CAA News Today

Joe Fig, Chuck Close: Summer 2004 #1, 2007, Cibachrome print, 16 x 20 in. (artwork © Joe Fig)

Susan Ball. Inside the Artists’ Studios: Small-Scale Views. Bruce Museum, Greenwich, Connecticut, December 14, 2013–March 16, 2014.

Tabitha Barber and Stacy Boldrick. Art under Attack: Histories of British Iconoclasm. Tate Britain, London, England, October 2, 2013–January 5, 2014.

Alison Saar, Blue Plate Special, 1993, etching, lithograph, and chine collé, 29 x 28¾ in. (artwork © Alison Saar)

Tyrus Clutter. [in]justice: art and atrocity in the 20th century. Appleton Museum of Art, Ocala, Florida, February 8–May 11, 2014.

Laura Knott. 5000 Moving Parts. MIT Museum, Massachusetts Institute of Technology, Cambridge, Massachusetts, November 21, 2013–November 20, 2014.

Master of the Stötteritz Altar, Mother of Sorrows, ca. 1480, oil on panel, 8¾ x 6½ in. Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz, AG.1984.1.1 (artwork in the public domain)

David S. Areford. The Art of Empathy: The Cummer “Mother of Sorrows” in Context. Cummer Museum of Art and Gardens, Jacksonville, Florida, November 26, 2013–February 16, 2014.

Rineke Dijkstra, Castricum aan Zee, The Netherlands, June 1992, 1992 (printed 2005), chromogenic print, 43¼ x 50 3/8 in. (artwork © Rineke Dijkstra; photograph provided by the artist and Marian Goodman Gallery, New York)

Donna Gustafson and Susan Sidlauskas. Striking Resemblance: The Changing Art of Portraiture. Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, January 25–July 13, 2014.

Installation view of Raisonnement circulaire. On wall from left: Mary Schiliro, Circuitous Dip, 2012, acrylic on Mylar, 25½ x 18 in. (artwork © Mary Schiliro); Mary Judge, Exotic Hex Series S10/1, 2005, powdered pigment on paper, 20 x 20 in. (artwork © Mary Judge); David Henderson, Glorieux, 2012, fiberglass and paint, 33 x 26 x 38 cm (artwork © David Henderson). On floor: Nathalie Delasalle, Force Majeure, 2011, marbre de synthèse, 90 x 90 x 40 cm (artwork © Nathalie Delasalle).

Daniel G. Hill. Raisonnement circulaire (Circular Reasoning). ParisCONCRET, Paris, France, June 16–July 7, 2012

Andrea Kantrowitz. Tracing Experience: Morgan O’Hara, Bill Sayles, Josette Urso, and Jen Wright. Macy Gallery, Teachers College, Columbia University, New York, October 7–November 1, 2013.

Samuel Jablon, Poet Sculpture, 2013, enamel on plywood, variable dimensions (artwork © Samuel Jablon)

Katarina Lanfranco. Poetry Slam: damali abrams, Jessica Campbell, Samuel Jablon, and Mwamba-Salim Wilson. Rhombus Space, Brooklyn, New York, September 20–October 13, 2013.

Jason Peters, Untitled, silver ink on black paper, 11 x 11 x 6½ in. (artwork © Jason Peters)

Katarina Lanfranco. Fine Lines: Helen Dennis, Nils Folke Anderson, Jason Peters, and Ann Stewart. Rhombus Space, Brooklyn, New York, October 18–November 17, 2013.

Katarina Lanfranco and MaDora Frey. A-Side/B-Side: Helen Dennis, Nils Folke Anderson, Jason Peters, and Ann Stewart. Rhombus Space, Brooklyn, New York, December 13, 2013–January 19, 2014.

Invitation card for Process : Effect : Reconsider

Lee Ann Paynter. Process : Effect : Reconsider. Spot 5 Art Center and Gallery, Louisville, Kentucky, September 23–November 2, 2013.

Dalmatic, Anonymous, Italian, ca. 1450–75, Orphreys, embroidery, silk, and metallic thread on linen plain weave, velvet, 104.1 x 111.8 cm. Detroit Institute of Arts, Gift of Mr. and Mrs. Edgar B. Whitcomb. Acc. no. 37.56 (artwork in the public domain)

Perri Lee Roberts. The Material of Culture: Medals and Textiles from the Ulrich A. Middeldorf Collection. Georgia Museum of Art, University of Georgia, Athens, Georgia, October 26, 2013–January 12, 2014.

