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CAA News Today

Global Conversations: Materiality and Mediation

posted by September 27, 2022

We are excited to introduce the presenters for the virtual symposium, Global Conversations: Materiality and Mediation, on October 4, 2022 from 11 am to 1 pm Eastern time. The event is organized by the College Art Association (CAA) and two of its international affiliated societies, the Design History Society and the International Association of Word and Image Studies. To register for the event, visit this page.

This global collaborative project brings together three intersecting constituencies—art and design, design history, word, and image studies—to examine how materiality and mediation intersect.  

Four participating scholars will present on the following topics, followed by Q&A and discussion. The event will be recorded and shared online following the event.   

This no-cost event is open to the public. Please consider donating to support no-cost programming and providing access to new and emerging scholarship.  

CAA’s membership program connects you to the largest community of individuals and organizations working together and advocating to advance research, practice, and the impact of the visual arts. Visit our website for more information and to join our organization.  

Questions? Email info@collegeart.org.

 

Interested in becoming an affiliate?

Arts organizations interested in joining CAA as an affiliated society can do so by visiting our website.  

To join the Design History Society, please visit this page.  

To join the International Association of Word and Image Studies, please visit this page.  

 

Global Conversations: Materiality and Mediation
Presentations and Panelists

“Tavolino di gioie”: The Mediation of Material Techniques in Late Cinquecento Hardstone Inlaid Tables – Wenyi Qian, Ph.D. Candidate in Art History, University of Toronto, Toronto 

Wenyi Qian is a Ph.D. candidate in early modern Italian art, with a focus on the relationship between artistic practice and knowledge culture of the period. Her dissertation examines the production of hardstone inlaid tables in late Cinquecento and Seicento Italy at the nexus of early modern craft knowledge, natural sciences, and courtly life and consumption. It aims to track technical crossovers between disparate artistic media and scales in the making of this genre of domestic furniture. She holds a BA in History of Art with Material Studies and an MA in History of Art from University College London. Prior to her doctoral research, she interned at the Museum of Fine Arts, Houston, and worked as a convenor of academic programs at OCAT Institute, Beijing. This latter experience led to her interest in the historical formation of the discipline in Europe, as well as transnational intellectual exchange around the ideas of the arts and humanities across Europe, America, and East Asia over the last century. In addition to academic research, her translation of Victor I. Stoichita’s L’Instauration du tableau: métapeinture à l’aube des temps modernes is forthcoming by the end of 2022.    

 

Mediating the Meaning of Textiles through Exhibition Displays in Israel, 1950s-1970s – Noga Bernstein, Marie-Sklodowska Curie Visiting Researcher, Hebrew University of Jerusalem   

Noga Bernstein is an art and design historian, specializing in modern craft in the United States and Israel, with a particular focus on textiles. She is currently a visiting researcher at the Hebrew University in Jerusalem. Her current research project, funded by a Marie Sklodowska-Curie Fellowship, investigates the history of textile art and design in Israel between the 1940s-1990s. She also works on a book manuscript on the US-textile design Ruth Reeves. Dr. Bernstein is a recipient of grants from the Smithsonian Institution, the American Council of American Art and the Center for Craft. She completed her PhD in art history at Stony Brook University in 2019.    

 

Made in Japan: Development of the Poster Medium in Japanese Commercial Art and Design – Nozomi Naoi, Associate Professor of Humanities, Yale-NUS College, Singapore

Erin Schoneveld, Associate Professor of East Asian Languages and Cultures and Director of Visual Studies, Haverford College, Haverford, Pennsylvania  

Nozomi Naoi is Associate Professor of Humanities at Yale-NUS College with joint appointment at the Department of Japanese Studies, Faculty of Arts and Social Sciences at the National University of Singapore. She specializes in modern Japanese art and the media environment and is the author of Yumeji Modern: Designing the Everyday in Twentieth-Century Japan (University of Washington Press, 2020; awarded the Honorable Mention for the John Whitney Hall Prize 2022). Her current project focuses on Japanese poster design and the role of department stores, designers, and global modernism during the early twentieth century and she is currently preparing her second book manuscript titled: Modern Design and the Japanese Department Store: Visualizing the New Lifestyle. She is also co-curating an exhibition on postwar Japanese posters at the Poster House Museum in New York, opening in March 2023.  

