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Newly elected members and officers of the CAA Board of Directors will join the governing body at its spring meeting, to be held on Sunday, May 6, 2012. Charged with CAA’s long-term financial stability and strategic direction, the board sets policy regarding all aspects of the organization’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.

New Directors

The board welcomes four new members, who will serve from 2012 to 2016:

  • Suzanne Preston Blier, professor in History of Art and Architecture and the African and African American Studies Departments at Harvard University in Cambridge, Massachusetts
  • Stephanie D’Alessandro, curator of modern art at the Art Institute of Chicago in Illinois
  • Gail Feigenbaum, associate director of the Getty Research Institute in Los Angeles, California
  • Charles A. Wright, artist and chair of the Department of Art at Western Illinois University in Macomb

New President

Anne Collins Goodyear, assistant curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, in Washington DC, will serve as the organization’s next president for a two-year term, beginning May 2012.

New Officers

At its February 2012 meeting, the board elected new officers—four vice presidents and a secretary—from among its members to serve one-year terms, from May 2012 to April 2013.

  • Patricia McDonnell, director of the Ulrich Museum of Art at Wichita State University in Kansas, has been reelected for a second term as vice president for external affairs
  • DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University in Hamilton, New York, was elected vice president for committees. Last year he served as board secretary
  • Jacqueline Francis, professor of art history at California College of the Arts in San Francisco, has been named vice president for Annual Conference
  • Randall C. Griffin, professor of art history at Southern Methodist University in Dallas, Texas, has been reelected vice president for publications to serve a second term
  • Maria Ann Conelli, dean of the School of Visual, Media, and Performing Arts at Brooklyn College, City University of New York, has been elected secretary. She had spent the previous year as vice president for committees

CAA will publish a report on the spring board meeting later this month.

Recent Deaths in the Arts

posted by April 24, 2012

In its regular roundup of obituaries, CAA recognizes the lives and achievements of the following artists, scholars, designers, architects, photographers, curators, dealers, filmmakers, and other men and women whose work has had a significant impact on the visual arts. This month was marked by the loss of the sculptor Elizabeth Catlett, the divisive art critic Hilton Kramer, the scholar and curator John Golding, and the art dealer Donald Young.

