CAA News Today
People in the News
posted by CAA — Apr 17, 2012
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
April 2012
Academe
Luba FreedmanLuba Freedman, a scholar of Italian Renaissance art and a member of the Renaissance Studies editorial board and the Sixteenth Century Journal editorial committee, has been promoted to the rank of full professor in the History of Art Department at Hebrew University of Jerusalem in Israel.
Scott Johnson, a sculptor, photographer, and installation artist, has received tenure in the Art Department at Colorado College in Colorado Springs.
Susan Yelavich, a longtime faculty member at Parsons the New School for Design in New York, has been appointed director of the master of arts in design studies program at her school.
Museums and Galleries
Emily Beeny (photograph provided by the Museum of Fine Arts, Boston)Emily Beeny will join the Museum of Fine Arts, Boston, in June 2012 as assistant curator of nineteenth-century painting in Art of Europe. Beeny is presently a doctoral candidate completing a year in Paris on the Rudolf Wittkower Dissertation Fellowship from Columbia University in New York.
Olivier Meslay (photograph provided by the Dallas Museum of Art)Olivier Meslay, senior curator of European and American art and Barbara Thomas Lemmon Curator of European Art at the Dallas Museum of Art in Texas, has been named associate director of curatorial affairs at his institution.
Joanne Pillsbury (photograph provided by Getty Communications)Joanne Pillsbury, formerly director of Precolumbian studies at Dumbarton Oaks in Washington, DC, has been named associate director of scholarly programs at the Getty Research Institute in Los Angeles, California.
Joel Smith (photograph provided by the Morgan Museum and Library)Joel Smith, currently Peter C. Bunnell Curator of Photography at the Princeton University Art Museum in Princeton, New Jersey, has been appointed curator of photography at the Morgan Library and Museum in New York. Smith begins his new position in September 2012.
Committee on Women in the Arts Picks for April 2012
posted by CAA — Apr 10, 2012
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
April 2012
Kate Gilmore: Rock, Hard, Place
David Castillo Gallery
2234 NW Second Avenue, Miami, FL 33127
April 14–May 31, 2012
Kate Gilmore’s work has drawn comparisons with numerous pioneers of performance art, such as Marina Abramović and Yoko Ono. Captured in video, photography, and sculpture, Gilmore’s actions are visually compelling statements in which the artist play-acts different female stereotypes, while also referencing the materials and processes of manual labor and art-making. In Rock, Hard, Place (2012), hot-pink paint is wedged into a gridded structure of bowls, overflowing and leaving a unique mark, as a rock is smashed into each unit. For her show at David Castillo Gallery, the artist debuts two new videos, Pot Kettle Black and Break of Day. Each depicts Gilmore as an actor engaged in Sisyphean tasks that call into question the role of women in society; the works also forward the idea of the artist as a free-willed magician.
Sturtevant: Image over Image
Moderna Museet
Skeppsholmen, Stockholm, Sweden
March 17–August 26 2012
Elaine Sturtevant, an American-born artist based in Paris, creates masterful handmade replicas of artwork by Jasper Johns, Andy Warhol, and Joseph Beuys that challenge narratives of authenticity and originality, while also speaking to the artistic possibilities that arise from cloning and cybernetics. More recently she has made “cover versions” of noted works by Paul McCarthy, Felix Gonzales-Torres, and Robert Gober. Sturtevant: Image over Image showcases thirty works of art, including four recent video installations, and new pieces that were produced specifically with the Moderna Museet’s collection in mind, such as a copy of Marcel Duchamp’s freestanding sculpture Fresh Widow (1920/1964). Sturtevant’s mode of production, bemusing to audiences and critics when it first appeared in the mid-1960s, has now assumed the mantel of a postmodern feminist critique, albeit one that still leaves room for analysis, debate, and pleasure.
Zoe Leonard: Observation Point
Camden Arts Centre
Arkwright Road, London, NW3 6DG, United Kingdom
March 31–June 24, 2012
Zoe Leonard has transformed one gallery of the Camden Arts Centre into a room-sized camera obscura, creating a live, inhabitable photographic image that is time based and always changing. In two other rooms, she exhibits a series of photographs taken with the lens pointed directly at the sun and presents a wall installation of found postcards of Niagara Falls. All three installations stretch the limits of photography and ask, what exactly constitutes a “photograph”? The exhibition also considers how we experience and shape the world through accumulation and manipulation of photographs.
Jaune Quick-To-See Smith: Landscapes of an American Modernist
Georgia O’Keeffe Museum
217 Johnson Street, Santa Fe, NM 87501
January 27–April 29, 2012
An exhibition of oil paintings and works on paper by Juane Quick-To-See Smith, a New Mexico–based artist and a member of the Confederated Salish and Kootenai Nation, evokes the Southwestern landscape and recalls certain modernist masters, such as Georgia O’Keeffe, and Marsden Hartley, who joined symbolism to abstraction. Quick-To-See Smith’s work also deals with political and ecological themes in the Petroglyph Park Series (1985) and in a group of paintings from the late 1980s created in honor of Chief Seattle, a nineteenth-century Native American leader who prophesized the environmental damage of the twentieth century.
Dara Friedman: Dancer
CAM Raleigh
409 West Martin Street, Raleigh, NC 27603
January 28–May 14, 2012
CAM Raleigh is screening Dancer, the latest film by the German-born artist Dara Friedman, which she created in Miami in 2011. Originally filmed in 16mm and transferred to high-definition digital video, Dancer captures sixty-six performers in forty separate segments representing all forms of movement and dance, from hip-hop to modern, flamenco to skateboarding, and classical ballet to skipping down the street. Dancer is the third installment in an unofficial trilogy that includes Musical (2007–8) and Frankfurt Song (2010). All three films explore spontaneous actions and synchronized performances in international urban settings.
Sarah Braman: These Days
International Art Objects Galleries
6086 Comey Avenue, Los Angeles, CA 90034
March 31–May 5, 2012
Sarah Braman works in painting and sculpture, frequently creating mash-ups of the two media. These Days presents playful and wide-ranging work in oil and spray paint on wood boards, shipping crates, and cardboard. Freestanding Plexiglas chambers, resembling sci-fi coffins of pleasure, are paired with the occasional found object (like a 1980s boombox) in works such as Time Machine, TV in bed, andDawn Dog. Braman’s art is without a predetermined conceptual underpinning; instead it is “engineered entirely to fulfill the dream of desire,” according to Rupert Winkelsnap, the author of the gallery’s press release.
