CAA News Today
Exhibitions Curated by CAA Members
posted by CAA — September 15, 2010
Check out details on recent exhibitions organized by CAA members who are also curators.
To learn more about submitting a listing, please see the instructions on the main Member News page.
September 2010
Hendrick ter Brugghen, Saint Sebastian Tended by Irene, 1625, oil on canvas, 58 11/16 x 47 in. (149.1 x 119.4 cm). Allen Memorial Art Museum, Oberlin College. R. T. Miller Jr. Fund, 1953.256 (artwork in the public domain)Andria Derstine, Stephanie Wiles, Eliza Rathbone, and Renée Maurer. Side by Side: Oberlin’s Masterworks at the Phillips. Phillips Collection, Washington, DC, September 11, 2010–January 16, 2011.
Anne Truitt, Prima, 1978, acrylic on wood, 80½ x 7 7/8 x 8¼ in. Mildred Lane Kemper Art Museum, Washington University in St. Louis. Gift of Dr. and Mrs. Harold Joseph, 1998 (artwork © Anne Truitt)Meredith Malone. Gesture, Scrape, Combine, Calculate: Postwar Abstraction from the Permanent Collection. Mildred Lane Kemper Art Museum, Washington University in St. Louis, St. Louis, Missouri, August 20–September 20, 2010.
Jules Olitski, Without Sin, 1994, monotype, 18 x 24 in. (artwork © Jules Olitski)Judith E. Stein. Jules Olitski: An Inside View, A Survey of Prints 1954–2007. Opalka Gallery, Sage Colleges of Albany, Albany, New York, August 30–October 31, 2010.
Books Published by CAA Members
posted by CAA — September 15, 2010
Publishing a book is a major milestone for artists and scholars. Browse a list of recent titles below.
To learn more about submitting a listing, please see the instructions on the main Member News page.
September 2010
Peter Chametzky. Objects as History in Twentieth-Century German Art: Beckmann to Beuys (Berkeley: University of California Press, 2010).
Erina Duganne. The Self in Black and White: Race and Subjectivity in Postwar American Photography (Hanover, NH: Dartmouth College Press, in association with University Press of New England, 2010).
Michele Greet. Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920–1960 (University Park: Pennsylvania State University Press, 2009).
Matthew Landrus. Leonardo da Vinci’s Giant Crossbow (Heidelberg, Germany: Springer, 2010).
Maud Lavin. Push Comes to Shove: New Images of Aggressive Women (Cambridge, MA: MIT Press, 2010).
María Margarita Malagòn-Kurka. Arte como presencia indéxica. La obra de tres artistas colombianos en tiempos de violencia: Beatriz González, Oscar Muñoz y Doris Salcedo en la década de los noventa (Bogotá, Columbia: Ediciones Uniandes, 2010).
Heather Hyde Minor. The Culture of Architecture in Enlightenment Rome (University Park: Pennsylvania State University Press, 2010).
Mary B. Shepard, Lisa Pilosi, and Sebastian Strobl, eds. The Art of Collaboration: Stained-Glass Conservation in the Twenty-First Century (Turnhout, Belgium: Brepols, 2010).
Sandra Sider. Pioneering Quilt Artists, 1960–1980: A New Direction in American Art (New York: Photoart Publishing, 2010).
Richard A. Sundt. Whare Karakia: Maori Church Building, Decoration, and Ritual in Aotearoa New Zealand, 1834–1863 (Auckland, New Zealand: Auckland University Press, 2010).
John Willis, with an essay by Kent Nerburn and contributions by the Ogala Lakota people. Views from the Reservation (Chicago: Center for American Places and Columbia College Chicago, 2010).