  • Cris Alexander, a portrait photographer and actor who landed a starring role in the 1944 Broadway musical On the Town, died on March 7, 2012, at the age of 92. Born in Tulsa, Oklahoma, Alexander arrived in New York in the late 1930s with dreams of stardom. He photographed Martha Graham, collaborated on satirical novels about Hollywood, and worked for Andy Warhol’s Interview magazine
  • Rex Babin, an editorial cartoonist for the northern Californian newspaper the Sacramento Bee since 1999, died on March 30, 2012, age 49. Babin was known for cartoons that tackled current events with whimsy, humor, and pathos
  • Toni Beauchamp, a Texan patron of the arts, passed away on March 9, 2012, at the age of 66. Beauchamp was an assistant director of Houston’s Blaffer Gallery in the 1970s and 1980s and was a proponent of the burgeoning art scene around Houston and the Chinati Foundation in Marfa, Texas. A collection of essays about Marfa’s cultural community will be released posthumously
  • Eliy Belyutin, a Russian art historian and art teacher, died on February 29, 2012, at the age of 87. Belyutin attended the Moscow Art Institute, and in 1954 he founded a painting school called the New Reality that encouraged an individualistic approach to art-making
  • Eleanor Callahan, a striking muse for her photographer husband, Harry Callahan, died on February 28, 2012. She was 95 years old. Eleanor Callahan was photographed throughout her sixty-three years of marriage, an arc that traced the couple’s early courtship to their family life with their daughter, Barbara. The stark, black-and-white portraits drew comparisons to Alfred Stieglitz’s famous photographs of Georgia O’Keeffe
  • Elizabeth Catlett, a figurative sculptor whose art practice was rooted in social reality, passed away on April 12, 2012, at the age of 96. Catlett drew from her own experience as an African American woman and expressed a desire to make art that would empower the lives of other African Americans and appeal to a broad sweep of humanity. She moved to Mexico in the late 1940s, where she was the first woman to head the art department at the Universidad Nacional Autónoma de México in Mexico City
  • John S. Chase, a prominent modern architect and the first African American to serve on the United States Commission of Fine Art in 1980, died on March 29, 2012. He was 87 years old. Chase’s notable projects include the United States embassy in Tunis, Tunisia. During his tenure on the commission, he oversaw the creation of the Vietnam War Memorial
  • Sid Couchey, a comic-book artist who was a principle illustrator for the 1950s Harvey Comics characters of Richie Rich, Little Lotta, and Little Dot, died on March 11, 2012, at the age of 92. Couchey also created cartoon mascots for national drug-prevention campaigns and for the 1980 Winter Olympics on Lake Placid
  • David Lee Craven, distinguished professor of art history at the University of New Mexico, died on February 11, 2012, at the age of 60. He was an expert in twentieth-century Latin American art, postwar American art, and the methodology of art history and visual culture
  • Bruno Giacometti, a Swiss architect and the younger brother of the artist Alberto Giacometti, died at the age of 104 on March 21, 2012. The youngest of four children, Bruno Giacometti remembered posing as a child for his older brother’s first attempts at sculpture. In 1930 he joined the Zurich architectural firm of Karl Egender, but it was after World War II that he completed his most important works as a freelance architect, including the Swiss Pavilion at the Venice Biennale in 1952
  • Jean Giraud, the French comic-book artist known as Moebius, died on March 10, 2012, at age 73. Giraud was something of a national treasure in France, beloved by artists and the general public alike. An early success was the Wild West–themed comic book, Les Adventures de Blueberry (1963). Giraud’s fantasy visions led to work in cinema: he contributed drawings to Alejandro Jodorowsky’s unfinished film Dune and to Ridley Scott’s Alien
  • John Golding, a British art historian of twentieth-century art with a focus on Cubism, died on April 9, 2012, at the age of 82. Golding taught at the Courtauld Institute of Art in London, from which he also graduated, and was the head of the painting school at the Royal College of Art. He curated two seminal exhibitions for Tate Modern, Picasso: Sculptor/Painter (1994) and Matisse/Picasso (2002), and in his later years focused on his own abstract painting
  • John Griffiths, a British illustrator who designed a series of covers for Penguin paperbacks in the 1950s and 1960s, passed away on March 13, 2012. He was 85 years old. Trained as a painter and printmaker, Griffiths applied his technique to darkly outlined, hand-drawn covers that were beloved by readers as a companion to the text inside
  • Bernard Otto Gruenke, a stained-glass artist who created one of the first faceted glass windows in America, passed away on March 21, 2012. He was 99. Gruenke attended the Corcoran Art School in Washington, DC, and created stained-glass windows for churches, synagogues, and theaters throughout the country. For many years he served as the vice president of the Stained Glass Association of America
  • Albert Hadley, an interior decorator for high society on the East Coast, died on March 30, 2012, at the age of 91. Hadley and the socialite-decorator Sister Parish founded their company, Parish-Hadley, in 1962. Important commissions for the pair included the library at Brooke Astor’s Park Avenue home and the breakfast room of the Kennedy White House
  • Francis Hewlett, a British sculptor and painter who was head of painting at the Falmouth School of Art in Cornwall, died on March 19, 2012. He was 81 years old. Hewlett studied at the Slade School of Art in London and in the 1960s was inspired by Pop art to make large-scale ceramic sculptures of hands and other body parts
  • Robert Hoozee, the director of the Museum of Fine Arts in Ghent, Belgium, and a scholar of nineteenth-century British art, died on February 21, 2012, at the age of 62. Hoozee’s last exhibition at the museum was the critically acclaimed British Vision (2007), which offered a radical take on the history of British art, with an emphasis on underrepresented artists such as Stanley Spencer
  • Thomas Kinkade, a populist artist and the self-proclaimed “painter of light,” died on April 6, 2012, at age 54. His early influences were Norman Rockwell and Walt Disney. Kinkade believed that his artistic ambition was one that he shared with Disney: to inspire happiness through the dissemination of rosy-toned images of a bucolic American past
  • Hilton Kramer, the controversial art critic who championed his particular definition of modernism, died on March 27, 2012. He was 84 years old. Kramer’s career was kick-started by his impassioned rebuttal to Harold Rosenberg’s psychoanalytic theory of Abstract Expressionism. Kramer began writing regularly for Arts Digest (later renamed Arts) and was chief art critic for the New York Times before founding the decidedly more conservative New Criterion in 1982
  • Sergio Larrain, a Chilean photographer and member of the Magnum Photos agency, passed away on February 7, 2012, at the age of 80. Larrain often captured his subjects in a “state of grace”: children playing in the street, a portrait of poet Pablo Neruda’s house, and a series of accidental photographs of a couple outside the Notre Dame Cathedral that became the inspiration for Julio Cortozar’s short story “Blow-Up”
  • Mauricio Lasansky, an Argentine printmaker and draftsman remembered for his series The Nazi Drawings, died on April 2, 2012, at the age of 97. Lasansky established the printmaking department at the University of Iowa and bolstered the school’s reputation as a center for graphic arts. His attention to simple art materials (pencil, paper, water washes) and weighty subject matter singled him out as an innovator in his field
  • Simon Marsden, a British photographer noted for his Romantic subject matter and an attraction to the spectral dimensions of architecture and landscapes, died on January 22, 2012, at the age of 63., A keen critic of consumer culture and other ills of modernity, Marsden published twelve books of photography and inspired album-cover art by the rock band U2
  • Ralph McQuarrie, a conceptual designer who worked on the Star Wars trilogy as a primary illustrator and set designer, died on March 3, 2012, at the age of 82. McQuarrie’s rich sense of science fiction and fantasy aided him in subsequent work on the Battlestar Galactica television series and on the films E.T. the Extra-Terrestrial and Cocoon, for which he won an Academy Award
  • Brett Miller, the general counsel for the Barnes Foundation in Philadelphia, died on April 14, 2012, aged 47. After joining the Barnes in 2009, Miller played a key role in the foundation’s move from Merion, Pennsylvania, to the Benjamin Franklin Parkway in Philadelphia. His background as a curator made him a strong candidate for the high-profile position at the foundation
  • Jackson L. Narcomey, a Native American painter and printmaker and a member of the Muskogee Creek tribe, passed away on March 22, 2012, at the age of 70. Born in Oklahoma, Narcomey came to prominence in his community during the late 1960s for his oil paintings of tribal legends
  • Christopher Powell, a British architectural historian noted for his work on the architecture of Wales, passed away on March 9, 2012, at age 70. In addition to his work as a professor at the Welsh School of Architecture, Powell established the Construction History Society and served as editor of the society’s academic journal
  • Kenneth Price, an artist who helped bridge the gap between ceramics and sculpture with his shockingly vibrant clay vessels, died at his home in Taos, New Mexico, on February 24, 2012. He was 77 years old. A native of Los Angeles, Price had several high profile shows in the 1960s at the Ferus Gallery, famed for its stable of Pop artists. A retrospective at the Los Angeles County Museum of Art is scheduled to open in fall 2012
  • Leonard Rosoman, a British painter, graphic artist, and longtime professor at the Royal College of Art in London, died on February 21, 2012, at the age of 98. During World War II he was appointed official war artist, an assignment that dispatched him to dangerous scenes of conflict to record what he saw. Rosoman’s work as a visual artist extended to exhibition design, most notably working on the Sergei Diaghilev exhibition in London in 1954
  • Al Ross, a cartoonist at the New Yorker for over sixty years, passed away on March 25, 2012. He was 100 years old. Born in Romania, Ross began his career in the 1930s working alongside his four brothers at the Saturday Evening Post and Collier’s before joining the New Yorker in 1937. His arch sensibility and educated silliness were illustrated by sketchy line drawings of arguing couples, animals, therapists, and other denizens of the magazine’s cartoon universe.
  • Paul Rudall, a British artist, teacher, and illustrator, died on February 10, 2012, at the age of 91. Rudall served as the head art teacher at Chiswick Grammar School and Dudley Grammar School, where he influenced several generations of students. Since retiring from teaching in 1980, he lived in Bath, England and exhibited his oil paintings across the United Kingdom and in Germany
  • Charlie Stagg, an eccentric Texan artist, died on February 20, 2012, at the age of 72. Stagg attended Tyler School of Art in Philadelphia but chose to live and work as an outsider artist in the A. V. Stagg Art Studio and Wildlife Preserve, a “folk-art style, glass bottle and cement home,” where visitors were always welcome
  • Anita Steckel, a painter and feminist activist who worked under the radar for many decades, died on March 16, 2012, at the age of 82. Steckel was a self-proclaimed enemy of “good taste in art” who fought for the rights of women artists. She faced criticism and censorship for a series of erotic paintings that she exhibited in 1973
  • Eduard Steinberg, a Paris-based, Russian avant-garde painter who created mystical, geometric abstractions, died on March 28, 2012, at the age of 75. His childhood home in Tarus, a town near Moscow, was a meeting ground for artists and poets who were persecuted during Stalin’s regime. Steinberg saw his work as a synthesis of Kazimir Malevich’s Suprematism, Russian icon painting, and personal religious belief
  • Barry Walker, a former curator of prints and drawings at the Museum of Fine Arts in Houston, Texas, died on April 18, 2012, at the age of 67. Walker joined the museum in 1991 and was instrumental in establishing the print and drawing department and boosting the museum’s modern and contemporary art collection. Popular shows he organized at the museum include Alice Neel: Painted Truths (2010) and Singular Multiples: The Peter Blum Edition Archive, 1980–1994 (2006)
  • Eric Watson, a British rock-and-roll photographer with an artful eye, noted for his work with the Pet Shop Boys, died on March 18, 2012, at the age of 56. In the 1970s and 1980s Watson’s images were published in the magazine Smash Hits, and he also directed music videos influenced by art photography, such as Robert Mapplethorpe’s. Watson’s work, transcending its original pop origins, is now in the collection of the Victoria and Albert Museum and the National Portrait Gallery, both in London
  • Isabel Brown Wilson, a Texan philanthropist who was a prominent figure in Houston’s art scene, died on March 27, 2012, at the age of 80. Wilson was a life trustee and chairman of the board of the Museum of Fine Arts in Houston. Through her family’s charitable trust, the Brown Foundation, she helped to raise the museum’s endowment, to enlarge the collection, and to ensure the institution’s future stability
  • Donald Young, a noted Chicagoan art dealer, passed away on April 16, 2012, at the age of 69. Born in England, Young lived in Paris and New York before opening the Young-Hoffman Gallery, with Rhona Hoffman, in Chicago in 1976. Their gallery championed Conceptual and Minimal art; when it was later renamed the Donald Young Gallery, he showed video art by Bruce Nauman, Bill Viola, and Rodney Graham

Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries to Christopher Howard, CAA managing editor, for the May listing.

Filed under: Obituaries, People in the News

Janet Landay is project manager of the CAA International Travel Grant Program.

Last February, twenty art historians and curators from eighteen countries around the world attended the 2012 Annual Conference in Los Angeles through the CAA International Travel Grant Program, a new initiative that was generously funded by the Getty Foundation. For many grant recipients, this visit was their first to the United States, and for most of them it was their first time at the CAA conference.

By coincidence, on the conference’s opening day, the Los Angeles Convention Center held two swearing-in ceremonies for twenty thousand new citizens and their guests, welcoming people from several nations to the US. Indeed, the CAA group felt like a miniature United Nations, and it was equally moving to see colleagues arrive at the conference from countries around the world. Participants included: Ganna Rudyck (Ukraine), Irena Kossowska (Poland), Pavlina Morganová (Czech Republic), Dóra Sallay and Gyöngyvér Horváth (Hungary), Cristian Nae (Romania), Daniel Premerl (Croatia), Malvina Rousseva (Bulgaria), Salam Atta Sabri (Iraq), Angela Harutyunyan (Lebanon), Nadhra Shahbaz Naeem Khan (Pakistan), Parul Pandya Dhar (India), Jageth Weerasinghe (Sri Lanka), Shao-Chien Tseng (Taiwan), Olabisi Silva (Nigeria), Didier Houenoude (Benin), Jean Celestin Ky (Burkina Faso), Federico Freschi and Judy Peter (South Africa), and Rosa Gabriella de Castro Gonçalves (Brazil). Read more about the recipients, their home institutions, and their areas of interest.