Jacqueline Humphries
Greene Naftali Gallery
508 West 26 Street, Eighth Floor, New York, NY 10001
March 28–April 28, 2012
The New York–based painter Jacqueline Humphries is known for her large-scale canvases and expressionistic mark-making, as well as the frequent use of metallic silver paint evocative of industrial coloring, gelatin-silver photographs, and the cinema’s fanciful silver screen. The new paintings from her seventh solo show at the Greene Naftali Gallery continue these formal investigations while introducing an exploration of the push–pull between abstract flatness and pictorial space, framing within the picture plane, and the immense variety found in the repetition of painterly motifs.
Yayoi Kusama
Tate Modern
Bankside, London SE1 9TG, United Kingdom
February 9–June 5, 2012
In New York in the early 1960s, the Japanese-born Yayoi Kusama often performed her art in public as a staged “happening,” exploring a newfound territory between theater and visual art that Claes Oldenburg was charting at the same time. Yet she stood out against the male-dominated Pop and Fluxus scenes. Active as an artist for over four decades, and a voluntarily inmate in a mental institution since 1977, Kusama has created work that remains as arrestingly obsessive, spontaneous, and unabashedly colorful as ever. The Tate Modern retrospective includes a cinema series, Kusama on Film, which runs from April 15 to May 27, 2012. Screenings include landmark records of the artist’s rarely seen performances, Kusama’s Self-Obliteration and Love-In Festival (both 1968), which provide a window onto this artist’s unique, hybrid art practice.
David Craven: In Memoriam
posted by CAA — Apr 03, 2012
The following obituary was compiled by the deceased’s family and submitted by Patricia Mathews, professor of art history at Hobart and William Smith Colleges in Geneva, New York, and a member of the CAA Board of Directors.
David Craven
David Lee Craven, distinguished professor of art history at the University of New Mexico in Albuquerque, passed away on February 11, 2012. He was 60 years old. Craven was beloved by all who knew him for his passionate dedication to writing, lecturing, and teaching art history. He is recognized by his peers as one of the most informed and incisive art historians in the world, a leading scholar in twentieth-century art from Latin America, post-1945 art in the United States, and the critical theory and methodology of art history and visual culture. His ten books and over 150 articles have appeared in twenty-five different countries and been translated into fifteen different languages. Craven’s close friend and fellow professor at the University of New Mexico, Susanne Baackmann, recalled his “generous spirit” and remembered that “his love for life and work, two concepts that were synonymous in his mind, was as intense as it was infectious.” He had taught at New Mexico since 1993 and was affiliated with the university’s Latin American and Iberian Institute.
Craven earned a PhD in art history from the University of North Carolina in Chapel Hill in 1979, an MA degree in art history from Vanderbilt University in Nashville, Tennessee, in 1974, and a BA in European history from the University of Mississippi in Oxford, where he graduated magna cum laude in 1972. Fluent in Spanish, German, and French, Craven gave lectures in universities and museums in the United States and internationally, traveling to Russia, Mexico, Spain, Germany, England, and France. His art-history books are respected as authoritative in the field, and many are popular with a general audience, such as the widely read Art and Revolution in Latin America, 1910–1990 (2002), which was nominated for a 2004 Mitchell Prize. His other books include Diego Rivera as Epic Modernist (1997); The New Concept of Art and Popular Culture in Nicaragua since the Revolution in 1979 (1989); Poetics and Politics in the Life of Rudolf Baranik (1997); and Abstract Expressionism as Cultural Critique: Dissent during the McCarthy Period (1999). He recently edited Dialectical Conversions: Donald Kuspit’s Art Criticism (2011) with Brian Winkenweder.
Among the many awards and recognitions Craven received during his long teaching career are a Medal for Excellence from the state of New York in 1991 for his work at Cortland College at the State University of New York, and a Faculty Acknowledgement Award at the University of New Mexico in 2003. In 2007 he was chosen to be the Rudolf Arnheim Professor at Humboldt University in Berlin. Craven won more than fifteen major national and international grants and fellowships from numerous organizations, such as the American Council of Learned Societies, the National Endowment for the Arts, the National Endowment for the Humanities, the Rockefeller Foundation, the Ministerio de Cultura de Espana, and the Instituto Nacional de Bellas Artes de Mexico. His work on Latin and Central American art has earned him the praise of Ernesto Cardenal Martínez, Nicaragua’s minister of culture from 1979 to 1987.
Craven was born in Alexandria, Louisiana, on March 22, 1951, to Peggy and Albert Craven. He lived with his family in Houston, Texas, before moving to Oxford, Mississippi, where his father taught at the University of Mississippi. Craven’s parents encouraged his early interest in art, and he began taking art classes in fourth grade. A gifted athlete, Craven was the star quarterback for the Oxford High School football team and won MVP honors in the 1969 season. He also brought his high school’s basketball team into the state championship.
Craven was preceded in death by his father Albert Craven; his sisters Anita and Peggy Melinda; and his brother Jonathon. He is survived by his mother Peggy Craven; his sister Laura Duncan and her husband Lee, and a niece and nephew, Caroline and Lee Duncan; his brother Brian Craven and his wife Pam and nephews Jonathon, Allen, and Mark Craven; his brother Paul Craven; his niece Edy Dingus and nephew Charles Dingus, and nephew John Phillip Dingus, as well as his dear friends Susanne Baackmann and Hannah Baackmann-Friedlander of Albuquerque, New Mexico.
Audio Recordings from the 2012 Annual Conference
posted by Christopher Howard — Apr 02, 2012
The 2012 Annual Conference in Los Angeles boasted an incredibly diverse array of sessions. Audio recordings for eighty-three of the panels—including “Picturing Urban Space in Central Europe since 1839,” “Oleg Grabar’s Impact on the Practice and History of Art,” and the two-part “Mobile Art: The Aesthetics of Mobile Network Culture in Place Making”—are now available for sale.
A set of MP3 audio recordings from the Los Angeles conference is available for $199.95 as a DVD-ROM. Individual sessions, available only as downloads, are $24.95 each. Please visit Conference Media to view the list of sessions and to order.
The full range of art history is represented in sessions such as “Exceeding the Limits of Ancient Rome,” “Narrative in Gothic Art,” and “The Interconnected Tenth Century.” Several sessions focus on art and design in the conference city, including “Finish Fetish Sculpture from Los Angeles 1960s–70s: Conservation Dilemmas” and “Pacific Standard Time and Chicano Art: A New Los Angeles Art History.” Topics about contemporary art range from “Flagging: Aesthetic Tactics and Queer Signification” and “Momentum: Women/Art/Technology” to “Conceptual Art as Comedic Practice” and “Toward a Rock and Roll History of Contemporary Art.”
