CAA News Today

Happy New Year! Affiliated Society News shares the new and exciting things CAA’s affiliated organizations are working on including activities, awards, publications, conferences, and exhibitions. See January’s news below.

Interested in becoming an Affiliated Society? Learn more here.

Community College Professors of Art and Art History

Women’s Caucus for Art

Thursday, February 13, 12:30pm: book presentation and discussion of Inappropriate Bodies: Art, Design, and Maternity, with editors Rachel Epp Buller and Charles Reeve and contributor Niku Kashef

Thursday, February 13, 6:00pm: WCA/CAA panel on Amplifying Inclusion: Intersectional Feminism in Contemporary Curatorial Practice, with presenters Tanya Augsburg, Priscilla Otani, Karen Gutfreund, and Rosemary Meza-DesPlas, with discussant Maria Buszek.

CAA members are also invited to attend WCA exhibitions in Chicago. The Young Women’s Caucus organized Intersectional History at WomanMade Gallery and the National WCA exhibition, Collectively Shifting, is hosted by The Bridgeport Art Center.

New Media Caucus

The New Media Caucus is happy to welcome the following continuing and new board members following a successful 2019-2020 Election Cycle.

Chair of Communication Committee

KT Duffy
Assistant Professor of Art, Northeastern Illinois University

Board Members

Farhad Bayram
Assistant Professor, Indiana State University

Victoria Bradbury
Assistant Professor, The University of North Carolina – Asheville

Meredith Drum
Assistant Professor, School of Visual Arts, Virginia Tech

Zach Duer
Assistant Professor, School of Visual Arts, Virginia Tech

Sue Huang
Assistant Professor, University of Connecticut

Chelsea Thompo
Visiting Professor, Grand Valley State University

The New Media Caucus (NMC) is a 501c3 dedicated to supporting artists and scholars engaged in new media art. More information about the NMC and our mission can be found at newmediacaucus.org.

Society for the History of Collecting

We are looking forward to our debut sessions at CAA in February and will be using our inaugural business meeting to host a conversation about opportunities for research and funding in the field (the Friday lunchtime slot).

We are also excited to announce that the Americas chapter is expanding with Sophia McCabe spearheading a West Coast initiative.

In NY our upcoming events include a curatorial walk-through with Inés Katzenstein of Sur moderno at MoMA (January 8) and a collaboration with Master Drawings New York on Saturday, January 25. Talking Drawings—a conversation amongst four women collectors of works on paper will be moderated by Dr Jennifer Tonkovich of The Morgan Library & Museum. More information can be found here.

Society of Architectural Historians

Are you planning to attend the College Art Association Annual Conference in Chicago? If so, please join SAH’s conversation about two of our most exciting current initiatives, SAH Archipedia and the SAH Data Project, at the SAH Business Meeting on Wednesday, February 12, 12:30–1:30 pm. Pauline Saliga, SAH Executive Director, will discuss the recent launch of SAH Archipedia. This growing, open-access, mobile-friendly online resource will soon provide new opportunities to publish interpretive research about the history of the built environment. Sarah M. Dreller, SAH Postdoctoral Researcher in the Humanities, will answer questions about the purpose, scope, and timeline of the SAH Data Project, a Mellon-funded study that is assessing the status of the field of architectural history in higher education. The project will launch a key component of the data-gathering effort, online surveys for students, faculty, and program chairs/administrators, right before the CAA Annual Conference.

Early Registration is open for the SAH 2020 Annual International Conference in Seattle, Washington, April 29–May 3. Nearly 700 SAH members from around the world are expected to convene at the Renaissance Seattle Hotel to present new research on the history of the built environment, network, and participate in roundtables, seminars, workshops, tours and more. Early registration closes March 3, 2020.

SAH will offer a total of 36 paper sessions at its 2021 Annual International Conference in Montréal, Québec, Canada. The Society invites individuals and those representing SAH chapters and partner organizations to submit a session proposal for the Montréal conference. Since the principal purpose of the SAH annual conference is to inform attendees of the general state of research in architectural history and related disciplines, session proposals covering every time period and all aspects of the built environment, including landscape and urban history, are encouraged. The submission deadline is January 14, 2020.

