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Institutional News

posted by August 17, 2013

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2013

California Institute of the Arts in Valencia, along with the Roy and Edna Disney/CalArts Theater (REDCAT) in Los Angeles, has received a $244,000 grant from ArtPlace America for the September 2013 edition of “Radar L.A., an International Festival of Contemporary Theater” and a related series of performing artist residencies.

California State University, Stanislaus, has received a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study of the differential impacts of arts participation on California’s Central San Joaquin Valley, in particular Stanislaus County.

Christopher Newport University in Newport News, Virginia, has won a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study using the federal agency’s Survey of Public Participation in the Arts data to develop a multivariate framework for measuring arts participation.

The Fleet Library at the Rhode Island School of Design in Providence has received a $50,000 National Forum Grant from the Institute of Museum and Library Services to hold a symposium titled “Materials Education and Research in Art and Design: A New Role for Libraries,” which took place June 6–8, 2013, at the school’s museum.

The Galleries at Moore College of Art and Design in Philadelphia, Pennsylvania, has accepted a $20,000 grant from the Pew Center for Arts and Heritage for an upcoming exhibition called Strange Currencies.

The Institute of Contemporary Art at the University of Pennsylvania in Philadelphia has received a $25,000 grant from the Pew Center for Arts and Heritage for its upcoming exhibition, Barbara Kasten.

The Maine College of Art in Portland has unveiled a new institutional logo, created through a collaboration between Eddie Opara of the design company Pentagram and a group of design faculty and students.

The Museum of Modern Art in New York has combined its Department of Prints with the Department of Drawings, creating a new Department of Prints and Drawings. The change took effect on July 1, 2013.

The National Gallery in London, England, has partnered with the Getty Research Institute in Los Angeles, California, to add nearly 100,000 records of art sales from more than 1,200 British auction catalogues that were published between 1780 and 1800. The records will join the Getty Provenance Index, a free online art-historical database.

Northeastern University in Boston, Massachusetts, has received a $25,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of American Community Survey data to determine relationships among selections of arts majors, occupational choices, and labor-market outcomes of American college graduates, including artist job holders.

The Philadelphia Museum of Art in Pennsylvania has earned a $30,000 planning grant from the Pew Center for Arts and Heritage for a project called “The Contemporary Caucus,” which will engage staff from education, technology, marketing, communications, and exhibitions to identify and implement optimal strategies for connecting with twenty-first-century audiences.

The Philadelphia Museum of Art in Pennsylvania has received a Curatorial Travel/Internationally Collaborative Pre-exhibition Convening Grant from the Terra Foundation for American Art for an upcoming exhibition, Paul Strand: Photography and Film for the Twentieth Century.

The Rhode Island School of Design in Providence, in partnership with the design firm Project Projects, has completed a new visual identity and website for the school’s museum. Part of the initiative involved the renaming of the exhibiting institution as RISD Museum.

Saint Louis University in Missouri has accepted a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study that will examine how the growth and stability of local arts businesses have contributed to the redevelopment of downtown Saint Louis at the street and block level.

The School of the Art Institute of Chicago in Illinois has won a $20,000 grant from the National Endowment of the Arts to support a study of the characteristics, needs, and support systems of ethnically and culturally specific organizations in the United States and Canada.

The Toledo Museum of Art in Toledo, Ohio, has achieved a milestone in a twenty-year effort to reduce energy consumption. On May 21, 2013, the museum’s main building, a 101-year-old Beaux Arts structure, stopped drawing power from the electrical grid and even began returning power to the system.

The University of Iowa Museum of Art in Iowa City has received permission from its board of regents to construct a new building that will house a collection of 12,000 works. The school’s old exhibition space was destroyed by flooding in 2008.

The University of Maryland, College Park, has won a $25,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of two longitudinal data sets for information about the impact of high school arts education on college attainment, after controlling for certain preexisting differences between arts and nonarts students.

The University of Oregon in Eugene has received a $15,000 Art Works Research Grant from the National Endowment for the Arts to support the development of an online, annotated resource that identifies American prison arts programs and their histories, related research, and outcomes analyzed on a rubric to be created for this project.

The University of Southern California in Los Angeles has earned a $15,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of survey data from the National Alliance of Media Arts and Culture to map the spatial relationships of media arts organizations to local community characteristics and target audiences.

West Chester University in West Chester, Pennsylvania, has received a $25,000 Art Works Research Grant from the National Endowment for the Arts to support a study examining the physiological impacts of participation in music, dance, and the visual arts on economically disadvantaged children.

The Whitney Museum of American Art in New York has approved a new graphic identity and logo—which it calls the “responsive W”—in consultation with the design studio Experimental Jetset.

Warren Wilson College in Swannanoa, North Carolina, has received a $2.1 million grant from the Windgate Charitable Foundation to enhance its Art Department with the addition of studio craft and material arts and to foster a close partnership between it and the Center for Craft, Creativity, and Design.

The Wolfsonian–FIU at Florida International University in Miami Beach, Florida, has accepted a $5 million donation from the Knight Foundation to fund a project to make the museum’s collection digitally accessible within five years.

People in the News

posted by August 17, 2013

People in the News

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2013

Academe

Keliy Anderson-Staley has joined the School of Art at the University of Houston in Texas as a tenure-track professor of photography.

Rebecca Parker Brienen has been named Vennerberg Professor of Art and head of the Department of Art, Graphic Design, and Art History at Oklahoma State University in Stillwater. Brienen previously served as the head of art history at the University of Miami in Coral Gables, Florida, from 2008 to 2013.

Jean M. K. Miller has joined the University of Missouri in St. Louis as dean of the College of Fine Arts and Communication and professor in the Department of Art and Art History. Miller was formerly associate dean of administrative affairs in the College of Visual Arts and Design at the University of North Texas in Denton.

Kent Minturn, a lecturer in the Department of Art History and Archaeology at Columbia University in New York, has been appointed director of the MA Program in Modern Art: Critical and Curatorial Studies.

Jennifer Raab, the first IFA/Andrew W. Mellon Foundation Postdoctoral Fellow at New York University’s Institute of Fine Arts, has joined the faculty of Yale University in New Haven, Connecticut.

Erika Schneider has been promoted to associate professor in the Art Department at Framingham State University in Framingham, Massachusetts, where she has taught since 2007.

Mark Tribe, an artist, educator, and the founder of Rhizome, has become chair of the MFA Fine Arts Department at the School of Visual Arts in New York.

