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The National Committee for the History of Art (NCHA) has awarded travel grants to fourteen PhD students at American universities to attend the thirty-third congress of the International Committee of the History of Art (Comité International d’Histoire de l’Art, or CIHA), taking place July 15–20, 2012, in Nuremberg, Germany. Each student’s department will match the NCHA funds. Nominated by their departments, the students were selected from among a much larger group of highly competitive nominees.

The NCHA grant recipients are:

  • Krysta Black, University of North Carolina, Chapel Hill
  • Brianne Cohen, University of Pittsburgh*
  • Jennifer Cohen, University of Chicago*
  • Dana Cowen, Case Western Reserve University*
  • Jill Holaday, University of Iowa*
  • Elizabeth Kassler-Taub, Harvard University
  • Anna Kim, University of Virginia
  • Laine Little, State University of New York, Binghamton
  • Jennifer A. Morris, Princeton University*
  • Turkan Pilavci, Columbia University
  • Stephanie E. Rozman, University of Minnesota*
  • Erin Sullivan, University of Southern California*
  • John A. Tyson, Emory University
  • Maureen Warren, Northwestern University

The asterisk (*) indicates a current CAA member.

NCHA is the American affiliate of the international community of art historians. Two representatives from CAA, usually the past presidents from the Board of Directors, are NCHA individual members. Both NCHA and CIHA aim to foster intellectual exchange among scholars, teachers, students, and others interested in art history broadly conceived as encompassing art, architecture, and visual culture across geographical boundaries and throughout history. Through the organization of scholarly conferences of varying size and scope, NCHA and CIHA promote the communication, dissemination, and exchange of knowledge and information about art history and related fields, ultimately seeking to promote a global community of art historians.

CAA has awarded travel grants to twenty art historians and artists from around the world who will convene in Los Angeles to attend and participate in the 100th Annual Conference, taking place February 22–25, 2012. The CAA International Travel Grant Program was made possible by a generous grant from the Getty Foundation.

At the conference, the twenty recipients will participate in mentoring activities and other events planned in connection with the grant. Members of CAA’s International Committee have agreed to host the participants, and the National Committee for the History of Art will also lend support to the program.

This travel-grant program is intended to familiarize international professionals with the Annual Conference program, including the session participation process. CAA accepted applications from art historians, artists who teach art history, and art historians who are museum curators; those from developing countries or from nations not well represented in CAA’s membership were especially encouraged to apply. In late 2011, a jury of CAA members selected the final twenty awardees, whose names, home institutions, and primary areas of scholarly and professional interest are as follows:

