CAA News Today
October Obituaries in the Arts
posted by Christopher Howard — Oct 12, 2010
CAA recognizes the lives and achievements of the following artists, scholars, curators, architects, filmmakers, museum directors, and other important figures in the visual arts.
- Ralph T. Coe, former director of the Nelson-Atkins Museum of Art and a collector and curator of Native American art, died on September 14, 2010, at the age of 81. Among his pioneering exhibitions are Sacred Circles: 2,000 Years of North American Indian Art (1976) and Lost and Found Traditions: Native American Art, 1965–1985 (1986)
- Tony Curtis, an actor in such films as The Defiant Ones and Some Like It Hot who was also known for Surrealist-inspired paintings, died on September 29, 2010. He was 85
- Robin Gibson, a curator at the National Portrait Gallery in London for his entire career, died on August 9, 2010, age 66. He established the museum’s photography department, focused on twentieth-century works, and even commissioned pieces for the collection, all while organizing exhibitions and authoring catalogues
- Jill Johnston, a feminist, dance critic for the Village Voice, and author of Lesbian Nation, died on September 18, 2010, at the age of 81. She also contributed to Art in America and wrote the controversial book Jasper Johns: Privileged Information
- Stephen Pace, a painter whose early work in the style of the New York School developed into expressionist-informed depictions of figures and landscapes, died on September 23, 2010, age 91. Emerging in the early 1950s in New York, he also taught art at Pratt Institute, Bard College, and American University
- Arthur Penn, a movie, television, and stage director whose innovative 1967 film Bonnie and Clyde paved the way for the New American Cinema, died on September 28, 2010. He was 88
- Rhonda Saad, an art historian and curator who was a doctoral student at Northwestern University, died on September 11, 2010, at the age of 31. The Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey, a CAA affiliated society for which she was treasurer, has established the Rhonda A. Saad Prize for Best Graduate Paper in Arab Art in her honor
- Johannes Spalt, an Austrian architect who cofounded the group Arbeitsgruppe 4 that brought modernism to rural Austria, died on October 2, 2010. He was 90
- Giorgio Torraca, a professor at the University of Rome La Sapienza and former deputy director of the International Centre for the Study of the Preservation and Restoration of Cultural Property, died on September 25, 2010. Born in 1927, he developed programs and courses on the conservation of masonry, mosaics, and earthen materials for nonscientists
Read all past obituaries in the arts on the CAA website.
Committee on Women in the Arts Picks for October 2010
posted by CAA — Oct 10, 2010
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions, panel discussion, and academic conference should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view.
October 2010
Lee Krasner, Self-Portrait, ca. 1930, oil on linen, 30 1/8 x 25 1/8 in. The Jewish Museum, New York. Purchase: Esther Leah Ritz Bequest; B. Gerald Cantor, Lady Kathleen Epstein, and Louis E. and Rosalyn M. Shecter Gifts, by exchange; Fine Arts Acquisitions Committee Fund; and Miriam Handler Fund, 2008-32 (photograph © The Pollock-Krasner Foundation/Artists Rights Society [ARS], New York)
Shifting the Gaze: Painting and Feminism
Jewish Museum
1109 Fifth Avenue, New York, NY 10129
September 12, 2010–January 30, 2011
In Shifting the Gaze: Painting and Feminism, such established twentieth-century figures as Louise Nevelson, Eva Hesse, Leon Golub, and Audrey Flack take the stage with more recent practitioners, among them Amy Sillman, Nicole Eisenman, and Dana Schutz. Curated by Daniel Belasco and drawn primarily from the Jewish Museum’s permanent collection, the show presents works from twenty-seven American artists that demonstrate the undeniable influence of feminism on painting from the last fifty years. Relatedly, Anna-Sophia Zingarelli’s essay “A Dynamic Presence: Women Artists at The Jewish Museum, New York, 1947–2010” provides an overview of research into the exhibition history of women at the Jewish Museum since 1947, and an online index catalogues these findings. And don’t miss upcoming talks by Belasco (October 18) and two of the included artists, Deborah Kass (October 25) and Robert Kushner (November 1).
American People, Black Light: Faith Ringgold’s Paintings of the 1960s
Neuberger Museum of Art
Purchase College, State University of New York, 735 Anderson Hill Road, Purchase, NY 10577
September 11–December 19, 2010
Faith Ringgold is best known for starting the African American story quilt revival in the late 1970s, sometimes at the expense of her earlier, more politically charged art. American People, Black Light: Faith Ringgold’s Paintings of the 1960s offers another look at her important output from the previous decade. Curated by Thom Collins and Tracy Fitzpatrick with Purchase College students, the exhibition includes Ringgold’s landmark American People paintings (1963–67), which she describes as “super realism,” and her Black Light (1967–71) series, originally shown at Spectrum Gallery in New York. Along with related murals and political posters, American People, Black Light gives a fuller picture of Ringgold’s powerful artistic explorations of race, gender, and class during one of America’s most tumultuous decades.
