CAA News Today

Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.

July–August 2011

Pablo Picasso, Woman with Bangs, 1902, oil on canvas, 24⅛ x 20¼ in. Cone Collection, Baltimore Museum of Art. BMA 1950.268 (artwork © 2011 Estate of Pablo Picasso/Artists Rights Society [ARS], New York; photograph provided by the Jewish Museum)

Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore
Jewish Museum
1109 Fifth Avenue, New York, NY 10128
May 6–September 25, 2011

The Cone sisters of Baltimore, Claribel and Etta, were a beacon of taste through their collection of modern art. The Jewish Museum has extracted fifty works from a collection of approximately three thousand that blossomed from purchases of works by Pablo Picasso and Henri Matisse—as early as 1905. After an introduction to the Parisian avant-garde by Gertrude and Leo Stein, the Cone Sisters accrued and displayed modernist treasures alongside an elegant collection of textiles and furniture from Africa, Asia, and Europe. The exhibition will gather these works, photographs, and archival material, allowing the public to ascertain their unrelenting appreciation of art objects.

Dara Birnbaum: Arabesque
Marian Goodman Gallery
24 West 57th Street, 4th Floor, New York, NY 10019
June 28–August 26, 2011

This summer, Marian Goodman Gallery will exhibit Dara Birnbaum’s new multichannel video piece Arabesque (2011) alongside a miniretrospective of early work such as the rarely seen Attack Piece, Mirroring, and Everything’s Gonna Be Alright. Arabesque, a meditation on the recurring “power struggle between male and female” that Birnbaum recognizes in her work, is inspired by the composer Clara Schumann’s work, life, and relationship with her much more famous husband, the composer Robert Schumann. This struggle arguably connects the work to her otherwise dissimilar video work from 1975–76, in which Birnbaum confronted gender inequality in the media, pop culture, and even her relationships with her male collaborators.

Cecil Beaton, Gertrude Stein, 1935, gelatin-silver print. Cecil Beaton Studio Archive at Sotheby’s. CM3794 (photograph provided by the Contemporary Jewish Museum)

Seeing Gertrude Stein: Five Stories
Contemporary Jewish Museum
736 Mission Street, San Francisco, CA 94103
May 12–September 6, 2011

The Contemporary Jewish Museum in San Francisco is spearheading an exploration of Gertrude Stein’s colossal creative ambitions and the legacy of her involvement in the arts. The exhibition mingles personal and acquired artifacts among five “stories,” or subcategories, of her life. The first, “Picturing Gertrude,” documents the writer’s transformations in appearance and her interpersonal magnetism through portraits by Man Ray, Cecil Beaton, and other artists. “Domestic Stein” uncovers the intimate relationship between Stein and her life-long partner, Alice B. Toklas, while presenting details from their eccentric homes in Paris and the south of France. “The Art of Friendship” reveals Stein’s influence on a younger generation of queer artists and writers through her collaborations with dance and opera. “Celebrity Stein”concentrates on Stein’s lecture tour across the United States in 1934–35, documented extensively by the media, and also her experience during both World Wars. Last, “Legacies” spotlights the impact of her undisguised sexuality, brash experimentation, and charm on artists such as Andy Warhol and Glenn Ligon. The exhibition will travel to the National Portrait Gallery in Washington, DC, from October 14, 2011, to January 22, 2012. Check the website of the Contemporary Jewish Museum for a number of lectures, performances, and events pertaining to the exhibition.

Claude Cahun
Jeu de Paume
1 place de la Concorde, Paris, France
May 24–September 25, 2011

Claude Cahun, born Lucy Renée Mathilde Schwob, was a vanguard French artist interested in bending the social perception of gender. Her androgynous photographic self-portraits from the 1920s not only fluctuated fluidly between male and female personae, they also presented innovative visual techniques like staging and montage. Although she was affiliated with the Surrealists in the 1930s, her theatrical emphasis on exposing predesigned assumptions about contemporary women inflamed their confrontations with reality. Despite this antagonism, Cahun’s photocollages and slew of writings—much of which is on display at Jeu de Paume—contributed to the momentum of the movement. Performance is inescapable in her photographs, which underscores her influence on photographers such as Cindy Sherman and Nan Goldin. This exhibition—the first large-scale presentation of her work in her native France in sixteen years—will travel to the Art Institute of Chicago and La Virreina Centre de la Imatge in Barcelona during 2011–12.