CAA also recorded two popular Centennial sessions: “Seeing Is Doing, Doing Is Teaching,” chaired by Michael Ned Holte, and “‘Reclaiming’ the Studio as a Site of Production,” led by Patty Wickman. Both curators and museum educators will be especially interested in “Live Forever: Performance Art in the Changing Museum Culture” and “‘Your Labels Make Me Feel Stupid’: Museum Labels as Art-Historical Practice.”
Whether you took part in, attended, or missed a particular conference session, these recordings are a must-have for your library, research, or teaching. Listen to them while walking across campus, while driving in your car or using public transportation, or while relaxing in your home.
In addition to the Los Angeles sessions, you can also purchase recordings from the past six conferences: New York (2011), Chicago (2010), Los Angeles (2009), Dallas–Fort Worth (2008), New York (2007), and Boston (2006). See CAA’s Conference Audio section or visit Conference Media for details.
Applications for Spring Grants from the Millard Meiss Publication Fund
posted by CAA — Mar 14, 2012
CAA is accepting applications for spring 2012 grants through the Millard Meiss Publication Fund. Thanks to a generous bequest by the late art historian Millard Meiss, the twice-yearly program supports book-length scholarly manuscripts in any period of the history of art and related subjects that have been accepted by a publisher but require further subsidy to be published in the fullest form.
The publisher, rather than the author, must submit the application to CAA. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For complete guidelines, application forms, and a grant description, please visit the Meiss section of the CAA website or write to nyoffice@collegeart.org. Deadline: April 1, 2012.
Image: Hong Kong University Press received a Meiss grant in fall 2008 to help publish Roslyn Lee Hammers’s book, Pictures of Tilling and Weaving: Art, Labor, and Technology in Song and Yuan China (2011).
March 2012 Issue of The Art Bulletin Introduces Three New Article Series
posted by Christopher Howard — Mar 13, 2012
Three new series of features are introduced in the March 2012 issue of The Art Bulletin. They will appear in the next two volume years of the journal, along with the long-form essays and reviews that have made it the leading publication of international art-historical scholarship. In her introductory editor’s note, Karen Lang writes that she created the new features “to reflect the vibrancy of art history today and to stimulate dialogue across fields and with neighboring disciplines.”
In the first new series, “Regarding Art and Art History,” a leading scholar offers a short personal reflection on what it means to write art history; the inaugural writer is Anne M. Wagner, whose essay takes the form of a letter. “Notes from the Field” will present short texts on a given topic by ten authors from a variety of disciplines; the first topic is anthropomorphism, with texts by the artist Elizabeth King, the philosopher J. M. Bernstein, and eight other scholars, including Finbarr Barry Flood, Jane Garnett, and James Meyer. Each issue will feature an interview as well; the first is a dialogue between the curator Hans Ulrich Obrist and the art historian Philip Ursprung. Julia Gelshorn launches the feature with a critical essay on the techniques, strategies, and study of the artist interview.
The March issue also features three essays on diverse topics. In “Henry Fuseli: Greek Tragedy and Cultural Pluralism,” Andrei Pop examines the art of the Anglo-Swiss painter Henry Fuseli in relation to the eighteenth-century revival of Greek tragedy and the formation of the modern liberal version of cultural pluralism. Yukio Lippit’s article, “Of Modes and Manners in Japanese Ink Painting: Sesshū’s Splashed Ink Landscape of 1495,” explores a single work by the Zen monk painter Sesshū Tōyō in the context of the ink painting tradition and artistic transmission in medieval Japan. In her essay, “Agent Provocateur? The African Origin and American Life of a Statue from Côte d’Ivoire,” Monica Blackmun Visonà studies the “biography” of a statue, sculpted near the Lagoon region of Ivory Coast and later donated to Fisk University by Georgia O’Keeffe, as a microcosm of American art history in the twentieth century.
In the Reviews section, Sheila Dillon evaluates Richard Neer’s book, The Emergence of the Classical Style in Greek Sculpture, and Julian Gardner considers The Likeness of the King: A Prehistory of Portraiture in Late Medieval France by Stephen Perkinson. Next, Gerhard Wolf looks at the temporality of Renaissance art as described in Alexander Nagel and Christopher S. Wood’s Anachronistic Renaissance. Finally, Marc Fumaroli reviews Walter S. Melion’s book, The Meditative Art: Studies in the Northern Devotional Print (1550–1625).
Please see the full table of contents for March to learn more. CAA sends The Art Bulletin to all institutional members and to those individuals who choose to receive the journal as a benefit of their membership.
The next issue of The Art Bulletin, to be published in June 2012, will feature a “Notes from the Field” section on appropriation and an interview with the art historian Linda Nochlin. The long-form essays will examine artifacts from a tenth-century cave in northwestern China, portraiture and narrative in the 1605 Shahnama (Book of Kings), theater architecture in the 1914 Werkbund exhibition, and Pablo Picasso’s 1912 paper construction Guitar. The Reviews section will include analyses of books on Caravaggio, Jean-Léon Gérôme, Spanish portraiture, the art of early modern China, and the temporality of architecture.
Recent Deaths in the Arts
posted by Christopher Howard — Mar 12, 2012
In its regular roundup of obituaries, CAA recognizes the lives and achievements of the following artists, designers, architects, photographers, dealers, filmmakers, and other men and women whose work has had a significant impact on the visual arts. This month was marked by the loss of three major artists: Mike Kelley, Dorothea Tanning, and Antoni Tàpies.
