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CAA Student Scholarships
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Registration is in full swing for the 2017 Annual Conference in New York, February 15-18.

We are always listening to what our members want and seeking out the benefits to fit your needs. That is why we have partnered up our sponsors, multinational publisher, Routledge, Taylor & Francis, and art materials specialist, Blick Art Materials, to create a student scholarship fund to assist CAA Student Members with conference costs.

Routledge, Taylor & Francis Student Scholarship

CAA’s Annual Conference Partner Sponsor, Routledge, Taylor & Francis will award four (4) CAA Student Members with complimentary registration and an additional $250 in scholarship money to help with conference expenses such as travel, housing, or meals. Receipts will be required for reimbursement.   

Blick Art Materials Student Scholarship

CAA’s Annual Conference Presenter Sponsor, Blick Art Materials will also fund conference registration fees for four (4) CAA Student Members. No travel expenses are available.

Criteria for the Scholarship

Awardee will be chosen by lottery on the following criteria:

  • Individuals must be registered for the Annual Conference by the Early Registration deadline
  • Individuals must be current CAA student members (proof of student status will be required by the 8 winners chosen)
  • Individuals cannot receive conference registration or travel reimbursement from their institution or employer

What does this mean for you? It means register today for the 2017 Annual Conference before the Early Registration deadline for a chance to be one of the lucky 8 CAA Student Members to receive one of these scholarships. Recipients will be randomly selected by CAA and announced in mid January.

We look forward to seeing you in New York!

Filed under: Annual Conference, Uncategorized

Staff Interview: Doreen Davis

posted by November 21, 2016

doreenIn our first staff interview, we spoke with Paul Skiff, assistant director for Annual Conference. Continuing in the staff interview series, we spoke with Doreen Davis, who currently holds the record for longest-serving CAA staff member.

How long have you worked at CAA?

Twenty-six years.

What do you do at CAA?

I am the manager of member services.

What does CAA mean to you?

CAA has many meanings, but the greatest meaning to me is that it represents the opportunity for me to grow, for me to share what I have learned, for me to plant the seed of possibilities and leave behind a bigger, better organization than the one I first started working for. CAA will always be the organization that challenged me to be better and to have the flexibility to make our members feel that we are not just an organization. We are their partner for as long as they are members, whether active or lapsed.

Can you talk about one of your favorite member moments?

One member was very dissatisfied on several occasions and continued to be very mean on the phone. Even after I resolved her membership issues, she did not say “thank you” but instead hung up. The conference was approaching, and I am usually stationed at the “Problem Information Booth.” I hoped and prayed that I would not see her at the conference, because she would definitely come to that booth. Well, I was not so lucky. She showed up and, after reading my badge, said, “Hi Ms. Davis, I am so and so. I want to apologize for my behavior—it was so unlike me. I was going through a rough period, but thank you for your patience and your help.” I responded, “You are very welcome, and enjoy the conference.” Whew!

What do you like best about the arts and working in the arts?

I love that art can transcend time, and if art is good it will last forever. I also love that we can have an unlimited number of interpretations of art. Everyone sees or hears roughly the same thing, but each of us has our own opinion of it. Our experiences in life help shape our opinions of art. No two people experience the exact same thing, so our interpretations are bound to vary. I love working for the arts because I see how my efforts positively affect people in need. Nonprofits are a great place to maximize your mental talents along with your compassion.

Do you have a favorite moment from the Annual Conference each year?

One of my favorite moments was encountering a job seeker who had an interview, but because she was not a current member she was not allowed in the Interview Hall to meet with the employer. I gave her an individual-membership brochure with an application and walked her into the hall. She took it and thanked me. I said to myself, maybe she will join. She came back later and informed me that the interview went well. I said, “Congrats!” I forgot all about her until a few months later, when she sent me an email telling me she had been hired. Because of that, she took out a membership!

New in caa.reviews

posted by November 18, 2016

Mary Manning visits Sargent: Portraits of Artists and Friends at the Metropolitan Museum of Art. The exhibition “presents ninety-two works that depict members of the artist’s vast social circle” and shows how Sargent’s “personal relationships and growing prestige afforded him substantial access to creative personalities who would influence his understanding of the arts.” Read the full review at caa.reviews.