Guerrilla Girls, Erase Discrimination, 1999, ink on rubber, 1⅛ x 2½ x ¼ in. each. Collection of the Akron Museum of Art (artwork © Guerrilla Girls; photograph provided by the National Museum of Women in the Arts)

The Guerrilla Girls Talk Back
National Museum of Women in the Arts
1250 New York Avenue NW, Washington DC 20005
June 17–October 17, 2011

Since 1985 the legendary, gorilla-masked feminist collective the Guerrilla Girls have, in their own words, been “fighting discrimination with facts, humor, and fake fur.” The National Museum of Women in the Arts is celebrating more than twenty-five years of the group’s “guerrilla tactics” in fighting sexism and racism in the art world with the exhibition The Guerrilla Girls Talk Back. The show includes examples and documentation of the anonymous collective’s posters, stickers, billboards, books, and performances, which combine snarky satire with disturbing statistics to demonstrate the institutional exclusion of women and artists of color from both art history and contemporary art exhibitions.

Modern Women: Single Channel
MoMA PS1
22-25 Jackson Avenue, Long Island City, NY 11101
January 23–August 8, 2011

Alexandra Schwartz, curator of contemporary art at the Montclair Art Museum, gathered this group of single-channel videos by eleven female artists from the Museum of Modern Art’s permanent collection. Spanning from the 1960s to the late 1990s, the international selection offers the technical experiments of artists such as Pipilotti Rist and Kristin Lucas as well as conceptually groundbreaking precedents set by Joan Jonas and VALIE EXPORT. As a whole, the exhibition challenges the limitations of narrative, documentation, and popular culture. Although gender and sexuality are imminant concepts in the work, Modern Women: Single Channel emphasizes how the female gaze has evolved over the last forty years in the singular medium of video.

Ruth Gruber, Children playing chess aboard the Henry Gibbins, 1944 (artwork © Ruth Gruber; photograph provided by the International Center of Photography)

Ruth Gruber, Photojournalist
International Center of Photography
1133 Avenue of the Americas, New York, NY 10036
May 20–August 28, 2011

The Brooklyn-born Ruth Gruber is a famed photojournalist who began her career in the Soviet Arctic and Siberian Gulag in 1935. She continued to conquer unchartered territory in Alaska, capturing some of the first color images of the terrain and its natives in the early 1940s. Gruber activated her humanitarian inklings during World War II, documenting the migration of one thousand Jewish refugees to the United States from Europe in 1944 and later recording the difficulties of Jewish emigration into Palestine. The exhibition will include never-before-seen color photographs and vintage prints as well as contemporary prints from original negatives taken from Gruber’s personal archives.

Grants, Awards, and Honors

posted by CAA — Jun 15, 2011

Grants, Awards, and Honors

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2011

Elizabeth Bolman

Elizabeth Bolman, associate professor of art history in the Tyler School of Art at Temple University in Philadelphia, Pennsylvania, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine-arts research. She will study magnificence and asceticism in Upper Egypt via the Red Monastery Church.

Michele Brody, an artist based in New York, has been awarded a summer residency at Quimby Colony in Portland, Maine, where she will focus on her Drawing Roots series.

Carissa Carman, an MFA student in fibers at Concordia University in Montreal, Quebec, has received a $2,000 Textile Society of America Travel Grant to attend and participate in the International Symposium and Exhibition on Natural Dyes, which took place April 24–30, 2011, in La Rochelle, France.

Mary D. Garrard

Mary D. Garrard, professor emerita of American University in Washington, DC, has received a Lifetime Achievement Award from the Mississippi Institute of Arts and Letters.

Charles Goldman, an artist based in Brooklyn, New York, has been award a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine arts.

Michelle Handelman, still from Dorian, 2009, 4-channel HD video, 63 min. (artwork © Michelle Handelman)

Michelle Handelman has been awarded a 2011 John Simon Guggenheim Memorial Foundation Fellowship in film and video. She will spend the fellowship period working on her new project, Irma Vep, the last breath, a three-channel video installation based on the life of the actress and film director Musidora, and the silent-film character she was best known for, Irma Vep, from Les Vampires (1915, directed by Louis Feuillade).

Jen P. Harris

Jen P. Harris, a New York–based artist, has been awarded a $2,500 grant from the Astraea Visual Arts Fund, which promotes the work of contemporary lesbian visual artists.