Erin Schoneveld is Associate Professor of East Asian Languages and Cultures; and Associate Professor and Director of Visual Studies at Haverford College. Schoneveld’s scholarship and teaching engages with modern and contemporary Japanese art, cinema, and visual culture. Her book Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-garde (Brill 2019) provides a critical framework for understanding the tensions between the local and the universal that accompanied the global development of modernism. Schoneveld’s current book project Naomi Kawase and the Future of Japanese Cinema examines the role of Japanese women directors within national and world cinema cultures by evaluating Kawase’s auteur status at the intersection of film history, reception theory, gender, and identity. Schoneveld is also co-curating an exhibition on twentieth century Japanese poster art and design at the Poster House Museum in New York, opening in March 2023.   

 

Mine Craft: Design Histories of Mining – Ellen Huang, Associate Professor of Art and Design History, ArtCenter College of Design, Pasadena, California

Arden Stern, Assistant Professor of Humanities and Sciences, ArtCenter College of Design, Pasadena, CA  

Ellen Huang, Ph.D. is a historian of material culture, art, and technology at ArtCenter College of Design (Pasadena, CA, USA). In addition to teaching and research, Huang is also a curator, having organized exhibitions through universities such as the Ackland Museum of Art (UNC Chapel Hill), University of San Francisco and the Cantor Arts Center at Stanford University, as well as for civic museums. Huang is finishing a manuscript about Jingdezhen porcelain as material design in late-imperial Chinese and global history. Huang has contributed to publications for museums, journalistic forums, and academic journals, including Archives of Asian Art, Journal of World History, Art&Object, Jewels in Buddhist Imaginaries (University of Hawai’i Press), the National Museum of Korea Research Series, and Oxford Bibliographies. 

Arden Stern, Ph.D. is a design historian whose scholarship focuses on the intersecting histories of US labor, graphic design, and visual culture. They are currently an Assistant Professor of Humanities & Sciences at ArtCenter College of Design (Pasadena, CA, USA), also teaching in the Media Design Practices program, and have served as Visiting Faculty in the Department of Anthropology at Wayne State University. They have contributed to various scholarly and journalistic publications, including the Design & Culture journal, Design Issues, and Print magazine, and are currently working on a manuscript that analyzes labor and class histories of graphic design in the United States from the late nineteenth century through the present. 

Affiliated Society News: August

posted by August 15, 2022

Affiliated Society News shares the new and exciting things CAA’s affiliated organizations are working on including activities, awards, publications, conferences, and exhibitions.

Interested in becoming an Affiliated Society? Learn more here.


Bibliographical Society of America

Announcements 

New Open Access Resource for Teaching & Study of Material Texts: BibSite Beta is Here!

The Bibliographical Society of America is delighted to announce the redesign and beta launch of BibSite, the Society’s open access resource for discovering and sharing bibliographical research and pedagogical materials at bibsite.org.

Designed for scholars, instructors, professionals, and students of bibliography in the broadest sense of the term, BibSite connects users to materials that can further their own research, teaching, and studies. Visit bibsite.org to search and browse a growing array of hosted and indexed materials.

Share Your Work on BibSite
People who study and work with textual objects can use BibSite to share their work as a hosted media file or as an indexed resource published elsewhere online. Syllabi, lesson plans, image sets, conference presentations, enumerative bibliographies, datasets, and other bibliographical materials are all welcome contributions. Learn more.

This project was made possible by a grant from the Gladys Krieble Delmas Foundation.