  • Salam Atta Sabri, Director, National Museum of Modern Art, Baghdad, Iraq. Atta Sabri conducts research on missing works of art from Iraq and is also a ceramic artist
  • Parul Pandya Dhar, Associate Professor, Department of History, University of Delhi, Delhi, India. Dhar focuses on the history of Indian art and architecture to 1300 CE, cultural interactions in South and Southeast Asia, the visual arts and visual archives as sources of history, performing arts, and the historiography of Indian art
  • Federico Freschi, Associate Professor, History of Art, Wits School of Arts, University of Witwatersrand, Johannesburg, South Africa. Freschi’s work explores South African modern art and architecture and postcolonial identity politics
  • Rosa Gabriella de Castro Gonçalves, Professor of Art Theory and Aesthetics, Universidade Federal da Bahia, Salvador, Brazil. Gonçalves is interested in the role of modernism in recent debates in art theory
  • Angela Harutyunyan, Assistant Professor, Department of Fine Arts and Art History, American University of Beirut, Beirut, Lebanon. Harutyunyan is interested in methodologies of reading and historicizing contemporary art and studies the political aesthetics of the Armenian avant-garde
  • Gyöngyvér Horváth, Assistant Professor of Art History, Moholy-Nagy University of Art and Design, Budapest, Hungary. Horváth studies the historiography of narrative painting
  • Didier Houenoude, Assistant Professor, Université d’Abomey-Calavi, Cotonou, Benin. Houenoude teaches art history and drawing and closely follows contemporary art in Benin
  • Nadhra Shahbaz Naeem Khan, Visiting Faculty, Department of Humanities and Social Sciences, Lahore University of Management Sciences, Lahore, Pakistan. Khan’s work focuses on Sikh art and architecture
  • Irena Kossowska, Professor of Art History, Nicolaus Copernicus University, Toruń, Poland. Kossowska works on national identity in Central Europe as reflected in the visual arts and also researches nineteenth- and twentieth-century European art
  • Jean Celestin Ky, Professor of Art History, University of Ouagadougou, Ouagadougou, Burkina Faso. Celestin researches African art and works with the National Museum of Burkina Faso in conserving and promoting contemporary art
  • Pavlína Morganová, Researcher and Professor, Academy of Fine Arts, Prague, Czech Republic. Morganová works on contemporary art
  • Cristian Nae, PhD Lecturer, Department of Art History and Theory, Faculty of Fine Arts, George Enescu University of Arts, Iaşi, Romania. Nae examines post–World War II art history, critical theory, hermeneutics, and cultural studies
  • Judy Peter, Lecturer, Faculty of Art, Design, and Architecture, and Head, Department of Jewellery Design and Manufacture, University of Johannesburg, Johannesburg, South Africa. Peter works in art history, theory, cultural and postcolonial studies, the history of jewellery. She is also interested in curriculum development in the context of a neoliberal South Africa
  • Daniel Premerl, Research Associate, Institute of Art History, Zagreb, Croatia. Premerl is interested in Renaissance and Baroque art and art-historical methodology
  • Malvina Rousseva, Professor, Institute of Art Studies, Bulgarian Academy of Sciences, Sofia, Bulgaria. Rousseva pursues research in archaeology, Thracian tombs and temples, interdisciplinary studies, architectural history, cultural and visual studies, and philosophy
  • Ganna Rudyk, Deputy Director General of Research, Bohdan and Varvara Khanenko Museum of Arts, Kyiv, Ukraine. Rudyk is a specialist in Islamic art who presents Islamic and generally non-Western art to broad publics
  • Dóra Sallay, Curator of Italian Painting, Museum of Fine Arts, Budapest, Hungary. Sallay works with thirteenth- to sixteenth-century Italian art, in particular Sienese painting, the history of collecting and museums, and the history of the reception of Gothic and Renaissance painting
  • Olabisi Silva, Director, Centre for Contemporary Art, Lagos, Nigeria. Silva is working on the first roaming African art academy, placing equal emphasis on artistic practice, art history, critical thinking, and curatorial practice
  • Shao-Chien Tseng, Associate Professor of Art History, Graduate Institute of Art Studies, National Central University, Jhongli City, Taiwan. A specialist in nineteenth-century French art, Tseng is interested in modern art and natural history, landscape painting and photography, and postcolonialism and Taiwanese art
  • Jagath Weerasinghe, Director and Professor, Postgraduate Institute of Archaeology, Colombo, Sri Lanka. Trained in fine arts, archeology, and conservation, Weerasinghe recently established his country’s first graduate program in art history, which will offer postgraduate diplomas and master of arts degrees in art history, focusing primarily on Asian art

CAA hopes that this travel grant will not only increase international participation in the organization’s activities, but will also expand international networking and the exchange of ideas. The Getty Foundation grant allows CAA to expand greatly the participation of international colleagues beyond its regular program of Annual Conference Travel Grants for graduate students and international artists and scholars.

CAA has awarded grants to the publishers of thirteen books in art history and visual culture through two programs: the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant.

Meiss Grants Winners

This fall, CAA awarded grants to the publishers of eight books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, CAA gives these grants to support the publication of scholarly books in art history and related fields.

The eight grantees for fall 2011 are:

  • Esra Akcan, Architecture in Translation: Germany, Turkey, and the Modern House, Duke University Press
  • Helen Hills, The Matter of Miracles: Forms of Holiness in Baroque Naples, Manchester University Press
  • Paul B. Jaskot, The Nazi Perpetrator and Postwar German Art, University of Minnesota Press
  • Jacqueline Jung, The Gothic Screen: Sculpture, Space, and the Community in the Cathedrals of France and Germany, 1200–1400, Cambridge University Press
  • Jinah Kim, Receptacle of the Sacred: Illustrated Manuscripts and the Buddhist Book Cult in South Asia, University of California Press
  • Mary Quinlan-McGrath, Influences—From the Orb of the Universe to the Orb of the Eye: Astrology and Art in the Italian Renaissance, University of Chicago Press
  • Hanna Rose Shell, Hide and Seek: Camouflage, Animal Skin, and the Media of Reconnaissance, Zone Books
  • Charlotte Townsend-Gault, Northwest Coast Native Art: The History of an Idea, University of British Columbia Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors must be current CAA members. Please review the application guidelines for more information. The deadline for the spring 2012 grant cycle is March 1, 2012.