Anne D. Hedeman, professor of art and medieval studies at the University of Illinois, Urbana-Champaign, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in medieval history.

Corin Hewitt, an artist and assistant professor of sculpture and extended media at Virginia Commonwealth University in Richmond, has been awarded a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine arts.

Alison Luchs has been tapped by the Italian Art Society to deliver the 2011 Italian Art Society–Kress Foundation Lecture in Florence, Italy, taking place on June 8, 2011.

Billie Grace Lynn has received the 2011 West Grand Prize. A $25,000 award will assist her project, called Mad Cow Motorcycle, in which she will develop a biodiesel motorcycle to raise awareness for greenhouses gases coming from commercial cattle farms.

Richard Minsky (photograph by Richard Grosbard)

Richard Minsky has received the 2011 Worldwide Books Award for Publications for The Art of American Book Covers, 1875–1930 (New York: George Braziller, 2010). The Art Libraries Society of North America awarded him a certificate and a $1,000 prize for his book at its recent annual conference, held jointly with the Visual Resources Association.

Linda Nochlin, Lila Acheson Wallace Professor of Modern Art at the Institute of Fine Arts, New York University, has received a 2011 Icon Award in the Arts from the Bruce Museum in Greenwich, Connecticut.

Jennifer Ellen Robertson, professor of anthropology at the University of Michigan, Ann Arbor, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in East Asian studies.

Allison Smith, a sculptor based in Oakland, California, has been awarded a $50,000 USA Fellowship for artistic excellence from United States Artists.

Susan Webster, Jane Williams Mahoney Professor of Art History and American Studies at the College of William and Mary in Williamsburg, Virginia, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine-arts research. She will study European architecture and Andean masters in colonial Quito, Ecuador.

Bradley Wester

Bradley Wester, an artist based in New York, has been awarded two residencies. From September to November 2011, he will be a resident artist at AIR Antwerpen in Belgium. In February 2012, he will take part in the Hermitage Artist Retreat, based in Englewood, Florida, and comprised of writers, painters, composers, playwrights, poets, choreographers, performance artists, sculptors, and other artists whose work defies categorization. (He was also a resident there in March 2011).

Kristina Wilson, associate professor of art history at Clark University in Worcester, Massachusetts, has received the twenty-third Charles C. Eldredge Prize for Distinguished Scholarship in American Art, awarded by the Smithsonian American Art Museum in Washington, DC, for her book, The Modern Eye: Stieglitz, MoMA, and the Art of the Exhibition, 1925–1934 (New Haven: Yale University Press, 2009).

Filed under: Uncategorized — Tags: Grants Awards Honors, Member News, Member Spotlight —

Liz Magic Laser and Paul Chan on Art Journal Website

posted by Christopher Howard — May 05, 2011

Art Journal has just published timely new features by two artists on its recently launched website.

Liz Magic Laser’s InterAct is an interview-performance hybrid. For Act I, the artist and her crew took part in a conversation with Christopher Y. Lew, a curator at MoMA PS1, at the East River Park Amphitheater in New York. The group then transcribed the discussion and staged it in the same outdoor space several weeks later, as Act II. Art Journal’s website features the full script along with photographs of the event and other works by Laser. This Friday and Saturday in New York (May 6–7), the Times Square Alliance is presenting Laser’s Flight (2010), a compilation of reenacted scenes on staircases from two dozen classic films, including Battleship Potemkin and American Psycho.

For his quizzically titled “X jxm vlr rpb pelria ilpb vlr,” Paul Chan discusses five conceptual maps from his 2007 project Waiting for Godot in New Orleans, staged on the post-Katrina streets of that city. The Art Journal piece coincides with the publication this week of Chan’s e-book, Waiting for Godot in New Orleans: A Field Guide (Badlands Unlimited and Creative Time Books). The artist’s images and text open a window onto his process in creating this major work.

Image: Performers for Liz Magic Laser’s Flight in Times Square (photograph by Ka-Man Tse for the Times Square Alliance)

Filed under: Art Journal, Publications —

Committee on Women in the Arts Picks for March 2011

posted by CAA — Mar 10, 2011

Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following artists’ conversation and three exhibitions should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.