Opportunities

Apply for a BSA Fellowship

In keeping with the central value the Society places on bibliography as a critical framework, the BSA funds a number of fellowships to promote inquiry and research in books and other textual artifacts in both traditional and emerging formats.

Bibliographical projects may range chronologically from the study of clay tablets and papyrus rolls to contemporary literary texts and born-digital materials. Topics relating to books and manuscripts in any field and of any period are eligible for consideration as long as they include analysis of the physical object – that is, the handwritten, printed, or other textual artifact – as historical evidence.

We will be spotlighting the various Fellowships here in our Twitter feed throughout the summer. Follows us online, or follow the link above to visit our website for details about the numerous opportunities available to members and non-members alike.

Applications are due 3 October.

Apply to the BSA New Scholars Program

The application portal is now open for the BSA’s New Scholars Program.  This program promotes the work of scholars new to bibliography, broadly defined to include the creation, production, publication, distribution, reception, transmission, and subsequent history of all textual artifacts. This includes manuscript, print, and digital media, from clay and stone to laptops and iPads.

The award is $1,000, with a $500 travel stipend. Three awards are made each year as part of a two-pronged program:

  1. New Scholars present fifteen-minute talks on their current, unpublished bibliographical research during the program preceding a program preceding the Society’s Annual Meeting, held each January. The 2023 Annual Meeting will be held in New York on January 27, 2023.
  2. Expanded versions of New Scholars’ papers are submitted to the editor of The Papers of the Bibliographical Society of America (PBSA) for publication, subject to peer review.

Applications are due 1 September.

Publications

Publication of CAA 2021 session papers in the  Journal of Art Historiography

A paper from “The Print in the Codex,” the Bibliographical Society of America’s sponsored session at the 2021 College Art Association annual conference, has just been published in the June 2022 issue of the Journal of Art Historiography: Sarah C. Schaefer (University of Wisconsin-Milwaukee), “Bibles unbound: the material semantics of nineteenth-century scriptural illustration.” A second paper from that same session will be published in the December 2022 issue: Silvia Massa (Kupferstichkabinett, Staatliche Museen zu Berlin), “From the reliure mobile to the Schraubband. Collecting and storing prints in mobile albums at the Kupferstichkabinett in Berlin.”

Daniel Chodowiecki (1726–1801), Der Kupferstich Liebhaber, etching, 1780


Catalogue Raisonné Scholars Association

CRSA Gets With the Zoom Program(s)

Events

Programs with art lawyer Pamela L. Grutman and editor Phil Freshman (President, Association of Art Editors) have highlighted the Catalogue Raisonné Scholars Association’s recent online programming. Please see CRSA’s website (catalogueraisonne.org) for details on other upcoming webinars, including a presentation on the database of catalogues raisonnés compiled and hosted by the International Foundation for Art Research (IFAR).

CRSA’s first roundtable program is Scholars on Sources: Tapestry Archives, which will bring together scholars who have conducted extensive archival research on topics in twentieth-century tapestry. Presenters include Marit Paasche, Giselle Eberhard Cotton, Ann Lane Hedlund, and Lilien Lisbeth Feledy. This public offering has been organized by Mae Colburn, studio manager and archivist, for tapestry artist Helena Hernmarck. The roundtable takes place on September 30th, with further details available on their event registration page.

Filed under: Affiliated Societies, Event

Join us this fall for the virtual symposium, Global Conversations: Materiality and Mediation, on October 4, 2022, organized by CAA and two of its international affiliated societies, the Design History Society and the International Association of Word and Image Studies.

To register for the event, visit this page. The event will take place from 11 am to 1 pm Eastern time.

This global collaborative project brings together three intersecting constituencies—art and design, design history, and word and image studies—to examine how materiality and mediation intersect.

Six participating scholars will present on the following topics, followed by Q&A and discussion. The event will be recorded and shared online following the event.