Sarah Victoria Turner, a lecturer in the Department of the History of Art at the University of York in York, England, has been appointed to the new post of assistant director for research at the Paul Mellon Centre for Studies in British Art in London. Her appointment begins in November 2013.

Deborah Zlotsky, an artist who taught at the College of Saint Rose in Albany, New York, from 1996 to 2013, has accepted a teaching position at the Rhode Island School of Design in Providence.

Museums and Galleries

Gloria Groom, David and Mary Winton Green Curator in the Department of Medieval through Modern European Painting and Sculpture at the Art Institute of Chicago in Illinois, has been appointed the museum’s first senior curator.

Jennifer Gross has joined the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, as deputy director for curatorial affairs and chief curator. Gross had served as Seymour H. Knox Jr. Curator of Modern and Contemporary Art at the Yale University Art Gallery in New Haven, Connecticut, since 2000.

Sarah Schroth, Nancy Hanks Senior Curator at Duke University’s Nasher Museum of Art in Durham, North Carolina, has been named the museum’s new Mary D. B. T. and James H. Semans Director. Schroth had been serving as interim director since November 2012.

Susan Shifrin, associate director for education at the Philip and Muriel Berman Museum of Art at Ursinus College in Collegeville, Pennsylvania, has left the museum to serve as director of ARTZ Philadelphia, a newly formed chapter of ARTZ: Artists for Alzheimer’s.

Janne Gallen-Kallela-Sirén, formerly director of the Helsinki Art Museum in Finland, has become the new director of the Albright-Knox Art Gallery in Buffalo, New York.

Organizations and Publications

Maura Reilly has been appointed executive director of the Linda Pace Foundation, based in San Antonio, Texas. Most recently Reilly was professor and chair of art theory at Queensland College of Art, part of Griffith University in Nathan, Australia.

Tali Weinberg, program officer for Global Goods Partners, a nonprofit that provides economic opportunity, small grants, and training to artisans in marginalized communities around the world, has been selected to lead the Textile Society of America, based in Berkeley, California, as executive director.

Grants, Awards, and Honors

posted by August 15, 2013

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2013

Joseph Ackley, a PhD candidate in art history at New York University’s Institute of Fine Arts, has been awarded a research grant for his participation in the Mellon Research Initiative conference, “Art History and the Art of Deception,” taking place in October 2013.

Sarah Archino, a teaching fellow in the Department of Art at Millsaps College in Jackson Mississippi, who earned her doctorate in art history from the Graduate Center, City University of New York, has accepted a 2013–15 postdoctoral teaching fellowship at the Institut National d’Histoire de l’Art in Paris, France, from the Terra Foundation for American Art.

Chris Barnard, an artist based in Los Angeles, California, has spent the month of June 2013 in residency at the Vermont Studio Center in Johnson, Vermont.

Julia Whitney Barnes, an artist based in Brooklyn, New York, has received a commission to create a permanent glass-mosaic installation, titled Coloridas Historias de México, for the Brooklyn School of Inquiry.

Sinclair Bell, associate professor of art history at Northern Illinois University in DeKalb, has been awarded a Howard Fellowship from the Howard Foundation at Brown University for 2013–14 to complete a monograph on chariot racing in ancient Rome.

Sarah Berkeley has been named a resident artist by the Artists’ Cooperative Residency and Exhibitions (ACRE) in Steuben, Wisconsin. Berkeley’s collaborator, Regin Igloria, will join her during the summer 2013 program.

Wendy Bellion, associate professor in the Department of Art History at the University of Delaware in Newark, has received an eight-week visiting professorship at the Institut National d’Histoire de l’Art in Paris, France, for spring 2015.

Steven Bleicher has been awarded a commission to produce a public art project, called Nature and Man in Rhapsody of Light at the Water Cube, in Beijing, China. His collaborators for the work were the artist Jennifer Wen Ma and the lighting designer Zheng Jianwei. Bleicher was the color specialist.

Suzanne Preston Blier, Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies in the Department of Art and Architecture at Harvard University in Cambridge, Massachusetts, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. She will work on a project entitled “By Sea, Sand, and River: Africa and the West, a History in Art (1300–1800).”

Michele Brody, an artist based in New York, has completed the Emmanuel College Artist in Residence Program, where she worked with three other artists on a class called “Contemporary Art and Artistic Practice.”

Larry Busbea has won a 2013 Grant to Individuals in the category of research from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. His project is called “The Responsive Environment: Aesthetics, Design, and Ecology in the 1970s.”

Katherine Bussard, Peter C. Bunnell Curator of Photography at the Princeton University Art Museum in Princeton, New Jersey, has earned a 2013 Grant to Individuals in the publication category from the Graham Foundation for Advanced Studies in the Fine Arts. Her publication is called Unfamiliar Streets: Photographs by Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia.

Kimberly Callas, an artist based in Brooks, Maine, has received a Puffin Foundation Grant for her sculptural project Portraits of the Ecological Self. The project includes ten hand-sculpted, life-size portraits that combine a detailed likeness of an individual with natural materials chosen to reveal the unique bond an individual has with nature.

Luis M. Castañeda has won a 2013 Grant to Individuals in the publication category from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. His book is called The Exhibitionist State: Image Economies of the Mexican “Miracle.”

Sheila Crane has won a 2013 Grant to Individuals in the category of research from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. Her project is called “Inventing Informality.”

Florina Hernandez Capistrano-Baker, a consultant for the Ayala Museum in Makati City, Philippines, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. Her project is called “Routes of Exchange: Tenth–Thirteenth Century Gold from Butuan and Links to the Indian Ocean and Mediterranean Trade Network.”

Grace Chuang, a doctoral student in art history at New York University’s Institute of Fine Arts, has received the 2013–14 IFA/Centre Allemand Fellowship in Paris, France.

William Coleman, a doctoral student in the History of Art Department at the University of California, Berkeley, has been appointed a 2013–14 predoctoral fellow at the Smithsonian American Art Museum in Washington, DC. He will continue work on “Thomas Cole’s Buildings: Architecture in Painting and Practice in the Early Republic.”

Erin Corrales-Diaz, a PhD student in the Art Department at the University of North Carolina, Chapel Hill, has been named Joe and Wanda Corn Predoctoral Fellow at the Smithsonian American Art Museum in Washington, DC. Her research involves “Remembering the Veteran: Disability, Trauma, and the American Civil War, 1861–1915.”