The purpose of this initiative was to encourage greater participation from countries not well represented at CAA’s Annual Conference in order to bring a more diverse and global perspective to the study of art history. The Getty travel-grant participants, as they became known, were selected by a jury of CAA members from among 150 applicants based on three general criteria: all had to be professors of art history, artists who teach art history, or museum curators with advanced degrees in art or art history; they had to work in a country where art history is an emerging discipline; and they needed to explain how attending the conference would significantly support or strengthen their work.

To welcome the participants and to ensure that they got the most out of the conference’s abundant offerings, members of CAA’s International Committee and representatives from the National Committee for the History of Art (NCHA) volunteered to act as hosts. CAA warmly thanks these members for their service as hosts: Ann Albritton, Frederick M. Asher (NCHA chair), Kathryn Brown, Nicola M. Courtright, Diane Derr, Stephanie Dickey, Thomas W. Gaehtgens, Paul B. Jaskot, Geraldine A. Johnson, Jennifer Milam (International Committee chair), Steven Nelson, Nada Shabout, and Beth A. Steffel.

This wonderful aspect of the program revolved around informal dinners, lunches, and drinks, in which both participants and hosts could trade stories and share information about the ins and outs of practicing art history in their respective countries. Two roundtable meetings brought everyone together to meet CAA staff, providing opportunities for assessment and reflection on the various aspects of the conference program. Equally stimulating were the friendships made among the participants, as they learned about each other and discovered shared interests and challenges. Now, nearly two months later, a number of grant recipients have already begun to collaborate on research and teaching projects, with ambitious plans in the works.

In the coming months, CAA will publish online interviews with several participants and report on their collaborative work as it unfolds. Stay tuned to future issues of CAA News for these special announcements.

Top image: Participants in the CAA International Travel Grant Programs (from left): Shao-Chien Tseng, Salam Atta Sabri, Olabisi Silva, Jean Celestin Ky, Pavlina Morganová, Dóra Sallay, Federico Freschi, Judy Peter, Didier Houenoude, Rosa Gabriella de Castro Gonçalves, Daniel Premerl, Angela Harutyunyan, Malvina Rousseva, Cristian Nae, Ganna Rudyck, Irena Kossowska, Parul Pandya Dhar, Jageth Weerasinghe, and Nadhra Shahbaz Naeem Khan; Gyöngyvér Horváth is not pictured (photograph by Katie Underwood and provided by the Getty Foundation)

Middle image: Ganna Rudyck from Ukraine introduces herself to fellow grant recipients (photograph by Bradley Marks)

Bottom image: Among the grant recipients were (from left): Shao-Chien Tseng from Taiwan, Didier Houenoude from Benin, and Jean Celestin Ky from Burkina Faso (photograph by Bradley Marks)

At its February 2012 meeting, the CAA Board of Directors chose new officers—four vice presidents and a secretary—from among its members to serve one-year terms, from May 2012 to April 2013. Elected officers (other than the president) hold their positions for one year and may be reelected to a second term. For more information about the election process for officers, please read Article VII, Section 5 of the CAA By-laws.

Patricia McDonnell, Vice President for External Affairs

The board reelected Patricia McDonnell, director of the Ulrich Museum of Art at Wichita State University in Kansas, for a second term as vice president for external affairs. A member of the board since 2009, McDonnell will work closely with Linda Downs, CAA executive director, and Nia Page, CAA director of membership, development, and marketing, on fund-raising initiatives and advocacy matters.

 

DeWitt Godfrey, Vice President for Committees

DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University in Hamilton, New York, was elected vice president for committees. He will act as a liaison between the board and the nine Professional Interests, Practices, and Standards Committees and coordinate committee work that advances CAA’s goals. A board member since 2009, Godfrey succeeds Maria Ann Conelli, dean of the School of Visual, Media, and Performing Arts at Brooklyn College, City University of New York, who served two terms as vice president for committees. (Conelli has been named secretary; see below.)

Jacqueline Francis, Vice President for Annual Conference

Jacqueline Francis, professor of art history at California College of the Arts in San Francisco, has been named vice president for Annual Conference. She will chair the Annual Conference Committee, which determines conference programming and content, and work with CAA staff to devise and implement flexible session scheduling and formats for the event. A board member since 2009, Francis succeeds Anne Collins Goodyear, assistant curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, who served CAA in this position for one year. (Goodyear will become board president in May 2012; see below.)

Randall C. Griffin, Vice President for Publications

The board reelected Randall C. Griffin, professor of art history at Southern Methodist University in Dallas, Texas, to a second term as vice president for publications. A member of the board since 2008, Griffin will oversee CAA’s publications program, serve as chair of the Publications Committee, and be a resource for the editorial boards of the three scholarly journals, The Art Bulletin, Art Journal, and caa.reviews.

 

Maria Ann Conelli, Secretary

Maria Ann Conelli, dean of the School of Visual, Media, and Performing Arts at Brooklyn College, City University of New York, has been elected secretary. This officer attends and records minutes for all board and Executive Committee meetings. In addition, the secretary notifies CAA members about the Annual Members’ Business Meeting, held every year at the Annual Conference, and attends and records minutes of this meeting. A board member since 2009, Conelli succeeds DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University, who has become vice president for committees (see above).

