authors, curators, critics, and teachers whose accomplishments transcend their individual disciplines and contribute to the profession as a whole and to the world at large.
Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not be serving on another CAA committee or editorial board. CAA’s president and vice president for committees appoint jury members for service.
The following jury vacancies will be filled this spring:
- Charles Rufus Morey Book Award: 1 member
- Alfred H. Barr Jr. Award: 1 member
- Arthur Kingsley Porter Prize: 1 member
- Frank Jewett Mather Award: 2 members
- Distinguished Teaching of Art Award: 1 member
- Distinguished Teaching of Art History Award: 1 member
- Distinguished Feminist Award: 2 members
- Artist Award for a Distinguished Body of Work: 2 members
- Distinguished Artist Award for Lifetime Achievement: 2 members
- Distinguished Lifetime Achievement Award for Writing on Art: 1 member
No jury members are needed this year for the Art Journal Award and the CAA/Heritage Preservation Award.
Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and an abbreviated CV (no more than two pages). Please send all materials by email to Lauren Stark, CAA manager of programs; submissions must be sent as Microsoft Word attachments. Deadline: April 15, 2011.
New Members Join CAA’s Professional Interests, Practices, and Standards Committees
posted by Christopher Howard — March 07, 2011
CAA’s nine Professional Interests, Practices, and Standards Committees have welcomed their newly appointed members, who will serve three-year terms, 2011–14. In addition, seven new chairs have taken over committee leadership. New committee members and chairs began their terms last month at the 2011 Annual Conference in New York.
A call for nominations to serve on these committees appears annually from July to September in CAA News and on the CAA website. CAA’s president, vice president for committees, and executive director review nominations in December and make appointments that take effect the following February.
New Committee Members
Committee on Diversity Practices: Julie Levin Caro, Colby College; Yasmin Ramirez, Hunter College, City University of New York; Jordana Moore Saggese, California College of the Arts; and Jacqueline Taylor, University of Virginia. Kevin Concannon of the University of Akron takes over as chair from Renée Ater of the University of Maryland, College Park.
Committee on Intellectual Property: Benjamin Binstock, Cooper Union for the Advancement of Science and Art; and Charlotte Frost, Writtle School of Design. Doralynn Pines, formerly of the Metropolitan Museum of Art (retired), and Christine Sundt of Visual Resources: An International Journal of Documentation will share chair duties, succeeding Kenneth Cavalier, a lawyer based in British Columbia.
Committee on Women in the Arts: Wanda Ewing, University of Nebraska; Donna Moran, Pratt Institute; and Claudia Sbrissa, St. John’s University. Taking over the position of chair from Diane Burko, professor emerita at Philadelphia Community College, is Maria Elena Buszek of the University of Colorado, Denver.
Education Committee: Wayne (Mick) Charney, Kansas State University; Linda Cirocco, Savannah College of Art and Design; Joan Giroux, Columbia College Chicago; James Haywood Rolling, Syracuse University; and Julia Sienkewicz, Auburn University, Montgomery. Rosanne Gibel of the Art Institute of Fort Lauderdale succeeds Richard Tichich of Western Carolina University as chair.
International Committee: Kathryn Brown, Tilburg University; Diane Derr, Virginia Commonwealth University; Gwen Farrelly, Museum of Modern Art; and Geraldine A. Johnson, University of Oxford. Jennifer Milam of the University of Sydney remains the committee chair.
Museum Committee: Helen Burnham, Museum of Fine Arts, Boston; Christa Clarke, Newark Museum; Briley Rasmussen, Los Angeles County Museum of Art; and N. Elizabeth Schlatter, University of Richmond Museum. Karol Ann Lawson of Sweet Briar College assumes chair duties from Jay Clarke of the Sterling and Francine Clark Art Institute.
Professional Practices Committee: Dana B. Clancy, Boston University; Anne McClanan, Portland State University; and Robert Tynes, University of North Carolina, Asheville. Charles Wright of Western Illinois University will continue to serve as chair.
Services to Artists Committee: Sharon L. Butler, Eastern Connecticut State University; Conrad Gleber, La Salle University; Micol Hebron, Chapman University; Julia Morrisroe, University of Florida; and Timothy Nolan, independent artist, Los Angeles. Jackie Apple of Art Center College of Design follows Brian Bishop of Framingham State University as chair.
Student and Emerging Professionals Committee: Hazel Antaramian-Hofman, California State University, Fresno; Steven Bleicher, Coastal Carolina University; Deborah Karpman, University of Montevallo; David Lindsay, Texas Tech University; and Laurel O. Peterson, Yale University. Jennifer Stoneking-Stewart of Lander University succeeds Hilary Batzel of Women’s Studio Workshop as chair.
March Picks from CAA’s Committee on Women in the Arts
posted by Christopher Howard — March 04, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
One CWA Pick for March 2011 is a conversation between the artists Yoko Ono and Kara Walker at the Museum of Modern Art in New York, taking place on Tuesday evening, March 8. Another selection is an exhibition at the University of California, Riverside, called Margarita Cabrera: Pulso y Martillo (Pulse and Hammer). On Saturday, March 5, the artist will present Florezca Board of Directors: Performance with Riverside students and faculty. The March picks also include two exhibitions in New York: Maira Kalman: Various Illuminations (of a Crazy World) at the Jewish Museum and Color Moves: Art and Fashion by Sonia Delaunay at the Cooper-Hewitt National Design Museum.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: Margarita Cabrera, Black Toaster, 2003, vinyl, thread, and appliance parts, 10 x 7 x 10 in. (artwork © Margarita Cabrera; photograph provided by the artist, Walter Maciel Gallery, and the Sweeney Art Gallery)