CAA News Today
Barbara Bergstrom and Darden Bradshaw
posted Jan 14, 2019
The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.
CAA podcasts are now on iTunes. Click here to subscribe.
This week, Barbara Bergstrom and Darden Bradshaw discuss what makes an art education program successful.
Dr. Barbara Bergstrom is an assistant professor of art education at Bowling Green State University. Dr. Darden Bradshaw is an assistant professor of art education at the University of Dayton.
New in caa.reviews
posted Jan 11, 2019
Jordan Bear reviews Inadvertent Images: A History of Photographic Apparitions by Peter Geimer. Read the full review at caa.reviews.
Nina Athanassoglou-Kallmyer writes about Exiled in Modernity: Delacroix, Civilization, and Barbarism by David O’Brien. Read the full review at caa.reviews.
News from the Art and Academic Worlds
posted Jan 09, 2019
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Art historian and BBC star Sister Wendy Beckett passed away in December at the age of 88. Photo: Associated Press, via Smithsonian Magazine
The Smithsonian Museums Have Fallen Victim to the Government Shutdown, Closing Until Further Notice
As the lapse in funding continues, all 19 Smithsonian museums in New York and Washington, DC, have been forced to close their doors. (artnet News)
Remembering Sister Wendy Beckett, Beloved Nun Who Made Art Accessible
The famed art historian and BBC star passed away in December at the age of 88. (Smithsonian Magazine)
MLA Awarded Million-Dollar Mellon Grant to Support Teaching at Community Colleges
The grant will allow 144 doctoral students and instructors at community colleges to conduct pedagogical research. (MLA)
Six Big Ideas That Gripped the Art World in 2018, From ‘Platform Capitalism’ to ‘Chthulucene’
Looking back on new terms, concepts, and trends that resonated. (artnet News)
The Invisible Faculty
By not standing up for adjuncts, have tenure-track professors undermined their own power? (Chronicle of Higher Ed)
See Inside the All-Female Conservation Studio Dedicated to Saving Renaissance Treasures From the Ravages of Time
For nearly 30 years, Italian conservators Valeria Merlini and Daniela Storti have worked to restore some of art history’s greatest treasures. (artnet News)
Kirk Maynard and Alexandra Thomas
posted Jan 07, 2019
The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.
CAA podcasts are now on iTunes. Click here to subscribe.
This week, Kirk Maynard and Alexandra Thomas discuss addressing institutionalized discrimination through artistic practice.
Kirk Maynard is a mixed media artist born in Brooklyn, New York in 1993. He received his BS in Visual Arts Education from Andrews University in 2014 and is currently an MFA student at New Jersey City University. A second generation Guyanese-American, Maynard’s work focuses on the political undercurrents of culture and identity in America.
Alexandra M. Thomas is a PhD student at Yale for History of Art and African American Studies with a certificate in Women’s, Gender & Sexuality Studies. Her current research interests include global modern and contemporary art, Black atlantic visual culture, African art, queer theory, performance studies, and Black feminist thought.
New in caa.reviews
posted Jan 04, 2019
Anna Russakoff reviews In the Skin of a Beast: Sovereignty and Animality in Medieval France by Peggy McCracken. Read the full review at caa.reviews.
Emma McClendon writes about Heavenly Bodies: Fashion and the Catholic Imagination by Andrew Bolton. Read the full review at caa.reviews.
New in caa.reviews
posted Dec 21, 2018
Kathryn Brown reviews Degas Danse Dessin: Hommage à Degas avec Paul Valéry, edited by Leïla Jarbouai and Marine Kisiel, and Degas: A Passion for Perfection, edited by Jane Munro. Read the full review at caa.reviews.
Clare Kunny writes about Slow Looking: The Art and Practice of Learning Through Observation by Shari Tishman. Read the full review at caa.reviews.