Anne Collins Goodyear, President

In October 2011, the board chose Anne Collins Goodyear, assistant curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, in Washington DC, to serve as the organization’s next president for a two-year term, beginning May 2012. A member of the board since 2006, Goodyear has served as vice president for external affairs (2007–9), vice president for publications (2009–11), and vice president for Annual Conference (2011–12). She succeeds Barbara Nesin, who has led the board since May 2010.

 

CAA wishes to thank the artists, art historians, curators, critics, educators, and other professionals in the visual arts who generously served as mentors in two Career Services programs at the 2012 Annual Conference in Los Angeles: the Artists’ Portfolio Review and Career Development Mentoring. The organization also thanks participants in the Mock Interview Sessions and the leaders of the Roundtable Discussions. Last, CAA acknowledges the efforts of Professional Development Workshops presenters and the speakers at Orientation.

Artists’ Portfolio Review

Michael Bzdak, Johnson & Johnson; Susan Canning, College of New Rochelle; Brian Curtis, University of Miami; Diane Edison, University of Georgia; Peter Kaniaris, Anderson University; Jason Lahr, University of Notre Dame; Suzanne F. W. Lemakis, Fine Arts Department, Citigroup; Craig Lloyd, College of Mount St. Joseph; Margaret Murphy, New Jersey City University; Judith Pratt, Judith Pratt Studio; Habibur Rahman, Claflin University; John Silvis, New York Center for Art and Media Studies; and Steve Teczar, Maryville University of Saint Louis.

Career Development Mentoring

Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Jeff Downing, San Francisco State University; Ciara Ennis, Pitzer Art Galleries, Pitzer College; James Farmer, Virginia Commonwealth University; Reni Gower, Virginia Commonwealth University; Amy Hauft, Virginia Commonwealth University; Richard Heipp, University of Florida; Jim Hopfensperger, Western Michigan University; Dennis Y. Ichiyama, Purdue University; Sue Johnson, St. Mary’s College of Maryland; Bob Kaputof, Virginia Commonwealth University; Mitch Kern, Alberta College of Art and Design; John Kleinpeter, California State University, Long Beach; Heather McPherson, University of Alabama, Birmingham; Jo-Ann Morgan, Western Illinois University; Anna Novakov, St. Mary’s College of California; Morgan Paine, Florida Gulf Coast University; Pamela Patton, Southern Methodist University; Doralynn Pines, Metropolitan Museum of Art (retired); Andrea Polli, University of New Mexico; Judith Pratt, Judith Pratt Studio; David Raizman, Drexel University; David Sokol, University of Illinois, Chicago (emeritus); Katherine Taylor, Kennesaw State University; Joe A. Thomas, Kennesaw State University; Ann Tsubota, Raritan Valley Community College; Jenifer K. Ward, Cornish College of the Arts; John Watson, Webster University; and Charles Wright, Western Illinois University.

Mock Interview Sessions

Temma Balducci, Arkansas State University; Steven Bleicher, Coastal Carolina University; Susan Bowman, Rowan University; Scott Contreras-Koterbay, East Tennessee State University; Jessica Dandona, Dishman Art Museum, Lamar University; Sara Dismukes, Troy University; Randall C. Griffin, Southern Methodist University; Dottie Habel, University of Tennessee, Knoxville; Carolyn Henne, Florida State University; Janet Hethorn, University of Delaware; Dennis Y. Ichiyama, Purdue University; Bob Kaputof, Virginia Commonwealth University; Deborah Karpman, University of Montevallo; Niku Kashef, California State University, Northridge; David LaPalombara, Ohio University; Beauvais Lyons, University of Tennessee, Knoxville; Rebecca Nolan, Savannah College of Art and Design; Anna Novakov, St. Mary’s College of California; Kim Russo, Ringling College of Art and Design; Joe Seipel, Virginia Commonwealth University; Amelia Winger-Bearskin, Vanderbilt University; David Yager, University of California, Santa Cruz; and Sam Yates, University of Tennessee, Knoxville.

Roundtables

Michael Aurbach, Vanderbilt University; Diane Edison, University of Georgia; Suzanne F. W. Lemakis, Fine Arts Department, Citigroup; Leo Morrissey, Winston-Salem State University; Edward Shanken, University of Amsterdam; and John Silvis, New York Center for Art and Media Studies.

Professional Development Workshops

Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Barbara Bernstein, Rhode Island School of Design and Virginia Center for the Creative Arts; Steven Bleicher, Coastal Carolina University; Mika Cho, California State University, Los Angeles; Craig Dietrich, University of Southern California; Tara McPherson, University of Southern California; Nicholas Mirzoeff, New York University; Joan Saab, University of Rochester; Susan Schear, ArtIsIn; David M. Sokol, University of Illinois, Chicago (emeritus); and Blaise Tobia, Drexel University.

Orientation

Michael Aurbach, Vanderbilt University; Margaret Lazzari, University of Southern California; and David M. Sokol, University of Illinois, Chicago (emeritus).