- Leopold (Lee) Adler II, former president of the Historic Savannah Foundation, died on January 29, 2012. He was 88 years old. Born into a wealthy Savannah family, Adler worked all his life to preserve the city’s eighteenth- and nineteenth-century homes, gaining a reputation as a committed preservationist
- Theo Angelopoulos, a celebrated Greek filmmaker whose work placed him in a critical pantheon of auteur directors, among them Michelangelo Antonioni, died on January 24, 2012. He was 76. Angelopoulos’s best-known films include Eternity and a Day (1998), which won the Palme d’Or at the Cannes Film Festival. At the time of his death, Angelopoulos was working on The Other Sea, the last film in a trilogy about Greek history
- Carolyn Autry, an artist, printmaker, and educator who taught at the University of Toledo in Ohio for thirty-six years, died on December 12, 2011, at the age of 71. Autry exhibited her work nationally and internationally and was an avid world traveler in her final years
- Lillian Bassman, a fashion and fine-art photographer, died on February 13, 2012, age 94. Bassman first came to prominence in the 1940s as an art director for Junior Bazaar, a youth-orientated version of Harper’s Bazaar. She also showed her pictures in galleries around the world, influencing several generations of fashion photographers
- Emmanuel Cooper, a ceramicist, died on January 21, 2012, at the age of 73. Cooper was primarily known as potter but also established himself as an art critic, educator, and gay-rights activist. His work is in the permanent collection of the Victoria and Albert Museum in London and the Philadelphia Museum of Art
- Mary Louise Coulouris, a vibrant painter, printmaker, and muralist, died on December 20, 2011, at the age of 72. Born in New York to Greek parents, Coulouris moved to London to attend school, eventually settling in Scotland. Well known for her public artworks in railway stations and hospitals across the United Kingdom, she also showed in galleries in Paris and London and is included in the collections of the New York Public Library, the Bibliothèque National in Paris, and the Ashmolean Museum in Oxford, England
- Peter de Francia, a celebrated artist, intellectual, and professor of painting at the Royal College of Art in London, passed away on January 19, 2012, at the age of 90. De Francia, born in France to an English mother and an Italian father, was multilingual from an early age. He served in World War II and was a lifelong socialist and an active member of the British art scene since the 1950s
- Malcolm Fowler, a fine artist and illustrator who brought artful creativity and humor into the world of advertising, died on January 18, 2012, at age 68. Fowler founded the pioneering illustration and model-making Shirt Sleeve Studio in London with his wife, Nancy Fouts, in the late 1960s. The couple crafted seminal ad campaigns for Tate Gallery, and their work has been collected by the Victoria and Albert Museum
- John Gage, a beloved, freethinking art historian known for his scholarship on J. M. W. Turner, died on February 13, 2012, age 73. Gage taught art history at the University of Cambridge from 1970 to 1996 and was elected a fellow of the British Academy in 1995
- Robert E. Hecht Jr., a controversial American dealer in ancient antiquities died, on February 8, 2012, at the age of 92. Just three weeks prior to his death, Hecht was on trial in Rome for charges of antiquity tomb looting and black-market dealing. A lifelong passion for collecting and selling ancient art began when he was a student at the American Academy in Rome
- John House, an art historian known for his scholarship on Impressionism, specifically Claude Monet, passed away on February 7, 2012. He was 66. House began teaching at the University of East Anglia and University College of London before going to the Courtauld Institute of Art. He often took a radical approach to his subject, challenging previous scholarship with his books and with the popular exhibitions he organized
- Mike Kelley, a groundbreaking artist who put Los Angeles on the map as a contemporary art mecca, committed suicide at the age of 57 on February 1, 2012. Kelley worked in video, installation, painting, and performance, often combining genres to spectacular and grotesque effect. A traveling retrospective of Kelly’s work, originating at the Stedelijk Museum in Amsterdam, will come to the Museum of Contemporary Art in Los Angeles in 2014
- Ricardo Legorreta, the Mexican-born architect known for his design of vibrant, modernist buildings throughout the southwestern United States and internationally, died on December 30, 2011. He was 80
- Steven Leiber, a San Franciscan art collector and rare-book dealer, died on January 28, 2012. He was 54 years old. Leiber operated a website devoted to his collection and knowledge of art ephemera and helped appraise several important archives, including those of Avalanche magazine, Allan Kaprow, and Claus Oldenberg
- John Madin, an architect and planner who transformed the look of postwar England, passed away on January 8, 2012. He was 87. Madin is known for his monolithic designs for commercial buildings in cities throughout the North of England, the West Midlands, and Leeds
- Isi Metzstein, an esteemed Scotish architect and teacher, died on January 10, 2012, at age 83. Metzstein founded the architectural practice Gillespie Kidd and Coia, which designed churches in Scotland, including the Le Corbusier–influenced St. Peter’s Seminary (now falling into ruin), and created buildings for Robinson College and Cambridge University
- Amy Page, a writer and former editor-in-chief of Art + Auction magazine passed away on January 19, 2012, at age 72. A native New Yorker, Page was as comfortable in the rough and tumble world of art journalism as she was with socializing with collectors, gallery directors, and traveling the world to attend art fairs
- Gianfranco Pardi, an Italian artist who created minimalist paintings, died on February 2, 2012, at age 78. Pardi lived and worked in Milan, where he showed at the Gio Marconi Gallery. In 1986 he exhibited at the Venice Biennale, and his 1970s series Architettura combines hard-edge abstraction, drawing, cable wires and aluminum
- Vita Petersen, an artist, teacher, and legendary fixture at the New York Studio School, passed away on October 22, 2011, age 96. Born in Berlin to an aristocratic, art-loving family, Petersen moved to New York in 1938 and became involved in the heady art scene of the 1940s and 1950s. She showed her colorful abstractions at the Betty Parsons Gallery in the 1960s and was known to paint every day of her life
- Jessie Poesch, an art professor at Tulane University’s Newcomb College in New Orleans, died on April 23, 2011, at the age of 88. Poesch was a specialist in decorative arts, pottery, and Louisiana architecture. She taught at Newcomb College from 1963 to 1992 and wrote books and articles that established her as an expert in her field
- Julie Carter Preston, a Liverpool-born ceramicist whose clients included members of the British Royal Family, died on January 6, 2012. She was 85 years old. Preston is best known for her use of sgraffitto, an ancient scratching technique that creates a rich-looking surface texture. She taught for many years at the Liverpool College of Art, and her work is represented by the Walker Art Gallery in Liverpool
- Peter Saunders, a British painter whose favorite subject was the city of London and its people, passed away on November 19, 2011, age 70. Saunders attended Camberwell School of Art, where he studied under Euan Uglow. He later taught at schools throughout London and was a member of the Soho crowd of artists who gathered at the Colony Room in the 1960s and 1970s