Wyeth Grant Winners

CAA is pleased to announce five recipients of the annual Wyeth Foundation for American Art Publication Grant. Thanks to a second generous three-year grant from the Wyeth Foundation, these awards are given annually to publishers to support the publication of one or more book-length scholarly manuscripts in the history of American art, visual studies, and related subjects.

Receiving 2011 grants are:

  • Amanda Carlson and Robin Poynor, Africa in Florida: 500 Years of African Presence in the Sunshine State, University Press of Florida
  • Mary Coffey, Mexican Muralism and the “Philanthropic Ogre”: How a Revolutionary Art Became Official Culture, Duke University Press
  • Mónica Domínguez Torres, Military Ethos and Visual Culture in Post-Conquest Mexico, Ashgate
  • Tatiana Flores, From Estridentismo to ¡30-30!: The Historical Avant-Gardes of Post-Revolutionary Mexico, Yale University Press
  • Sue Rainey, Harry Fenn’s Career in Art: Creating a World on Paper, University of Massachusetts Press

For the purpose of this program, “American art” is defined as art created in the United States, Canada, and Mexico prior to 1970. Books eligible for a Wyeth grant must already be under contract with a publisher. Authors must be current CAA members. Please review the application guidelines for more information. The deadline for the 2012 grant cycle is October 1, 2012.

CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. In addition, the Getty Foundation has funded a one-year program that will enable twenty applicants from outside the United States to attend the 2012 Annual Conference in Los Angeles. Applicants may apply for more than one grant but can only receive a single award.

CAA Graduate Student Conference Travel Grant

CAA will award a limited number of $150 Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to attend the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012. To qualify for the grant, students must be current CAA members. Successful applicants will also receive a complimentary conference registration. Deadline: September 23, 2011.

CAA International Member Conference Travel Grant

CAA will award a limited number of $300 International Member Conference Travel Grants to artists and scholars from outside the United States as partial reimbursement of travel expenses to attend the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012. To qualify for the grant, applicants must be current CAA members. Successful applicants will also receive a complimentary conference registration. Deadline: September 23, 2011.

CAA International Travel Grant Program

Through the new CAA International Travel Grant Program, generously funded by the Getty Foundation, CAA will provide funds to twenty applicants that fully cover travel, lodging, and meal costs to attend the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012. Recipients will also receive conference registration and a one-year CAA membership. Applicants may be art historians, artists who teach art history, and art historians who are museum curators. Those from developing countries or from nations not well represented in CAA’s membership are especially encouraged to apply. Deadline: September 23, 2011.

Donate to the Annual Conference Travel Grants

CAA’s Annual Conference Travel Grants are funded solely by donations from CAA members—please contribute today. Charitable contributions are 100 percent tax deductible. CAA extends a warm thanks to those members who made voluntary contributions to this fund in 2010.

Image: Joseph Mallord William Turner, Rain, Steam and Speed—The Great Western Railway, 1844, oil on canvas, 35⅞ x 49 in. National Gallery, London (artwork in the public domain)

Apply for a Meiss or Wyeth Publishing Grant

posted by June 13, 2011

CAA is offering two publishing-grant opportunities this fall—through the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant—that support new books in art history and related subjects. The publisher must submit the application to either grant or to both funds, though only one award can be given per title. Awards are made at the discretion of each jury and vary according to merit, need, and number of applications. Both programs have a deadline of October 1, 2011. CAA will announce the recipients of the Meiss and Wyeth grants in late November or early December 2011.

Millard Meiss Publication Fund

CAA awards grants from the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. For complete guidelines, application forms, and a grant description, please visit www.collegeart.org/meiss or write to nyoffice@collegeart.org. Deadline: October 1, 2011.

Wyeth Foundation for American Art Publication Grant

Thanks to generous funding from the Wyeth Foundation for American Art, CAA awards a publication grant to support book-length scholarly manuscripts in the history of American art and related subjects. For purposes of this program, “American art” is defined as art created in the United States, Canada, and Mexico prior to 1970. Books eligible for the Wyeth Grant have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. For complete guidelines, application forms, and a grant description, please visit www.collegeart.org/wyeth or write to nyoffice@collegeart.org. Deadline: October 1, 2011.