  • “Tavolino di gioie”: The Mediation of Material Techniques in Late Cinquecento Hardstone Inlaid Tables – Wenyi Qian, Ph.D. Candidate in Art History, University of Toronto, Toronto
  • Mediating the Meaning of Textiles through Exhibition Displays in Israel, 1950s-1970s – Noga Bernstein, Marie-Sklodowska Curie Visiting Researcher, Hebrew University of Jerusalem
  • Made in Japan: Development of the Poster Medium in Japanese Commercial Art and Design – Nozomi Naoi, Associate Professor of Humanities, Yale-NUS College, Singapore Erin Schoneveld, Associate Professor of East Asian Languages and Cultures and Director of Visual Studies, Haverford College, Haverford, Pennsylvania
  • Mine Craft: Design Histories of Mining – Ellen Huang, Associate Professor of Art and Design History, ArtCenter College of Design, Pasadena, California Arden Stern, Assistant Professor of Humanities and Sciences, ArtCenter College of Design, Pasadena, CA

This no-cost event is open to the public. Please consider donating to support no-cost programming and providing access to new and emerging scholarship.

CAA’s membership program connects you to the largest community of individuals and organizations working together and advocating to advance research, practice, and the impact of the visual arts. Visit our website for more information and to join our organization.

Arts organizations interested in joining CAA as an affiliated society can do so by visiting our website.

To join the Design History Society, please visit this page.

To join the International Association of Word and Image Studies, please visit this page.

African Sky, an oil painting by James Wilson Edwards, will be included in the Arts Council of Princeton’s Retrieving the Life and Art of James Wilson Edwards and a Circle of Black Artists, an exhibition featuring the work of a diverse and vibrant regional arts community not acknowledged in contemporary American art history on view at the Arts Council of Princeton this October.

 

The Arts Council of Princeton will present a revolutionary exhibition in October 2022. Retrieving the Life and Art of James Wilson Edwards and a Circle of Black Artists reveals how Black artist/teachers were integral and influential members in a predominantly white regional community in the last quarter of the 20th century. While there have been blockbuster exhibitions of a few contemporary Black artists during recent years of efforts by museums and galleries to become more diverse, this is one of the first exhibitions to explore the historical context from which these artists emerged.

Co-curators Judith K. Brodsky and Rhinold Ponder say “this has been a magnificent voyage of discovery about the lives and roles in art history of Black artists who have largely been forgotten or ignored as well as a reminder of the significance of Black collectors in preserving and promoting the history of Black artists and ensuring that they are eventually remembered for their contributions. We trust that our efforts here encourage others to restore Black artists and arts communities to their rightful places in American national and regional histories.” Brodsky is a Distinguished Professor Emerita at the Department of Visual Arts at Rutgers and previously served as a president of CAA. Ponder is an artist, activist, writer, lawyer, and founder of Art Against Racism.

This exhibition focuses on five late 20th-century master artists who lived and worked within 25 miles of each other in the geographic region from Princeton, New Jersey to New Hope, Pennsylvania: James Wilson Edwards, Rex Goreleigh, Hughie Lee-Smith, Selma Hortense Burke, and Wendell T. Brooks. These Black artists represent a diverse and vibrant regional arts community largely unknown in contemporary American art history. Nearly all the works in this exhibition come from private collections, highlighting the importance of collectors of color in restoring Black and brown artists to American art history and how their collecting sheds light on the systemic racism of the American art world. Recent attention to diversity in museum collections has revealed that only 1.2% of the holdings are by African American artists.

Retrieving the Life and Art of James Wilson Edwards and a Circle of Black Artists will be on view in the Arts Council of Princeton’s Taplin Gallery from October 14 through December 3, 2022 and will include an opening reception, panel discussion, and more. Additional information can be found on the Art Council of Princeton’s website.

 

Materiality and Mediation: Global Conversations
Tuesday, 4th October 2022.