Since membership fees cover less than half of CAA’s operating costs, voluntary contributions from members significantly help to facilitate the wide range of programs and services that the organization offers. In the Acknowledgments section of its website, CAA recognizes the distinguished contributors for each of the following in calendar year 2011:

  • The Centennial Campaign celebrates CAA’s one hundredth anniversary, a celebratory landmark for any organization but particularly so for CAA given its dynamic influence in shaping the study and practice of the visual arts
  • The Donors Circle of Patron, Sponsoring, and Sustaining Members includes individuals who contribute to CAA above and beyond their regular dues
  • Life Members are individuals who make one-time payments of $5,000 and remain active CAA members for life
  • The Art Bulletin Publication Fund supports the production of CAA’s preeminent scholarly journal covering all areas and periods of art history
  • The Art Journal Publication Fund supports the production of CAA’s cutting-edge quarterly of contemporary art and ideas
  • The caa.reviews Publication Fund supports the production of CAA’s online journal devoted to critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
  • The Annual Conference Travel Grants help cover expenses for graduate students in art history and studio art, and for international artists and scholars, who attend the CAA Annual Conference

CAA offers additional ways to contribute to the organization. Through Planned Giving, you can include CAA in your will. You can also purchase Benefit Prints by the artists Willie Cole and Buzz Spector or a collection of Art Journal Artists’ Projects by Barbara Bloom, Clifton Meador, Mary Lum, and William Pope.L. For general inquiries on CAA’s campaigns and funds, please contact Hannah O’Reilly Malyn, CAA development associate, at 212-392-4435.

 

Recent Deaths in the Arts

posted by March 12, 2012

In its regular roundup of obituaries, CAA recognizes the lives and achievements of the following artists, designers, architects, photographers, dealers, filmmakers, and other men and women whose work has had a significant impact on the visual arts. This month was marked by the loss of three major artists: Mike Kelley, Dorothea Tanning, and Antoni Tàpies.