Vanessa Frances Rhiannon Crosby, a PhD candidate in the Department of Religious Studies at Northwestern University in Evanston, Illinois, has been named a 2013–14 predoctoral fellow by the Getty Research Institute in Los Angeles, California. She will work on “Foreign Goods and Trans-Regional Identities: Commemoration as Cross Cultural Encounter.”

John J. Curley, assistant professor in the Department of Art at Wake Forest University in Winston Salem, North Carolina, has received a publication grant from the Terra Foundation for American Art for his book A Conspiracy of Images: Andy Warhol, Gerhard Richter, and Cold War Visuality, forthcoming from Yale University Press.

Melissa Dabakis, professor of art history at Kenyon College in Gambier, Ohio, has been appointed Terra Foundation Senior Fellow in American Art for 2013 at the Smithsonian American Art Museum in Washington, DC. She will work on “A Cultural History of Italo-American Relations, 1760–1900.”

Melissa Dabakis, professor of art history at Kenyon College in Gambier, Ohio, has received a publication grant from the Terra Foundation for American Art for her book The American Corinnes: Women Sculptors and the Eternal City, 1850–1876, forthcoming from Pennsylvania State University Press.

Chanchal Dadlani, assistant professor of art history in the Department of Art at Wake Forest University in Winston-Salem, North Carolina, has been awarded a 2013–14 National Endowment for the Humanities Fellowship by the Getty Research Institute in Los Angeles, California. Her project is titled “Art and Epistemology between Early Modern India and France: The Collection of Jean-Baptiste Gentil.”

Andrew Demirjian, an artist based in Palisades Park, New Jersey, has been awarded a 2013 New Jersey Individual Artist’s Fellowship in the media/digital art category from the New Jersey State Council on the Arts.

Laura DeVito, a student in the MFA program in collaborative design at Pacific Northwest College of Art in Portland, Oregon, has completed a 2013 Spring Break Residency with Signal Fire in the deserts of Southern California.

Barbara Diener has accepted a residency for summer 2013 at the Artists’ Cooperative Residency and Exhibitions (ACRE), based in Steuben, Wisconsin.

Rob Duarte has been awarded a summer 2013 residency at the Artists’ Cooperative Residency and Exhibitions (ACRE), based in Steuben, Wisconsin.

Sam Durant, an artist based in Los Angeles, California, has been selected to participate in the 2013 Getty Artists Program, administered by the Education Department at the J. Paul Getty Museum in Los Angeles.

Kara Fiedorek, a doctoral student in art history in the Institute of Fine Arts at New York University, has accepted a research grant for her upcoming participation in a Mellon Research Initiative conference, “Art History and the Art of Deception,” scheduled for October 4–5, 2013.

Coco Fusco, an interdisciplinary artist and writer based in Brooklyn, New York, has completed a May–June 2013 residency at the Atlantic Center for the Arts in New Smyrna Beach, Florida.

Ken Gonzales-Day, an artist and the chair of the Art Department at Scripps College in Claremont, California, has accepted a 2013 summer residency at the Terra Residency Program in Giverny, France. He will work on a project called Absence, Stasis, and Other Non-Decisive Moments.

Ellery Foutch, who completed her PhD in the History of Art Department at the University of Pennsylvania in Philadelphia, has earned a 2013–15 postdoctoral teaching fellowship at the Courtauld Institute of Art in London, England, with help from the Terra Foundation for American Art.

Carl Fuldner, a doctoral student in the Department of Art History at the University of Chicago in Illinois, has been appointed a 2013–14 predoctoral fellow at the Smithsonian American Art Museum in Washington, DC. His dissertation examines “Evolving Photography: Naturalism and American Pictorialism, 1890–1917.”

Christine Eva Göttler, a professor and chair of the Institut für Kunstgeschichte at Universität in Bern, Switzerland, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. She will work on “Inventing Newness: Art, Local History, and ‘World Knowledge’ in Early Modern Antwerp (Mid-Sixteenth to Mid-Seventeenth Centuries).”

Jennifer Greenhill, associate professor of art history in the School of Art and Design at the University of Illinois, Urbana-Champaign, has been awarded an eight-week visiting professorship at the Institut National d’Histoire de l’Art in Paris, France, for spring 2014, thanks to the Terra Foundation for American Art.

Kenneth Haltman, H. Russell Pitman Professor of Art History in the School of Art and Art History at the University of Oklahoma in Norman, has accepted a visiting professorship in the John F. Kennedy Institute at Freie Universität in Berlin, Germany, for spring–summer 2014, with assistance from the Terra Foundation for American Art.

Adam Han, an MFA student in fiber and material studies at the School of the Art Institute of Chicago in Illinois, has been chosen as a 2013 Windgate Museum Intern by the Center for Craft, Creativity, and Design. He will contribute to a digital exhibition at the Smithsonian Institution’s Archives of American Art in Washington, DC, that tells the story of studio craft in the United States through primary-source material.

Mazie Harris, a doctoral student in the Department of the History of Art and Architecture at Brown University in Providence, Rhode Island, has accepted a fellowship to attend the 2013 Terra Summer Residency in Giverny, France. She will work on “The Portraits and Proprietary Claims of New York Photography Studios on Broadway 1853–1884.”

Andrew Hemingway, emeritus professor of history of art in the Department of History of Art at University College London in England, has accepted a visiting professorship in the John F. Kennedy Institute at Freie Universität in Berlin, Germany, for fall–winter 2013, courtesy the Terra Foundation of American Art.

Christopher Heuer, assistant professor in the Department of Art History and Archaeology at Princeton University in Princeton, New Jersey, has accepted a 2013 Grant to Individuals in the category of public program from the Graham Foundation for Advanced Studies in the Fine Arts. He will work on a project called “7 March 1965” with his collaborators, Abbey Dubin and Matthew Jesse Jackson, in a collective called Our Literal Speed.

Patricia Hills, professor in the Department of History of Art and Architecture at Boston University in Massachusetts, has been selected as a guest lecturer for 2013 at the Terra Summer Residency in Giverny, France. She will present “Whatever Happened to the ‘New Art History’? Reflections on Theoretical and Methodological Approaches since the 1970s.

Jessica L. Horton, an independent scholar who earned her doctorate in the Graduate Program in Visual and Cultural Studies at the University of Rochester in Rochester, New York, has been appointed a 2013–14 postdoctoral fellow at the Smithsonian American Art Museum in Washington, DC. She will work on “Diplomatic Choreographies: The Travels of Native American Dance Paintings during the Cold War.”