- Ian Simpson, an artist and art instructor who was a presenter on the BBC program Eyeline (1968–69), died on December 15, 2011, at the age of 78. Simpson taught at Hornsey College of Art in London and at St Martins School of Art from 1972 to 1988. He was a great believer in demystifying the world of art-making, and that technical skills could be taught to anyone with the dedication to learn them
- Norma Merrick Sklarek, the first African American woman to become a licensed architect, died on February 6, 2012, aged 85. Born in Harlem, Sklarek was one of only two women to graduate from Columbia University with a degree in architecture. She moved to Los Angeles to join Gruen Associates in 1960, where she worked as the project director for Terminal 1 at Los Angeles International Airport and later was a founding partner of Siegel-Sklarek-Diamon, an all-woman architectural firm
- Kazimierz Smolen, the former director and cofounder of the State Museum at Auschwitz-Birkenau and a survivor of the concentration camps at Auschwitz and Mauthausen, died on January 27, 2012, at the age of 91. In addition to founding the State Museum at Auschwitz, he appeared as a witness in many war criminal trials, including the Nuremberg Trials in 1945–46
- Tobi Lim Sonstroem, a graphic-design alumnus of the Tyler School of Art in Pennsylvania, took his own life on February 2, 2012. He was 25 years old. Sonstroem was remembered by friends and teachers as a passionate young man who was dedicated to his burgeoning art and graphic-design career
- Dorothea Tanning, a painter, sculptor, and muse to the Surrealists, died on January 31, 2012. She was 101 years old. Tanning was married for thirty years to Max Ernst and lived with him in New York, Arizona, and France. In addition to an esteemed career as a painter, she published several books of verse and in 1994 established the $100,000 Wallace Stevens Award at the Academy of American Poets
- Antoni Tàpies, the Catalan painter known for large-scale works that often mix oil painting with sand, chalk, and household objects, died on February 6, 2012. He was 88. The critic Roland Penrose described Tàpies as “a painter who was to create mysteries in matter itself.” The Tàpies Foundation in Barcelona, Spain, was created in 1984 as a museum and research center dedicated to the artist’s work and to other international modern artists
- Eugene Weston III, an architect who revolutionized the look of Los Angeles homes in the 1950s, died on January 31, 2012, at the age of 87. Weston’s designs emphasized space, glass windows, and natural light, bringing an elegant, modern sensibility to middle-class family homes. Later commissions include the Scripps College Research Center and the San Diego Zoo
- Erica Wilson, a craftswoman who popularize embroidery and needlework through numerous television appearances, books, and magazine articles, died on December 13, 2011. She was 83. The British-born Wilson moved to New York in 1954, where she taught at Cooper Union and gave private lessons in her apartment. Wilson later opened boutique shops on Manhattan’s Upper East Side and on Long Island, as well as in Palm Beach, Florida, and in Nantucket, Massachusetts
- Althea Wynne, a British sculptor known for her equestrian statues in bronze and ceramic, died on January 24, 2012, at the age of 75. Inspired by Etruscan art and a childhood love of horseback riding, Wynne created sculptures recognized as powerful and graceful monuments. Her best-known commission is the three bronze horses that stand sentinel at Minister Court in the City of London
Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries to Christopher Howard, CAA managing editor, for the April listing.
Committee on Women in the Arts Picks for March 2012
posted by CAA — Mar 10, 2012
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
March 2012
Cindy Sherman, Untitled #183, 1988, chromogenic color print, 38 x 22¾ in. (artwork © Cindy Sherman; photograph provided by the artist, Metro Pictures, and the Museum of Modern Art)
Cindy Sherman
Museum of Modern Art
11 West 53rd Street, New York, NY 10019
February 26–June 11, 2012
Featuring over 170 photographs, Cindy Sherman—only the fifth career survey by a woman in the Museum of Modern Art’s history—begins with the artist’s groundbreaking series of Untitled Film Stills (1977–80) and continues to her recent Society Portraits that address the unreality of aging in contemporary culture. Soaking up influences far beyond the art world, Sherman has created a body of work that has in turn inspired fashion, film, performance, and music. A film series, Carte Blanche: Cindy Sherman, runs from April 2 to 10 and features films personally selected by the artist from the museum’s collection.
Rosemarie Trockel: Flagrant Delight
WIELS
Avenue Van Volxemlaan 354, 1190 Brussels, Belgium
February 18–May 27, 2012
Rosemarie Trockel: Flagrant Delight is the first large-scale survey in Belgium of work by this German artist. Trockel often deals with the aesthetic legacies of Surrealism and Dada, and the WIELS show highlights her connection to the Belgian artists René Magritte and Marcel Broodthaers. Flagrant Delight features work produced since the early 1980s and debuts pieces created specifically for the exhibition. The cornerstone of the show is a new series of forty mixed-media collages that trace Trockel’s distinct sensibility through the juxtaposition of recognizable images and abstract motifs.
Kimsooja
Musée d’Art Moderne de Saint-Étienne Métropole
Rue Fernand Léger, 42270 Saint-Priest-en-Jarez, France
February 25–March 28, 2012
Known for large-scale, filmed performances and multichannel videos, the Korean artist Kimsooja makes work that questions global culture and the role of the artist in the world. As the main actor in her videos, often filmed from behind, she engages in repetitive tasks that evoke ritual practice and Zen Buddhist philosophy. In A Needle Woman (1999–2001), comprising eight simultaneously projected videos, Kimsooja stands motionless in the middle of busy city streets—in Madrid, Tokyo, Beijing, Mumbai, Jerusalem, and more—as people walk around, ignore, or interact with her.
R(ad)ical Love: Sister Mary Corita
National Museum of Women in the Arts
1250 New York Avenue NW, Washington, DC 20005
March 9–July 15, 2012
R(ad)ical Love: Sister Mary Corita surveys the work of the nun, artist, social activist, and influential teacher, Sister Mary Corita (later known as Corita Kent). The exhibition features sixty-five prints created between 1963 and 1967, when Corita taught art at Immaculate Heart College in Los Angeles; the works combine the eye-catching graphics of pop with the sincere messages of protest signs and buttons that were synonymous with youth culture in the sixties. Highlighting her role as a political activist, R(ad)ical Love foregrounds the agitprop quality of the work and distances it from the commercial art that it may superficially resemble.
Rachel Kneebone: Regarding Rodin
Elizabeth A. Sackler Center for Feminist Art
Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY 11238
January 27–August 12, 2012
Rachel Kneebone: Regarding Rodin pairs the porcelain sculptures of the British artist Rachel Kneebone with fifteen sculptures by the nineteenth-century master Auguste Rodin, chosen by Kneebone from the Brooklyn Museum’s collection. A highlight of the exhibition, Kneebone’s first major museum show in the United States, features The Descent (2008), her work inspired by Dante’s Inferno, presiding over nine large-scale pieces by Rodin. Juxtaposing the emphatic figures of Kneebone and Rodin highlights a shared interest in the “representation of mourning, ecstasy, death, and vitality in figurative sculpture,” while contrasting the differences of their processes and materials.