  • Leopold (Lee) Adler II, former president of the Historic Savannah Foundation, died on January 29, 2012. He was 88 years old. Born into a wealthy Savannah family, Adler worked all his life to preserve the city’s eighteenth- and nineteenth-century homes, gaining a reputation as a committed preservationist
  • Theo Angelopoulos, a celebrated Greek filmmaker whose work placed him in a critical pantheon of auteur directors, among them Michelangelo Antonioni, died on January 24, 2012. He was 76. Angelopoulos’s best-known films include Eternity and a Day (1998), which won the Palme d’Or at the Cannes Film Festival. At the time of his death, Angelopoulos was working on The Other Sea, the last film in a trilogy about Greek history
  • Carolyn Autry, an artist, printmaker, and educator who taught at the University of Toledo in Ohio for thirty-six years, died on December 12, 2011, at the age of 71. Autry exhibited her work nationally and internationally and was an avid world traveler in her final years
  • Lillian Bassman, a fashion and fine-art photographer, died on February 13, 2012, age 94. Bassman first came to prominence in the 1940s as an art director for Junior Bazaar, a youth-orientated version of Harper’s Bazaar. She also showed her pictures in galleries around the world, influencing several generations of fashion photographers
  • Emmanuel Cooper, a ceramicist, died on January 21, 2012, at the age of 73. Cooper was primarily known as potter but also established himself as an art critic, educator, and gay-rights activist. His work is in the permanent collection of the Victoria and Albert Museum in London and the Philadelphia Museum of Art
  • Mary Louise Coulouris, a vibrant painter, printmaker, and muralist, died on December 20, 2011, at the age of 72.  Born in New York to Greek parents, Coulouris moved to London to attend school, eventually settling in Scotland. Well known for her public artworks in railway stations and hospitals across the United Kingdom, she also showed in galleries in Paris and London and is included in the collections of the New York Public Library, the Bibliothèque National in Paris, and the Ashmolean Museum in Oxford, England
  • Peter de Francia, a celebrated artist, intellectual, and professor of painting at the Royal College of Art in London, passed away on January 19, 2012, at the age of 90. De Francia, born in France to an English mother and an Italian father, was multilingual from an early age. He served in World War II and was a lifelong socialist and an active member of the British art scene since the 1950s
  • Malcolm Fowler, a fine artist and illustrator who brought artful creativity and humor into the world of advertising, died on January 18, 2012, at age 68. Fowler founded the pioneering illustration and model-making Shirt Sleeve Studio in London with his wife, Nancy Fouts, in the late 1960s. The couple crafted seminal ad campaigns for Tate Gallery, and their work has been collected by the Victoria and Albert Museum
  • John Gage, a beloved, freethinking art historian known for his scholarship on J. M. W. Turner, died on February 13, 2012, age 73. Gage taught art history at the University of Cambridge from 1970 to 1996 and was elected a fellow of the British Academy in 1995
  • Robert E. Hecht Jr., a controversial American dealer in ancient antiquities died, on February 8, 2012, at the age of 92. Just three weeks prior to his death, Hecht was on trial in Rome for charges of antiquity tomb looting and black-market dealing. A lifelong passion for collecting and selling ancient art began when he was a student at the American Academy in Rome
  • John House, an art historian known for his scholarship on Impressionism, specifically Claude Monet, passed away on February 7, 2012. He was 66. House began teaching at the University of East Anglia and University College of London before going to the Courtauld Institute of Art. He often took a radical approach to his subject, challenging previous scholarship with his books and with the popular exhibitions he organized
  • Mike Kelley, a groundbreaking artist who put Los Angeles on the map as a contemporary art mecca, committed suicide at the age of 57 on February 1, 2012. Kelley worked in video, installation, painting, and performance, often combining genres to spectacular and grotesque effect. A traveling retrospective of Kelly’s work, originating at the Stedelijk Museum in Amsterdam, will come to the Museum of Contemporary Art in Los Angeles in 2014
  • Ricardo Legorreta, the Mexican-born architect known for his design of vibrant, modernist buildings throughout the southwestern United States and internationally, died on December 30, 2011. He was 80
  • Steven Leiber, a San Franciscan art collector and rare-book dealer, died on January 28, 2012. He was 54 years old. Leiber operated a website devoted to his collection and knowledge of art ephemera and helped appraise several important archives, including those of Avalanche magazine, Allan Kaprow, and Claus Oldenberg
  • John Madin, an architect and planner who transformed the look of postwar England, passed away on January 8, 2012. He was 87. Madin is known for his monolithic designs for commercial buildings in cities throughout the North of England, the West Midlands, and Leeds
  • Isi Metzstein, an esteemed Scotish architect and teacher, died on January 10, 2012, at age 83. Metzstein founded the architectural practice Gillespie Kidd and Coia, which designed churches in Scotland, including the Le Corbusier–influenced St. Peter’s Seminary (now falling into ruin), and created buildings for Robinson College and Cambridge University
  • Amy Page, a writer and former editor-in-chief of Art + Auction magazine passed away on January 19, 2012, at age 72. A native New Yorker, Page was as comfortable in the rough and tumble world of art journalism as she was with socializing with collectors, gallery directors, and traveling the world to attend art fairs
  • Gianfranco Pardi, an Italian artist who created minimalist paintings, died on February 2, 2012, at age 78. Pardi lived and worked in Milan, where he showed at the Gio Marconi Gallery. In 1986 he exhibited at the Venice Biennale, and his 1970s series Architettura combines hard-edge abstraction, drawing, cable wires and aluminum
  • Vita Petersen, an artist, teacher, and legendary fixture at the New York Studio School, passed away on October 22, 2011, age 96. Born in Berlin to an aristocratic, art-loving family, Petersen moved to New York in 1938 and became involved in the heady art scene of the 1940s and 1950s. She showed her colorful abstractions at the Betty Parsons Gallery in the 1960s and was known to paint every day of her life
  • Jessie Poesch, an art professor at Tulane University’s Newcomb College in New Orleans, died on April 23, 2011, at the age of 88. Poesch was a specialist in decorative arts, pottery, and Louisiana architecture. She taught at Newcomb College from 1963 to 1992 and wrote books and articles that established her as an expert in her field
  • Julie Carter Preston, a Liverpool-born ceramicist whose clients included members of the British Royal Family, died on January 6, 2012. She was 85 years old. Preston is best known for her use of sgraffitto, an ancient scratching technique that creates a rich-looking surface texture. She taught for many years at the Liverpool College of Art, and her work is represented by the Walker Art Gallery in Liverpool
  • Peter Saunders, a British painter whose favorite subject was the city of London and its people, passed away on November 19, 2011, age 70. Saunders attended Camberwell School of Art, where he studied under Euan Uglow. He later taught at schools throughout London and was a member of the Soho crowd of artists who gathered at the Colony Room in the 1960s and 1970s
  • Ian Simpson, an artist and art instructor who was a presenter on the BBC program Eyeline (1968–69), died on December 15, 2011, at the age of 78. Simpson taught at Hornsey College of Art in London and at St Martins School of Art from 1972 to 1988. He was a great believer in demystifying the world of art-making, and that technical skills could be taught to anyone with the dedication to learn them
  • Norma Merrick Sklarek, the first African American woman to become a licensed architect, died on February 6, 2012, aged 85. Born in Harlem, Sklarek was one of only two women to graduate from Columbia University with a degree in architecture. She moved to Los Angeles to join Gruen Associates in 1960, where she worked as the project director for Terminal 1 at Los Angeles International Airport and later was a founding partner of Siegel-Sklarek-Diamon, an all-woman architectural firm
  • Kazimierz Smolen, the former director and cofounder of the State Museum at Auschwitz-Birkenau and a survivor of the concentration camps at Auschwitz and Mauthausen, died on January 27, 2012, at the age of 91. In addition to founding the State Museum at Auschwitz, he appeared as a witness in many war criminal trials, including the Nuremberg Trials in 1945–46
  • Tobi Lim Sonstroem, a graphic-design alumnus of the Tyler School of Art in Pennsylvania, took his own life on February 2, 2012. He was 25 years old. Sonstroem was remembered by friends and teachers as a passionate young man who was dedicated to his burgeoning art and graphic-design career
  • Dorothea Tanning, a painter, sculptor, and muse to the Surrealists, died on January 31, 2012. She was 101 years old. Tanning was married for thirty years to Max Ernst and lived with him in New York, Arizona, and France. In addition to an esteemed career as a painter, she published several books of verse and in 1994 established the $100,000 Wallace Stevens Award at the Academy of American Poets
  • Antoni Tàpies, the Catalan painter known for large-scale works that often mix oil painting with sand, chalk, and household objects, died on February 6, 2012. He was 88. The critic Roland Penrose described Tàpies as “a painter who was to create mysteries in matter itself.” The Tàpies Foundation in Barcelona, Spain, was created in 1984 as a museum and research center dedicated to the artist’s work and to other international modern artists
  • Eugene Weston III, an architect who revolutionized the look of Los Angeles homes in the 1950s, died on January 31, 2012, at the age of 87. Weston’s designs emphasized space, glass windows, and natural light, bringing an elegant, modern sensibility to middle-class family homes. Later commissions include the Scripps College Research Center and the San Diego Zoo
  • Erica Wilson, a craftswoman who popularize embroidery and needlework through numerous television appearances, books, and magazine articles, died on December 13, 2011. She was 83. The British-born Wilson moved to New York in 1954, where she taught at Cooper Union and gave private lessons in her apartment. Wilson later opened boutique shops on Manhattan’s Upper East Side and on Long Island, as well as in Palm Beach, Florida, and in Nantucket, Massachusetts
  • Althea Wynne, a British sculptor known for her equestrian statues in bronze and ceramic, died on January 24, 2012, at the age of 75. Inspired by Etruscan art and a childhood love of horseback riding, Wynne created sculptures recognized as powerful and graceful monuments. Her best-known commission is the three bronze horses that stand sentinel at Minister Court in the City of London

Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries to Christopher Howard, CAA managing editor, for the April listing.