Kellie Jones, associate professor in the Department of Art History and Archaeology at Columbia University in New York, has been named a senior scholar for the 2013 Terra Summer Residency in Giverny, France. Her project is titled “Crisscrossing the World: Los Angeles Artists and the Global Imagination, 1960–1980.”

Wendy Katz, an associate professor in the Department of Art and Art History at the University of Nebraska in Lincoln, has been appointed a 2013–14 senior fellow at the Smithsonian American Art Museum in Washington, DC. Her project is “The Politics of Art Criticism in the Penny Press, 1833–61.”

Miri Kim, a PhD student in the Department of Art and Archaeology at Princeton University in Princeton, New Jersey, has accepted a fellowship to attend the 2013 Terra Summer Residency in Giverny, France. She will work on “‘Right Matter in the Right Place’: The Paintings of Albert Pinkham Ryder.”

Kristina Renee Kleutghen, assistant professor in the Department of Art History and Archaeology at Washington University in Saint Louis, Missouri, has been awarded a 2013–14 National Endowment for the Humanities fellowship by the Getty Research Institute in Los Angeles, California. She will continue her work on “Visions of the West: Rediscovering Eighteenth-Century Chinese Perspective Prints and Viewing Devices.”

Marina Kliger, a PhD student in art history in the Institute of Fine Arts at New York University, has accepted a nine-week summer internship at the National Gallery of Art in Washington, DC. She will catalogue and digitize rare French and Belgian reproductive prints.

Ethan W. Lasser, Margaret S. Winthrop Associate Curator of American Art at the Harvard Art Museums in Cambridge, Massachusetts, has received the ninth annual Patricia and Phillip Frost Essay Award from the editorial board of the journal American Art, published by the Smithsonian American Art Museum, based in Washington, DC. His article, “Selling Silver: The Business of Copley’s Paul Revere,” appeared in the Fall 2012 issue of the journal.

Dimitrios Latsis, a PhD candidate in the School of Art and Art History at the University of Iowa in Iowa City, has been named Committee on Institutional Cooperation–Smithsonian Predoctoral Fellow by the Smithsonian American Art Museum in Washington, DC. In a position jointly hosted with the National Museum of American History, Latsis will research “Nature, Nation, Narrative: The Discourse of Landscape in Pre–World War II American Cinema.”

Tirza T. Latimer, chair of the Graduate Program in Visual and Critical Studies at California College of the Arts in Oakland, has been appointed a guest lecturer at the 2013 Terra Summer Residency in Giverny, France. She will give a talk on “The Making of Modernism’s Origin Myths.”

Craig Lee, a doctoral candidate in the Department of Art History at the University of Delaware in Newark, has taken a nine-week summer internship at the National Gallery of Art in Washington, DC. He will review files, construction plans, and progress photographs to produce materials showing the development and evolution of the museum’s master facilities plan projects.

Sara Lees, along with her coauthors Richard Tand and Sandra L. Webber, has won the thirty-third annual George Wittenborn Memorial Book Award from the Art Libraries Society of North America. Their publication is called Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute (Williamstown, MA: Sterling and Francine Clark Art Institute, 2012).

Lihong Liu, who recently earned her doctorate in art history from the Institute of Fine Arts at New York University, has received a 2013–14 postdoctoral fellowship from the Getty Research Institute in Los Angeles, California. She will work on “Artistic Exchange between China and Europe during the Eighteenth Century.”

Michael Lobel, professor of art history at Purchase College, State University of New York, in Purchase, New York, has received a 2012–13 Chancellor’s Award for Excellence from his institution. The award recognizes his work in the category of scholarship and creative activities.

Stéphane Loire, chief curator in the Paintings Department at the Musée du Louvre in Paris, France, has been named a 2013–14 museum guest scholar by the Getty Research Institute in Los Angeles, California. His host at the J. Paul Getty Museum will be the Department of Paintings.

Joe Madura, a doctorial student in the Art History Department at Emory University in Atlanta, Georgia, has been appointed a 2013–14 predoctoral fellow at the Smithsonian American Art Museum in Washington, DC. His dissertation topic is “Revising Minimal Art in the AIDS Crisis, 1984–98.”

Christopher Manzione, an artist based in Vernon, New Jersey, has been awarded a 2013 New Jersey Individual Artist’s Fellowship in the category of media/digital art from the New Jersey State Council on the Arts.

Lee Mazow, associate professor of art history in the Department of Art at the University of Arkansas in Fayetteville, has been awarded the twenty-fifth annual Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum, based in Washington, DC. The prize recognizes his latest book, Thomas Hart Benton and the American Sound (University Park: Pennsylvania State University Press, 2012).

Kori Newkirk, an artist based in Los Angeles, California, has won a 2013 fellowship from the Fellows of Contemporary Art. The award comes with a $10,000 prize.

Laura Hart Newlon has accepted a residency at the Artists’ Cooperative Residency and Exhibitions (ACRE) in Steuben, Wisconsin. Newlon’s collaborator, Kate O’Neill, will join her at the summer 2013 program.

Kasia Ozga has been awarded a summer 2013 residency at the Artists’ Cooperative Residency and Exhibitions (ACRE), based in Steuben, Wisconsin.

Laure Poupard, a doctoral student at Université Paris IV—Sorbonne in Paris, France, has earned a research travel grant to the United States from the Terra Foundation for American Art. He/she will work on “The Artistic Sources of Propaganda Photographs: Official Photographic Exhibitions in America, 1935–1946.”

Meha Priyadarshini, a doctoral candidate in the Department of History at Columbia University in New York, has been named a 2013–14 predoctoral fellow by the Getty Research Institute in Los Angeles, California, to work on “From Jingdezhen to Puebla: Cultural and Artistic Exchange across the Pacific.”

Jennifer Quick, a graduate student in the Department of History of Art and Architecture at Harvard University in Cambridge, Massachusetts, has been accepted the 2013 Phillip and Patricia Frost Predoctoral Fellowship at the Smithsonian American Art Museum in Washington, DC. Her project is called “The Dynamics of Deskilling: Ed Ruscha 1956–70.”

Leslie Reinhardt, an independent scholar based in Maryland, has been appointed a 2013–14 senior fellow at the Smithsonian American Art Museum in Washington, DC. She will explore “Copley’s Death of Major Peirson” in a joint position with the National Portrait Gallery

Steve Rowell, an artist, curator, and researchers, has won a 2013 Grant to Individuals in the film category from the Graham Foundation for Advanced Studies in the Fine Arts. His project is called Parallelograms.