This spring, CAA awarded grants to the publishers of five books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, the grants are given to support the publication of scholarly books in art history and related fields.

The five grantees for spring 2011 are:

  • Elizabeth Childs, Vanishing Paradise: Art and Exoticism in Colonial Tahiti, 1800–1901, University of California Press
  • Shih-shan Susan Huang, Picturing the True Form: Daoist Visual Culture in Medieval China, Harvard University Asia Center
  • Patricia Leighten, A Politics of Form: Art, Anarchism, and Audience in Avant-Guerre Paris, University of Chicago Press
  • Pamela Patton, Art of Estrangement: Redefining the Jews in Reconquest Spain, Pennsylvania State University Press
  • Richard Taws, The Politics of the Provisional: Visual Culture in Revolutionary France, Pennsylvania State University Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors must be current CAA members. Please review the application guidelines for more information. The deadline for the fall 2011 grant cycle is October 1, 2011.

CAA has received a $25,000 from the National Endowment for the Arts (NEA) to support the next ARTspace, taking place during the 100th Annual Conference and Centennial Celebration in Los Angeles, February 22–25, 2012.

Designed to engage CAA’s artist members and the general public, ARTspace offers program sessions free of charge and includes diverse activities such the Annual Artists’ Interviews, screenings of film, video, and multimedia, performances, and presentations that facilitate a conversational yet professional exchange of ideas and practices. Held at each conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education.

The grant, which is the NEA’s third consecutive award to CAA for ARTspace programming, will help fund, among other things, ARTexchange, a popular open-portfolio event for artists, as well as [Meta] Mentors programming, which has covered topics such as do-it-yourself curatorial and exhibition practices, international networks for artists, and assistance with grants, taxes, and promotion.

Image: ARTexchange participants at the 2011 Annual Conference in New York (photograph by Bradley Marks)

The Getty Foundation has awarded a $100,000 grant to CAA in support of international travel for twenty applicants to attend the 100th Annual Conference and Centennial Celebration, taking place February 22–25, 2012, in Los Angeles. Through the new CAA International Travel Grant Program, CAA will provide funds for travel expenses, hotel accommodations, per diems, and conference registrations. Recipients will also receive one-year CAA memberships. Applicants may be art historians, artists who teach art history, and art historians who are museum curators; those from developing countries or from nations not well represented in CAA’s membership are especially encouraged to apply.

The goal of the project is to increase international participation in CAA and to diversify the organization’s membership (presently sixty-five countries are represented). CAA also wishes to familiarize international participants with the submission process for conference sessions and to expand their professional network in the visual arts. Members of CAA’s International Committee have agreed to host the participants, and the National Committee for the History of Art will also lend support to the program.

CAA will publish an official call for grant applications on its website on Friday, July 8, 2011; the program will also be publicized in CAA News. A jury will select the twenty grant recipients.

CAA seeks nominations and self-nominations for scholars with a specialization in non-Western subject matter to serve on the jury for the Millard Meiss Publication Fund for a four-year term, July 1, 2011–June 30, 2015. Candidates must be actively publishing scholars with demonstrated seniority and achievement; institutional affiliation is not required.

The Meiss jury awards grants that subsidize the publication of book-length scholarly manuscripts in the history of art and related subjects. Members review manuscripts and grant applications twice a year and meet in New York in the spring and fall to select the awardees. CAA reimburses jury members for travel and lodging expenses in accordance with its travel policy.

Candidates must be current CAA members and should not be serving on another CAA editorial board or committee. Jury members may not themselves apply for a grant in this program during their term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Millard Meiss Publication Fund Jury, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or send all materials as email attachments to Alex Gershuny, CAA editorial associate. Deadline: April 22, 2011.

In March 2011, CAA received two significant grants to continue offering the Wyeth Foundation for American Art Publication Grant for three more years and to fund the National Professional-Development Workshops for Artists through 2012.

The Wyeth Foundation for American Art approved funding that will allow CAA to award $40,000 in grants to publishers each year from 2011 to 2013. Wyeth grants support the publication of books on the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. The program has helped publish twenty-two books since 2005.

The Emily Hall Tremaine Foundation awarded $70,000 to CAA for sustaining the National Professional-Development Workshops for Artists. This program focuses on supporting visual artists in underserved areas across the United States and providing essential training to emerging, midcareer, and established professionals. CAA has held sixteen Tremaine-sponsored workshops since 2007.