Angelina Lucento reviews Hyperrealism: When Reality Becomes an Illusion, an exhibition at the State Tretyakov Gallery in Moscow. The show illustrates how the photo-realist members of the Union of Artists of the USSR used painting “to examine the role of the technologies of reproduction and transmission on the perception of the postwar socialist body and the spaces of its existence.” Read the full review at caa.reviews.

Grace Lees-Maffei provides a summary of design history in the essay “Design History: The State of the Art.” The author sketches “the history of design history for those unfamiliar with it, including the international spread of the subject,” and focuses “on the current state of the field with reference to several key topics and work currently in progress.” Read the full review at caa.reviews.

caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.

Filed under: caa.reviews, Uncategorized

Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Donald Trump, Taste, and the Cultural Elite

It’s said that taste defines us. The music I like lets you know, to some degree, what kind of person I am. Yet though this year’s presidential election has raised issues of racism, sexism, and classism, not much has been said about taste, and the role it may or may not have played in getting Donald Trump to the White House. (Read more from the Washington Post.) 

Now, More Than Ever, Designers Must Transform America

Thoughtful design, whether it’s a logo, an object, or a well-organized protest, has always had the ability to effect political change. And yet, in days following the election, the power of design felt—at least momentarily—diminished. Graphic design didn’t affect the outcome. (Read more from Wired.)

The Obligation to Explain

One of the striking aspects of the controversy around Kelley Walker’s exhibition at the Contemporary Art Museum in Saint Louis is how many important issues it raises: the perilous state of race relations; the dilemmas that arise when one person’s freedom of speech is perceived as hate speech; whether white artists can tackle the subject of black experience without engaging in cultural appropriation; and the extent to which social media pressures museums to bring more transparency to their curatorial process. (Read more from Artcritical.)

Iconic Ancient Sites Ravaged in ISIS’s Last Stand in Iraq

Recently released satellite imagery of archaeological sites around the northern Iraqi city of Mosul has revealed extensive destruction at two capital cities of ancient Mesopotamia, according to researchers with the American Schools of Oriental Research Cultural Heritage Initiatives. (Read more from National Geographic.)

The Future of the Tiny Liberal-Arts College

At first glance, it sounds like a grim affair: a group of fifteen presidents from the country’s tiniest liberal-arts institutions met in New York in June, even amid experts’ predictions of small-college mergers and closings. Attendees who were at the meeting report the mood was far from somber, though. (Read more from Inside Higher Ed.)

Crash and Burn

Your course plan looked great on paper. It passed departmental faculty review. Perhaps it even integrated some progressive pedagogical experimentations. In sum, the class held real promise. But when it got to the classroom, your first-run of the course was received with far less enthusiasm than you anticipated. (Read more from Art History Teaching Resources.)

Auditioning for the Role of Colleague

Far too many graduate students earnestly prepare for their job talk as if the talk itself is what matters most. It was not until a casual meeting with a member of my dissertation committee in her cozy office that I learned the secret to delivering a great job talk: nothing matters more than how you manage the Q&A portion. (Read more from Vitae.)

Makeover Mania: Inside the Twenty-First-Century Craze for Redesigning Everything

In theory, the redesign begins with a problem. The problem might be specific or systemic or subjective. A logo makes a company’s image feel out of date. A familiar household object has been overtaken by new technology. A service has become too confusing for new users. The world is, after all, full of problems. (Read more from the New York Times Magazine.)

Filed under: CAA News, Uncategorized

The Artist as Entrepreneur

posted by November 14, 2016

sponsoredpost_275New York Foundation for the Arts, 20 Jay Street, Seventh Floor, Brooklyn, NY 11201

Participants: 60
Pricing: $50
Date: Tuesday, February 14, 2017
9:30 AM – 4:00 PM

This Valentine’s Day, the College Art Association (CAA) and the New York Foundation for the Arts (NYFA) are showing their love for artists by partnering to offer professional development programming, “The Artist as Entrepreneur,” the day before the CAA Annual Conference. This day-long event has been customized to fit the needs of CAA artist members but is open to all artists. It allows participants the opportunity to attend part of the CAA Annual Conference with a ticket to a session of their choice. Participants are also welcome to join numerous conference events that are open to the public.

