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CAA Letter to Barack Obama

posted by January 15, 2009

On January 14, 2009, CAA President Paul Jaskot and CAA Executive Director Linda Downs sent a letter to Bill Ivey of President-elect Barack Obama’s transition team, discussing the needs of artists and scholars in the coming years.

CAA has signed onto letters with many other nonprofit organizations urging full funding for the National Endowment for the Arts (NEA), the National Endowment for the Humanities (NEH), and the Institute for Library and Museum Services (IMLS). However, CAA felt that it was necessary to have a separate voice on issues of importance to its members.

CAA will have a presence in Washington, DC, in March 2009 at the Humanities Advocacy Day and Arts Advocacy Day. Jaskot and Downs will be making separate appointments to visit the new chairs of the NEA, NEH and IMLS once they have been appointed.

CAA Letter to President-elect Barack Obama

January 14, 2009

President-elect Barack Obama
President-elect Transition Team

Dear President-elect Barack Obama:

College Art Association, representing over 16,000 artists, art historians, scholars, curators, collectors, art publishers, universities, and libraries, looks forward to working with you and your administration to ensure the revitalization of support for professional artists and art historians in America.

College Art Association:

  • Promotes excellence in scholarship and teaching in the history and criticism of the visual arts and in creativity and technical skill in the teaching and practices of art;
  • Facilitates the exchange of ideas and information among all people interested in art and the history of art;
  • Advocates comprehensive and inclusive education in the visual arts;
  • Speaks for its membership on issues affecting the visual arts and humanities;
  • Publishes scholarly journals, art criticism, and artists’ writings;
  • Fosters career development and professional advancement;
  • Identifies and develops sources of funding for the practice of art and for scholarship in the arts and humanities;
  • Supports and honors the accomplishments of artists, art historians, and critics; and
  • Articulates and affirms the highest ethical standards in the conduct of the profession.

As the leading association in the world that represents professional visual-arts practitioners, CAA endorses your campaign platform’s support of the arts. We strongly agree that in order to remain competitive in the global economy America must reinvigorate the creativity and innovation that has made this country great.

CAA would like your Administration to include not only community arts organizations in its arts program of support but, also, to give greater focus to professional artists and art historians in academia, art museums, and independent professional visual-arts practitioners. Visual art must be reinstated as a respected and esteemed profession in America.

CAA advocates that professionally educated artists and art historians teach K–16 students. To meet this end we must offer all students, K–16, equal access to visual-arts education taught by professionally trained instructors in studio art and art history.

We also believe that public/private partnerships should expand not only between schools and communities but also among the academic community within colleges, universities, and art schools.

We endorse the creation of an art corps comprised of professionally educated artists and art historians who will work with students in urban schools on community-based projects that raise the awareness of the importance of creativity and professional artists. CAA would also like to see an emphasis on visual arts in government-sponsored projects such as AmeriCorps, in both urban and rural areas that address job preparation as well as environmental issues. Professional artists are eager to work on environmental programs that involve community-organized design projects.

CAA would like to emphasize that, in order to publicly champion the importance of arts education, America needs to support the proper preparation and training of artists and art historians who teach at the primary, secondary, and college/university levels. Visual arts need to become part of the core curriculum in each grade and at every stage of education.

CAA fully supports increased funding for the National Endowment for the Arts, the National Endowment for the Humanities, and the Institute for Library and Museum Services. Specifically, professional artists need to be supported on an individual basis, and we strongly recommend reinstatement of the Individual Artist Fellowship program to enable our best artists to pursue and develop their work. We have found that grants to other areas of the arts and humanities far exceed federal and private foundation grants to professional visual artists. It would be an outstanding legacy of this administration to again make federal support of the arts a priority in defending the promotion of our nation’s cultural heritage.

CAA supports legislation that will allow scholars to publish so-called orphan works, which are copyrighted works—such as books, pictures, music, recordings, or films—whose copyright owners cannot be identified or located. This legislation has been introduced in prior Congresses, and we hope it will be passed during the new Congress. Due to the risks of publishing copyrighted material without obtaining permission, many art historians and scholars are unable to publish orphan works, thereby causing great detriment to scholarly publishing, research and public access to these works. At the same time, orphan works legislation must be carefully crafted in respect to the legitimate interests and concerns of visual artists, including photographers.

CAA supports your platform for cultural diplomacy by enhancing international opportunities offered through agencies, such as the United States Information Agency, for exhibitions, teaching, research, and lecture tours by professional visual artists and art historians. CAA’s international membership testifies to the promotion of cultural understanding that occurs through international cultural exchange. Every year CAA seeks funding to support travel of international artists and art historians to its Annual Conference. Current Homeland Security laws and a lack of government funding make it difficult for foreign artists and scholars to present their work and research at conferences of their peers. CAA endorses streamlining the visa process and providing government support for international exchanges of graduate students and professional artists and art historians.