Visual Resources Association

The Visual Resources Association (VRA) has planned two events for the 2020 Chicago conference and we welcome CAA conference attendees to join us for a full session and open business meeting turned interactive forum.  

Both events take place on Wednesday, February 12th, starting with a VRA Business Meeting scheduled midday (free and open to the public), which we have turned into a discussion forum opening with a presentation entitled “From Archive to Classroom: The Use of Omeka and Companion Tools in the Curation of Digital Stories and Exhibits” involving Matt Taylor, Director of the Media and Design Studio, and Rebecca Zorach, Mary Jane Crowe Professor of Art and Art History, as well as their students from Northwestern University. It will be followed by what will surely be an engaging discussion about online exhibitions and other current trends in the field of visual resources.  

In the afternoon, a formal session has been organized entitled, “Hands-On to Eyes-On: From Material Collections to Digital Exhibitions“ chaired by Bridget Madden, Associate Director of the Visual Resources Center, in the Department of Art History at the University of Chicago. A distinguished panel of artists, art historians, librarians, museum and information professionals will discuss the hands-on use of materials and museum collections to allow students to apply their knowledge in real-life contexts (full slate below). The presenters will discuss: the use of a materials collection in teaching art history survey courses to studio art and design students; fashion and textile resources transitioning from physical to digital collections for enhanced access; and a two-term curatorial practice course sequenced to design and install a museum exhibition. In all cases, the collections used in teaching are prioritized and sustained, not treated as occasional visits or demonstrations. The role of professional staff supporting these collections and facilitating their use by faculty and students is integral. It will be shown how effective these collaborations can be, including how they can lead to more engaging, active learning experiences in the classroom. The session will take place at 4pm at the Hilton Chicago in the Wilford C room as follows: 

1) “Materials in Context: Experiential Learning in Art History” at the Minneapolis College of Art and Design with Allan T. Kohl, Librarian in charge of Visual Resources and Library Instruction, presenting a collection curator’s perspective, partnered with Jessica M. Dandona, Associate Professor of Art History, providing a faculty perspective. 

2) “Materiality Made Visible” will be presented by Melanie E. Emerson, Dean of the Library + Special Collections, from the School of the Art Institute of Chicago. 

3) “Exhibition in Practice” at the Smart Museum of Art, University of Chicago, will be presented with Leslie Wilson, Curatorial Fellow for Diversity in the Arts, providing  “A Perspective from the Classroom” and Berit Ness, Assistant Curator of Academic Initiatives, talking about “Execution in the Museum.”   

The Visual Resources Association is a multidisciplinary organization dedicated to furthering research and education in the field of image management within the educational, cultural heritage, and commercial environments (http://vraweb.org/).  

For additional information, please contact Maureen Burns, VRA CAA Affiliate Society Representative at moaburns@gmail.com. 

Foundations in Art: Theory and Education (FATE)

There is a date change to the original announcement of the FATE Biennial Conference.

18th Biennial Foundations in Art: Theory and Education Conference will be hosted by University of North Carolina Charlotte. Mark your calendars for April 15-17, 2021 and make plans to be there! 

FATE

UNCC

American Society of Appraisers

·         February 3, 2020 | Fundamentals of Jewelry Appraisal | Tucson, AZ

·         February 5, 2020 | Introduction to the Chinese Art Market, Challenges and Opportunities | Webinar

·         March 2, 2020 | Fundamentals of Jewelry Appraisal | Carlsbad, CA

·         March 16-17, 2020 | Appraising Fine Arts Overview | Chicago, IL

·         March 20, 2020 | Personal Property Appraisal Report Writing Update | Reston, VA

·         May 14-15, 2020 | Fair Market Value: Appraising Personal Property for Non-Cash Charitable Contributions and Estates | Reston, VA

·         May 30-June 14, 2020 | 9th Annual Summer Appraisal Camp | Purchase, NY

·         October 29, 2020 | The Decorative Art and Mechanics of Antique Clocks | Webinar

Historians of Netherlandish Art

CAA CONFERENCE CHICAGO, February 12-15^th, 2020:

HNA RECEPTION: Friday, February 14^th, between 5:30 and 7 pm. Private Dining Room 4,  located on the third floor of the Hilton

HNA SESSION:

Thursday February 13^th, 10:30-12:00 pm

Hilton Chicago – Lower Level – Salon C-5: 10

Landscape through a Sociopolitical Lens: Representing the Environment in the Early Modern Netherlandish World