A virtual symposium convened by the CAA, the Design History Society, and the International Association of Word and Image Studies

To what extent are materiality and mediation useful foci in the study of design, word and image? What happens when we bring them together? How do materiality and mediation work in tandem as productive subjects of enquiry? What are the local, regional and international variations in the ways these foci are understood and engaged by design historians and those working in word and image studies?

This global collaborative project brings together three intersecting constituencies—art and design, design history, word and image studies—to examine the ways in which materiality and mediation intersect.

For more information on the event, its requirements, and how to apply:
Proposals may address the following, but are not limited by this list:
  • mediating the ethics and sustainability of extraction and deployment of materials
  • sensoriality of materials and mediation
  • mediation as material activism
  • mediating intersections of materiality and form (natural/synthetic/digital matter; art/craft/design/film/photography; prose/poetry/drama)
  • localizing/globalizing materials through mediation
  • ‘raw and cooked’ materials
  • mediating materialities of scale
  • mediating immateriality
  • mediating materials as signifiers of identity politics
  • (Im)material media of mediation
  • agency of materials
  • dialogues and disputes between makers and mediators.
Format:
To promote transnational dialogue by the most equitable and sustainable means, speakers and participants are invited to make their contributions virtually. Four 15-minute presentations will be followed by a one-hour round table discussion and Q&A. Presenters will be asked to record a talk in advance, for screening at the event, followed by live discussion.
Proposals must include:
  • a proposal title;
  • an abstract of 250 words;
  • a statement of relevance to the symposium theme, Materiality and Mediation: Global Conversations;
  • and a one-page CV listing major publications.

Please send your proposal via email to the DHS Administrator, Jenna Allsopp, (designhistorysociety@gmail.com) by 12 midnight GMT on Tuesday June 14, 2022. Notifications of acceptance will be emailed on July 8, 2022.

The Design History Society and the International Association of Word and Image Studies are two of CAA’s affiliated societies. If you have an interest in joining CAA as an affiliated society, please visit this page.

Filmed at the National Museum of Mexican Art, this program features a discussion about mentoring between two Chicago-based artists, Rubén Aguirre and Dan Ramirez, mediated by Cesáreo Moreno, Director and Curator of the National Museum of Mexican Art. Their conversation takes place inside the Aguirre’s exhibition Tectonic Reflections, open at the National Museum of Mexican Art until July 24. This program was a part of the session, “Mentoring Beyond the Classroom: The Continuing Relationship Over Time,” at CAA’s 2022 Annual Conference in February, chaired by Richard Serrano, a member of CAA’s Services to Artists Committee.

Distinguished Scholar, Kirsten P. Buick

posted by April 14, 2022

On February 17, 2022, Kirsten P. Buick was featured as the Distinguished Scholar at CAA’s 110th Annual Conference. The Distinguished Scholar session highlighted her career and provided an opportunity for dialogue between and among colleagues. Moderated by Annual Conference Chair, Theresa Avila, the session also featured presentations by a few of Buick’s students, including Shana Klein, Abbey Hepner, Annette M. Rodriguez, and Emmanuel Ortega. Watch the session in full below!

Established in 2001, the Distinguished Scholar Session illuminates and celebrates the contributions of senior art historians. The Annual Conference Committee identifies the distinguished scholar each year and each session typically brings together the distinguished scholar and a group of colleagues. The honoree’s involvement is fundamental to the series as a way of demonstrating a living tradition that gives voice to the continuities and ruptures that have shaped art-historical scholarship from the twentieth century into the new millennium.

We are inviting nominations for next year’s Distinguished Scholar at CAA’s 2023 Annual Conference in New York. Nominate individuals here!