Casey Ruble, an artist based in Clinton, New Jersey, has been awarded a 2013 New Jersey Individual Artist’s Fellowship for her works on paper from the New Jersey State Council on the Arts.

Sofia Sanabrais, an independent scholar based in Los Angeles, California, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles. Her research project is called “The Globalization of Taste: The Influence of Asia on Artistic Production in Colonial Latin America.”

Emily Schlemowitz, an MA student in art history at Hunter College, City University of New York, has been selected as a 2013 Windgate Museum Intern by the Center for Craft, Creativity, and Design. She will work closely with curatorial and exhibitions staff at the John Michael Kohler Arts Center in Sheboygan, Wisconsin, to assist with research in preparation for the 2014 Arts/Industry exhibition and publication.

Ileana Selejan, a PhD student in art history in the Institute of Fine Arts at New York University, has been awarded a research grant to participate in a Mellon Research Initiative conference, “Art History and the Art of Deception,” that will take place October 4–5, 2013.

Yoshiaki Shimizu, Frederick Marquand Professor of Art and Archaeology (emeritus) at Princeton University in Princeton, New Jersey, has been named a 2013–14 guest scholar by the Getty Research Institute in Los Angeles, California. His topic is “Transmission and Transformation: The China–Japan Interface in Arts and Other Things.”

Elizabeth Simmons, a graduate student on the PhD curatorial track in the Department of Art History at the University of Delaware in Newark, has accepted a nine-week summer internship at the National Gallery of Art in Washington, DC. She will assist in updating collections records according to recent catalogues raisonnés and other art-historical research.

Xiao Situ, a PhD student in the Department of the History of Art at Yale University in New Haven, Connecticut, has accepted a 2013–14 predoctoral fellowship from the Wyeth Foundation for American Art. Situ will continue research and writing for “Emily Dickinson’s Window Culture, 1830–86” at the Smithsonian American Art Museum in Washington, DC.

Marie M. Sivak, an artist based in Portland, Oregon, has received the 2013 Margo Harris Hammerschlag Direct Carving Award, which comes with a $10,000 prize.

Deborah Stratman, an artist and filmmaker based in Chicago, Illinois, has won a 2013 Grant to Individuals in the exhibition category from the Graham Foundation for Advanced Studies in the Fine Arts. Her project is titled Subsurface Voids.

Edward J. Sullivan, Helen Gould Sheppard Professor in the History of Art at New York University’s Institute of Fine Arts, has received a publication grant from the Terra Foundation for American Art. His book, forthcoming from Yale University Press, is called From San Juan to Paris and Back: Francisco Oller, Caribbean Artist in the Age of Impressionism.

Tina Tahir, an artist based in Chicago, Illinois, has been selected a winner of the 2013 ARTslanT Prize for her mixed-media sculpture Thirty (2012).

Ellen Tani, a doctoral candidate in the Department of Art and Art History at Stanford University in Stanford, California, has received a 2013–15 predoctoral dissertation fellowship from the Carter Woodson Institute for African and African-American Studies at the University of Virginia in Charlottesville. Her dissertation is entitled “Black Conceptualism and the Atmospheric Turn, 1968–2008.”

Alex Taylor a doctoral student in the Department of History of Art at Oxford University in Oxford, England, has accepted a fellowship to attend the 2013 Terra Summer Residency in Giverny, France. She will work on Forms of Persuasion: Art and Corporate Enterprise in the 1960s.”

Nancy Um, associate professor in the Department of Art History at Binghamton University, State University of New York, in Binghamton, New York, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. Um will continue working on
“The Material World of the Overseas Merchant in Yemen: Ceremonies, Gifts, and the Social Protocols of Trade, 1700-1750.”

Luis Vargas-Santiago, a graduate student in the Department of Art and Art History at the University of Texas at Austin, has been named Terra Foundation Predoctoral Fellow in American Art for 2013–14 by the Smithsonian American Art Museum in Washington, DC. His dissertation is called “The Diaspora of Emiliano Zapata: From the Mexican Revolution to the American Imagination.”

Charlene Villaseñor-Black, associate professor in the Department of Art History at the University of California, Los Angeles, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. She is researching “Itinerant Artists in the Global Early Modern World.”

Emily Warner, a PhD candidate in the History of Art Department at the University of Pennsylvania in Philadelphia, has accepted a 2013–14 predoctoral fellowship from the Smithsonian American Art Museum in Washington, DC. Her dissertation is entitled “Crafting the Abstract Environment: The Abstract Mural in New York, 1935–60.”

Sarah Warren, assistant professor of art history at Purchase College, State University of New York, in Purchase, New York, has been named James Renwick Senior Fellow in American Craft at the Smithsonian American Art Museum in Washington, DC. The name of her research project is “Craft between Modernism and Counterculture: Rhinebeck and the Studio Craft Movement.”

Spencer Wigmore, a doctoral student in the Department of Art History at the University of Delaware in Newark, has taken a nine-week summer internship at the National Gallery of Art in Washington, DC. He will assist in research and organization for a forthcoming exhibition on nineteenth-century American landscape photography.

Tatsiana Zhurauliova, a PhD candidate in the Department of the History of Art at Yale University in New Haven, Connecticut, has accepted a 2013 fellowship for the Terra Summer Residency in Giverny, France. She will work on
“Arcadia Americana: American Landscape in the Art of Arshile Gorky, Pavel Tchelitchew, and Yasuo Kuniyoshi during World War II.”

Claire Zimmerman, assistant professor of art history and architecture at the University of Michigan in Ann Arbor, has won a 2013 Grant to Individuals for a publication from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. Her book project is called Photographic Modern Architecture.

Exhibitions Curated by CAA Members

posted by August 15, 2013

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2013

David Anfam, Clyfford Still: Memory, Myth, and Magic. Clyfford Still Museum, Denver, Colorado, May 24–September 29, 2013.

Reni Gower. Radiant: Contemporary Encaustic. Slocumb Galleries, Eastern Tennessee State University, Johnson City, Tennessee, August 19–September 20, 2013.

Reni Gower. Shadow and Light. Tinney Contemporary, Nashville, Tennessee, May 18–June 29, 2013.

Alice Ming Wai Jim. Yam Lau: A World Is a Model of the World. Darling Foundry, Montreal, Quebec, Canada, June 6–August 25, 2013.