March 2011

Margarita Cabrera, contents of Backpack (Green), 2006, vinyl, thread, fabric, and mixed media, 16 x 13 x 4 in. (artwork © Margarita Cabrera; photograph provided by the artist, Walter Maciel Gallery, and the Sweeney Art Gallery)

Margarita Cabrera: Pulso y Martillo (Pulse and Hammer)
Sweeney Art Gallery
Culver Center of the Arts, University of California, Riverside, 3834 Main Street, Riverside, CA 92501
February 5–April 2, 2011

For years, Margarita Cabrera has worked on a number of collaborative projects that combine contemporary art practices, indigenous Mexican folk art and craft traditions, and relations between the United States and Mexico. These projects have actively investigated the creation of fair working conditions and the protection of immigrant rights. This exhibition includes a survey of past works from 2003 to 2008; a performance, called Florezca Board of Directors: Performance; and a new installation, Pulse and Hammer.

Taking place on Saturday, March 5, Florezca Board of Directors: Performance will be the first meeting of the “leaders” of Florezca Inc., a multinational corporation founded by Cabrera for undocumented people in the US. Consisting of Cabrera, students, and others, the performance will mix rehearsed statements with improvisation. Also a collaboration with Juan Felipe Herrera, a creative-writing professor at Riverside, Florezca Board of Directors: Performance is part of daylong series of events exploring issues around the border, undocumented workers, and a maquiladora-based economy.

For Pulse and Hammer, Cabrera will install approximately one thousand copper butterflies in Culver Center’s North Atrium Gallery, creating a swarmlike environment that represents the manic transformation of the Mexican economy.

Yoko Ono and Kara Walker in Conversation
Museum of Modern Art
11 West 53 Street, New York, NY 10019
March 8, 2011

In conjunction with the exhibition Contemporary Art from the Collection, the artists Yoko Ono and Kara Walker will discuss their art and how social, political, and gender issues inform their work. Glenn Lowry, director of the museum, will moderate the conversation, which takes place on Tuesday, March 8, at 6:30 PM.

Maira Kalman and Rick Meyerowitz’s cover of the New Yorker

Maira Kalman: Various Illuminations (of a Crazy World)
Jewish Museum
1109 Fifth Avenue, New York, NY 10128
March 11–July 31, 2011

The illustrator, author, and designer Maira Kalma is perhaps best known for the cartoon map of New York City that she created with Rick Meyerowitz for a New Yorker cover from December 10, 2001. Organized by the Institute of Contemporary Art in Philadelphia, this retrospective exhibition includes works on paper from a thirty-year period and highlights lesser-known photographs, textiles, and performances.

Color Moves: Art and Fashion by Sonia Delaunay
Cooper-Hewitt National Design Museum, Smithsonian Institution
2 East 91st Street, New York, NY 10128
March 18–June 5, 2011

With her husband Robert Delaunay, Sonia Delaunay founded the early-twentieth-century movement, Orphism. This exhibition focuses on her work with fashion and textiles that display the same strong colors and geometric shapes as her paintings. Included are designs from her fashion line, Atelier Simultané, created in Paris during the 1920s, and textiles she designed in the 1930s for the Metz & Co., a department store in Amsterdam.

Filed under: CWA Picks, Uncategorized — Tags: CWA Picks —

Grants, Awards, and Honors

posted by CAA — Dec 15, 2010

Grants, Awards, and Honors

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

To learn more about submitting a listing, please see the instructions on the main Member News page.

December 2010

James Cahill

James Cahill, professor emeritus at the University of California in Berkeley, has been awarded the Charles Lang Freer Medal by the Smithsonian Institution’s Freer Gallery of Art and Arthur M. Sackler Gallery. The medal recognizes Cahill’s lifetime of contributions to the history of Chinese and Japanese art.

Henry Drewal, the Evjue-Bascom Professor of African and African Diaspora Arts at the University of Wisconsin in Madison, has been awarded a senior fellowship at the Institute for Research in the Humanities at his school. During the four-year appointment he will research and write a book on art and the senses.

Nancy Feldman has received the 2010 Founding Presidents Award from the Textile Society of America for “Shipibo Textile Practices 1950–2010,” a paper written with Claire Odland and presented at the society’s twelfth biennial symposium in October.

Ruth Fine, curator of special projects in modern art at the National Gallery of Art in Washington, DC, has been honored for curatorial excellence by the Print Center in Philadelphia, Pennsylvania. The November 2010 celebration was the first of five annual events leading to the center’s one-hundredth anniversary in 2015.

