CAA News Today

New Directories of Graduate Programs Coming

posted by Betty Leigh Hutcheson — Sep 29, 2011

The information on this page has been updated. Please visit the main directories page for the most up-to-date information.

This fall CAA will publish new editions of Graduate Programs in Art History and Graduate Programs in the Visual Arts. As comprehensive resources of schools across the United States, Canada, the United Kingdom, Australia, and New Zealand, the guides list over 650 programs in fine art and design, art and architectural history, curatorial studies, arts administration, and more.

Prospective graduate students will find everything they need to know before beginning the application process. The directories are also key professional references for career-services representatives, department chairs, graduate and undergraduate advisors, librarians, professional-practices educators, and professors interested in helping emerging generations of artists and scholars find success.

Graduate Programs in Art History covers four disciplines: Art History, Curatorial and Museum Studies, Arts Administration, and Library Science. This directory integrates programs in visual studies and architectural history into Art History. Similarly, Graduate Programs in the Visual Arts comprises four areas: Studio Art and Design, Art Education, Film Production, and Conservation and Historic Preservation. Studio Art and Design combines programs in fine art with those in graphic, industrial, and object design.

Organized alphabetically by school name within each discipline noted above, entries describe curricula, class size, faculty specializations, admission and degree requirements, library and studio facilities, opportunities for fellowships and assistantships, and more. Readers can draw important conclusions from these facts, such as the competitiveness of a program based on the amount of applications received and accepted. Need health insurance or housing while in school? Many programs provide details about what they offer.

The directories are available in multiple print and digital formats, as books, ebooks, and downloadable PDFs. The complete volumes of each directory are only available in print.

Print

The complete Graduate Programs in Art History and Graduate Programs in the Visual Arts cost $41 each for CAA members and $51 for nonmembers, plus shipping and handling.

You can also order all entries within five of the eight disciplines as discrete perfect-bound, soft-cover books. The prices below do not include shipping and handling:

Art History: $22
Art Education: $18
Curatorial and Museums Studies: $16
Film Production: $15

The three remaining disciplines—Arts Administration, Library Science, and Conservation and Historic Preservation—are available only as ebooks and cannot be ordered as discipline-specific books.

Individuals can order both directories and the discipline-specific books through the CAA website (link forthcoming). If you are ordering for a school, institution, or department within a college or university, please download the PDF form (forthcoming) and return the completed version with payment to Roberta Lawson, CAA office coordinator, who will ship the directories to you within two business days of your purchase.

Ebooks

All entries within a particular discipline may be ordered as single ebooks. After placing your order on the CAA website, you will receive an email with a link(s) to the ebook(s). Each ebook can be downloaded a limited number of times and will be compatible with your personal computer and most smart phones and ereaders (excluding Kindles).

You can also order all entries within five of the eight disciplines as ebooks:

Art History: $22
Art Education: $18
Curatorial and Museums Studies: $16
Film Production: $15
Studio Art and Design: $26

Ebooks of all entries in Arts Administration, Library Science, and Conservation and Historic Preservation are priced as follows:

Arts Administration: $14
Conservation and Historic Preservation: $14
Library Science: $12

Ebooks can only be ordered through the CAA website (link forthcoming).

Sets of Entries

Individuals can search the directories by discipline, faculty specialization, country, region, state, degree type, and availability of health insurance via the CAA website and download PDFs of entries from either or both directories for $2 per entry (up to twenty entries). Upon ordering the entries, you will receive an email with a link to a single PDF containing the entries you have selected.

Contact

Questions about ordering? Please contact Roberta Lawson, CAA office coordinator, at 212-392-4404.

Filed under: Books, Career Services, Education, Publications, Students —

Affiliated Society News for September 2011

posted by CAA — Sep 09, 2011

American Council for Southern Asian Art

The fifteenth biennial symposium of the American Council for Southern Asian Art (ACSAA) will take place at the University of Minnesota in Minneapolis from September 22 to 25, 2011. The engaging event will feature speakers presenting a wide range of papers on historical and contemporary art from South Asia, Southeast Asia, and the Himalayan region. Please direct any questions about the symposium to Rick Asher at the University of Minnesota. You may download a PDF of the full program, registration, and related information.

American Institute for Conservation of Historic and Artistic Works

The American Institute for Conservation of Historic and Artistic Works (AIC) has published a second edition of The AIC Guide to Digital Photography and Conservation Documentation. The text has been updated since its first publication in 2008 to include recommendations for Adobe Photoshop Lightroom and an expanded chapter on storage and backup of electronic records. The second edition is also fully illustrated with over 120 color plates, including detailed screenshot instructions for Adobe Photoshop and Adobe Lightroom. This remarkable resource, nearly doubled in size, is available online for $60 (AIC members) and $75 (nonmembers).