Aaron Krach and Courtney Childress. No Name. On Stellar Rays, New York, June 20–July 31, 2013.

Birgit Rathsmann. October 18, 1977. Klemens Gasser and Tanja Grunert, New York, June 20–July 19, 2013.

Books Published by CAA Members

posted by August 15, 2013

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2013

Matthew Biro. Anselm Kiefer (New York: Phaidon, 2013).

Jane Block and Claude Sorgeloos, eds. Homage to Adrienne Fontainas: Passionate Pilgrim for the Arts (New York: Peter Lang, 2013).

Francesco Freddolini. Giovanni Baratta 1670–1747: Scultura e industria del marmo tra la Toscana e le corti d’Europa (Rome: L’Erma di Bretschneider, 2013).

Joni M. Hand. Women, Manuscripts, and Identity in Northern Europe, 1350–1550 (Burlington, VT: Ashgate, 2013).

Katie Grace McGowan, ed. Post-Industrial Complex (Detroit: Museum of Contemporary Art Detroit, 2013).

Anita Fiderer Moskowitz. Forging Authenticity: Giovanni Bastianini and the Neo-Renaissance in Nineteenth-Century Florence(Florence: Leo S. Olschki, 2013).

Richard Taws. The Politics of the Provisional: Art and Ephemera in Revolutionary France (University Park: Pennsylvania State University Press, 2013).

Xin Wu. Patricia Johanson and the Re-Invention of Public Environmental Art, 1958–2010 (Burlington, VT: Ashgate, 2013).

Solo Exhibitions by Artist Members

posted by June 22, 2013

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2013

Abroad

Sam Durant. Museo d’arte contemporanea Roma, Rome, Italy, April 23–September 8, 2013. La stessa storia.

Midwest

Hartmut Austen. Art Building West Gallery, University of Iowa, Iowa City, Iowa, April 16–21, 2013. Grant Wood Fellowship Exhibition. Drawing and painting.

Margi Weir. Kishwaukee College Art Gallery, Malta, Illinois, October 22–November 15, 2012. Margi Weir: Observations and Innuendos. Painting and drawing.

Northeast

Fredericka Foster. Fischbach Gallery, New York, April 25–May 25, 2013. Water Way. Painting.

Ben Grasso. Thierry Goldberg Gallery, New York, June 9–July 14, 2013. Ben Grasso. Painting.

Katerina Lanfranco. Nancy Hoffman Gallery, New York, June 20–August 2, 2013. Wildflowers and Floating Worlds. Mixed-media installation, painting, and sculpture.

Carrie Moyer. Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, January 26–May 19, 2013. Carrie Moyer: Pirate Jenny. Painting.

Jim Osman. Lesley Heller Workspace, New York, March 10–April 14, 2013. Jim Osman: Stack. Sculpture.

Tim Ripley. Denise Bibro Fine Art, New York, April 4–May 11, 2013. Soft Cell. Painting.

Jaune Quick-to-See Smith. Accola Griefen Gallery, New York, February 28–April 6, 2013. Water and War. Painting.

Ann Tarantino. Mixed Greens, New York, March 21–May 24, 2013. Topoanalysis. Installation.

Dannielle Tegeder. Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, New York, May 11–July 28, 2013. Dannielle Tegeder: Painting in the Extended Field. Painting, drawing, sculpture, and installation.

Idelle Weber. Hollis Taggart Galleries, New York, March 28–April 25, 2013. Idelle Weber: The Pop Years. Painting, sculpture, collage, watercolor, and gouache.

Idelle Weber. David Findlay Jr. Gallery, New York, March 1–30, 2013. Have It All! Painting.

South

Michael Aurbach. McIlroy Gallery, Mattie Kelly Arts Center, Northwest Florida State College, Niceville, Florida, June 10–July 19, 2013. Work by Aurbach: New and Used. Sculpture.

Kelly Sturhahn. 6th Street Container, Miami, Florida, May 17–July 14, 2013. Transient Patterns. Installation and work on paper.

Margi Weir. York County Center for the Arts, Rock Hill, South Carolina, March 22–April 28, 2013. Social Fabric: Works by Margi Weir. Painting, drawing, and vinyl installation.

West

Julie Green. Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon, March 1–April 7, 2013. Julie Green: The Last Supper. Painted porcelain plates.

Hazel Antaramian Hofman. Armenian Museum, Fresno, California, March 21–August 30, 2013. Repatriation and Deception: Post World War II Soviet Armenia. Painting and drawing.

Michael Ryan. The Lab, San Francisco, California, February 22–March 30, 2013. Mere Reflections. Painting and sculpture.

People in the News

posted by June 17, 2013

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2013

Academe

Luca Buvoli, an interdisciplinary artist, has been appointed director of the Mount Royal School of Art at Maryland Institute College of Art in Baltimore.

Muriel Hasbun, chair of photography at the Corcoran College of Art and Design in Washington, DC, has been promoted to professor at her school.

Jean Robertson, an art historian and professor in the Herron School of Art and Design at Indiana University–Purdue University Indianapolis, has been named Chancellor’s Professor, the highest academic rank at the university.

Rachel Schreiber, formerly director of humanities and sciences at California College of the Arts in Oakland and San Francisco, has become dean and vice president for academic affairs at the San Francisco Art Institute. She will assume her duties on July 1, 2013.

Tanya Sheehan has been promoted to associate professor in the Art History Department at Rutgers University in New Brunswick, New Jersey, where she has taught since 2008. In September 2013 she will take a new position, associate professor of American art, at Colby College in Waterville, Maine.

Museums and Galleries

Peter Barnet, the Michel David-Weill Curator in Charge of the Metropolitan Museum of Art’s Department of Medieval Art and the Cloisters in New York, has been promoted to the newly created position of senior curator. His new position begins on September 1.

Connie Butler, chief curator of drawings at the Museum of Modern Art in New York, has been named chief curator of the Hammer Museum, part of the University of California, Los Angeles. Her new job begins in July.

C. Griffith Mann, deputy director and chief curator of the Cleveland Museum of Art in Ohio, has been appointed Michel David-Weill Curator in Charge of the Department of Medieval Art and the Cloisters at the Metropolitan Museum of Art in New York, succeeding Peter Barnet. He assumes his new position on September 1.

Ugochukwu-Smooth Nzewi, a specialist in modern and contemporary African and African diaspora art, has been appointed the first curator of African art for the Hood Museum of Art at Dartmouth College in Hanover, New Hampshire.