Hal Foster, the Townsend Martin ’17 Professor of Art and Archaeology at Princeton University in Princeton, New Jersey, has received the 2010 Clark Prize for Excellence in Arts Writing by the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Established in 2006 and awarded every two years, the Clark Prize recognizes individuals whose critical or art-historical writing has had a significant impact on public understanding and appreciation of the visual arts.

William R. Levin,
professor emeritus of art history
at Centre College in
Danville, Kentucky, has received two prestigious award from the Southeastern College Art Conference (SECAC) at its October meeting: the Award for Excellence in Teaching, granted each year to a member “who demonstrates an exceptional command of his or her discipline through the ability to teach effectively, impart knowledge, and inspire students”; and the occasionally bestowed Award for Exemplary Achievement, “the organization’s most prestigious award, given in recognition of personal and professional development as well as long-standing service to SECAC.”

Beili Liu, Lure/Wave, Grand Rapids, 2010, thread and sewing needles, dimensions variable (artwork © Beili Liu; photograph by Brian Kelly)

Beili Liu, an artist based in Austin, Texas, has received third place in the 2010 ArtPrize, an annual competition established last year, for her installation Lure/Wave, Grand Rapids at the Urban Institute of Contemporary Arts in Grand Rapids, Michigan. Her award includes a $50,000 prize.

Jules Prown, the Paul Mellon Professor Emeritus of the History of Art at Yale University in New Haven, Connecticut, has been recognized by the Bookbuilders of Boston for his book, The Architecture of the Yale Center for British Art (New Haven: Yale Center for British Art, 2009). The title won Best of Category in Professional Illustrated Books at the fifty-third annual New England Book Show, which recognizes outstanding work by New England publishers, printers, and graphic designers.

Shelley Rice and Kenneth Silver (who was also named a chevalier) celebrate with their “horses,” compliments of their fellow NYU professor Finbarr Barry Flood (photograph by Miriam Basilio)

Shelley Rice, Arts Professor in the Department of Art History and in Department of Photography and Imaging at the Tisch School of the Arts, both at New York University, has been named a Chevalier of the Order of Arts and Letters by the French government.

Alicia Weisberg-Roberts, assistant curator of eighteenth- and nineteenth-century art at the Walters Art Museum in Baltimore, Maryland, has received the thirtieth annual George Wittenborn Memorial Book Award from the Art Libraries Society of North America for Mrs. Delany and Her Circle (New Haven: Yale University Press, 2009), an exhibition catalogue coedited with Mark Laird.

The Creative Capital | Warhol Foundation Arts Writers Grant Program has announced the recipients of its 2010 grant cycle. Among the winners are these CAA members and their projects: Douglas Crimp, for his book Before Pictures; Clare Davies, for short-form writing; Matthew Jesse Jackson, for his blog Our Literal Speed; Raphael Rubinstein, for his blog The Silo; Irene Small, for her book Hélio Oiticica: Folding the Frame; and Sandra Zalman, for her article “Whose Modern Art? Huntington Hartford, MoMA, and the Fight for Modern Art’s Legacy.” Participating in the program’s 2010 Writing Workshop, which pairs a practicing writer with an established critic through the International Association of Art Critics/USA Section, are Colin Edgington of New Brunswick, New Jersey, and Christina Schmid of Minneapolis, Minnesota.

The National Academy Museum and School in New York has elected eighteen American artists and architects as members of the 185-year-old institution. Two are CAA members: Garth Evans, an abstract sculptor; and Nancy Friese, a landscape painter and printmaker.

The Skowhegan School of Painting and Sculpture, a nine-week summer-residency program for emerging visual artists in Skowhegan, Maine, hosted the following CAA members in 2010: Yui Kugimiya, for video and film; Anna Chiaretta Lavatelli, for installation; Abraham Storer, for painting; and Cullen Washington Jr., for drawing.

The Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, has named its 2010–11 fellows. Among the recipients are these CAA members: Adrienne Childs, University of Maryland, College Park; Dario Gamboni, Université de Genève; Michèle Hannoosh, University of Michigan, Ann Arbor; Mark Ledbury, Power Institute, University of Sydney; Griselda Pollock, University of Leeds; Susan Siegfried, University of Michigan, Ann Arbor; and Adrian Sudhalter, independent scholar.

Filed under: Uncategorized — Tags: Grants Awards Honors, Member News, Member Spotlight —

Committee on Women in the Arts Picks for September 2010

posted by CAA — Sep 10, 2010

Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following conference and four exhibitions should not be missed. Check the CWA Picks archive at the bottom of the page, as several exhibitions listed there are still on view.