 

Filed under: Obituaries, People in the News

The CAA Board of Directors welcomes four newly elected members, who will serve from 2012 to 2016:

Barbara Nesin, CAA board president, announced the election results during the Annual Members’ Business Meeting, held on Friday, February 24, at the 100th Annual Conference in Los Angeles.

The Board of Directors is charged with CAA’s long-term financial stability and strategic direction; it is also the association’s governing body. The board sets policy regarding all aspects of CAA’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.

For the annual board election, CAA members vote for no more than four candidates; they also cast votes for write-in candidates (who must be CAA members). The four candidates receiving the most votes are elected to the board.

The National Committee for the History of Art (NCHA) has awarded travel grants to fourteen PhD students at American universities to attend the thirty-third congress of the International Committee of the History of Art (Comité International d’Histoire de l’Art, or CIHA), taking place July 15–20, 2012, in Nuremberg, Germany. Each student’s department will match the NCHA funds. Nominated by their departments, the students were selected from among a much larger group of highly competitive nominees.

The NCHA grant recipients are:

  • Krysta Black, University of North Carolina, Chapel Hill
  • Brianne Cohen, University of Pittsburgh*
  • Jennifer Cohen, University of Chicago*
  • Dana Cowen, Case Western Reserve University*
  • Jill Holaday, University of Iowa*
  • Elizabeth Kassler-Taub, Harvard University
  • Anna Kim, University of Virginia
  • Laine Little, State University of New York, Binghamton
  • Jennifer A. Morris, Princeton University*
  • Turkan Pilavci, Columbia University
  • Stephanie E. Rozman, University of Minnesota*
  • Erin Sullivan, University of Southern California*
  • John A. Tyson, Emory University
  • Maureen Warren, Northwestern University

The asterisk (*) indicates a current CAA member.

NCHA is the American affiliate of the international community of art historians. Two representatives from CAA, usually the past presidents from the Board of Directors, are NCHA individual members. Both NCHA and CIHA aim to foster intellectual exchange among scholars, teachers, students, and others interested in art history broadly conceived as encompassing art, architecture, and visual culture across geographical boundaries and throughout history. Through the organization of scholarly conferences of varying size and scope, NCHA and CIHA promote the communication, dissemination, and exchange of knowledge and information about art history and related fields, ultimately seeking to promote a global community of art historians.

CAA warmly thanks the many contributions of the following dedicated members who joined CAA in 1961 or earlier. This year, the annually published list welcomes fourteen new members. Twelve are distinguished scholars and curators whose teaching, publications, and exhibitions have shaped the history of art over the last fifty years. The other two are celebrated artists: G. Kendall Shaw, a painter and former professor based in Brooklyn who showed recent work in a solo exhibition in New York this past fall; and Conrad H. Ross, a printmaker who lives and works in Alabama, where he taught at Auburn University for many years.

1961: Matthew Baigell; Malcolm Campbell; Margaret Diane David; W. Bowdoin Davis Jr.; David Farmer; J. D. Forbes; Isabelle Hyman; Henry A. Millon; Clifton C. Olds; Marion E. Roberts; David Rosand; Conrad H. Ross; G. Kendall Shaw; and Alan Shestack.

1960: Shirley N. Blum; Kathleen Weil-Garris Brandt; David C. Driskell; Mojmir S. Frinta; Dan F. Howard; W. Eugene Kleinbauer; Edward W. Navone; Linda Nochlin; and J. J. Pollitt.

1959: Edward Colker; Geraldine Fowle; Edith M. Hoffman; Carol H. Krinsky; James F. O’Gorman; Charles S. Rhyne; and Ann K. Warren.

1958: Samuel Y. Edgerton Jr.; Damie Stillman; and Clare Vincent.

1957: Marcel M. Franciscono; Bruce Glaser; William C. Loerke; Susan R. McKillop; and John F. Omelia.

1956: Svetlana L. Alpers; Norman W. Canedy; John Goelet; Joel Isaacson; John M. Schnorrenberg; and Jack J. Spector.

1955: Lola B. Gellman; Irving Lavin; Marilyn A. Lavin; and Suzanne Lewis.

1954: Franklin Hamilton Hazlehurst; Patricia C. Loud; Thomas McCormick; Jules D. Prown; Jane E. Rosenthal; Irving Sandler; Lucy Freeman Sandler; Harold E. Spencer; and A. Richard Turner.

1953: Dorathea K. Beard; Margaret McCormick; John W. Straus; and Jack Wasserman.

1951: Wen C. Fong; and Carl N. Schmalz Jr.

1950: Jane Dillenberger; Alan M. Fern; and Marilyn J. Stokstad.

1949: Dario A. Covi; Norman B. Gulamerian; and Ann-Sofi Lindsten.

1948: William S. Dale; Clarke H. Garnsey; and Peter H. Selz.

1947: Dericksen M. Brinkerhoff; David G. Carter; Ellen P. Conant; Ilene H. Forsyth; and J. Edward Kidder Jr.

1946: Mario Valente.

1945: James Ackerman; Paul B. Arnold; and Rosalie B. Green.