Jonathan F. Walz, curator of the Cornell Fine Arts Museum at Rollins College in Winter Park, Florida, has resigned in order to devote more time to a national traveling exhibition that he is cocurating, This Is a Portrait If I Say So.

Institutional News

posted by June 17, 2013

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2013

The Meadows Museum of Art at Southern Methodist University in Dallas, Texas, has received a $1 million gift from Linda and William Custard to establish and endow the position of Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts. The position will also receive an additional $1 million in funding to endow the position.

Grants, Awards, and Honors

posted by June 15, 2013

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2013

Dora Apel has received a Marilyn Williamson Distinguished Faculty Fellowship for 2013–14, awarded by the Humanities Center at Wayne State University in Detroit, Michigan.

Sarah D. Beetham, a doctoral candidate in the Department of Art History at the University of Delaware in Newark, has received a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. Her research project is titled “Sculpting the Citizen Soldier: Reproduction and National Memory, 1865–1917.”

Leigh Behnke, an artist and lecturer at the School of Visual Arts in New York, has earned a 2013 fellowship in fine arts from the John Simon Guggenheim Memorial Foundation.

Jill E. Bugajski, a PhD student in the Department of Art History at Northwestern University in Evanston, Illinois, has accepted a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. She is researching “Totalitarian Aesthetics and the Democratic Imagination in American Art, 1933–1947.”

Mary Katherine Campbell, assistant professor of art history in the School of Art at the University of Tennessee, Knoxville, has earned a 2013 ACLS Fellowship from the American Council of Learned Societies. Her project is called “Mormon Porn: Charles Ellis Johnson’s Stereographic Sinners and Latter-Day Saints.”

Cora Cohen, an artist based in Long Island City, New York, has received a 2013 fellowship in fine arts from the John Simon Guggenheim Memorial Foundation.

Huey Copeland, associate professor of art history at Northwestern University in Evanston, Illinois, has been given a 2013 ACLS Fellowship from the American Council of Learned Societies. He will use the funds to work on his project, “In the Arms of the Negress: A Brief History of Modern Artistic Practice.”

Katelyn D. Crawford, a doctoral student in the McIntire Department of Art at the University of Virginia in Charlottesville, has accepted a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship to continue work on “Transient Painters, Traveling Canvases: Portraiture and Mobility in the British Atlantic, 1750–1780.”

Elise Dodeles has been awarded a 2013 New Jersey Individual Artist’s Fellowship for Painting from the New Jersey State Council on the Arts.

Klint Ericson, a doctoral student in the Art Department at the University of North Carolina, Chapel Hill, has earned a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. He will continue working on “Sumptuous and Beautiful, As They Were: Architectural Form, Everyday Life, and Cultural Encounter in a Seventeenth-Century New Mexico Mission.”

Coco Fusco, an artist based in Brooklyn, New York, has won a 2013 fellowship in film and video from the John Simon Guggenheim Memorial Foundation.

Mary D. Garrard, professor emerita of art history at American University in Washington, DC, visited the University of Miami in Coral Gables, Florida, as Stanford Distinguished Professor in the Humanities in February 2013. While in residence, Garrard delivered the keynote address for a conference celebrating the university’s Center for the Humanities as the new publication site for Early Modern Women: An Interdisciplinary Journal; she also gave another plenary session lecture for conferees.

Ann Eden Gibson, professor emerita of art history at the University of Delaware in Newark, has won the Georgia O’Keeffe Foundation’s Research Center Book Prize for Abstract Expressionism: Other Politics (1997). The triennial $5,000 prize honors the author of a significant book on some aspect of American modernism published from the mid-1980s to 2009.

Sharon Harper, an artist and associate professor of visual and environmental studies at Harvard University in Cambridge, Massachusetts, has received a 2013 fellowship in photography from the John Simon Guggenheim Memorial Foundation.

Guy Heedren, professor of art at Williams College in Williamstown, Massachusetts, has won a 2013 fellowship in fine-arts research from the John Simon Guggenheim Memorial Foundation.

Laura Turner Igoe, a graduate student in art history at Temple University’s Tyler School of Art in Philadelphia, Pennsylvania, has received a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. Her research project is called “The Opulent City and the Sylvan State: Art and Environmental Embodiment in Early National Philadelphia.”

Sharon Irish, an art and architectural historian, has been awarded a Colston Research Fellowship from the Institute of Advanced Study at the University of Bristol in England for spring 2014, hosted by the Department of Drama: Theatre, Film, and Television, in conjunction with the Productive Margins program. As a Benjamin Meaker Visiting Professor, Irish will continue her research on the artists Stephen Willats and Suzanne Lacy, in collaboration with the Knowle West Media Centre in Bristol. Her project is entitled “In the Margins? Local Knowledge and Self-Organization.”

Susan N. Johnson-Roehr, who recently earned her PhD in architectural history from the University of Illinois, Urbana-Champaign, has been named a New Faculty Fellow by the American Council of Learned Societies. She will take up a two-year position at the University of Virginia in Charlottesville.

Tirza True Latimer, chair of the graduate program in Visual and Critical Studies at California College of the Arts in San Francisco, has received a National Endowment for the Humanities Summer Stipend to complete research for a book, provisionally titled Eccentric Modernisms: Making Differences in the History of American Art.

Megan R. Luke, assistant professor in the Department of Art History at the University of Southern California in Los Angeles, and Sarah B. H. Hamill, assistant professor of art at Oberlin College in Oberlin, Ohio, have received a Collaborative Research Fellowship from the American Council of Learned Societies. Their project is entitled “Sculpture and Photography: The Art Object in Reproduction.”

Lyle Massey, associate professor in the Art History Department at the University of California, Irvine, has been awarded a Frederick Burkhardt Residential Fellowship from the American Council of Learned Societies. She will be in residence at the Huntington Library, Art Collections, and Botanical Gardens in Pasadena to work on her project, “Woman Inside Out: Gender, Dissection, and Representation in Early Modern Europe.”

Carrie Moyer, an artist based in Brooklyn and associate professor of art and art history at Hunter College, City University of New York, has received a 2013 fellowship in fine arts from the John Simon Guggenheim Memorial Foundation.

Jennifer Anne Norman has completed a fall 2012 artist residency at the Sam and Adele Golden Foundation for the Arts, located in New Berlin, New York.