Basil Alkazzi, Kiss of the Butterfly V, 2003, gouache on paper (artwork © Basil Alkazzi)

Judith K. Brodsky. An Odyssey of Dreams: A Decade of Paintings 2003–2012. Anne Kittrell Art Gallery, University of Arkansas, Fayetteville, Arkansas, November 4–December 6, 2013.

Basil Alkazzi, Iris and the Grasshopper That Flew Away, 2006, gouache on paper, 78 x 102 cm (artwork © Basil Alkazzi)

Judith K. Brodsky. An Odyssey of Dreams: A Decade of Paintings 2003–2012. Bradbury Gallery, Fowler Center, Arkansas State University, Jonesboro, Arkansas, August 29–September 29, 2013.

Installation view of F_ll in the Bl_nk

Shlomit Dror. F_ll in the Bl_nk. New York Art Residency and Studios (NARS) Foundation, Brooklyn, New York, June 21–July 19, 2013.

Daniella Woolf, Yours, Mine, and Ours, 2011, encaustic sewn paper, 8 x 8 ft. (artwork © Daniella Woolf)

Reni Gower. Papercuts. Emily Davis Gallery, Myers School of Art, University of Akron, Akron, Ohio, October 28–December 6, 2013.

Heimrad Bäcker, Untitled, silver gelatin print, 2 x 2¾ in. (artwork © Michael Merighi)

Patrick Greaney. Heimrad Bäcker: Landscape M. Museum of Contemporary Art Denver, Denver, Colorado, September 27, 2013–January 5, 2014.

Announcement card for Graphic Alert: AIDS Posters from around the World

Adrienne Klein. Graphic Alert: AIDS Posters from around the World. MSB Gallery, Langone Medical Center, New York University, New York, September 1–30, 2013.

Theresa Papanikolas. Georgia O’Keeffe and Ansel Adams: The Hawai‘i Pictures. Honolulu Museum of Art, Honolulu, Hawai‘i, July 18, 2013–January 12, 2014.

Jeff Phillips. Resonating Images: 1950 to Now. William Rolland Gallery of Fine Art, California Lutheran University, Thousand Oaks, California, June 7–November 8, 2013.

Mira Schor. Abstract Marriage: Sculpture by Ilya Schor and Resia Schor. Provincetown Art Association and Museum, Provincetown, Massachusetts, August 16–September 29, 2013.

David Anfam, Clyfford Still: Memory, Myth, and Magic. Clyfford Still Museum, Denver, Colorado, May 24–September 29, 2013.

Reni Gower. Radiant: Contemporary Encaustic. Slocumb Galleries, Eastern Tennessee State University, Johnson City, Tennessee, August 19–September 20, 2013.

Reni Gower. Shadow and Light. Tinney Contemporary, Nashville, Tennessee, May 18–June 29, 2013.

Invitation card for Yam Lau: A World Is a Model of the World

Alice Ming Wai Jim. Yam Lau: A World Is a Model of the World. Darling Foundry, Montreal, Quebec, Canada, June 6–August 25, 2013.

Aaron Krach and Courtney Childress. No Name. On Stellar Rays, New York, June 20–July 31, 2013.

Daniel Rich, Zelle, 2013, acrylic on board, 29 x 29 in. (artwork © Daniel Rich)

Birgit Rathsmann. October 18, 1977. Klemens Gasser and Tanja Grunert, New York, June 20–July 19, 2013.

Patricia G. Berman and Pari Stave. MUNCH | WARHOL and the Multiple Image. Scandinavia House, Nordic Center in America, New York, April 27–July 27, 2013.

June Blum. A Celebration of Women’s Art. Cocoa Beach Library, Cocoa Beach, Florida, April 1–19, 2013.

Bruce Boucher. Corot to Cézanne: French Drawings from the Collection of Mr. and Mrs. Paul Mellon at the Virginia Museum of Fine Arts. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–June 2, 2013.

Rachel Epp Buller. Postpartum. Erman B. White Gallery of Art, Butler Community Collece, El Dorado, Kansas, March 1–April 5, 2013.

Rachel Epp Buller. Working on the Bias. Stiefel Watson Gallery, Stiefel Theater for the Performing Arts, Salina, Kansas, February 21–April 22, 2013.