Loïs Mailou Jones, Ubi Girl from Tai Region, 1972, acrylic on canvas, 60 x 43¾ in. Museum of Fine Arts, Boston. The Hayden Collection—Charles Hayden Fund (artwork © Loïs Mailou Jones Pierre-Noël Trust; photograph provided by the Museum of Fine Arts, Boston)
Loïs Mailou Jones: A Life in Vibrant Color
National Museum of Women in the Arts
1250 New York Avenue NW, Washington, DC 20005
October 9, 2010–January 9, 2011
The African American artist and teacher Loïs Mailou Jones (1905–1998) spent seventy-five years producing a diverse body of work in painting, drawing, and textile design. Organized by Carla M. Hanzal of the Mint Museum of Art, Loïs Mailou Jones: A Life in Vibrant Color gathers more than seventy works for a touring show with a current stop in Washington, DC, the city in which she lived and worked. A professor at Howard University for nearly fifty years, Jones had David Driskell, Elizabeth Catlett, and Robert Freeman as students, and she contributed to several Corcoran Gallery of Art biennials and had a solo exhibition at the Museum of Fine Arts, Boston. To read more about the artist, download a companion guide to A Life in Vibrant Color, which includes her biography, images of work, and more.
Books without Words: The Visual Poetry of Elisabetta Gut
National Museum of Women in the Arts
1250 New York Avenue NW, Washington, DC 20005
September 10, 2010–January 16, 2011
The first solo exhibition in the United States of the artist Elisabetta Gut, born in Rome in 1934, presents twenty-two mixed-media works from 1979 to 2000, with a particular focus on the 1980s. Using humble materials such as thread, sheet music, dried seeds, wood, wire, and wax, Gut creates sculptural collages—or collaged sculptures—inspired by dreams, memories, and her love of music and poetry. Krystyna Wasserman, curator of book arts at the National Museum of Women in the Arts, explains, “Her visual poetry is accessible, and her books do not require reading and the time consumed by reading. Their messages are compressed and universal, expressing love for nature or another person, fascination with music, or a sense of loss.”
Marjorie Strider, Green Triptych, 1963, acrylic paint and laminated pine on masonite panels, 72 x 105 in. Collection of Michael T Chutko (artwork © Marjorie Strider; photograph by Randal Bye)
“So Different, So Appealing: Women and the Pop Art Movement”
Brooklyn Museum
Iris and B. Gerald Cantor Auditorium, Third Floor, 200 Eastern Parkway, Brooklyn, NY 11238
October 30, 2010, 2:00–4:00 PM
The cleverly titled “So Different, So Appealing: Women and the Pop Art Movement” is a panel discussion to be held in conjunction with the traveling exhibition Seductive Subversion: Women Pop Artists, 1958–1968, which lands this month at the Brooklyn Museum (see September’s CWA Picks). Moderated by Catherine Morris, curator of the museum’s Elizabeth A. Sackler Center for Feminist Art, the discussion will feature artists from the show as well as the original cocurators, Sid Sachs and Kalliopi Minioudaki of University of the Arts in Philadelphia.
Feminist Art History Conference 2010
Katzen Arts Center
American University, 4400 Massachusetts Avenue NW, Washington, DC 20016
November 5–6, 2010
It’s been nearly ten years since the last major academic gathering dedicated to feminist research in the discipline, and the first annual Feminist Art History Conference picks up where the Barnard College Feminist Art History Conference—a crucial forum for scholars in the 1990s—left off. Titled “Continuing the Legacy: Honoring the Work of Norma Broude and Mary D. Garrard,” the event also celebrates over four decades of work by two pioneering feminist art historians who are both professors at American University. Forty speakers in ten sessions will explore topics ranging from antiquity to contemporary art, and Anna Chave will deliver the keynote address, evocatively called “High Tide: Deploying Fluids in Women’s Art Practice.” The conference is free and open to the public, but advance registration by 5:00 PM on Friday, October 22, is recommended. Download the conference program for a peek at all the events.
Affiliated Society News for October 2010
posted by CAA — Oct 09, 2010
American Society for Hispanic Art Historical Studies
The American Society for Hispanic Art Historical Studies (ASHAHS) has partnered with ARTES, a group based in the United Kingdom and Ireland dedicated to Iberian and Latin American art, to produce an annual issue of Hispanic Research Journal on the visual arts. To be released in December 2010, the issue will feature studies on Spanish and Latin American topics by Hilary Macartney, Jesusa Vega, Mercedes Cerón, and Rosemarie Mulcahy, plus a tribute to Nigel Glendinning by Marjorie Trusted.