Postcard for Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond.
Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond
Glass Curtain Gallery
Columbia College Chicago, 1104 South Wabash Avenue, First Floor, Chicago, IL 60605
March 1–April 21, 2012
Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond
Averill and Bernard Leviton A+D Gallery
Columbia College Chicago, 619 South Wabash Avenue, Chicago, IL 60605
March 1–April 21, 2012
This two-part exhibition, devoted to the art world’s resident feminist activists, contextualizes the unruly group’s activism and art. The Glass Curtain Gallery features material related to the Guerrilla Girls’ work in museums and galleries, while the A+D Gallery stressess their political activities outside the art world and features a selection of films. Both presentations combine never-before-seen documentation and samples of fan and hate mail, as well as the opportunity for visitors to contribute their own voice through several interactive installations.
Eija-Liisa Ahtila: Parallel Worlds
Moderna Museet
Skeppsholmen, Stockholm, Sweden
February 11–May 6, 2012
This exhibition brings together recent work by the Helsinki-based artist Eija-Liisa Ahtila such as Horizontal (2011), The Annunciation (2010), and Where is Where (2008), with an iconic video from the early 1990s, Me/We, Okay, Gray. Bridging film, video, and installation, the artist’s work is lushly cinematic and strangely subversive, touching on themes of biopolitics and posthumanism. The selection highlights Ahtila’s exploration of human perception, tragedy, and the play between inner and outer worlds.
SHORT BIG DRAMA: Angela Bulloch
Witte de With
Witte de Withstraat 50, 3012 BR Rotterdam, Netherlands
January 21–April 9, 2012
This solo exhibition of the Canadian-born, Berlin-based artist Angela Bulloch collects three separate bodies of work: large-scale wall paintings, pixel installations, and interactive drawing machines. Bulloch’s interdisciplinary and theatrical approach invites viewer participation, and some works can even be “programmed” anew each time they are shown. Bold graphics, vibrant color, and references to the strategies of twentieth-century avant-garde movements—Constructivism, Minimalism, and the Situationists’ use of détournement—call into question the “informational status” of a given artwork.
In conjunction with the exhibition, Witte de With will host a book launch on April 3 for Source Book 10: Angela Bulloch, a monographic collection of critical essays and collaborations with other artists.
Affiliated Society News for March 2012
posted by CAA — Mar 09, 2012
American Institute for Conservation
Registration is open for the next annual meeting of the American Institute for Conservation of Historic and Artistic Works (AIC), taking place from May 8 to 11, 2012, in Albuquerque, New Mexico. Help AIC celebrate its fortieth anniversary and be a part of the lively discussions surrounding the theme of “Connecting to Conservation: Outreach and Advocacy,” an exploration of how conservation connects with allied professionals, the press, clients, and the general public.
Art, Literature, and Music in Symbolism and Decadence
Art, Literature, and Music in Symbolism and Decadence (ALMSD) will present its second conference, “The Symbolist Movement: Its Origins and Its Consequences,” from April 25 to 28, 2012, at Allerton Park in Monticello, Illinois. For the keynote address, Liana De Girolami Cheney will deliver a paper titled “Edward Burne-Jones’s The Sirens: Magical Whispers.” You can register, reserve a room, and learn more about the historic Allerton Park and Retreat Center online.
ALMSD is accepting news from scholars whose work focuses on the Symbolist movement for its annual newsletter. Please submit the your items to Rosina Neginsky.
Association of Academic Museums and Galleries
The Association of Academic Museums and Galleries (AAMG) welcomes two new board members. James Rosengren, deputy director of the University of Houston’s Blaffer Art Museum in Texas, begins his first term as a board member at large; and Susan Longhenry, director of the University of New Mexico’s Harwood Museum of Art in Taos, begins her first term as the Mountain–Plains regional representative. Both new board members bring extensive academic leadership experience, along with expertise in business and education, to AAMG.
Registration is still open for the AAMG annual conference, “Tools of Engagement: Securing Commitment on Campus,” to be held on April 28, 2012, at the Frederick R. Weisman Art Museum on the campus of the University of Minnesota, Twin Cities, a day before the start of the American Association of Museums’ annual meeting. Through the presentation of outstanding case studies, thoughtful papers, and lively roundtable discussions, the AAMG conference will explore various creative strategies for negotiating with, and advocating value to, parent institutions. You may preview the conference schedule and register online. The deadline for registration is April 7, 2012.
Association of Historians of American Art
The Association of Historians of American Art (AHAA) has announced its new chair and members. Jenny Carson, Maryland Institute of Art, chair, 2012–13; Sarah E. Kelly, Art Institute of Chicago, cochair, 2012–13; and Katherine Smith, Agnes Scott College, sessions coordinator, 2012–15.
Save the date for the second AHAA symposium, “American Art: The Academy, Museums, and the Market,” to be held October 11–13, 2012, and hosted by the Boston Athenaeum and Boston University in Massachusetts. For more information, please contact the symposium cochairs, David Dearinger and Melissa Renn.
AHAA wishes to sponsor a two-and-a-half-hour scholarly session at the 2014 CAA Annual Conference in Chicago. Please review the submission guidelines before sending your proposal. The deadline for submissions is April 1, 2012.
Association of Historians of Nineteenth-Century Art
The Association of Historians of Nineteenth-Century Art (AHNCA) began 2012 with especially good tidings. In the final days of December, the Andrew W. Mellon Foundation awarded the organization a grant of $49,800 in support of its scholarly electronic journal, Nineteenth-Century Art Worldwide. Specifically, the funds will enhance the journal’s already innovative use of digital technology. Over the next three years, Nineteenth-Century Art Worldwide will have the means to support new approaches to digital research for contributing authors and to publish articles with enriched media content, such as computer graphics, architectural modeling, and streaming video. The Mellon award recognizes the journal not only as a leading venue for research on nineteenth-century art, but also for its standard-setting determination to make online scholarship free and available to anyone with internet access. The managing editor, Petra ten-Doesschate Chu of Seton Hall University, anticipates sponsoring at least six articles that involve enhanced digital research or digital presentation through the grant. A key contributor to the initiative is Emily Pugh, the journal’s web designer and developer. Scholars of nineteenth-century art who believe their work engages digital scholarship in an innovative way and who might be interested in participating in this pilot project should contact Chu.