Erin K. Pauwels, a doctoral candidate in the history of art at Indiana University in Bloomington, has received a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. She continue working on her dissertation, “Sarony’s Living Pictures: Performance, Photography, and Gilded Age American Art.”

Naomi Ruth Pitamber, a doctoral student in art history at the University of California, Santa Barbara, has earned a Mellon/ACLS Dissertation Completion Fellowship from the American Council of Learned Societies. She will continue work on her research project, “Re-Placing Byzantium: Laskarid Urban Environments and the Landscape of Loss, 1204–1261.”

D. Jacob Rabinowitz, a PhD student in the Institute of Fine Arts at New York University, has been awarded a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship to continue his project, “Public Construction: Christo and Jeanne-Claude’s Running Fence.”

Yael Rice, an art historian who teaches at Amherst College in Amherst, Massachusetts, has received a Rare Book School Mellon Fellowship in Critical Bibliography to attend the University of Virginia’s Rare Book School, a three-year program for early-career scholars that seeks to reinvigorate bibliographic studies in the humanities.

Conrad Rudolph, professor of medieval art history at the University of California, Riverside (UCR), has won a 2012–13 Digital Humanities Grant from the National Endowment for the Humanities for a project, “FACES: Faces, Art, and Computerized Evaluation Systems,” that he is researching with his UCR colleagues, Amit Roy-Chowdhury (electrical engineering) and Jeanette Kohl (art history).

D. Fairchild Ruggles, a professor of landscape architecture at the University of Illinois, Urbana-Champaign, has won a 2013 fellowship from the American Council of Learned Societies. The award, which supports individual scholars working in the humanities and related social sciences, will sustain her project, “Shajar al-Durr: The Extraordinary Architectural Patronage of a Thirteenth-Century Egyptian Slave-Queen.”

Gary Schneider, an artist based in Brookhaven, New York, and assistant professor of visual arts in the Mason Gross School of the Arts at Rutgers University in New Brunswick, New Jersey, has received a 2013 fellowship in photography from the John Simon Guggenheim Memorial Foundation.

William Tronzo of the University of California, San Diego, and an affiliate of Università degli Studi Roma Tre has been awarded a multiyear grant from the Getty Foundation for a project he has been working on with Kimberly Bowes of the University of Pennsylvania and Mellon Professor at the American Academy in Rome. Called “Framing the Medieval Mediterranean: Museums and Archaeology in National Discourse,” the project will bring together scholars and museum professionals from North Africa, the Middle East, Europe, and America to discuss their common and divergent aims, methodologies, approaches, and techniques regarding the collection and display of medieval material culture, as well as the influence of national narratives on shaping field- and institution-specific goals. The grant is part of the Getty Foundation’s Connecting Art Histories initiative, which aims to increase scholarly exchange among individuals in key international regions whose economic or political realities have prevented previous collaboration.

Edward Vazquez, assistant professor of the history of art and architecture at Middlebury College in Middlebury, Vermont, has earned a 2013 ACLS Fellowship from the American Council of Learned Societies for his research on “Aspects: Fred Sandback’s Sculpture.”

Fotini Vurgaropulou, an artist based in Brooklyn, New York, has been commissioned by the Backyard Garden and New York’s GreenThumb program to install a 9-foot-tall mixed-media sculpture (steel, paint, copper, and cast resin) in a public garden in the neighborhood of Red Hook. The piece is on view from April 21 to August 4, 2013.

Nancy L. Wicker, professor of art history at the University of Mississippi in Oxford, has been named a recipient of a Digital Humanities Start-Up Grant by the National Endowment for the Humanities to initiate “Project Andvari: A Digital Portal to the Visual World of Early Medieval Northern Europe” with a codirector, Lilla Kopár of the Catholic University and the Institute for Advanced Technology in the Humanities at the University of Virginia.

Alice Pixley Young has accepted a fellowship for a summer residency at the Jentel Artist Residency Program. She will spend the month of July living and working in Banner, Wyoming.

Gregory A. Zinman, who recently earned a doctorate in cinema studies from New York University, has been appointed by the American Council of Learned Societies as a two-year New Faculty Fellow in film at Columbia University in New York.

Exhibitions Curated by CAA Members

posted by June 15, 2013

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2013

Patricia G. Berman and Pari Stave. MUNCH | WARHOL and the Multiple Image. Scandinavia House, Nordic Center in America, New York, April 27–July 27, 2013.

June Blum. A Celebration of Women’s Art. Cocoa Beach Library, Cocoa Beach, Florida, April 1–19, 2013.

Bruce Boucher. Corot to Cézanne: French Drawings from the Collection of Mr. and Mrs. Paul Mellon at the Virginia Museum of Fine Arts. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–June 2, 2013.

Rachel Epp Buller. Postpartum. Erman B. White Gallery of Art, Butler Community Collece, El Dorado, Kansas, March 1–April 5, 2013.

Rachel Epp Buller. Working on the Bias. Stiefel Watson Gallery, Stiefel Theater for the Performing Arts, Salina, Kansas, February 21–April 22, 2013.

Virginia Fabbri Butera. Persona: Externalizing the Psychological Self. Therese A. Maloney Art Gallery, Annunciation Center, College of Saint Elizabeth, Morristown, New Jersey, January 22–April 14, 2013.

Tyrus R. Clutter. Out of Abstraction: Divergent Directions in Late 20th Century Art. Appleton Museum of Art, Ocala, Florida, April 5–June 2, 2013.

Jennifer Farrell. STrAY: Found Poems from a Lost Time. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–May 26, 2013.

Lawrence O. Goedde. Traces of the Hand: Master Drawings from the Collection of Frederick and Lucy S. Herman. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–May 26, 2013.

Reni Gower. Papercuts. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia, May 31–September 14, 2013.

Reni Gower. Heated Exchange: Contemporary Encaustic. Elizabeth Stone Harper Gallery, Harper Center for the Arts, Presbyterian College, Clinton, South Carolina, January 17–February 23, 2013.

Emilie Johnson. Becoming the Butterfly: Landscapes of James McNeill Whistler. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–April 28, 2013.

Emilie Johnson. Becoming the Butterfly: Portraits of James McNeill Whistler. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, April 30–August 4, 2013.

Julian Kreimer. Part of the Story. Lower East Side Printshop, New York, March 20–May 12, 2013.

Preston Thayer. La Florida: 500 Years of Florida Art. Thomas H. Jacobsen Gallery of American Art, Cummer Museum of Art and Gardens, Jacksonville, Florida, January 15–October 6, 2013.