Art Historians Interested in Pedagogy and Technology

The new website of Art Historians Interested in Pedagogy and Technology (AHPT), launched in August 2011, allows members to share and use technological resources for education in the visual arts. Projects, publications, and conference information are also available. New members may join via PayPal in order to access this abundance of resources and to contribute to the expanding conversation about technology in the classroom.

AHPT will participate in the upcoming Southeastern College Art Conference (SECAC), taking place November 9–12, 2011, at the Savannah College of Art and Design in Georgia. AHPT’s session, called “Reflections on Where We Are and Where We Are Going with Technology in the Art History Classroom,” will consider integrating technologies into established lecture courses and online teaching, fostering pedagogical change in departments and institutions, and negotiating curricular needs with administrators. The panel, chaired by Marjorie Och of the University of Mary Washington, will include presentations by Fran Altvater of Hillyer College at the University of Hartford in Connecticut; Janice Robertson of Pratt Institute in Brooklyn, New York; and Saul Zalesch of Louisiana Tech University in Ruston. This session marks the inauguration of AHPT’s affiliation with SECAC.

Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey

The Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey (AMCA) held its first international conference, “Modern Arab Art: Objects, Histories, and Methodologies,” in Doha, Qatar, on December 16–17, 2010. Emerging and established scholars shared research, methodologies, and thoughts on the future of the field. In addition, AMCA joined Mathaf: Arab Museum of Modern Art in celebrating the institution’s subsequent opening on December 30.

AMCA mourns the passing of its dear friend and esteemed colleague, Rhonda Saad. In her memory, the organization has established the Rhonda Saad Prize for Best Graduate Paper in Modern Arab Art. Submissions must be produced between June 2010 and October 2011 and may not exceed thirty-five pages, excluding notes and bibliography. They also must be unpublished and sent via email. AMCA will award $500 to the author of the winning paper at the annual meeting of the Middle East Studies Association in December 2011. The prize is sponsored by donations from generous individuals. Deadline: October 1, 2011.

AMCA welcomes Anneka Lenssen, a PhD candidate in the History, Criticism, and Theory of Architecture and Art Department at the Massachusetts Institute of Technology in Cambridge, to its board of directors as treasurer. Lenssen, who recently received a Fulbright scholarship to study the artistic and intellectual movements in Syria from 1960 to 1980, is hard at work on her dissertation, which examines “The Shape of the Support: Painting in Syria’s Twentieth Century.”

Association of Academic Museums and Galleries

At its recent annual conference, held on May 23, 2011, the Association of Academic Museums and Galleries (AAMG) elected new officers to its board. Jill Hartz, executive director of the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, was elected president for a three-year term. Hartz succeeds David Alan Robertson, the Ellen Philips Katz Director of the Mary and Leigh Block Art Museum at Northwestern University in Evanston, Illinois. The new vice president of strategic planning is Brent Tharp, director of the Georgia Southern University Museum in Statesboro. Kris Anderson, director of the Jacob Lawrence Gallery at the University of Washington in Seattle, has become vice president of communications, and taking over as treasurer is Michiko Okaya, director of art galleries and curator of the College Art Collection at Lafayette College’s Williams Center for the Arts in Easton, Pennsylvania. The new secretary is Lynn Marsden-Atlass, director of the Arthur Ross Gallery at the University of Pennsylvania in Philadelphia.

AAMG summons new papers from members for its next annual conference, to be held on April 28, 2012, at the the University of Minnesota’s Frederick R. Weisman Art Museum in Minneapolis. Papers should refer to the conference topic, “Tools of Engagement: Securing Commitment on Campus.” Deadline: September 15, 2011.

Association of Historians of American Art

The Association of Historians of American Art (AHAA) is offering a travel grant covering expenses (up to $500) for an ABD student of historical art of the United States who is participating in the 2012 CAA Annual Conference in Los Angeles. The recipient must be an active AHAA member enrolled in a graduate program. To enter, please submit the name of the session you plan to participate in and your paper title to Melissa Dabakis, AHAA secretary, using the online form. Deadline: February 1, 2012.

In order to sustain its commitment to scholarship, AHAA has inaugurated an option for lifetime membership. Dues are $750, of which $730 is tax deductible.

The second AHAA symposium will be held in Boston, Massachusetts, on October 12–13, 2012. Details about the symposium will be coming soon.

Historians of Islamic Art Association

The Historians of Islamic Art Association (HIAA) has launched a new and improved website that features benefits for HIAA members as well as public resources for the study of Islamic art and culture. Please consult the Events & Exhibitions section for more information on upcoming HIAA programs at the CAA Annual Conference, the Middle East Studies Association’s annual meeting, and the American Oriental Society’s annual meeting.