Historians of Netherlandish Art

Joanna Sheers Seidenstein, Harvard Art Museums and Sarah Walsh Mallory, Harvard University

SESSION run by HNA members:

Thursday, February 13^th, 6:00-7;30 PM

Hilton Chicago –  3^rd Floor – Wilford C

Re-Assessing the Northern European Male Nude

Martha Hollander, Hofstra University and Lisa Rosenthal, University Of Illinois at Urbana-Champaign

JOURNAL OF THE HISTORIANS OF NETHERLANDISH ART:

JHNA has just published a special guest-edited issue on the art of Gerard de Lairesse (Winter 2020, vol. 12:1). The editors include Eric Jan Sluijter (University of Amsterdam Emeritus); Elmer Kolfin (University of Amsterdam); Jasper Hillegers (Salomon Lilian Gallery, Amsterdam); and Marrigje Rikken (Frans Hals Museum, Haarlem).

JHNA has received a grant from the Association of Research Institutes in Art History (ARIAH) to support the development of a hot spot feature for images in the article by Melanie Gifford on Rubens’s Fall of Phaeton, National Gallery of Art, Washington, which appeared in the Summer 2019 issue (vol. 11:2).  Watch for this digital feature in Gifford’s essay in 2020 as well as in other essays to come.

News from the Art and Academic Worlds

posted by CAA — Dec 25, 2019

The overhead entrance to the previously uncharted chamber in Indonesia, which houses cave art that dates back at least 43,900 years. Credit: Ratno Sardi for The New York Times

Mythical Beings May Be Earliest Imaginative Cave Art by Humans The paintings found in central Indonesia—which are at least 43,900 years old—may shift an understanding of when and where humans started depicting imaginary figures. (New York Times) How to Make Museums More Accessible for Disabled People? Ask Them “New experiences, exhibitions, and programs need to be done with and not for disabled people. It’s not rocket science, but it does require organizational commitment.” (The Art Newspaper) Meet the Chief Diversity Officer Overhauling the Phillips Collection In one of the first roles of its kind at an American museum, Makeba Clay is the inaugural Chief Diversity Officer at the Phillips Collection in Washington, DC. (Artsy) Want articles like these in your inbox? Sign up:

Filed under: CAA News —

CAA Endorses ACASA’s Statement Concerning Destruction of Cultural Patrimony in Bafut

posted by CAA — Dec 16, 2019

On September 24, soldiers from the Rapid Intervention Battalion (BIR) attacked and looted the Royal Palace, in Bafut, North-West region. © Creative Commons/ShareAlike 3.0, via Human Rights Watch

CAA endorses its affiliate society, the Arts Council of the African Studies Association (ACASA), in condemning recent reports of theft, property damage, as well as violence at the Palace of Bafut in Cameroon.

The site is an important part of the history and culture of the Bafut population in the northwest region of Cameroon, and continues to function as a center for religious rites and ceremonies. The violence and destruction to the Bafut Palace threatens the safety and identity of the Bafut people and the maintenance of their distinctive cultural traditions. As such it deserves protection from the Republic of Cameroon and pressure from organizations and governments to restore damaged structures and return stolen artifacts.

Read ACASA’s statement below.

Statement Concerning Destruction of Cultural Patrimony in Bafut

20 November 2019

The Arts Council of the African Studies Association (ACASA)—an independent professional association  which exists to facilitate communication among scholars, teachers, students, artists, museum specialists, collectors, and all others interested in the arts of Africa and the African Diaspora—condemns the violent aggression perpetrated by the Republic of Cameroon against the Palace of Bafut, a site included on UNESCO’s Tentative List of World Heritage Sites since 2006.  Human Rights Watch reports that “On September 24 [2019], soldiers from the Rapid Intervention Battalion (BIR) attacked and looted the Royal Palace in Bafut, North-West region.”  (https://www.hrw.org/news/2019/10/11/world-heritage-site-attacked-cameroon#)  Fon Abumbi II of Bafut protested the aggression in a letter dated September 24, 2019 and addressed to the Governor of North West Region.  In addition to causing damage to buildings within the palace and perpetrating violence against those who had been neither charged nor tried in a court of law, these troops representing the authority of the State shamelessly stole historical objects from the palace museum.