NYFA’s “The Artist as Entrepreneur” is a course that teaches the fundamental principles of sustainability—and ultimately profitability—in the arts. This includes topics such as strategic planning, finance, and marketing. Additional material is drawn from NYFA’s popular textbook which accompanies this curriculum, The Profitable Artist (Allworth Press, 2011). The structure is a blend of formal lectures, breakout groups, and one-on-one meetings. Participants work through a flexible and dynamic “action plan,” which provides a blueprint for their practice or specific projects. Each receives specific feedback from experts in the field as well as their peers in the course.

Register for “The Artist as Entrepreneur.”

First come, first served.

To learn more about NYFA Learning, please see a list of programs on their website.

New in caa.reviews

posted by November 11, 2016

Andy Campbell visits Black Sheep Feminism: The Art of Sexual Politics at the Dallas Contemporary. Consisting of artworks, mostly from the 1970s, by Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti, the exhibition “unapologetically centralize[s] representations of the embodied experiences of (heterosexual) sex and eroticism.” Read the full review at caa.reviews.

Jeremy George reads At Home with the Sapa Inca: Architecture, Space, and Legacy at Chinchero by Stella Nair. “A critical addition to Andean studies,” the book discusses the Inca royal estate at Chinchero, Peru, and “examines the experiential aspects of this site in relation to indigenous ideologies of space and the built environment.” Read the full review at caa.reviews.

Jeannie McKetta discusses Jackson Pollock: Blind Spots at the Dallas Museum of Art. The exhibition spotlights an overlooked period of Pollock’s career: his “black paintings” made between 1951 and 1953. The works were negatively received at the time, but the show “contextualizes the monochromes by displaying them among a few of Pollock’s earlier paintings and experimental ink drawings.” Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.

Filed under: caa.reviews, Uncategorized

2017 CAA-Getty International Program Reunion

posted by November 10, 2016

CAA Names Recipients for
2017 CAA-Getty International Program Reunion

Celebrating five successful years of the CAA-Getty International Program, the College Art Association (CAA) is pleased to announce the selection of twenty alumni to participate in a reunion program during the 2017 CAA Annual Conference, taking place in New York City from February 15-18. Funded by a generous grant from the Getty Foundation, the alumni will join distinguished scholars from the United States for a series of four conference sessions on international topics in art history.

The twenty alumni chosen for the reunion program will travel to the Annual Conference from home countries as varied as Malaysia, Cameroon, and Argentina, to name a few. As scholars, their work encompasses an equally wide spectrum, including topics such as international modernism, Islamic architecture in Southeast Asia, and contemporary aesthetics and art. Connecting the diverse mix of cultural, environmental, and scholarly backgrounds is central to the mission of CAA.

2017 CAA-Getty International Program Reunion participants

Since 2012, the Getty Foundation has supported CAA in bringing between fifteen and twenty scholars from countries around the world to its Annual Conference. Open to professors of art history, curators, and artists who teach art history, the program boasts ninety alumni from forty-one countries. Many scholarly collaborations and exchanges have ensued, both between these international scholars and North American members of CAA, and among the international scholars themselves. The 2017 reunion will celebrate these accomplishments and deepen ties with these international scholars.

“It is a pleasure to work with CAA on the international program, which has brought so many interesting scholars from all over the world to the United States for the Annual Conference,” said Deborah Marrow, director of the Getty Foundation. “We have learned so much from the scholars’ participation and are delighted to support the upcoming reunion program. Congratulations to CAA and these remarkable alumni.”