Historians of Netherlandish Art

The Historians of Netherlandish Art (HNA) has published a new issue of its open-access, peer-reviewed Journal of Historians of Netherlandish Art. Appearing twice a year, the journal examines Netherlandish art produced during the early modern period (1400–1750) and other work as it relates to Netherlandish art. The new issue comprises four articles: Els Stronks’s “Never to Coincide: The Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics,” expanding on discrepancies between Protestant and Catholic literary practices and identity in the seventeenth-century Dutch Republic; Michael Zell’s “Rembrandt’s Gifts: A Case Study of Actor-Network-Theory,” discerning the relevance of said social theor to the artist’s dealings with his patrons and collectors; Virginie Spenlé’s “‘Savagery’ and ‘Civilization’: Dutch Brazil in the Kunst- and Wunderkammer,” focusing on the collection of exotic objects such as the notorious coconut cup and the shifts in status of such objects; and Renée Kistemaker’s “Between Local Pride and National Ambition: The ‘Amsterdam Museum’ of the Royal Dutch Antiquarian Society and the New Rijksmuseum,” discussing the tension between the national and international aims of the new Rijksmuseum.

International Association of Art Critics

The United States chapter of the International Association of Art Critics (AICA-USA) has appointed two new board members—Jill Connor and João Ribas—by a unanimous vote at its recent annual meeting, held on May 23, 2011. Both will serve the organization through May 2012. Connor is the New York editor of Whitehot Magazine, editor of On-Verge, and a contributor to AfterImage, ArtUS, Art in America, Interview, PAJ: A Journal of Performance and Art, and Sculpture. Ribas, a curator at the List Visual Arts Center at the Massachusetts Institute of Technology in Cambridge, previously held the same title at the Drawing Center in New York. His writing has appeared in numerous art and culture publications.

International Association of Word and Image Studies

The International Association of Word and Image Studies (IAWIS/AIERTI) has published a bilingual volume containing papers from the eighth International Conference of Word and Image, held at the Institut National d’Histoire de l’Art in Paris in 2008. Edited by Véronique Plesch, Catriona MacLeod, and Jan Baetens, Efficacité/Efficacy: How to Do Things with Words and Images (Amsterdam: Rodopi, 2011) focuses on three central inquiries: What do we do with texts and images? How do texts and images become active cultural agents? What do texts and images help us do? The book’s contributions, culled from specialists in the field, cover a wide range of topics, from visual poetry and garden theory to new media art and ekphrasis. The publication aims to offer a broad survey of interactions among language, imagery, anthropology, memory, and writing, presenting a cutting-edge analysis of the study of word and image.

International Sculpture Center

The International Sculpture Center (ISC) is accepting nominations for the 2011 Outstanding Educator Award, which recognizes individual artist educators who have excelled at teaching sculpture in institutions of higher learning. Candidates for this award should be masters of sculptural processes and techniques who have devoted their careers to the education of the next generation and to the advancement of the field as a whole. Anyone can nominate a qualified educator; international submissions are welcomed and encouraged. Recipients receive a feature article in Sculpture, a lifetime ISC professional-level membership, and recognition at an award ceremony to be held at their educational institution (which also receives benefits, such as acknowledgement in Sculpture and a one-year ISC university-level membership). Deadline: October 21, 2011.

Italian Art Society

The Italian Art Society (IAS) seeks papers for the third annual IAS–Kress Lecture Series, taking place in Venice, Italy, in late May or early June 2012. This series enthusiastically promotes intellectual exchanges between art historians of North America and the international community of scholars living or working in Italy. Papers should present a topic related to the host city from any period. One distinguished scholar, necessarily an active IAS member, will receive an honorarium of $700 and an additional $500 allowance for travel and other conference-related expenses. Deadline: January 4, 2012.

IAS provides travel grants to graduate students and recent PhD recipients presenting papers at the annual meetings of the Renaissance Society of America, the Sixteenth Century Society and Conference, the Society of Architectural Historians, the International Congress on Medieval Studies, and the College Art Association. Submissions need not be presented at IAS-sponsored sessions but must consider the art or architecture of Italy. International submissions are encouraged. Deadline: November 1, 2011.

The IAS newsletter, published quarterly and sent to all members via email, is accepting exhibition reviews, short articles, and announcements related to Italian art and architecture. Please contact Kay Arthur, the newsletter editor, with any questions or to send submissions. Deadline: September 15, 2011.

Leonardo/International Society for the Arts, Sciences, and Technology

The San Francisco–based Leonardo/International Society for the Arts, Sciences and Technology (Leonardo/ISAST) has appointed Jeffrey N. Babcock as interim executive director. A current member and former chairman of the organization’s board, Babcock has over thirty years of experience as a senior nonprofit arts and academic executive, consultant, event and media producer, and entrepreneur. He aims to diversify the goals of Leonardo/ISAST and to expand the reach of ArtScience.