CAA supports providing health care to professional artists and art historians. This is a major concern for professional artists and art historians who are not associated with a college, university, or art museum and attempt to work independently to support themselves. As you are aware, each state has its own laws on insurance. Professional organizations such as CAA would like to offer national healthcare coverage for artists but are prohibited from offering insurance to its members due to differences in state laws. CAA endorses the creation of a National Health Insurance Exchange as one step in the direction of coverage for artists. In the meantime, we encourage you to press for government reforms of insurance laws so that professional organizations such as CAA will be in a position to assist its members to obtain universal coverage.

CAA endorses tax fairness for artists. We have worked hard—and will continue to work hard—to support the Artist-Museum Partnership Act, which was introduced in the prior Congress by Senator Patrick Leahy (D-VT). The Act amends the Internal Revenue Code to allow artists to deduct the fair market value of their work, rather than just the costs of the materials, when they make charitable contributions of that work. Not only has the current tax law been harmful to artists, the creative legacy of a whole generation of professional visual artists has not been donated to our great public institutions because of disincentives to donate created by the current tax laws.

CAA realizes that change takes the support and involvement of every member of society. CAA is committed to promoting the support of professional visual artists and art historians in all areas of American society. We stand ready to help provide information on visual arts professionals, suggestions for specific programs, or any other aid that you may find helpful in promoting a better world for artists and art historians in America.

With your leadership and the groundswell of support for activism, we can reestablish the professional visual-arts practitioner as a contributor to positive cultural change in America.

Sincerely yours,

Paul Jaskot, President, CAA, and Professor of Art and Art History, DePaul University; and Linda Downs, Executive Director, CAA

CAA Board of Directors Election Begins

posted by January 07, 2009

Vote NowCAA members may now cast their e-ballots for the CAA Board of Directors Election, as well as submit their proxies for the Annual Members’ Business Meeting. The four recipients receiving the most votes will serve on the board from 2009 to 2013.

If you have previously indicated that you want to cast your vote and submit your proxy online, an email sent yesterday will contain your PIN; your ID is your CAA member number. Please go to www.electionadmin.com/caa.htm to begin the process.

The board candidates are:

Please read each candidate’s statement and biography—and watch their special video introductions—by clicking on his or her name above before casting your vote. Voting began on January 5, 2009, and ends on Friday, February 27, at 5:00 PM (PST).

Results of the election will be announced during the CAA Annual Conference at the Annual Members’ Business Meeting, which takes place on February 27, 5:00–6:00 PM, in West Hall Meeting Room 502A, Level 2, of the Los Angeles Convention Center, 1201 S. Figueroa Street.

If you are unable to attend the Annual Members’ Business Meeting, you may submit your proxy online. By doing so, you appoint the individuals named on the proxy to:

  • Vote as indicated on your proxy
  • Vote, in their discretion, on such other matters as may properly come before such a meeting; and
  • Vote in any and all adjournments thereof

As CAA’s governing body, the Board of Directors is charged with CAA’s long-term financial stability and strategic direction. It sets policy regarding all aspects of the organization’s activities, including publications, the Annual Conference, awards and fellowships, advocacy work, and committee procedures.

Questions? Contact Vanessa Jalet, CAA executive assistant, at 212-691-1051, ext. 261.

January CAA News Published

posted by January 06, 2009

January 2009 CAA News coverThe first issue of CAA News for 2009 has just been posted to the CAA website. Click on the cover to download a PDF of the issue right away. Printed copies for individual and institutional members will be mailed soon, to begin arriving in mid-January.

The January issue includes statements and biographies of the six candidates for the CAA Board of Directors for 2009–13. Please read these texts, as well as view their short video statements online, before casting your vote.

Also featured are details on the upcoming Regional MFA Exhibition at the 97th Annual Conference in Los Angeles, which features the work of student artists from twelve graduate programs in southern California.

The deadline for submissions to, and advertisements for the March 2009 issue is January 10. Please see the newsletter submission guidelines for instructions or write to Christopher Howard, CAA managing editor.

Nominations and self-nominations are sought for individuals interested in shaping the future of CAA by serving on CAA’s Board of Directors for the 2010–14 term.

The board is responsible for all financial and policy matters related to the organization. It promotes excellence in scholarship and teaching in the history and criticism of the visual arts, and it encourages creativity and technical skill in the teaching and practice of art. CAA’s board is also charged with representing the membership on issues affecting the visual arts and humanities.