Arts Council of the African Studies Association
The Arts Council of the African Studies Association (ACASA) is currently seeking three new board members. If interested, please contact Karen Milbourne. Current issues of the new ACASA newsletter will now only be available to members; past issues are archived online. Please visit the website for more information on the upcoming 2011 triennial conference in Los Angeles.
Association of Academic Museums and Galleries
The University of Houston will host the 2011 AAMG annual conference. Clockwise from top left: the Blaffer Art Museum, the Moores Opera House, and the Roy G. Cullen Building (photographs provided by the University of Houston)
The Association of Academic Museums and Galleries (AAMG) will hold its next annual conference, “Who’s Muse? Challenges to the Curatorial Profession in Academic Museums,” on May 21, 2011, at the University of Houston’s Blaffer Art Museum in Texas. Curatorial practices in academic museums and galleries are sometimes highly experimental. Faculty members from a wide variety of fields and with limited curatorial experience periodically recommend and help lead exhibition projects. The organization of exhibitions likewise engages both graduate and undergraduate students, museum-education professionals, librarians, and even area school classes in project leadership roles. Exhibitions thus generated offer unorthodox approaches to curatorial planning and execution. Appropriate to our scholarly mission, they can stretch disciplinary boundaries, cross-fertilize disciplinary methodologies, and generate wholly new paradigms for knowledge. Our academic museums and galleries thus become vital centers of original research, interdisciplinary dialogue, and participatory learning. While this democratic and laboratory approach to curatorial practice contributes in significant ways to the groundbreaking research and all-important teaching missions of our universities and colleges, it can also challenge conventional standards of the curatorial profession. Through the presentation of outstanding case studies and lively roundtable discussions, the 2011 conference will explore the pros and cons of the broad curatorial approaches found in academic museums and galleries. This year, AAMG will include a late-morning, lunch-period session, called HOT TOPICS, on current issues in academic museums and galleries. Submit your ideas for this session with your conference registration, vote, and select a HOT TOPICS table for lunchtime conversation.
Association of Historians of American Art
The Association of Historians of American Art (AHAA) is offering a travel grant to cover CAA Annual Conference expenses up to $500 for an ABD student of historical art of the United States who will travel to the 2011 meeting in New York to participate in the program. The successful recipient must be enrolled in a graduate program and an AHAA member. Deadline: February 1, 2011.
AHAA is seeking to sponsor a 1½-hour professional session at the CAA Annual Conference in Los Angeles in 2012. Submission guidelines for session proposals are located online. Deadline: March 1, 2011.
Association of Historians of Nineteenth-Century Art
Starting in September 2010, the Association of Historians of Nineteenth-Century Art (AHNCA) will send its membership directory electronically as a searchable PDF. Members who do not have email will continue to receive a hardcopy by mail.
At the CAA Annual Conference in New York in 2011, AHNCA members are invited to a free, private visit to the New York Public Library Prints and Photographs Study Room on Wednesday, February 9, 2011, 11:00 AM–12:30 PM. Curators Stephen Pinson and David Christie will introduce members to highlights and rarely exhibited holdings in the library’s extensive collection of prints and photographs. There is no cost for AHNCA members, but space is limited. Please contact Elizabeth Mansfield before January 15, 2011, to reserve your place.
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) will hold its second biennial symposium on the theme of “Objects, Collections and Cultures” at the Freer and Sackler Galleries in Washington, DC. Taking place October 21–23, 2010, the program features an opening address by Julian Raby, director of the Freer and Sackler; thematic sessions with formal presentations; seminar-style workshops on art objects in the museums’ collections; and a roundtable discussion on the arts of the object in Islamic art history today. The complete program and registration information are available online.
International Sculpture Center
The International Sculpture Center (ISC) is celebrating its fiftieth anniversary at the Metropolitan Pavilion in New York on October 22, 2010. The evening’s festivities will include a cocktail reception, entertainment, and an art sale featuring works by Fletcher Benton, Chakaia Booker, Mark di Suvero, John Clement, Carole Feuerman, John Henry, Jun Kaneko, Donald Lipski, Jesús Moroles, Manuel Neri, Tom Otterness, Albert Paley, Joel Perlman, Judy Pfaff, Kenneth Snelson, Stretch, James Surls, Boaz Vaadia, and Mia Westerlund, among others to be announced. Also taking place are a raffle—with top prize being a one-week vacation in Saint Martin—and a Chinese auction with fabulous prizes. Honorary hosts for the evening include di Suvero, Snelson, and Joyce Pomeroy Schwartz. Space is limited. Tickets are $350 per person, and tables are available for $3,000 and $5,000. Cocktails start at 6:00 PM with dinner at 7:30 PM. For questions or more information, please write to events@sculpture.org.