Paul Thomas, associate professor in the College of Fine Art at the University of New South Wales in Australia, will moderate a Leonardo Education and Art Forum (LEAF) workshop in collaboration with the Australian Forum at this year’s International Symposium on Electronic Art (ISEA2011) in Istanbul, Turkey. The workshop, entitled “Trans-disciplinary Visual Arts, Science, and Technology Renewal Post New Media Assimilation” and sponsored by the National Institute for Experimental Arts, will address issues encountered in fusing curricula across diverse fields and developing transdisciplinary research and teaching for research and teaching.

The next International Symposium on Electronic Art (ISEA2012), entitled “Machine Wilderness: Re-envisioning Art, Technology, and Nature” and taking place September 19–24, 2012, in Albuquerque, New Mexico, is accepting proposals for papers, workshops, and panels for the formal symposium. Interested parties may also submit suggestions for residencies, artworks, and performances to take place in Albuquerque throughout fall 2012 in conjunction with the event. Deadline: October 15, 2011.

Society for Photographic Education

The Society for Photographic Education (SPE) offers student scholarships to offset the cost of attending the 2012 national conference, “Intimacy and Voyeurism: the Public/Private Divide in Photography,” to be held March 22–25, 2012, in San Francisco. Applicants must be SPE student members currently enrolled as full-time undergraduate or graduate students at a postsecondary institution, concentrating or majoring in photography but not graduating before the end of the 2011–12 academic year. In addition to a cash award, SPE will waive the conference fee and provide a one-year membership. Ten SPE Awards and one SPE Award for Innovations in Imaging will each feature a $500 travel stipend. The Freestyle Crystal Apple Award for Outstanding Achievement in Black and White Photography, generously sponsored by Freestyle Photographic Supplies, includes a $5,000 cash prize and recognition for the sponsoring faculty member. Deadline: November 1, 2011.

Visual Resources Association

The Visual Resources Association (VRA) has recently posted Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images, originally published in 2006, on its website. The public may read the document online or download it as PDFs. Written and organized by Murtha Baca, Patricia Harpring, Elisa Lanzi, Linda McRae, and Ann Whiteside, Cataloging Cultural Objects establishes a metadata standard for the cultural-heritage community. A related online resource, CCO Commons, provides examples and training tools for practical application of the standard, defines key concepts, and offers a toolkit for users. CCO Commons aims to shape and manage information for images of art and architecture, allow increased access to collections, and educate art administrators on best cataloguing practices for museums, libraries, and archives.

Women’s Caucus for Art

The Women’s Caucus for Art (WCA) has announced five recipients of its 2012 Lifetime Achievement Award: Whitney Chadwick, professor emerita of San Francisco State University in California; Suzanne Lacy, artist and chair of fine arts at Otis College of Art and Design in Los Angeles; Trinh T. Minh-ha, a filmmaker, composer, author, and professor at the University of California, Berkeley; Ferris Olin, curator, librarian, and professor at Rutgers University in New Brunswick, New Jersey; and Bernice Steinbaum, a gallerist and advocate for female artists.

In addition, WCA will present its President’s Award for Art and Activism to two women: Cathy Salser, founder of A Window Between Worlds, a national public-art program initiated in 1991 that provides positivity and art therapy to battered women and children; and Karen Davalos, an accomplished author who is also chair and associate professor of Chicana/o studies at Loyola Marymount University in Los Angeles.

The awards ceremony will be held in Los Angeles on February 25, 2012, in conjunction with the organization’s fortieth anniversary celebration and conference, also syncing with the CAA’s 100th Annual Conference. The awards ceremony, free and open to the public, transpires from 6:00 to 7:30 PM in the ballroom of the Kyoto Grand Hotel and Gardens, 120 South Los Angeles Street. A ticketed gala, called “Momentum” and taking place 8:00–11:00 PM, follows the ceremony. Gala plans are still being finalized.

Filed under: Affiliated Societies —

Summer Deaths in the Arts

posted by Christopher Howard — Aug 31, 2011

In its semimonthly roundup of obituaries, CAA recognizes the lives and achievements of the following artists, scholars, curators, collectors, museum directors, and other men and women whose work has had a significant impact on the visual arts. Of special note is Adrian Hicken’s text on the Hungarian-born British art historian George Thomas Noszlopy, written especially for CAA.