Nominations and self-nominations should include the following information: the nominee’s name, affiliation, address, email address, and telephone number, as well as the name, affiliation, and email address of the nominator, if different from the nominee. Please forward all to: Vanessa Jalet, CAA Executive Assistant, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 3, 2009.

Filed under: Board of Directors, Governance

Strategic Planning for 2010–15

posted by December 19, 2008

Strategic planning may sound bureaucratic, but it’s an essential step in making CAA the organization that meets your needs in the future. There is no more appropriate time to take stock and set goals for our future than the present, with a dramatically changing economy, a new presidential administration, and the prospect of the next hundred years of CAA beginning in 2011.

On October 25, 2008, the Board of Directors, the Strategic Planning Steering Committee, and senior CAA staff held a Strategic Planning Retreat to set goals for 2010–15. Members of the Planning Steering Committee are: Michael Ann Holly, Sterling and Francine Clark Art Institute; Paul Jaskot, DePaul University and CAA President and CEO; Ken Gonzales-Day, Scripps College and CAA board; Jay Coogan, Rhode Island School of Design and CAA board; Anne Collins Goodyear, National Portrait Gallery and CAA Vice President for External Affairs; Mary-Ann Milford-Lutzker, Mills College and CAA Vice President for Committees; Barbara Nesin, Spelman College and CAA Secretary; and Linda Downs, CAA Executive Director.

James McNamara and Paul Melton, planning consultants from LaPlaca Cohen, a cultural arts marketing firm, have assisted CAA through the planning process, which will be completed with a final document at year-end 2009. Before the retreat, McNamara and Melton conducted interviews with board members, senior staff, and a selection of academic and association leaders outside the CAA membership to determine the key issues and implications that we must address in preparing for our future. Questions addressed the components of a mission, vision, and values statement, the future of CAA’s service to its members, and the visual-arts field.

In September 2008, over eight hundred members responded to an email survey on their most pressing professional concerns. The results also helped inform the planning process.

The planning retreat began with a presentation on digital publishing by Raym Crow, managing partner at the Chain Bridge Group. He presented the essential points of investigation needed to plan for digital publications. CAA staff presented current statistical information on programs and publications and presented comparative information for other national academic member associations. McNamara and Melton then presented the results of the interviews and members’ survey as a basis for the discussion of identifying goals for the future of CAA.

All CAA committees, including the Professional Interests, Practices and Standards Committees, the Publications Committee, the three journals’ editorial boards, and our affiliated societies, were requested to present their interests and concerns for CAA’s future. Their responses will be incorporated into the planning process.

I encourage you to attend an open forum for all members to discuss planning issues during the Annual Members’ Business Meeting at the Annual Conference in Los Angeles on Friday, February 27, 2009, at 5:00 PM in the West Hall Meeting Room, 502A Level 2, Los Angeles Convention Center. We would like to have your thoughts and ideas in order to make CAA responsive to all members’ needs. If you cannot attend the forum, please send your comments to nyoffice@collegeart.org. I look forward to hearing from you.

—Linda Downs, CAA executive director

Filed under: Board of Directors, Governance

Nominating Committee Seeks Members

posted by December 19, 2008

CAA invites you to help shape our Board of Directors by serving on the 2009 Nominating Committee. Each year, the committee nominates and interviews candidates for the board and selects the final slate for the membership’s vote

The current Nominating Committee will select new members at its business meeting held at the 2009 Annual Conference in Los Angeles. All committee members nominate a minimum of five and a maximum of ten candidates for the board. Service on the committee also involves conducting telephone interviews with candidates during the summer and meeting at the CAA office in New York in September 2009 to select the final slate. Finally, all committee members must attend the Nominating Committee’s business meeting at the Annual Conference in Chicago to select the 2010 committee.

Nominations and self-nominations should include a brief statement of interest and a two-page CV. Please send all materials to: Mary-Ann Milford-Lutzker, Vice President for Committees c/o CAA Executive Assistant, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Materials may also be sent by email as Microsoft Word attachments to Vanessa Jalet, CAA executive assistant. Deadline: January 7, 2009.

Filed under: Board of Directors, Governance

The 2008 Nominating Committee submits its slate of six candidates to serve on the CAA Board of Directors from 2009 to 2013. Please read each candidate’s statement and biography—and watch their special video introductions—before casting your vote. Voting begins on January 5, 2009, and ends on February 27.

The candidates are:

Voting begins on January 5. For full details about the election, visit the board-election webpage. Questions or comments? Please contact Vanessa Jalet, CAA executive assistant, at 212-691-1051, ext. 261.