Virginia Fabbri Butera. Persona: Externalizing the Psychological Self. Therese A. Maloney Art Gallery, Annunciation Center, College of Saint Elizabeth, Morristown, New Jersey, January 22–April 14, 2013.

Richard Anuszkiewicz, New Glory, 1975, screen print, 26 x 19½ in. (artwork © Richard Anuszkiewicz)

Tyrus R. Clutter. Out of Abstraction: Divergent Directions in Late 20th Century Art. Appleton Museum of Art, Ocala, Florida, April 5–June 2, 2013.

Suzanne McClelland, Soft Partition, 2012, ink and graphite on Yupo paper, 9 x 12 in. (artwork © Suzanne McClelland)

Jennifer Farrell. STrAY: Found Poems from a Lost Time. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–May 26, 2013.

Jean-Baptiste Isabey, Jeanne Justine Laurice de Salienne (The Artist’s Wife), ca. 1789, pencil and grey wash, 7 x 5⅛ in. Fralin Museum of Art, University of Virginia, Charlottesville (artwork in the public domain)

Lawrence O. Goedde. Traces of the Hand: Master Drawings from the Collection of Frederick and Lucy S. Herman. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–May 26, 2013.

Reni Gower. Papercuts. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia, May 31–September 14, 2013.

Reni Gower. Heated Exchange: Contemporary Encaustic. Elizabeth Stone Harper Gallery, Harper Center for the Arts, Presbyterian College, Clinton, South Carolina, January 17–February 23, 2013.

James McNeill Whistler, Nocturne, 1878, lithotint on blue laid chine collé, second state, 6¾ x 10⅛ in. Fralin Museum of Art, University of Virginia, Charlottesville (artwork in the public domain)

Emilie Johnson. Becoming the Butterfly: Landscapes of James McNeill Whistler. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–April 28, 2013.

Emilie Johnson. Becoming the Butterfly: Portraits of James McNeill Whistler. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, April 30–August 4, 2013.

Julian Kreimer. Part of the Story. Lower East Side Printshop, New York, March 20–May 12, 2013.

Installation view of La Florida: 500 Years of Florida Art

Preston Thayer. La Florida: 500 Years of Florida Art. Thomas H. Jacobsen Gallery of American Art, Cummer Museum of Art and Gardens, Jacksonville, Florida, January 15–October 6, 2013.

Henri de Toulouse-Lautrec, The Seated Clowness (Miss Cha-U-Kao), from Elles, 1896, lithograph printed in green-black, black-brown, yellow, red, and blue on cream wove paper, 20 11/16 x 15 13/16 in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.108 (artwork in the public domain)

Colin B. Bailey, Susan Grace Galassi, and Jay A. Clarke. The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark. Frick Collection, New York, March 12–June 16, 2013.

John George Brown, The Beggars, 1863, oil on canvas, 15⅛ x 12⅛ in. Wichita Art Museum, Gift of Virginia and George Ablah, 1978.102 (artwork in the public domain)

Rachel Epp Buller. Occupy Art: Protest and Empathy for the Worker. Wichita Art Museum, Wichita, Kansas, December 8, 2012–March 17, 2013.

Invitation card for Are We Where Yet?

Leila Daw and Elisabeth Munro Smith. Are We Where Yet? A.I.R. Gallery, Brooklyn, New York, February 7–March 3, 2013.

Leena-Maija Rossi and Kari Soinio. Bodies, Borders, Crossings. Preus Museum, Kulturparken Karljohansvern, Horten, Norway, January 26–June 26, 2013.

Gail Stavitsky and Laurette E. McCarthy. The New Spirit: American Art in the Armory Show, 1913. Montclair Art Museum, Montclair, New Jersey, February 17–June 16, 2013.

Website image for Papercuts

Reni Gower. Papercuts. Ritter Art Gallery, University Galleries, School of the Arts, Florida Atlantic University, Boca Raton, Florida, January 19–March 2, 2013.

Andreas Marks. Modern Twist: Contemporary Japanese Bamboo Art. Bellevue Arts Museum, Bellevue, Washington, November 13, 2012–February 3, 2013.

Barbara McPhail, Toxic Plume, 2010, monotype, 14 x 11 in. (artwork © Barbara McPhail; photograph by the artist)

Barbara McPhail. No Land Escapes. Ink Shop, Ithaca, New York, February 1–March 29, 2013.