Tadek Beutlich, a teacher, printmaker, and textile artist whose experiments with three-dimensional weaving toured internationally in the 1960s, passed away on April 16, 2011, at 88. Beutlich authored The Technique of Woven Tapestry (1967) and pushed the boundaries of his medium further with “free-warp” tapestries, a technique that created wall hangings and freestanding pieces that resembled living organisms
Robert Breer, an artist and animator who cofounded the Film-makers’ Cooperative in New York and taught the medium at Cooper Union from 1971 to 2001, passed away on August 13, 2011, at age 84. A major figure in Experiments in Art and Technology (E.A.T.), Breer began animating his own abstract paintings, which he referred to as “Form Phases,” in the 1950s, successfully derailing narrative and assaulting the viewer with movement and speed through glitchy imagery
Charles E. Buckley, director of the Currier Museum of Art (1955–64) and the Saint Louis Art Museum (1964–75) who helped enlarge the collections of both institutions with American and European works, furniture, and wares, died on June 26, 2011, at age 86. He served as president of the American Association of Museums from 1972 to 1974, helping to establish the organization’s important accreditation system
Duncan Campbell, a London art dealer who championed modern British printmaking and promoted the White Stag group of the 1930s, died on February 14, 2011, at the age of 66
Edmund Carpenter, an archeologist and anthropologist who with Marshall McLuhan at the University of Toronto laid the foundation for modern media studies, died on July 1, 2011, at age 88. Carpenter’s work considered the effects of media on human interactions, supported by investigations of tribal peoples in Papua New Guinea in the 1970s and further research at the Museum of Ethnology in Basel in the 1980s. He also edited the journal Explorations and gathered the papers of the art historian Carl Schuster, published in twelve volumes
Irene Chou (born Zhou Luyun), a prominent artist of the New Ink Painting movement in Hong Kong who reinvigorated the Zen and Tao-derived “one stroke” technique in oil, acrylic, and watercolor, died on July 1, 2011, at the age of 87. She was a founding member of two collectives, the In Tao Art Association (Yuan Dao huahui) and the One Art Group (Yi huahui), which sought new ways to combine Eastern and Western techniques while maintaining the principles of traditional Chinese art
Roger Davies, the chief book designer for the British Museum from the 1970s through the 1990s whose work won numerous awards, has passed away at the age of 72
Biren De, an internationally exhibited Indian artist who depicted universal energies through geometry, light, and traditional Hindu or Buddhist symbols, died on March 12, 2011. He was 85 years old
Fred Dubery, a figurative painter known for his quietly colorful and off-kilter oils and a longtime professor at the Royal Academy Schools, passed away on April 8, 2011, at the age of 84. He was also a lifetime member of the New English Art Club
T. Lux Feininger, a painter and photographer who documented the daily lives of the German avant-garde and the Bauhaus in particular, died on July 7, 2011, at the age of 101. After emigrating to the United States in 1936, he taught at Sarah Lawrence College, the Fogg Museum at Harvard University, and the School of the Museum of Fine Arts, Boston
Virginia Fields, a distinguished scholar, educator, and the first curator of Precolumbian art at the Los Angeles County Museum of Art, died on June 15, 2011, at the age of 58. In her twenty two years at the museum, Fields helped acquire more than three thousand ancient objects for the collection, organized blockbuster shows on Mayan and Olmec art, and allocated new resources for the study of ancient American art
Gunnar Fischer, Ingmar Bergman’s cinematographer who shot twelve of the director’s films between 1948 and 1960, including The Seventh Seal (1957), Wild Strawberries (1957), and The Devil’s Eye (1960), passed away on June 11, 2011. He was 90 years old
Trevor Frankland, a British painter of abstract scenes who served as president of the Royal Watercolor Society from 2003 to 2006, died on April 17, 2011, at the age of 79
Lucian Freud, a major twentieth-century artist whose dedication to painting the human figure kept stark realism alive throughout an era of modernist abstraction, died on July 20, 2011. He was 88 years old. He was also the grandson of the founder of psychoanalysis, Sigmund Freud
Ussman Ghauri, a celebrated Pakastani printmaker known for his investigations of alphabets, symbolic narratives, and societal distress, died on April 9, 2011, at the age of 41. Ghauri was also an associate professor at the Indus Valley School of Art and Architecture and served as a curator for the IVS Gallery and the Koel Gallery
Selwyn Goldsmith, an advocate for the functional evolution of architecture in England and the author of Universal Design (2000) and Designing for the Disabled (1963), a pioneering guidebook that suggested adjustments for facilities and buildings to better accommodate handicapped people, died on April 3, 2011. He was 78
Dov Gottesman, the president of the Israel Museum, a collector of art, and the recipient of the 2005 King Solomon Award for art patronage, died on February 22, 2011, at age 82. Gottesman founded the Artist’s Portfolio Project, a program and workshop that published twenty series of prints by Israeli artists and that turned into the Gottesman Etching Center
Fred Griffin, an artist based in the Pacific Northwest who taught graphic design at the Art Institute of Seattle and the Burnley School of Professional Art, passed away on April 23, 2011. He was 79 years old
Nancy Hamon, a passionate philanthropist and cultural advocate in Dallas who served on the board of trustees at the Dallas Museum of Art, passed away on July 31, 2011, at age 92. Hamon helped fund the acquisition of the Nora and John Wise Collection of ancient American artworks and objects, the construction of new exhibition spaces and a library at the museum, and the Jake and Nancy Hamon Art Library at Southern Methodist University
Melissa Hines, the director of cultural partnerships at the Seattle Office of Arts and Cultural Affairs since 2004 and a member of the King County Arts Commission (now called 4Culture) from 1996 to 2001, died on April 8, 2011. She was 63 years old
John Hoyland, an English painter and printmaker who created emotionally charged abstract imagery that favored size, pigment, and form over visual references, passed away on July 21, 2011. He was 76 years old
Freda Koblick, a prominent San Franciscan sculptor who in the 1960s produced abstract work in cast acrylic, passed away June 18, 2011, at the age of 90. Before using the new medium, she designed functional objects in plastic, often collaborating with architects
Owen Land, an American teacher and filmmaker associated with the Fluxus movement who was keen on disregarding narrative in exchange for a more essentially visual experience of film, died on June 8, 2011, at the age of 67. Born George Landow, he was the founder of the Experimental Theatre Workshop in the Performance Department at the School of the Art Institute of Chicago