September 2010

“Heritage and Hope: Women’s Education in a Global Context”
Bryn Mawr College
101 North Merion Avenue, Bryn Mawr, PA 19010
September 23–25, 2010

As part of its 125th anniversary celebration, Bryn Mawr College is hosting an international conference to celebrate the empowering heritage of women’s education and to chart a course for its future. The conference will examine issues of educational access, equity, and opportunity in secondary schools and universities in the United States and around the world. Session topics will include: “Leveling the Academic Playing Field”; “Enhancing Global Networks,” a discussion of current and future collaborative connections among women’s colleges around the world; and “Partnering for Global Justice,” an exploration of potential partnerships among schools, colleges, and international NGOs to promote women’s rights and educational opportunities.

Pauline Boty, With Love to Jean Paul Belmondo, 1962, oil on canvas, 48 x 59 7/8 in. Collection of Nadia Fakhoury, Paris (artwork © Pauline Boty)

Seductive Subversion: Women Pop Artists, 1958–1968
Sheldon Museum of Art
University of Nebraska, Lincoln, 12th and R Streets, Lincoln, NE 68588
July 30–September 24, 2010

Seductive Subversion: Women Pop Artists, 1958–1968 turns on its head the notion that male artists largely dominated this twentieth-century movement. The first major exhibition of its kind, Seductive Subversion features paintings and sculptures by an international group of artists—including Vija Celmins, Rosalyn Drexler, Niki de Saint Phalle, Joyce Wieland, Marisol, Faith Ringgold, and Martha Rosler—that expand the Pop canon as most know it. Sid Sachs, director of exhibitions at University of the Arts in Philadelphia, where the exhibition originated, will deliver a lecture about the exhibition on September 14 at 5:30 PM in the Sheldon’s Ethel S. Abbott Auditorium.

Catherine Opie: Figure and Landscape
Los Angeles County Museum of Art
5905 Wilshire Boulevard, Los Angeles, CA 90036
July 25–October 17, 2010

Catherine Opie explores issues of masculinity, community, and national identity in her current exhibition at the Los Angeles County Museum of Art. A Southern California–based photographer whose diverse body of work includes images of Alaskan landscapes, challenging self-portraits, and urban street scenes, Opie has visited and documented high school football games, players, and fans in seven states across America since 2007. “The high capture, dramatic tenebrism, vivid colour and density of the landscapes are entirely consonant with commercial sports photography,” wrote Christopher Bedford in Frieze, “but Opie’s insistence on recording the endless passages of tedium and readiness that punctuate the experience of a football game makes these images aniconic and elusive.” A second exhibition at the museum, Manly Pursuits: The Sporting Images of Thomas Eakins, is shown in conjunction with Catherine Opie: Figure and Landscape.

Susie (Sarah) Barstow, Landscape, 1865, oil on canvas, 30 x 22 in. Collection of Elizabeth and Alfred Scott (artwork in the public domain; photograph provided by the Thomas Cole National Historic Site)

Remember the Ladies: Women of the Hudson River School
Thomas Cole National Historical Site
218 Spring Street, Catskill, NY 12414
May 2–October 31, 2010

Focusing on nineteenth-century America, Remember the Ladies: Women of the Hudson River School highlights female artists who were contemporary to figures like Asher Durand and Frederic Edwin Church. Curated by Nancy Siegel and Jennifer Krieger, the exhibition features twenty-five works in painting, photography, and drawing manuals by Julia Hart Beers (sister of William and James Hart), Evelina Mount (niece of William Sidney Mount), Susie Barstow, Eliza Greatorex, Harriet Cany Peale, Josephine Walters, and Sarah and Emily Cole (sister and daughter, respectively, of Thomas Cole).

Experimental Women in Flux
Museum of Modern Art
11 West 53rd Street, New York, NY 10019
August 4–November 8, 2010

Organized by Sheelagh Bevan with David Senior, both of the Museum of Modern Art Library, Experimental Women in Flux focuses on artists’ books, event scores, performance instructions, catalogues, periodicals, and other printed matter from the recently acquired Gilbert and Lila Silverman Fluxus Collection Reference Library. Documents of live, ephemeral, and durational work by such artists and performers as Alison Knowles, Charlotte Moorman, Shigeko Kubota, Yoko Ono, and Simone Forti are included. Presented in conjunction with the museum’s publication of Modern Women: Women Artists at The Museum of Modern Art, the exhibition boasts a full website with images and descriptions, as well as audio selections from Mieko Shiomi’s musical portraits of her Fluxus associates.