This past summer, alumni helped to shape the reunion plans, working with members of CAA’s International Committee. Using CAA Connect, CAA’s new digital discussion platform, committee members Elisa Mandell (California State University, Fullerton), Judy Peter (University of Johannesburg, South Africa), and Miriam Paeslack (University of Buffalo), in consultation with committee chair Rosemary O’Neill (Parsons The New School for Design), moderated an online discussion about a wide range of international issues, looking for ideas that would make particularly good topics for the four conference sessions to be held in February. Linked under the heading “Global Conversations,” the daily sessions will address the following topics: “Decolonizing the Curriculum, “Dominant Ideologies and Political Trauma,” “The Trouble with (the Term) Art,” and “Transnational Collaborations and Interdisciplinarity.”

Joining the alumni at these sessions will be four members (or former members) of the National Committee for the History of Art (NCHA). Since it began, the CAA-Getty International Program has benefitted from the participation of NCHA members, both as speakers and hosts to the international colleagues. This year, Frederick Asher (University of Minnesota), Michael Ann Holly (Research and Academic Program, Sterling and Francine Clark Art Institute), Mary Miller (Yale University), and David Roxburgh (Harvard University) are each moderating one of the Global Conversations, adding their expertise to the discussions.

CAA is grateful to the Getty Foundation for its ongoing support of this program, and to the members of CAA’s International Committee and NCHA who have contributed their time and expertise to making the program a success.

About CAA

The College Art Association (CAA) is dedicated to providing professional services and resources for artists, art historians, and students in the visual arts. CAA serves as an advocate and a resource for individuals and institutions nationally and internationally by offering forums to discuss the latest developments in the visual arts and art history through its Annual Conference, publications, exhibitions, website, and other programs, services, and events. CAA focuses on a wide range of advocacy issues, including education in the arts, freedom of expression, intellectual-property rights, cultural heritage and preservation, workforce topics in universities and museums, and access to networked information technologies. Representing its members’ professional needs since 1911, CAA is committed to the highest professional and ethical standards of scholarship, creativity, criticism, and teaching. Learn more about CAA at www.collegeart.org.

About the J. Paul Getty trust and the Getty Foundation

The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that includes the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation. The J. Paul Getty Trust and Getty programs serve a varied audience from two locations:  the Getty Center in Los Angeles and the Getty Villa in Pacific Palisades.

The Getty Foundation fulfills the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world. Through strategic grant initiatives, the Foundation strengthens art history as a global discipline, promotes the interdisciplinary practice of conservation, increases access to museum and archival collections, and develops current and future leaders in the visual arts. It carries out its work in collaboration with the other Getty Programs to ensure that they individually and collectively achieve maximum effect. Additional information is available at www.getty.edu/foundation.

For more information about the CAA-Getty International Program contact Janet LandayProject Director.

Filed under: International, Uncategorized

Why Do Colleges Have So Much Art?

Public or private, rural or urban, college museums are tackling ambitious projects like never before, promoting academic curators—who were once part of a sleepier, insular art world—to be lead actors on the cultural stage. But not everyone agrees that school museums should compete with their mainstream counterparts or that students necessarily benefit more from having art of such magnitude as opposed to more modest collections. (Read more from the Atlantic.)

When Will We Learn?

“Twice as good” is the standard set for generations of black and brown children across America, a warning consistently administered in stern but loving tones from parental figures as dissimilar as the fictional Rowan Pope and first lady Michelle Obama. Yet in academia, all too often “twice as good” still isn’t good enough. (Read more from the Root.)

How a Sculptor Adapted to Today’s Economy

Matt Langford is a formally trained sculptor who now does finishing work in a prototype lab at GE’s additive-manufacturing facility in Cincinnati. The Atlantic spoke with him about his training as a sculptor, how he’s transitioned those skills as technology advances, and how American industries treat older workers. (Read more from the Atlantic.)

Reading Your Application File

If you’re on the academic job market, you’re in the process of assembling and sending out application packages. There’s a lot of great advice out there on crafting CVs, cover letters, and other job documents. Here I want to do something different: give you a mental image of what is happening on the other side of the hiring table, so you can put yourself in the shoes of a search-committee member. (Read more from Vitae.)

Making Office Hours Matter

If you are like me, you spend the majority of your office hours staring at the door, willing your students to walk in and use the time you set aside for their benefit. Why is it that so few of them take advantage of this time, and how can we get more of them to do so? (Read more from Inside Higher Ed.)