Lawrence Lee, a master glass artisan responsible for creating large public stained-glass compositions throughout Britain, Canada, New Zealand, and Australia, died on April 25, 2011, at age 101. He was the author of several books, among them Stained Glass (1967), Stained Glass, an Illustrated Guide (1976), and The Appreciation of Stained Glass (1977)
Jerome Liebling, a member of the Photo League, a collective of photojournalists documenting the social climate in New York, in the 1930s and 1940s and the founder of photography and film programs at the University of Minnesota and Hampshire College, died on July 27, 2011. He was 87
Gilbert Luján aka Magú, a teacher, painter, sculptor, muralist, and pioneer of the Chicano art movement in California since the 1960s, died on July 24, 2011, at the age of 70. Magu was a founding member of the art collective Los Four, responsible for enhancing the political and aesthetic aims of Chicano art
Norma “Duffy” Lyon, the official Iowa State Fair butter cow sculptor from 1960 to 2006, died on June 26, 2011, at the age of 81. Lyon also created likenesses of celebrities and presidents, and even produced a life-size reproduction of Leonardo’s The Last Supper from two thousand pounds of butter
Ján Mančuška, an experimental writer, painter, and video artist who challenged traditional presentations of art within architectural environments and was notorious for his conceptually playful installations, died on July 1, 2011. He was 39 years old
Rachel Maxwell-Hyslop, a teacher, archaeologist, and president of the British School of Archaeology in the 1990s, died on May 9, 2011, at age 97. A scholar of jewelry, Maxwell-Hyslop wrote extensively on Bronze Age weapons and tools from West Asia
Eddy G. Nicholson, an industrialist who was an avid collector of early American art and furniture, passed away on June 16, 2011, at the age of 73
Christiane Desroches Noblecourt, a French Egyptologist who rescued antiquities from southern Nubia in the 1960s and mounted the groundbreaking King Tut exhibition at the Musée du Louvre in 1967, died on June 23, 2011. She was 97 years old
George Thomas Noszlopy, a Hungarian-born scholar and longtime professor at Birmingham Polytechnic in England who produced novel explorations on early-twentieth-century art, Renaissance art, and British art and crafts, passed away on June 5, 2011, at age 78. Adrian Hicken has written a special text on him for CAA
Breon O’Casey, a modernist jeweler, weaver, printmaker, painter, and sculptor who was a member of the St. Ives School in England, which included Barbara Hepworth, died on May 22, 2011. He was 83
Roman Opalka, a Polish painter recognized for his series Opalka 1965/1 — ∞, which numerically annotated his days starting in 1965 with the number one, passed away on August 6, 2011. He was 79 years old
Ruth Perelman, a cultural patron in Philadelphia who contributed to the expansion of the Philadelphia Museum of Art and funded the Perelman Building, which opened in 2007, died on July 31, 2011. She was 90
Edward Carlos Plunkett, an Irish abstract painter known as Lord Dunsany who emerged in the 1960s but traded in art for design in the 1980s, died on May 24, 2011, at the age of 71. He helped found de Marsillac Plunkett, for which he created furniture and decorative vessels to complement his wife’s architectural work, yet returned to painting in the 1990s
Wonil Rhee, a prolific South Korean curator who organized numerous exhibitions and biennials around the world, died on January 11, 2011, at the age of 50. Working at several musuems and independently, Rhee diligently promoted contemporary Asian artists and evoked broader international dialogue via exhibitions such as Thermocline of Art: New Asian Waves (2007) at the ZKM Center for Art and Media in Germany
Albert M. Sack, a New York–based antique dealer and the author of Fine Points of American Furniture: Good, Better, Best (1950), an important criterion for aesthetic judgment of furniture for collectors and nonspecialists alike, died on May 29, 2011. He was 96
Stanley Seeger, a coy patron of art known for a stunning collection of homes in the United Kingdom and an expansive collection of work by Pablo Picasso, Joan Miró, Egon Schiele, and Francis Bacon, died on June 24, 2011. He was 81 years old
Robert Sklar, a professor of cinema studies at New York University from 1977 to 2009 and the author of several publications exploring how film influences morals, beliefs, and social context, including Movie-Made America: A History of American Movies (1975), died on July 2, 2011, at age 74. An active member of the National Film Preservation Board, Sklar served on the New York Film Festival selection committee during the 1990s
Geoffrey Squire, a designer and an educator at the Victoria and Albert Museum and Sotheby’s Institute of Art, both in London, died in June 2011 at the age of 86. Squire was the author of Dress, Art, and Society, 1560–1970 (1974) and The Observer’s Book of European Costumes (1975)
Alex Steinweiss, an art director at Columbia Records who in 1940 invented the modern album cover when he packaged a Rodgers and Hart 78 RPM record with a grandly lit marquee on the sleeve rather than a flat monochrome packaging, died on July 17, 2011. He was 94
Zdenek Sykora, a Czech artist whose computer-generated compositions in the 1960s garnered attention for their relentless mathematical method and abstraction within predetermined rules, died on July 12, 2011, at age 91. He was also a professor at Charles University in Prague
Prince Twins Seven-Seven, a Nigerian painter associated with the Oshogbo School in Ibadan who focused on Yoruban myths through intricate patterns and bright colors, died on June 16, 2011, at the age of 67. His work was shown internationally, including the controversial 1989 exhibition Magiciens de la Terre in Paris
James Earnest Vivieaere, a New Zealand–based artist whose multimedia and video work demonstrated the multifarious identity of Pacific Islanders outside their enforced exoticism, died on June 3, 2011, at age 63. As a curator, Vivieaere produced the survey exhibitions Bottled Ocean (1994) in his home country and The Great Journey: In Pursuit of the Ancestral Realm (2009) in Taiwan
Shelagh Wakeley, an installation artist who focused on integrating continuity and sensation into public spaces in Britain while contrasting nature and artifice, died on March 19, 2011, at the age of 78. She met the Brazilian artist Tunga in 1989 and collaborated with him on video projects in the 1990s
George White, architect of the American Capitol from 1971 to 1995 who was responsible for maintaining the Supreme Court, Library of Congress, and the surrounding grounds, died on June 17, 2011, at the age of 90. White oversaw the complete restoration of the Capitol Building’s rotunda, renovations of the Supreme Court and Senate Chamber, and the revitalization of the electrical and transportation systems in Congressional office buildings

Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries to Christopher Howard, CAA managing editor, for the September listing.

Filed under: Obituaries, People in the News —

People in the News

posted by CAA — Aug 17, 2011

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2011

Academe

Laurel Jay Carpenter (left) performs with the Norwegian artist Terese Longva, an alumna of Alfred University

Laurel Jay Carpenter, a performance and installation artist, has received tenure and was promoted to associate professor of art at Alfred University in Alfred New York.

John Ford, an artist and an assistant professor in the Department of Art and Art History at the University of North Carolina in Charlotte, has accepted a position at McMaster University in Hamilton, Ontario.

Jeremy Melius, a recent graduate of the University of California in Berkeley, has received an ACLS New Faculty Fellow to teach in the Department of the History of Art at John Hopkins University in Baltimore, Maryland, for the 2011–12 and 2012–13 academic years.

Jeffrey Saletnik, who recently finished his doctorate at the University of Chicago in Illinois, has accepted an ACLS New Faculty Fellowship. He will teach as a visiting assistant professor of art at Amherst University in Amherst, Massachusetts, through academic year 2012–13.

Stacey L. Sloboda, a historian of eighteenth and nineteenth-century European art, has received tenure and was promoted to associate professor in the School of Art and Design at Southern Illinois University in Carbondale.

Museums and Galleries

Diane P. Fischer

Diane P. Fischer, an independent curator and scholar, has been appointed chief curator of the Allentown Art Museum of the Lehigh Valley in Allentown, Pennsylvania.