Filed under: CWA Picks, Uncategorized — Tags: CWA Picks —

Committee on Women in the Arts Picks for July 2010

posted by CAA — Jul 10, 2010

Each month, CAA’s Committee on Women in the Arts singles out the best in feminist art and scholarship from North America and around the world. CWA Picks may include exhibitions, conferences, symposia, panels, lectures, and other events. The following selections should not be missed.

July 2010

June Wayne, The Chicago Territory, 1977, from The Dorothy Series (1975–79), lithograph on paper, 20 5/8 x 17 3/8 in. National Museum of Women in the Arts. Gift of the artist (artwork © June Wayne; photograph provided by National Museum of Women in the Arts)

June Wayne’s “Dorothy Series”
National Museum of Women in the Arts
1250 New York Avenue NW, Washington, DC 20005
June 25, 2010–September 13, 2010

The Dorothy Series (1975–79) by June Wayne was created in a hyperrealist style using photographs, documents, and scrapbook memorabilia. The artist created the set of lithographs to narrate the life of her mother, Dorothy, who raised her as a single parent, had a successful sales career, and staunchly campaigned for women’s rights. The Dorothy Series was created in collaboration with Ed Hamilton of Hamilton Press.

Born in 1918 in Chicago, Wayne had her first solo exhibition in 1935. A participant in the Works Progress Administration Easel Project in Chicago, she later moved to California where she studied lithography and founded the Tamarind Lithography Workshop in 1960. The CWA honored Wayne with an Annual Recognition Award in 2002.

Film Exhibition: Sally Potter
Museum of Modern Art
11 West 53rd Street, New York, NY 10019
July 7–21, 2010

In the early 1970s, Sally Potter made avant-garde short films before moving on to experimental dramatic features that incorporate music, literature, dance, theater, and performance. She typically works on multiple elements of her films, from script and direction to sound design, editing, performance, and production. Potter’s films elegantly blend poetry and politics, give voice to women’s stories and romantic liaisons, and explore themes of desire and passion, self-expression, and the role of the individual in society. Films included in the program are her low-budget short, Thriller (1979); her first feature, The Gold Diggers (1983); Potter’s most critically acclaimed film, Orlando (1992); and RAGE (2009), her most recent project.

Jaroslava Brychtovà at the Glass Art Society in Seattle, 1990 (photograph by Russell Johnson and provided by the Pratt Fine Arts Center)

The Brychtovà Forum – Women Artists Working in Glass: Celebrating Innovation and Vision Across Generations
Seattle Art Museum and Pratt Fine Arts Center
1300 First Avenue, Seattle, WA 98101; and 1902 South Main Street, Seattle, WA 98144
July 15–18, 2010

Several prominent organizations from Seattle’s glass art community are collaborating to present “The Brychtovà Forum – Women Artists Working in Glass: Celebrating Innovation and Vision Across Generations,” a four-day series of free lectures, panel discussions, and events to be held July 15–18, 2010. The forum was conceived to celebrate the rich tradition of women working in glass while also recognizing the life and work of one of the most important artists in the history of the glass movement.

Jaroslava Brychtovà’s lecture, the cornerstone of the Brychtovà Forum, will be presented at the Seattle Art Museum on Thursday, July 15, accompanied by a new documentary by the Czech filmmaker Jiri Malek. The lecture will be followed by a reception and special exhibition curated by Sarah Traver opening across the street at the Traver Gallery. Panel discussions organized by three generations of leading glass artists—including Flora Mace, Shelley Muzylowski Allen, and Rebecca Chernow—will be presented at Seattle Art Museum throughout the day on Friday and on Saturday morning, all of which will be free and open to the public on Saturday afternoon. Also on Saturday afternoon, a glassblowing demonstration will take place at the Pratt Fine Arts Center (1902 South Main Street, Seattle, WA 98144; 206-328-2200; info@pratt.org). Admission to forum events is free but seating is limited; tickets will be available on a first-come, first-served basis upon registration.

