CAA News Today

Jan Gossart, Saint Luke Drawing the Virgin, ca. 1520–22, oil on panel, 43 1/8 x 32¾ in. (artwork in the public domain)

Maryan Ainsworth. Man, Myth, and Sensual Pleasures: Jan Gossart’s Renaissance. Metropolitan Museum of Art, New York, October 6, 2010–January 17, 2011.

Leonard Baskin, Leonard Baskin AET 42, 1962, color woodcut on paper, 32 x 23½ in. Delaware Art Museum, Gift of Alfred Appel, Jr., 2009 (artwork © Estate of Leonard Baskin; photograph provided by Galerie St. Etienne, New York)

Heather Campbell Coyle. Leonard Baskin: Art from the Gift of Alfred Appel, Jr. Delaware Art Museum, Wilmington, Delaware, September 26, 2010–January 9, 2011.

Suchan Kinoshita, Clock, 2010, clocks and prepared surveillance mirror (artwork © Suchan Kinoshita; photograph by Museum Ludwig/Ulrich Tillmann)

Emily Joyce Evans and Kasper König. Suchan Kinoshita: In 10 Minutes. Museum Ludwig, Cologne, Germany, October 9, 2010–January 30, 2011.

Man Ray, Noire et Blanche, 1926, gelatin-silver print, 17 15/16 x 22 15/16 in. (artwork © 2010 Man Ray Trust/SODRAC)

Wendy A. Grossman. Man Ray, African Art, and the Modernist Lens. Museum of Anthropology, University of British Columbia, Vancouver, British Columbia, Canada, October 29, 2010–January 23, 2011.

Ron Gorchov, Rasulka, 2008, oil on canvas, 60 x 80 x 13 in. (artwork © Ron Gorchov; photograph by Tom Powel and provided by the artist)

Tom Huhn and Isabel Taube. Between Picture and Viewer: The Image in Contemporary Painting. Visual Arts Gallery, School of Visual Arts, New York, November 23–December 22, 2010.

Ronnie Tjampitjinpa, Tingari Ceremonies at the Site of Pintjun, 1989, acrylic on canvas, 152 x 180 cm. Gabrielle Pizzi Collection, Melbourne (artwork © 2010 Ronnie Tjampitjinpa, Aboriginal Arts Agency)

Kasper König, Emily Joyce Evans, and Falk Wolf. Remembering Forward: Australian Aboriginal Painting since 1960. Museum Ludwig, Cologne, Germany, November 20, 2010–March 20, 2011.

Installation view of Colors of the Oasis: Central Asian Ikats (photograph provided by the Textile Museum)

Sumru Belger Krody. Colors of the Oasis: Central Asian Ikats. Textile Museum, Washington, DC, October 16, 2010–March 13, 2011.

Installation view of El Greco: Los Apóstoles, santos y “locos de Dios” at the Museo de Guadalajara (photograph by David Blázquez)

Fernando Marías and María Cruz de Carlos Varona. El Greco: Los Apóstoles, santos y “locos de Dios.” Museo de la Merced, Ciudad Real, Spain, November 20, 2010–January 20, 2011.

John Henry Haynes, Ziggurat, 1893–94, archival print. Penn Museum negative #5680 (artwork in the public domain)

Robert Ousterhout and Renata Holod. Archaeologists and Travelers in Ottoman Lands. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, Pennsylvania, September 26, 2010–February 6, 2011.

Will Barnet, Waiting, 1973–74, watercolor and graphite on paper, 17½ x 17 3/8 in. (artwork © Will Barnet; photograph provided by Alexandre Gallery, New York, NY, Stephen Stinehour Edition)

Peter Barnet, Anne Betty Weinshenker, Gail Stavitsky, and M. Teresa Lapid Rodriguez. Will Barnet. George Segal Gallery, Montclair State University, Montclair, New Jersey, September 21–December 11, 2010.

Francisco de Goya y Lucientes, Regozijo (Mirth), (Album D. 4), ca. 1816–20, brush and ink and wash and chalk, 9 3/8 x 5 13/16 inches (artwork in the public domain; image provided by the Frick Collection and the Hispanic Society of America, New York)

Jonathan Brown, Lisa A. Banner, and Susan Grace Galassi. The Spanish Manner: Drawings from Ribera to Goya. Frick Collection, New York, October 5, 2010–January 9, 2011.

Lee Friedlander, Shadow—New York City, 1968, silver print, 6¼ x 9½ in. Collection of the Virginia Museum of Fine Arts, John Barton Payne Fund, 74.6.8/15 (artwork © Lee Friedlander; photograph provided by Fraenkel Gallery, San Francisco, and the Eleanor D. Wilson Museum)

Christine Carr and Amy G. Moorefield. The Fleeting Glimpse: Selections in Modern and Contemporary Photography from the Virginia Museum of Fine Arts. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia, September 16–December 4, 2010.

Susan Earle. Site Specifics. Spencer Museum of Art, University of Kansas, Lawrence, Kansas, August 28, 2010–January 16, 2011.

Kent Bellows, Self-Portrait: August, 1995 (Target), 1995, acrylic and oil on panel, 29 x 19½ in. Private Collection (artwork © Kent Bellows Studio and Center for Visual Arts)

Molly S. Hutton. Beyond Realism: The Works of Kent Bellows 1970–2005. Joslyn Art Museum, Omaha, Nebraska, September 25, 2010–January 16, 2011.