According to the World Monuments Fund, the palace “embodies Bafut cultural identity and remains a center for religious rites and traditional ceremonies. Over 50 houses are clustered around the site’s spiritual core, Achum Shrine, and are used by the Fon (king), his wives, and the royal court.” (https://www.wmf.org/project/bafut-palace)  The palaces and museums of the North West Region of Cameroon serve as invaluable repositories of the long-standing traditions and material cultures of these vibrant kingdoms. These palaces and associated sites—where ritual practices have long been performed—foster and house the heritages, both tangible and intangible of these communities.  The violent destruction and looting of such a site may be understood as an attempt to erase the cultural identity of the Bafut population.  As a site listed on the Tentative List of World Heritage Sites, Bafut Palace is recognized as holding even greater than just local significance, constituting a primary locus of cultural heritage for the entirety of Cameroon, and indeed the world.  The Cameroonian State must treat these places as the internationally significant cultural heritage sites that they are.

ACASA calls on the Republic of Cameroon to protect sites of cultural heritage as required by being party to the 1954 Hague Convention for the Protection of Cultural Property.  According to Article 4(3) of the aforementioned convention, it is the obligation of the State “to prohibit, prevent and, if necessary, put a story to any form of theft, pillage or misappropriation of, and any acts of vandalism directed against, cultural property….”  In light of this international obligation, the Cameroonian State must bring to justice and punish appropriately those responsible for this heinous act.  Furthermore, every effort must be taken to return looted items of cultural heritage to the palace museum of Bafut.

CC:

Paul Biya, President of the Republic of Cameroon

Henri Etoundi Essomba, Ambassador of the Republic of Cameroon to the US

Peter Henry Barlein, US Ambassador to the Republic of Cameroon

Narcisse Mouelle Kombi, Minister of Arts and Culture for the Republic of Cameroon

UNESCO

World Monuments Fund

https://www.acasaonline.org/3461-2/

Filed under: Advocacy, Government and Politics, International —

Finalists for the 2020 Morey and Barr Awards

posted by CAA — Dec 09, 2019

CAA is pleased to announce the 2020 finalists for the Charles Rufus Morey Book Award and two Alfred H. Barr Jr. Awards. The winners of the three prizes, along with the recipients of other Awards for Distinction, will be announced in January 2020 and presented during Convocation in conjunction with CAA’s 108th Annual Conference, taking place in Chicago, February 12-15, 2020.

The Charles Rufus Morey Book Award Shortlist 2020

Chanchal B. Dadlani, From Stone to Paper: Architecture as History in the Late Mughal Empire, Yale University Press, 2019

Barbara Furlotti, Antiquities in Motion: From Excavation Sites to Renaissance Collections, Getty Publications, 2019

Matthew Looper, The Beast Between:  Deer in Maya Art and Culture, University of Texas Press, 2019

J. P. Park, A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏn Korea, University of Washington Press, 2018

Alfred H. Barr Jr. Award Shortlist 2020

Cathleen Chaffee, Introducing Tony Conrad: A Retrospective, Albright-Knox Art Gallery, Buffalo, NY, in association with Koenig Books, London, 2019

Karl Kusserow and Alan C. Braddock, Nature’s Nation: American Art and Environment, Princeton University Art Museum in association with Yale University Press, 2018

Esther Gabara, Pop América, 1965-1975, Duke University Press, 2018

Jessica Morgan and Alexis Lowry, Charlotte Posenenske: Work in Progress, Dia Art Foundation and Walther König, 2019

Elizabeth Morrison, Book of Beasts: The Bestiary in the Medieval World, Getty Publications, 2019

Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions Shortlist 2020

Denise Murrell, Posing Modernity: The Black Model from Manet and Matisse to Today, Yale University Press in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, 2018

Phillip Earenfight, Shan Goshorn: Resisting the Mission, Trout Gallery, the Art Museum of Dickinson College, 2019

Tracy L. Adler, Jeffery Gibson: This is The Day, Prestel Publishing, 2018

Faith Brower, Heather Ahtone, and Seth Hopkins, Warhol and the West, University of California Press, 2019

The presentation of the 2020 Awards for Distinction will take place during CAA Convocation on Wednesday evening, February 12, 2020 from 6-7:30 p.m. in the Grand Ballroom at the Hilton Chicago. The event is free and open to the public. For more information about CAA’s Awards for Distinction, please contact nyoffice@collegeart.org

Filed under: Awards, Books —

Kevin Tervala and Jennifer Kingsley

posted by CAA — Dec 09, 2019

The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.