Notice is hereby given that a meeting of the members of the College Art Association, Inc., will be held on Friday, February 27, 2009, 5:00–6:00 PM (PST) in West Hall Meeting Room 502A, Level 2, Los Angeles Convention Center, 1201 South Figueroa Street, Los Angeles, California. CAA President Paul Jaskot will preside.

By-Law and Resolution Information
In accordance with the By-laws, Article IV, Sections 1, 2, 3, and 4:

  • The Association shall hold an annual business meeting in conjunction with the Annual Conference at a place and on a date and time fixed by the Board of Directors. The purpose of the Annual Meeting is to transact such business as may come before the Meeting and to elect new Directors to the Board
  • Active Members may propose resolutions for consideration at the Annual Meeting. Any such proposals must (i) be received by the office of the Executive Director no later than eighty (80) days prior to the Annual Meeting; (ii) be in proper parliamentary form; (iii) be signed by at least twenty-five (25) Active Members of the Association in good standing; (iv) be no more than three hundred (300) words in length; and (v) deal with matters relating to the purposes of the Association as set forth in Article II. The Board may also propose matters for consideration at the Annual Meeting
  • The Notice of the Annual Meeting shall give notice of the date, time, and place of the Annual Meeting, the names of and other information regarding candidates for the Board of Directors, and of any resolutions or other matters to be considered at the Annual Meeting. The Notice shall be served personally, by mail or by electronic mail, to all members entitled to notice at least sixty (60) days prior to the date designated for the Annual Meeting
  • At the Annual Meeting, the President shall determine the order in which resolutions or other matters may be considered. As the President may deem appropriate, resolutions from the floor may be considered at the Annual Meeting

The complete by-laws can be found online. Any proposed resolutions should be sent to: Linda Downs, c/o CAA Executive Assistant, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001, with a copy, in Microsoft Word, sent to vjalet@collegeart.org. The deadline for receipt of any proposed resolutions to be considered at the Annual Meeting is December 8, 2008.

Agenda

  1. Call to Order: Paul Jaskot
  2. Approval of Minutes of February 22, 2008, Annual Meeting
  3. President’s Report: Paul Jaskot
  4. Financial Report: John Hyland, Jr., Treasurer
  5. Strategic Planning Discussion
  6. Governance Task Force
  7. Old Business
  8. New Business
  9. Results of Election of New Directors: Paul Jaskot

If you are unable to attend the Annual Meeting, please complete a proxy to appoint the individuals named thereon to: (i) vote, in their discretion, on such matters as may properly come before the Annual Meeting; and (ii) to vote in any and all adjournments thereof. In early January, CAA will either mail you a proxy and a postage-paid reply envelope (along with a ballot), or email you instructions for completing your proxy (and casting your vote) online. Your proxy must be received by no later than 5:00 PM (PST) on February 27, 2009.

Barbara Nesin, Secretary
College Art Association
November 1, 2008

Filed under: Annual Conference, Governance

MFA Standards Updated

posted by November 13, 2008

Last month, the CAA Board of Directors approved revisions to the MFA Standards, one of the organization’s many Standards and Guidelines for visual-art professionals. The revised document, prepared by a subcommittee of the Professional Practices Committee (PPC), is now published to the CAA website.

During summer and fall 2008, Jean Miller, chair of the PPC-MFA Standards Review Committee, and Charles Wright, a PPC member who is also leading a discussion about the doctorate in studio art, worked on a draft of a revised MFA Standards. Last revised and approved in 1991, the document was submitted to the board by Maxine Payne, PPC chair.

The PPC-MFA Committee contacted art and design colleagues across the nation throughout the revision process to gather ideas for changes. The response was very good, with certain themes or points reoccurring. Many of those queried thought that the idea of the MFA as the terminal degree in art and design needed to be reinforced. Others found the language in the 1991 standards to be dated, so it was rewritten throughout to reflect present-day issues and concerns.

Contemporary and evolving studio practices, interpretation of ideas, and the role of art and design in innovation were all thought to be important concepts. Information about technology and experimental media, collaborative works, and interdisciplinary applications of art and design were also considered to be critical to current art practices for students in MFA programs.

Some respondents advocated for robust and comprehensive educational curricula that include critical studies, art history, and visual culture. The inclusion of statements about diversity and how curriculum must support non-Western and Western cultures was important to all.

The PPC thanks everyone who helped in the revision, in particular, Carmon Colangelo, Patricia Olynyk, Nora Sturges, Judith Thorpe, and Jim Hopfensperger.