Joris Hoefnagel, Guide for Constructing the Letters k and l, about 1591–96, watercolors, gold and silver paint, and ink on parchment, leaf: 6 9/16 x 4 7/8 in. (16.6 x 12.4 cm). Accession No. 86.MV.527.144v. J. Paul Getty Museum, Los Angeles, Ms. 20, fol. 144v (artwork in the public domain; photograph provided by the J. Paul Getty Museum)

Thomas Kren. Illuminated Manuscripts from Belgium and the Netherlands. J. Paul Getty Museum, Los Angeles, California, August 24–November 7, 2010, and November 9, 2010–February 6, 2011.

Alec Soth, Fondation Pierre Bergé and Yves Saint Laurent, Moujik IV, Paris, 2007, pigmented ink print (artwork © Alec Soth and provided by Weinstein Gallery and the Minneapolis Institute of Arts)

David E. Little. Embarrassment of Riches: Picturing Global Wealth, 2000–2010. Minneapolis Institute of Arts, Minneapolis, Minnesota, September 16, 2010–January 2, 2010.

Installation view of El Greco: Los Apóstoles, santos y “locos de Dios” at the Museo de Guadalajara (photograph by David Blázquez)

Fernando Marías and María Cruz de Carlos Varona. El Greco: Los Apóstoles, santos y “locos de Dios.” Museo de Guadalajara, Palacio del Infantado, Guadalajara, Spain, September 16–November 14, 2010.

Paul Strand, Church gateway, Hidalgo, 1933, handpulled gravure print, 16¼ x 12½ in. in. (artwork © Paul Strand; photograph provided by the Aperture Foundation)

Anthony Montoya and James Krippner. Paul Strand in Mexico. Aperture Foundation, New York, September 9–November 13, 2010.

The Trial of the Duke of Alençon, Jean Fouquet, Tours, about 1459–60. From Concerning the Fates of Illustrious Men and Women (Des cas des nobles hommes et femmes; original text in Latin); Giovanni Boccaccio, author; Laurent de Premierfait, translator. The Bayerische staatsbibliothek, Munich. Ms. Cod. Gall. 6, fol. 2v (artwork in the public domain)

Elizabeth Morrison and Anne D. Hedeman. Imagining the Past in France, 1250–1500. J. Paul Getty Museum, Los Angeles, California, November 16, 2010–February 6, 2011.

Charles Marville, Reconstruction of the Column on the Place Vendôme, 1875, albumen silver print, 14 x 9¾ in. Janos Scholz Collection of 19th-Century European Photographs. 1984.012.038 (artwork in the public domain)

Micheline Nilsen. Documenting History, Charting Progress, and Exploring the World. Snite Museum of Art, Notre Dame University, Notre Dame, Indiana, September 5–October 31, 2010.

John Romanski, Requiem, 2010, birch tree on acrylic painted birch board, 11 x 14 in. (artwork © John Romanski)

John Romanski. 402 Years Later. Nashawannuck Gallery, Easthampton, Massachusetts, October 9–November 9, 2010.

Installation view of Americanana. From left, works by Jasper Johns, Donald Judd, James Turrell, Robert Gober, Greely Myatt, and Josephine Halvorson (photograph by John Bentham and provided by the Hunter College Art Galleries)

Katy Siegel. Americanana. Bertha and Karl Leubsdorf Art Gallery, Hunter College, City University of New York, New York, September 16–December 4, 2010.

Kristina Van Dyke. Objects of Devotion. Menil Collection, Houston, Texas, August 13–October 31, 2010.

Tani Buncho, View of Matsushima, 1826, ink and colors on silk, 32 2/5 x 45 1/5 in. Clark Family Collection (artwork in the public domain; photograph provided by the Berkeley Art Museum and Pacific Film Archive)

Julia M. White and Andreas Marks. Flowers of the Four Seasons: Ten Centuries of Art from the Clark Center for Japanese Art and Culture. University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, California, August 25–December 12, 2010.

Hendrick ter Brugghen, Saint Sebastian Tended by Irene, 1625, oil on canvas, 58 11/16 x 47 in. (149.1 x 119.4 cm). Allen Memorial Art Museum, Oberlin College. R. T. Miller Jr. Fund, 1953.256 (artwork in the public domain)

Andria Derstine, Stephanie Wiles, Eliza Rathbone, and Renée Maurer. Side by Side: Oberlin’s Masterworks at the Phillips. Phillips Collection, Washington, DC, September 11, 2010–January 16, 2011.

Anne Truitt, Prima, 1978, acrylic on wood, 80½ x 7 7/8 x 8¼ in. Mildred Lane Kemper Art Museum, Washington University in St. Louis. Gift of Dr. and Mrs. Harold Joseph, 1998 (artwork © Anne Truitt)

Meredith Malone. Gesture, Scrape, Combine, Calculate: Postwar Abstraction from the Permanent Collection. Mildred Lane Kemper Art Museum, Washington University in St. Louis, St. Louis, Missouri, August 20–September 20, 2010.

Jules Olitski, Without Sin, 1994, monotype, 18 x 24 in. (artwork © Jules Olitski)

Judith E. Stein. Jules Olitski: An Inside View, A Survey of Prints 1954–2007. Opalka Gallery, Sage Colleges of Albany, Albany, New York, August 30–October 31, 2010.