Foundations in Art: Theory and Education
Foundations in Art: Theory and Education (FATE) will hold its national biennial conference at the Savannah College of Art and Design in Georgia from April 3 to 6, 2013. Titled “postHaus,” the conference has a theme of “Instructing, Constructing, and Connecting with Students in the Twenty-First Century.” Each FATE biennial conference attracts a fantastic group of first-year studio professors and instructors from two- and four-year colleges across the United States and internationally. For “postHaus,” FATE seeks to expand its reach. Topics for session proposals can include but are not limited to: innovations in studio courses; curriculum development; approaches to art history; liberal-arts instruction; the importance of research librarians; and the vital role of lab technicians. The deadline for proposals is March 16, 2012.
Historians of German and Central European Art and Architecture
The Historians of German and Central European Art and Architecture (HGCEA) has a new redesigned website. With a banner of six images on the homepage, the site now features many links to resources, including research and grant opportunities, databases, calls for papers, and websites of other institutions and journals. It also includes a membership directory, archives of its CAA Annual Conference sessions since 2005, and a list of member publications.
Historians of British Art
The Historians of British Art (HBA) has announced its 2011 awards for the three best books on British art and architecture. All three titles were published by Yale University Press. Chaired by Elizabeth Honig, associate professor of art history at the University of California, Berkeley, the HBA committee has selected Celina Fox’s The Arts of Industry in the Age of Enlightenment (2010) as the best in the category of single-author book on a pre-1800 subject, and Morna O’Neill’s Walter Crane: The Arts and Crafts, Painting, and Politics, 1875–1890 (2010) in the category of single-author book on a post-1800 subject. In the category of edited/multiauthor book on a subject of any period, the award goes to Thomas Lawrence: Regency Power and Brilliance (2010), edited by Cassandra Albinson, Peter Funnell, and Lucy Peltz. “We congratulate all of the winners,” says HBA president Peter Trippi, “and we warmly encourage our members and colleagues to acquire these superb titles for their own libraries.”
Historians of Netherlandish Art
The Historians of Netherlandish Art (HNA) has elected three new board members: Lloyd DeWitt, curator at the Art Gallery of Ontario in Toronto; Paul Crenshaw, associate professor of art history at Providence College in Rhode Island; and Martha Hollander, associate professor of art history at Hofstra University in Hempstead, New York.
The organization has awarded its 2012 HNA Fellowships for Scholarly Research, Publication, and Travel to aid the publication of the following four books: Natasha T. Seaman, The Religious Paintings of Hendrick ter Brugghen: Reinventing Christian Painting after the Reformation in Utrecht (Ashgate); Mitzi Kirkland-Ives, In the Footsteps of Christ: Hans Memling’s Passion Narratives and the Devotional Imagination in the Early Modern Netherlands (Brepols); Anna C. Knaap, Rubens and the Antwerp Jesuit Church: Art, Rhetoric, and Devotion (Brepols); and Elizabeth A. Sutton, Early Modern Dutch Prints of Africa (Ashgate).
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) have established the Oleg Grabar Memorial Fund in support of the annual award of Grabar Grants and Fellowships.
HIAA has announced full program details for its third biennial symposium, to be hosted by the Metropolitan Museum of Art in New York from October 18 to 20, 2012. The symposium’s theme is “Looking Widely, Looking Closely.”
International Association of Word and Image Studies
The International Association of Word and Image Studies (IAWIS/AIERTI) seeks proposals for “From the Wall, to the Press, to the Streets,” its session for CAA’s 101st Annual Conference in New York, taking place February 13–16, 2013. IAWIS/AIERTI invites reflections on contemporary art practices that occur outside the traditional framework of the gallery or museum space. Topics to consider include: public art rhetoric (how language challenges elitist/populist divides); working around the frame (spatial transgression as institutional critique); art’s new open-access sites (the internet and social networks); and institutional responses (marketing and copyright laws). Please submit proposals and CV to Eve Kalyva and Ignaz Cassar by June 1, 2012. IAWIS/AIERTI membership is not required.
Italian Art Society
The Italian Art Society (IAS) has named Debra Pincus as the speaker of the third annual Italian Art Society–Kress Foundation Lecture Series in Italy, being held in Venice on June 6, 2012. Pincus will speak on “The Lure of the Letter: Renaissance Venice and the Recovery of Antique Writing” at the Palazzo Cavalli-Franchetti, seat of the Istituto Veneto di Scienze, Lettere ed Arti.
IAS would like to congratulate the 2012 recipients of the IAS/Kress Foundation Travel Grants for American or foreign scholars traveling from abroad to present papers in IAS-sponsored sessions: Michele Luigi Vescovi, for “Defining Territories and Borders in Italian Romanesque Architecture: Regions, Sub-regions, Meta-regions” at the CAA Annual Conference in Los Angeles; Daniele Rivoletti, for “Pinturicchio’s Coronation of Pius III: The Interests of a Family in a Republican Context” at the Renaissance Society of America; and Christine Ungruh for “Kairo: On the Efficacy of a Classical Motif in Italian Medieval Art” at the International Congress on Medieval Studies in Kalamazoo.
IAS is sponsoring one individual and three linked sessions at the Renaissance Society of America’s 2012 annual meeting, taking place in Washington, DC, from March 22 to 24, 2012.
Mid-America College Art Association
Save the date for the Mid-America College Art Association (MACAA) biannual conference: October 3–6, 2012, in Detroit, Michigan. The James Pearson Duffy Department of Art and Art History at Wayne State University will host the event. Programming will include three featured speakers; panel presentations in art, design, art history, and visual resources; studio workshops; MACAA member exhibitions; and museum visits. The conference will have two content areas, “Meaning and Making” and “Community and Collaboration.” Read more about on MACAA membership, conference registration and accommodations, and submission guidelines for papers. The deadline for submission proposals is April 10, 2012. For further information, please email the conference coordinator.
Midwest Art History Society
Attend the thirty-ninth annual conference of the Midwest Art History Society (MAHS) in Wichita, Kansas, from March 29 to 31, 2012. Papers on topics ranging from art history to modern film to collecting Asian art will be presented on the Wichita State University campus and at the Wichita Art Museum. The keynote address will be delivered by Marilyn Stokstad, Judith Harris Murphy Distinguished Professor Emerita of Art History at the University of Kansas and the acclaimed author of Art History (Upper Saddle River, NJ: Prentice Hall, 2010), a widely used textbook in American colleges. Her topic will be “Art Patronage in a Civil Society.” Please visit the MAHS website to register for the conference and to review the schedule of events.