Donna Gustafson (photograph by Andrew Mitchell)

Donna Gustafson has been appointed Andrew W. Mellon Liaison for Academic Programs and Curator at the Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey.

Organizations and Publications

Reni Gower, professor in the Painting and Printmaking Department of Virginia Commonwealth University in Richmond, has been elected as the representative from her state to the board of the Southeastern College Art Conference.

Michèle Hannoosh, professor of French in the College of Literature, Science, and the Arts at the University of Michigan in Ann Arbor, and Catriona MacLeod, associate professor of German and chair of the Department of Germanic Languages and Literatures at the University of Pennsylvania in Philadelphia, have become the editors of the journal Word & Image: A Journal of Visual/Verbal Enquiry. They succeed the founding editor, John Dixon Hunt.

Elena Phipps

Elena Phipps, vice president of the Textile Society of America, based in Middletown, Delaware, has become president, succeeding Ruth Scheuing, who has resigned from the position.

Filed under: Uncategorized — Tags: Member News, Member Spotlight, People in the News —

Books Published by CAA Members

posted by CAA — Aug 15, 2011

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2011

Edith Balas. Bird in Flight: Memoir of a Survivor and Scholar (Pittsburgh, PA: Carnegie Mellon University Press, 2011).

Francesca G. Bewer. A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America, 1900–1950 (Cambridge, MA: Harvard Art Museums, 2010).

Kathryn Brush, ed. Mapping Medievalism at the Canadian Frontier (London, ON: Museum London and the McIntosh Gallery, University of Western Ontario, 2010).

Kathleen K. Desmond. Ideas about Art (Malden, MA: Wiley-Blackwell, 2011).

Sandra Q. Firmin. Artpark: 1974–1984 (New York: Princeton Architectural Press, 2010).

Dale Allen Gyure. Frank Lloyd Wright’s Florida Southern College (Gainesville: University Press of Florida, 2010).

Dale Allen Gyure. The Chicago Schoolhouse: High School Architecture and Educational Reform, 1856–2006 (Chicago: Center for American Places, Columbia College Chicago Press, 2011).

Andrew D. Hottle. June Blum: Black and White Paintings, 1963 through 2010 (Cocoa Beach, FL: Blue Note Publications, 2011).

Li Zhiyan, Virginia L. Bower, and He Li, ed. Chinese Ceramics from the Paleolithic Period through the Qing Dynasty (New Haven, CT: Yale University Press, 2010).

Laurette E. McCarthy. Walter Pach (1883–1958): The Armory Show and the Untold Story of Modern Art in America (University Park: Pennsylvania State University Press, 2011).

Richard Minsky. The Book Art of Richard Minsky (New York: George Braziller, 2011).

Judith W. Page and Elise L. Smith. Women, Literature, and the Domesticated Landscape: England’s Disciples of Flora, 1780–1870 (New York: Cambridge University Press, 2011).

Aimée Brown Price. Pierre Puvis de Chavannes, vol. 1, The Artist and His Art (New Haven, CT: Yale University Press, 2010).

Aimée Brown Price. Pierre Puvis de Chavannes, vol. 2, A Catalogue Raisonné of the Painted Work (New Haven, CT: Yale University Press, 2010)

Tanya Sheehan. Doctored: The Medicine of Photography in Nineteenth Century America (University Park: Pennsylvania State University Press, 2011).

Nino Zchomelidse and Giovanni Freni. Meaning in Motion: The Semantics of Movement in Medieval Art (Princeton, NJ: Princeton University Press, 2011).

Filed under: Uncategorized — Tags: Books Published, Member News, Member Spotlight —

NEH and NEA Face Significantly Reduced Federal Budgets

posted by CAA — Jul 08, 2011

On July 8, 2011, the US House of Representatives Appropriations Subcommittee on the Interior, which allocates funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH), passed a bill with steep cuts for both federal agencies for fiscal year 2012. Approved by an 8–5 vote, the plan will provide the NEA and NEH with only $135.2 million apiece—a $20 million cut from their current levels and $11 million less than President Barack Obama’s initial request.

The full House Appropriations Committee (click to see names and states), scheduled to consider the bill early next week, is expected to adopt similar funding cuts. If your representative sits on this committee, CAA urges you to ask him or her to oppose these and any cuts to the NEA and NEH. Call the House switchboard at 202-225-3121; an operator can transfer you to the office of your representative.

For more information about advocacy for museums, or to get the names of your representatives in Congress, please visit Speak Up for Museums, a project of the American Association of Museums.

Filed under: Advocacy — Tags: Government Funding for the Arts and Humanities —

People in the News

posted by CAA — Jun 17, 2011

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.