Gertrude Käsebier, The Sketch, 1903, platinum print, 6¼ x 8½ in. University Museums, gift of Mason E. Turner Jr. (photograph by Jim Schneck)

Stephen Petersen. Gertrude Käsebier: The Complexity of Light and Shade. Old College Gallery, University of Delaware, Newark, Delaware, February 6–June 28, 2013.

Julia P. Herzberg. Iván Navarro: Fluorescent Light Sculptures. Patricia and Phillip Frost Art Museum, Florida International University, Miami, Florida, November 17, 2012–January 2, 2013.

Maya, Motul de San José or vicinity, Petén Guatemala, Late Classic, ca. 755, Service Set with Wahy Figures, ceramic with polychrome slip, h. 20.4 cm., diam. 16.3 cm (largest). Princeton University Art Museum, museum purchase, Fowler McCormick, Class of 1921, Fund (y1993-17, 18, and 19) (artwork in the public domain; photograph by Bruce M. White)

Bryan R. Just. Dancing into Dreams: Maya Vase Painting of the Ik’ Kingdom. Princeton University Art Museum, Princeton, New Jersey, October 6, 2012–February 17, 2013.

Larissa Leclair and Leslie J. Ureña. Captured by a Portrait: 20 Photobooks from the Indie Photobook Library. GautePhoto, Guatemala City, Guatemala, November 7–25, 2012.

Jennifer McComas. Pioneers and Exiles: German Expressionism at the Indiana University Art Museum. Indiana University Art Museum, Bloomington, Indiana, October 6–December 23, 2012.

Gertrude Fisher-Fishman, Joe in Yellow Pajamas, 1948, oil on Masonite, 24 x 18 in. (artwork © Gertrude Fisher-Fishman; photograph provided by the Louise Fishman Foundation)

Matthew Palczynski. Generations: Louise Fishman, Gertrude Fisher-Fishman, Razel Kapustin. Woodmere Art Museum, Philadelphia, Pennsylvania, October 13, 2012–January 6, 2013.

Janko Domsic, Untitled, no date, ballpoint pen on cardboard, 25¾ x 19¾ in. abcd Collection, Paris (photograph provided by Valérie Rousseau)

Valérie Rousseau and Barbara Safarova. Collectors of Skies. Andrew Edlin Gallery, New York. September 13–November 3, 2012.

Leslie J. Ureña. The In-Between Space. Tina Keng Gallery, Beijing, China, June 9–July 15, 2012.

Reni Gower. Heated Exchange. Upstairs Artspace, Tryon, North Carolina, September 21–November 17, 2012.

Martha Jackson Jarvis, Ancestors’ Bones #4, 2010–11, mixed-media drawing with black walnut ink, watercolor, oil, wax, raw pigment, collage, and photo transfer, 20 x 26¼ in. (photograph provided by Martha Jackson Jarvis Studio)

Julie L. McGee. Martha Jackson Jarvis: Ancestors’ Bones. Mechanical Hall Gallery, University of Delaware, Newark, Delaware, September 5–December 9, 2012.

Gustave Courbet, Apples, Pears, and Primroses on a Table, 1871–72, oil on canvas, 23½ x 28¾ in. Norton Simon Art Foundation (artwork in the public domain)

Gloria Williams Sander. Significant Objects: The Spell of Still Life. Norton Simon Museum of Art, Pasadena, California, July 20, 2012–January 21, 2013.

Cortney Lane Stell. Something about the State of Being. Philip J. Steele Gallery, Rocky Mountain College of Art and Design, Denver, Colorado, August 31–October 13, 2012.

Installation view of Post-Industrial Complex (photograph by Corine Vermeulen)

Katie Grace McGowan and Jon Brumit. Post-Industrial Complex. Museum of Contemporary Art Detroit, Detroit, Michigan, May 11–July 29, 2012.

Matthew Palczynski. Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present. Woodmere Art Museum, Philadelphia, Pennsylvania, May 12–July 15, 2012.

Matthew Palczynski. Salvatore Pinto: A Retrospective Celebrating the Barnes Legacy. Woodmere Art Museum, Philadelphia, Pennsylvania, May 12–July 15, 2012.

Kyoung eun Kang, video still from Islands, 2009 (artwork © Kyoung eun Kang)

Jennifer Wilkinson. Bivalence: Working Space 12. Cuchifritos, Essex Street Market, New York, July 12–August 12, 2012.