National Council of Arts Administrators
The National Council of Arts Administrators (NCAA) will hold its annual conference, “Granting Permission,” at Ohio State University in Columbus on November 7–10, 2012. Sergio Soave, art chair at Ohio State, is creating an ambitious and lively schedule of events that will include an administrator’s workshop, tours of the Wexner Center for the Arts, cultural walks in Columbus, and much more. The NCAA board seeks proposals for presentations, sessions, and/or panels for the annual Arts Administrators Workshops, taking place on November 7. Topics might include but are not limited to: leadership and management; promotion and tenure; interpersonal communication; budget management, personnel evaluation, and growth; career paths; and case studies related to arts administration. Proposals and inquiries should be sent to Jim Hopfensperger, NCAA president. Initial proposals of no more than 350 words are due by May 21, 2012. Selected entries will be notified by June 20.
NCAA sends many thanks to all who participated in the organization’s activities at the CAA Annual Conference in Los Angeles. The annual reception was extremely well attended, and the “More Hot Problems/Cool Solutions in Arts Leadership” session drew enthusiastic responses for its innovative and unusual solutions to challenges in arts leadership.
Society for Photographic Education
The Society for Photographic Education (SPE) will hold its forty-ninth national conference, “Intimacy and Voyeurism: The Public/Private Divide in Photography” from March 22 to 25, 2012, in San Francisco, California. The keynote speaker is the acclaimed photographer Sally Mann; other featured speakers include Trevor Paglen, Sharon Olds, and Sandra S. Phillips, senior curator at the San Francisco Museum of Modern Art. You need not be an SPE member to register for the conference, but membership offers a reduced ticket price. In addition, a discounted conference rate is available for student volunteers.
The fiftieth SPE national conference will be held March 7–10, 2013, in Chicago, Illinois.
Society of Architectural Historians
The sixty-fifth annual conference of the Society of Architectural Historians (SAH) will be held in Detroit, Michigan, from April 18 to 22, 2012. Topics under discussion include rebuilding Detroit, midcentury modern design, historic preservation, and the legacy of the automobile industry. Information on conference registration, hotel accommodation, and travel has been published online.
SAH invited CAA members to participate in an upcoming SAH study tour of Saxony, Germany, from July 12 to 25, 2012. As an exclusive offer for CAA members, the SAH membership requirement to participate in this tour will be waived. Led by the renowned scholar of German architecture, Juergen Paul, the tour will survey sites ranging from late Romanesque to modern and include religious and secular buildings, the Bauhaus, landscapes, and gardens. The tour will begin in Berlin and visit the following cities: Dessau, Gorlitz, Leipzig, Grimmer, Cowlitz, Wechselburg, Kriebstein, Lichtenwalde, Agustusburg, Annaberg, Marienberg, Freiberg, Dresden, Bautzen, Lobau, Gorlitz, Wermsdorf, Torgau, and Wittenberg. The deadline for tour registration is May 4, 2012. Please review the website for the tour itinerary and pricing; Study Tour Fellowships are also available to current full-time MA and PhD students and to emerging professionals who have received their degree between 2007 and 2011.
Southeastern College Art Conference
The sixty-eighth annual meeting of the Southeastern College Art Conference (SECAC), hosted by Meredith College, will be held in historic Durham, North Carolina, from October 17 to 20, 2012. SECAC membership is required to attend and to participate in the conference; registration will open on August 1, 2012. Please visit the website for registration fees, travel and accommodation details, and local information on Durham. The deadline for submitting proposals for papers is April 20, 2012. Current SECAC members are eligible to apply for the SECAC Artist’s Fellowship, a grant of $5,000 to be made to an individual or a group of artists working on a specific project. The postmark deadline is August 1, 2012, and the winner will be announced at the conference in October. Questions? Please contact Beth Mulvaney, conference chair for SECAC 2012.
People in the News
posted by CAA — Feb 17, 2012
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
February 2012
Academe
Joseph BasileJoseph Basile, a professor of art history and chairperson of the Department of Art History at Maryland Institute College of Art in Baltimore since 1994, has been named associate dean for liberal arts at his school.
Angela Ellsworth, a sculptor and professor of art at Arizona State University in Phoenix, has been awarded tenure.
Dennis FarberDennis Farber, a faculty member in the Foundation Department at Maryland Institute College of Art in Baltimore since the 1990s, has been named associate dean of foundation studies at his school.
Anne Marie OliverAnne Marie Oliver, assistant professor of intermedia and contemporary theory at Pacific Northwest College of Art in Portland, Oregon, has been named cochair of the master’s degree program in critical theory and creative research at her school.
P. Gregory WardenP. Gregory Warden, professor of art history and associate dean for research and academic affairs in the Meadows School of Art at Southern Methodist University in Dallas, Texas, has been appointed president of Franklin College in Lugano, Switzerland. Warden will leave his current institution at the end of academic year 2011–12.
Museums and Galleries
David Bomford (photograph by Bradley Marks)David Bomford has left his position as acting museum director of the J. Paul Getty Museum in Los Angeles, California. Bomford, who joined the museum in 2007 as associate director for collections, will return to London to pursue research, scholarship, and writing.
Joy Garnett (photograph by Bradley Marks)Joy Garnett, a New York–based painter and the editor of NEWSgrist, has become director of Theodore:Art, a gallery that has recently relocated from Manhattan to Brooklyn.
Suzanne Folds McCullagh has been named Anne Vogt Fuller and Marion Titus Searle Chair and Curator of Prints and Drawings at the Art Institute of Chicago in Illinois. A museum staff member since 1975, McCullagh succeeds Douglas Druick as the head of her department.
JoAnne NorthrupJoAnne Northrup, previously chief curator at the San Jose Museum of Art in California, has joined the Nevada Museum of Art in Reno as director of contemporary initiatives.
Martha Tedeschi has been named Prince Trust Curator in Prints and Drawings at the Art Institute of Chicago in Illinois. A museum staffer since 1982, Tedeschi takes the curatorial reins from Douglas Druick.
Sheena Wagstaff, chief curator at Tate Modern in London since 2001, has been recruited as the new department head of twentieth- and twenty-first century art at the Metropolitan Museum of Art in New York.
Kenneth Wayne, a consultant for arts organizations since 2010 after leaving a curatorial post at the Heckscher Museum of Art in Huntington, New York, has joined the Noguchi Museum in Long Island City, New York, as deputy director for curatorial affairs.