News from the Art and Academic Worlds
posted Dec 19, 2018
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Hundreds gather in the atrium of the British Museum for an unofficial “Stolen Goods Tour.” Photo by and courtesy of Diana More, via Hyperallergic
National Gallery of Art Chooses First Female Director
Kaywin Feldman, of the Minneapolis Institute of Art, will be the first woman to hold the job in the museum’s 77-year history. (New York Times)
Here Are the 10 Female Artists Over 40 Who Have Won 2018’s $250,000 Anonymous Was a Woman Awards
The awards’ founder, Susan Unterberg, only revealed her identity earlier this year. (artnet News)
Influencers in Higher Education in 2018
See Chronicle‘s list of the people who shaped higher ed (for better or worse) in 2018. (Chronicle of Higher Education)
How-To: Students of Islamic Art Wikipedia Edit-a-thon
Explore a thread by UT Austin professor Dr. Stephennie Mulder on how to use a Wikipedia edit-a-thon to teach art history. (Twitter)
How Artists Can Master Dealing with Rejection
Straightforward tips for artists—and everyone, really—to deal with an inevitable part of the creative process. (Artsy)
Hundreds Attend Guerrilla, Activist-Led Tour of Looted Artifacts at the British Museum
The tour featured talks by activists of Australian Aboriginal, Iraqi, Hawaiian, Māori, and Greek Cypriot heritage. (Hyperallergic)
Member Spotlight: Renata Holod
posted Dec 18, 2018
Renata Holod is College of Women Class of 1963 Term Professor in the Humanities, at the History of Art Department, and Curator, Near East Section, Museum of Archaeology and Anthropology, at the University of Pennsylvania. She has carried out archaeological and architectural fieldwork in Syria, Iran, Morocco, Turkey, Central Asia, Tunisia, and Ukraine, and is the author of numerous books and essays.
CAA media and content manager Joelle Te Paske corresponded recently with Professor Holod to learn more about what she’s working on.
Joelle Te Paske: Thank you for taking the time, Professor. So to begin, where are you from originally?
Renata Holod: I was born in Ukraine, and grew up in Edmonton, Alberta and then Toronto, Ontario, Canada.
I have a BA in Islamic Studies from the University of Toronto; a MA from University of Michigan in the History of Art, and my PhD from Harvard in Fine Arts.
JTP: What led you to the work you do now?
RH: My work on projects varies in date and methodology, from archaeology (I worked in Syria, and Tunisia), to architectural and regional history of different periods and locations (including fourteenth- to fifteenth-century architecture, settings and cities in greater Iran, and contemporary architecture from Morocco to Indonesia), to work on objects and collections (ceramics, the late Ottoman painter Osman Hamdi Bey). I get bored quickly.
JTP: You’ve been a CAA member for over 40 years. How has the field changed?
RH: There are many more practitioners in my particular field. In fact, it is no longer one field, but could be divided into regional and temporal sub-fields. There is much more theorization, and also expanded archival work (e.g. Ottoman archives), and now digital humanities, etc.
JTP: What is the most exciting part of your work currently?
RH: Studying unpublished objects, and redoing the galleries and publishing the Middle East collection for the later periods (Parthian through the nineteenth century) at the Penn Museum.
JTP: A favorite exhibition or study you’ve worked on over the years?
RH: Whichever one is currently being submitted.
JTP: What is your top recommendation for our readers?
RH: Network Theory and its application; see the work of my former student, Yael Rice on Mughal workshops, as well as the work of Johannes Preiser-Kappeler (Vienna).
JTP: What is a favorite memory from a CAA conference?
RH: Seeing my former students give papers; and meeting my former classmates.
JTP: Thank you, Professor Holod.
Renata Holod is College of Women Class of 1963 Term Professor in the Humanities, at the History of Art Department, and Curator, Near East Section, Museum of Archaeology and Anthropology, at the University of Pennsylvania. She has carried out archaeological and architectural fieldwork in Syria, Iran, Morocco, Turkey, Central Asia, Tunisia, and Ukraine. She is co-author of City in the Desert: Qasr al- Hayr East (1978); Architecture and Community: Building in the Islamic World Today (1983); The Mosque and the Modern World (1997); The City in the Islamic World (2008) and An Island Through Time: Jerba Studies (2009). She was recently part of the team redoing the Middle East galleries at the Penn Museum, with a special issue of Expedition magazine and a new handbook as well. Her most recent articles are: “Approaching the Mosque: Birth and Evolution” in The World of the Mosque: Magnificent Designs (New York: Rizzoli, 2017) 14-21, and “Jerba in the 3rd/9th century CE: Under Aghlabi Control?” in The Aghlabids & their Neighbors: Art & Material Culture in Ninth-Century North Africa, Glaire D. Anderson, Corisande Fenwick, and Mariam Rosser-Owen, eds. (Leiden: Brill, HdO series, 2017), 451- 469. On several international advisory and editorial boards, she has also served as President, Board of Trustees at The Ukrainian Museum in NYC, 2013-2017.