Filed under: CWA Picks, Uncategorized — Tags: CWA Picks —

Committee on Women in the Arts Picks for June 2010

posted by CAA — Jun 10, 2010

Each month, CAA’s Committee on Women in the Arts singles out the best in feminist art and scholarship from North America and around the world. CWA Picks may include exhibitions, conferences, symposia, panels, lectures, and other events. The following selections should not be missed.

June 2010

Maude Kerns, Composition #85 (In and Out of Space), 1951, oil on canvas, 28 × 22 in. Gift of the Estate of Maude I. Kerns, collection of Jordan Schnitzer Museum of Art, University of Oregon, Eugene (1969:8.7). (photograph provided by the Whatcom Museum)

Show of Hands: Northwest Women Artists 1880–2010
Whatcom Museum
121 Prospect Street, Bellingham, WA 98225
April 24–August 8, 2010

The exhibition coincides with centennial of women’s suffrage in Washington State. Featuring more than ninety works of art by sixty-three women artists from Washington, Oregon, and British Columbia, Show of Hands celebrates women’s contributions to the legacy of Northwestern art and examines the myriad talents women of the Northwest have displayed since 1880 through painting, drawing, sculpture, photography, video, and installation.

Lil Picard and Counterculture New York
Grey Art Gallery
New York University, 100 Washington Square East, New York, NY 10003
April 20–July 10, 2010

Lil Picard and Counterculture New York features over seventy works by a pioneering feminist artist who played varied and acknowledged roles in the New York art world from the 1950s through the 1970s. This first comprehensive exhibition presents paintings, sculptures, drawings, collages, and several landmark installations and performances, as well as photographs, writings, and films. All works are drawn from the collections of the University of Iowa Museum of Art, which organized the show, and from the University of Iowa Libraries, which houses the artist’s extensive papers.

Pictures by Women: A History of Modern Photography
Museum of Modern Art
11 West 53rd Street, New York, NY 10019
May 7, 2010–March 21, 2011

Women have expanded the roles of photography during its 170-year history by experimenting with every aspect of the medium. Organized by Roxana Marcoci and Eva Respini, Pictures by Women: A History of Modern Photography presents a selection of outstanding photographs by women artists, charting the medium’s history from the dawn of the modern period to the present day. Including more than two hundred works, the exhibition features celebrated masterworks and new acquisitions by Diane Arbus, Berenice Abbott, Claude Cahun, Imogen Cunningham, Rineke Dijkstra, Florence Henri, Roni Horn, Nan Goldin, Helen Levitt, Lisette Model, Lucia Moholy, Tina Modotti, Cindy Sherman, Kiki Smith, and Carrie Mae Weems, among many others. The exhibition also highlights works drawn from a variety of curatorial departments, including Bottoms, a large-scale Fluxus wallpaper by Yoko Ono.

In Praise of America: Selections from the Sellars Collection of Art by American Women
Huntsville Museum of Art
300 Church Street South, Huntsville, AL 35801
June 13–August 29, 2010

Selected from the museum’s recent acquisition of over four hundred nineteenth- and twentieth-century works of art by American women, this exhibition presents accomplished landscapes, portraits, and genre scenes that celebrate the dramatic scenery, diverse people, and distinctive spirit of our great nation. Bringing a previously unseen facet of art history to life, the Sellars Collection offers a unique opportunity to discover contributions of women artists forged during a period of struggle and little recognition. The largest public collection of its kind, many of the artists represented in the collection studied at major academies, received accolades and awards, and pioneered the way for those who would follow. In Praise of America features approximately forty paintings, sculptures, and works on paper and includes engaging florals, still lifes, portraits, genre scenes, and landscapes reflecting different regions of the United States.

Ayumi Shigematsu, Circuit Tree, 2006, stoneware (artwork © Ayumi Shigematsu; photograph © Hideya Amemiya and provided by International Arts and Artists)

Soaring Voices: Recent Ceramics by Women from Japan
American University Museum
Katzen Arts Center at American University, 4400 Massachusetts Avenue NW, Washington, DC 20016
June 15–August 15, 2010

Through eighty-six works by twenty-five women artists, this exhibition, organized by International Art and Artists, showcases contemporary interpretations of a traditional art form through a range of motifs inspired from the natural world: plants, shells, mountains, rivers, and the play of light and shadow. Other sources of inspiration for these ceramic vessels can be found in the Noh Theater and kimono patterns of the Edo Period.

Filed under: CWA Picks, Uncategorized — Tags: CWA Picks —

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