On her career, Buick explains:

I identify as a scholar of the visual and material culture of the first British Empire, and the British diaspora in the US, Caribbean, and India. My teaching encompasses topics such as surveys of British Colonial and U.S. Art, American Landscape representation, African American Art, Pro- and Anti-Abolitionist Images in the Atlantic World; and seminars such as Photographing Jim Crow, 1890-1965, Patronizing Women: Taste and Collecting in the 19th and 20th Centuries, and The Victorian Nude: Representing Women, Men, Intersex, and Children. My research and teaching interests encompass histories of science, medicine, religion, as well as monuments, and the use of public space. Increasingly, I am interested in the racialization of mobility—what I characterize as critical mobility studies. I publish primarily in the realm of the history of African American art and its roots in US cultural formations. My first book, “Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject,” is a good example of how I wed my teaching and publication imperatives together with my challenge to art history and visual studies to be more and to do better. Ultimately, teaching is my passion; and I tell my students that job # 1 is surviving the damage, and job # 2 is to never concede the center. 

Kirsten Pai Buick is a professor of art history at the University of New Mexico. She received her Ph.D. in art history from the University of Michigan and was a SAAM Predoctoral Fellow and a Charles Gaius Bolin Fellow at Williams College. Buick is a recipient of the David C. Driskell Prize for African American Art and has published extensively on African American art, including her book Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject (Duke Univ. Press, 2010). Her second book, In Authenticity: “Kara Walker” and the Eidetics of Racism, is in progress.  

Filed under: Annual Conference, Event

Affiliated Society News: April

posted by April 11, 2022

Affiliated Society News shares the new and exciting things CAA’s affiliated organizations are working on including activities, awards, publications, conferences, and exhibitions.

Interested in becoming an Affiliated Society? Learn more here.


American Society of Appraisers

Publications

Valuing a Business, 6th Edition

The seminal book on business valuation is back and better than ever. Shannon Pratt’s Valuing a Business has been the go-to valuation guide for 40 years and has been updated with need-to-know information about taxes, financial reporting, compliance, and more.  Valuing a Business is still the best resource on the market for both new and experienced business appraisers.  This book fully covers the concepts of business valuation and provides detailed answers to virtually every question on the topic, from executive compensation and lost profits analysis to ESOP issues and valuation discounts.

Events

11th Annual ASA Equipment Valuation Conference

Tuesday, May 24, from 11 a.m. – 4:30 p.m.

Now in its 11th year, this annual event has grown to become the definitive source for appraisers, equipment management and finance professionals on the latest insights into equipment valuation. Instantly leverage knowledge gained on market trends and spotlighted asset sectors, as well as new contacts made, by incorporating into your practice areas or introducing to your team.

2022 ASA Summer Appraisal Camp

August 2022

Develop the skills you’ll need to build a career in appraising personal property such as fine and decorative art, antiques, vintage cars, furniture, coins, stamps, and more.

The program includes four virtual courses held over four weeks, including:

  • PP201 – Introduction to Personal Property Valuation – August 3-6, 2022
  • PP202 – Development of a Personal Property Appraisal: Research and Analysis – August 10-13, 2022
  • PP203 – Communication of a Personal Property Appraisal: Report Writing – August 17-20, 2022
  • PP204 – Personal Property Valuation: The Legal and Commercial Environments – August 24-27, 2022


Taiwanese Art History Association

Announcements / Events

PHOTOGRAPHY AND TAIWAN: History and Practice

Thursday, April 7

The Taiwan Academy of the Taipei Economic and Cultural Office in Los Angeles (TECO-LA), the University of Arizona’s School of the Arts (SAUA), and the Center for Creative Photography (CCP) are collaborating for the first time on the “Spotlight Taiwan project” to hold the “Photography and Taiwan: History and Practice” online symposium from April 7 to April 9, 2022 (PST). Nineteen scholars and experts from Korea, the United States, Australia and Taiwan are invited to attend the symposium. They will help the audience understand more about the history, culture and democratization of Taiwan through a historical lens and scholarly debate as recorded in the photography.