Explore the Latest Issue of The Art Bulletin
posted Dec 18, 2018
Print copies of The Art Bulletin will arrive in mailboxes soon. Click here to explore the digital version.
TABLE OF CONTENTS
EDITOR’S NOTE
Owning, Claiming, and Representing Land
Nina Athanassoglou-Kallmyer
ARTICLES
Mastering the Landscape: Geometric Survey in Sixteenth-Century France
Anthony Gerbino
Shifting Panoramas: Contested Visions of Cuzco’s 1650 Earthquake
Patrick Thomas Hajovsky
Landscape and Iconicity: Proskynetaria of the Holy Land from the Ottoman Period
Pnina Arad
Entertaining War: Spectacle and the Great “Capture of Wuhan” Battle Panorama of 1939
Kari Shepherdson-Scott
REVIEWS
Olga Bush, Reframing the Alhambra: Architecture, Poetry, Textiles and Court Ceremonial
Patricia Blessing
Jennifer Raab, Frederic Church: The Art and Science of Detail
Katherine Manthorne
Not a member? Click here to join CAA and explore the issue in full.
Editor-in-Chief Sought for Art Journal Open
posted Dec 17, 2018
The Art Journal Editorial Board invites nominations and self-nominations for the position of editor-in-chief of Art Journal Open for the term of July 1, 2020–June 30, 2023 (with service as incoming editor designate, July 1, 2019–June 30, 2020). A candidate may be an artist, art historian, critic, educator, curator, or other professional within the membership served by CAA; institutional affiliation is not required. Art Journal Open is an online forum for the visual arts that presents artists’ projects, conversations and interviews, scholarly essays, and other content from across the cultural field. The independently edited journal publishes original material by artists, scholars, teachers, archivists, curators, critics, and other cultural producers and commentators, with a commitment to foster new intellectual exchanges about contemporary art and culture. Art Journal Open prioritizes material that makes meaningful use of the web, such as multimedia formats and techniques, and is published on a continual, rolling basis.
The editor is responsible for commissioning all content for Art Journal Open. He or she solicits or commissions projects, texts, and time-based content by artists and other authors, and determines the appropriate scope and format of each project. Working in consultation with the Art Journal editor-in-chief, reviews editor, and editorial board, the editor determines which pieces should undergo peer review and subsequent revision before acceptance. The editor also works with authors and a CAA staff editor on the development and preparation of materials for publication. The editorial board expects that a significant portion of the journal will be geared to work or concerns of artists, and that the editor will endeavor to give voice to underrepresented perspectives. Qualifications for the position include a broad knowledge of current art, the ability to work closely with artists in a wide variety of practices, and experience in developing written and other content for arts platforms. The position includes membership on the editorial board and, after the orientation period, an annual honorarium, paid quarterly for the three years the of the editorship. The editor attends the three meetings each year of the Art Journal Editorial Board and, as an ex-officio member, of the Publications Committee—held in New York or by teleconference in the spring and fall, and at the CAA Annual Conference in February—and submits an annual report to CAA’s Board of Directors.
Candidates must be current CAA members and should not serve concurrently on the editorial board of a competitive journal or on another CAA editorial board or committee. The editor-in-chief may not publish her or his own work on Art Journal Open or in Art Journal during the term of service. Nominators should ascertain a nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for the position, a CV, and at least one letter of recommendation to: Art Journal Open Editor Search, CAA, 50 Broadway, 21st floor, New York, NY 10004; or email the documents to Heather Holmes (hholmes@collegeart.org), CAA Associate Editor for Digital Publications.
Deadline: April 1, 2019; finalists will be interviewed on May 2 in New York.