What’s Driving the Surge in Art Books?

Art books are niche products. Hardly anyone reads them, you can’t make money with them, and anyway, there’s the internet. And yet an increasing number galleries have begun producing books. Why? (Read more from Artnet News.)

Revisiting: Why Publishers’ Brands Matter

Brands matter because authors think they do. The best brands attract the best authors—a virtuous circle in which good authors strengthen brands and brands confer their aura on authors. Brands also matter to readers in direct and indirect ways, and the indirect importance has the most influence on the individuals who purchase books. (Read more from the Scholarly Kitchen.)

New Research Reveals Startling Stats on Student Stress

Between tough classes, on-campus involvement, and trying to have a social life, your college years are likely to be the most stressful time of your life so far. Maybe that’s what you went in expecting, but the statistics surrounding college students and stress are still pretty shocking. (Read more from Course Hero.)

Filed under: CAA News, Uncategorized

New in caa.reviews

posted by November 04, 2016

Vanessa R. Schwartz discusses the exhibition Revolution of the Eye: Modern Art and the Birth of American Television, organized by the Jewish Museum. “Television clips, furniture, artwork, and ephemera” offer insights into the “bygone age of television,” a revolutionary moment that “included the celebratory embrace of the breakdown between art, commerce, and entertainment.” Read the full review at caa.reviews.

Liz Glass reviews Seth Price’s book Fuck Seth Price, a “self-declared novel” though it “is not a novel in any recognizable sense . . . but rather a somewhat schizophrenic deluge of thoughts on art—and particularly painting—and the future of the artist in the age of the ‘digital.’” Although the “universalizing tone becomes tiresome,” his approach to the novel “is full of contemplation, contradiction, and contrivance.” Read the full review at caa.reviews.

Rachel Silberstein visits China: Through the Looking Glass, an exhibition curated by Andrew Bolton at the Metropolitan Museum of Art. An “exploration of how Chinese dress and aesthetics have influenced the Western fashion world,” the show “innovates in two primary respects,” but does not “allow the audience to explore fashion as a more complex and historical object.” Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.

Filed under: CAA News, Publications, Uncategorized

New Content on Art Journal Open

posted by November 03, 2016

Art Journal Open has recently published new content. Below are the introductory sentences of an essay, an annotated bibliography, and an artist’s project.

Kate Costello

P&P

Artist Kate Costello has created a unique animation of her limited edition book, P&P, for Art Journal Open. Costello has taken P&P—which can be read as a compendium of process images (sketches, notes)—full circle by animating and translating the analogue process of paging through the book into a digital form. This project also includes an excerpt from “The Space of the Image” by curator Rita Gonzalez, and an introduction by Art Journal Open’s web editor, Gloria Sutton. Read the full article on Art Journal Open.

Penelope Vlassopoulou

no water, Athens, Greece, 2015: Twenty-four hours with nothing to eat or drink, only smelling the jasmine

Penelope Vlassopoulou began her Metamorphosis series in her home city of Athens. The series evolved in multidisciplinary dialogue with diverse urban environments including Berlin, Belgrade, and Chicago. In March 2015, Metamorphosis returned to its point of origin with no water tracing a link between Greece’s historical past and the country’s current predicament. Read the full article on Art Journal Open.

Elizabeth Mangini

Solitary/Solidary: Mario Merz’s Autonomous Artist

In 1968, while demonstrating students occupied university buildings less than a mile away, the Italian artist Mario Merz hung a handful of neon lights bent into the numerals 1, 1, 2, 3, and 5 above the kitchen stove in his home on Via Santa Giulia in Turin. It wasn’t yet an artwork, just something to think about in the place where he and his wife, fellow artist Marisa Merz, gathered to talk with each other and with friends. Read the full article on Art Journal Open.

Roger F. Malina

Art-Science: An Annotated Bibliography

We are witnessing a resurgence of creative and scholarly work that seeks to bridge science and engineering with the arts, design, and the humanities. These practices connect both the arts and sciences, hence the term art-science, and the arts and the engineering sciences and technology, hence the term “art and technology.” Read the full article on Art Journal Open.