Ukraine’s history, art, and culture are endangered by the ongoing war. At Dumbarton Oaks, this lecture and conversation series by experts in the fields of history, art history, archaeology, heritage, sociology, as well as museums and conservation, among others, presents the region’s rich historical and cultural complexity through its objects, sites, and monuments. A focus on the medieval and early modern periods featuring Greek, Latin, and Slavic contacts, brings to the fore critical evidence to counter modern misrepresentations of Ukraine’s history and cultural heritage.

INAUGURAL LECTURE | FRIDAY 22 APRIL 2022 | 12:00 EDT [ 17:00 London | 18:00 Paris | 19:00 Kyiv ]

OLENKA Z. PEVNY (University of Cambridge)

Lacunae of Art History and Kyiv’s Visual Culture

Free and open to the public. Register for the inaugural lecture here. If you cannot attend but would like to receive future updates about this series of events, please join the mailing list here.

Future events include:

  • May 2022 – Lecture: Mariana Levytska, National Academy of Sciences of Ukraine (The “Holy Rus’ concept” and Religious Art with Political Connotations (Pochaiv Monastery in 19th century)
  • May 2022 – Discussion workshop on The Cathedral of St. Sophia, Kyiv
  • June 2022 – Lecture: Christian Raffensperger, Wittenberg University (“Medieval Origins and Modern Constructs, Rus – Ukraine – Russia”)
  • July 2022 – Lecture: Liudmyla Sharipova, University of Nottingham (Mazepa’s women before and after Poltava: to save and to keep)
  • July 2022 – Discussion workshop on Endangered Monuments
  • September 2022 –  Lecture: Maria Grazia Bartolini, Università degli Studi di Milano (Reading the image of prince Volodymyr Sviatoslavych in seventeenth-century Kyiv)
  • September 2022 – Discussion workshop on Displaced Cultural Heritage.
  • October 2022 – Lecture: Nazar Kozak, Senior Research Scholar, Department of Art History, The Ethnology Institute, National Academy of Sciences of Ukraine Lviv (Images of Power and Their Discursive Site-Specificity in Kyivan Rus’)
  • November 2022 – Lecture: Talia Zajac, University of Toronto (will speak about the marriages between the ruling clan of Rus’ and Latin Christian Europe or the translation and commentary on the eleventh-century prayerbook of Gertruda of Poland)
  • November 2022 – Discussion workshop on historical memory.
  • December 2022 – Lecture: Halyna Kohut, Associate Professor, Ivan Franko National University of Lviv (Taste, Social Class, and Oriental Carpet Design in the Eighteenth-Century Cossack Hetmanate)

 

SPONSORSHIP AND ENDORSEMENT:

  • Dumbarton Oaks
  • Princeton University
  • Boise State University
  • Tufts University
  • Centre for Medieval and Early Modern Studies, University of Kent
  • College Art Association (CAA)
  • Byzantine Studies Association of North America (BSANA)
  • British Association for Slavonic and East European Studies (BASEES)
  • Historians of German, Scandinavian, and Central European Art (HGSCEA)
  • Society of Historians of Eastern European, Eurasian and Russian Art and Architecture (SHERA)

 

Filed under: Advocacy, Event

Affiliated Society News: February

posted by February 15, 2022

Many of CAA’s affiliated societies will be presenting virtual sessions at our 110th Annual Conference from February 17-19 and from March 3-5. Check out a list of their sessions to preview!

To attend these sessions and more, make sure to register for the conference and learn more at its registration page.


AHNCA (Association of Historians of Nineteenth-Century Art)

Events

AHNCA’s Emerging Scholars Working Group Presents: See/Sip/Share: AHAA Crossover 

Wednesday, February 23 at 6 p.m. EST

The Emerging Scholars Working Group of the Association of Historians of Nineteenth-Century Art will join with the Association of Historians of American Art (AHAA) to host a See/Sip/Share, a bring-your-own beverage casual discussion of two images. Register here.

Filed under: Affiliated Societies, Event