CAA podcasts are on iTunes. Click here to subscribe.

On this week’s podcast, a medievalist stumbles into an Africanist and they decide to invite undergraduates to curate a feminist show.

Correction: Ashton Cooper’s article first appeared as part of a Barnard College exhibition, not Bryn Mawr. For more information: The Problem of the Overlooked Female Artist: An Argument for Enlivening a Stale Model of Discussion

Kevin Tervala is Associate Curator of African Art and Department Head for the Arts of Africa, the Americas, Asia, and the Pacific Islands at The Baltimore Museum of Art.

Jennifer Kingsley is the Director of the interdisciplinary undergraduate Programs in Museums and Society at the Johns Hopkins University.

Filed under: CAA Conversations, Podcast —

Apply for a Childcare Grant for CAA 2020

posted by CAA — Dec 06, 2019

Attendees at 2018 Annual Conference in Los Angeles. Photo: Rafael Cardenas

Thanks for your interest! As of January 2, 2020, childcare grants are at capacity and the application portal is closed.

---

CAA recognizes the need among members for childcare support during the Annual Conference. In our effort to better meet these needs, CAA now offers grants of up to $250 per family.

Grants are available for CAA members who are registered for the conference and will bring their child to the conference, or who will incur extra care-giving expenses while away from their dependents.

APPLICATION CLOSED

Deadline to apply: January 5, 2020

Grant funding is limited and grants will be filled on a first-come, first-served basis. (If you signed up for the now-canceled onsite care with Kiddie Corp, you will be given priority.) The grants will be given as a reimbursement for expenses up to $250 upon submission of receipts or invoices.

Examples of allowable expenses

• Childcare expenses incurred on-site at the conference.
• Daycare above and beyond what is normally scheduled because member is attending the conference (for example, overtime at a daycare center, cost of a sitter, etc.)
• Travel expenses incurred in bringing a caregiver/family member to supervise your child at the conference or at your home.
• Travel expenses incurred in bringing a child to a caregiver/family member.

Note: Care must occur during the conference dates. Attendees are responsible for making their own arrangements. CAA does not sanction or recommend childcare providers and does not assume responsibility or liability for childcare services of any sort. It is the responsibility of the parent(s) to thoroughly investigate all childcare providers.

Expenses not eligible for reimbursement

• Normally scheduled childcare expenses in your home city.
• Toys, and tickets to museums, amusement parks, etc.
• Travel or other expenses related to the attendee’s participation in the meeting, conference registration, meals, or other expenses the attendee would already be incurring by attending the meeting.

Reimbursement procedure

• Reimbursement forms will be distributed to grantees upon notification, the completed PDF must accompany a scan of receipts.
• Recipients of a grant must submit receipts for reimbursable expenses by email to Mira Friedlaender, mfriedlaender@collegeart.org with the subject line “Child Care Reimbursement”, by March 5, 2020
• Reimbursements will be distributed within 3-4 weeks of CAA’s receipt of complete documentation.

Grants will be awarded on a rolling basis. The deadline to apply for the grant is January 5, 2020.

APPLICATION CLOSED

Questions about childcare grants for the Annual Conference? Email mfriedlaender@collegeart.org

The following Chicago-based childcare services are available for attendees seeking childcare during conference. CAA has no contract with these service providers, and this list should not be considered an endorsement of any companies listed.

American Childcare
207 East Ohio Street, 121, Chicago, IL 60611
Phone: 312-644-7300
Website: http://www.americanchildcare.com/hotel_babysitting.htm

College Sitters
1000 West Diversey Parkway, 234, Chicago, IL 60614
Phone: 773-697-9326
E-mail: lincolnparkil@collegenannies.com
Website: http://www.collegenanniesandtutors.com/nechicagoil

Sitters Studio
Phone: 312-890-8194
E-mail: bookchicago@sittersstudio.com
Website: http://www.sittersstudio.com/hotel-care/

Filed under: Annual Conference —

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