Japan Art History Forum
The Japan Art History Forum (JAHF) has awarded its the eight annual Chino Kaori Memorial Book Prize, which honors excellence in graduate-student scholarship in Japanese art history, to Christina Striker, a student in the PhD Program in Visual Studies at the University of California, Irvine. Striker’s winning essay is titled “Creating an Origin, Preserving a Past: Arnold Genthe’s 1908 Ainu Photography.”
Pacific Arts Association
The Pacific Arts Association (PAA) will present its affiliated-society session at the CAA Annual Conference in February 2011. Called “Documenting Oceania after the Twentieth Century,” the session focuses on how artists and scholars document Pacific identities in the first decade of the twenty-first century through expressive forms such as social documentary film, the internet, the museum, and poetry. The panel redefines the form and purpose of the “documentary” as a point of reference for current and future scholarship about Oceanic art. Chaired by Bernida Anne Webb-Binder, PhD candidate in the history of art and visual studies at Cornell University, the session includes presentations from: Ursula-Ann Aneriueta Siataga, MA candidate in social documentation, University of California, Santa Cruz; Julie Risser, director and curator at the American Museum of Asmat Art, University of St. Thomas; Luseane Nina Kinahoi Tonga, PhD candidate in art history, University of Auckland; and Craig Santos Perez, PhD candidate in comparative ethnic studies, University of California, Berkeley.
Radical Art Caucus
The Radical Art Caucus (RAC) is gearing up to celebrate its tenth birthday at the upcoming CAA Annual Conference in New York. Benj Gerdes and Nate Harrison are cochairing the 2½-hour session, “Video Art as Mass Medium,” and Travis Nygard is organizing the 1½-hour panel, “Environmental Sustainability in Art History, Theory, and Practice.” Plan now to join us for a birthday toast on Friday, February 11, 5:30–7:00 PM; see the Conference Program for location in the Hilton New York. Contact Joanna Gardner-Huggett, RAC secretary, if you have additional questions or news to share.
Society for Photographic Education
Student members of the Society for Photographic Education (SPE) can apply online for scholarships to offset the cost of attending the 2011 national conference in Atlanta, Georgia, to be held March 10–13, 2011. Ten SPE Student Awards and the SPE Award for Innovations in Imaging in Honor of Jeannie Pearce feature a $500 travel stipend to attend the conference, one-year SPE memberships, and complimentary 2011 national conference passes. The Freestyle Crystal Apple Award for Outstanding Achievement in Black and White Photography offers a $5,000 cash prize, a one-year membership to SPE, and complimentary 2011 national conference pass. Download the form for complete rules and regulations. Direct questions to membership@spenational.org. Deadline: November 1, 2010.
Society of North American Goldsmiths
The Society of North American Goldsmiths (SNAG) and Hoover and Strong have joined to create the Harmony Jewelry Design Competition, named after Harmony Metals, the environmentally sustainable metals from Hoover and Strong. Professional jewelry makers and students will compete in separate categories. The top-winning piece will be manufactured and distributed nationally by Hoover and Strong, with profits from sales benefiting the Nature Conservancy. Student winners will receive scholarships, and winners will receive a national award and have their names publicized nationwide; they will also be a part of a remarkable shift to environmentally sustainable materials in the industry. Visit the SNAG website or call 541-345-5689 for more information. Deadline: January 15, 2011.
The 2011 SNAG conference takes place May 26–29, 2011, in Seattle, Washington. Hosted by the Seattle Metals Guild and sponsored by Rio Grande, the exciting program of twelve speakers, exhibitions, and special events will address the theme of “FLUX.” Internationally recognized participants include: the keynote speaker Glenn Adamson; Valeria Vallarta Siemelink, cofounder of Otro Diseño Foundation for Cultural Cooperation and Development; the artist and sculptor John Grade; and Damian Skinner, an art historian, curator, and editor. Rising stars in the field—David Clemons, Masako Onodera, Miel-Margarita Paredes, Sarah Troper, and Stacey Lee Webber—will give talks on their work. Registration opens in mid-January 2011, and student and educator registration grants and discounts are available. For more information, please write to conference@snagmetalsmith.org.
SNAG seeks submissions of work for exhibitions held in conjunction with the Seattle conference. The Art Jewelry Forum will produce an exhibition onsite at the SNAG 2011 conference hotel in Seattle, curated by Susan Cummins and Mike Holmes. Additional exhibitions include Dual at Traver Gallery in Seattle and Co:Operation Tableware, an exhibition featuring work by pairs of artists who cooperatively create a set of tableware (functional or nonfunctional).
Southeastern College Art Conference
From November 9 to 12, 2011, the Southeastern College Art Conference (SECAC) will hold its sixty-seventh annual meeting, hosted by the Savannah College of Art and Design (SCAD) in Georgia. The conference headquarters will be the DeSoto Hilton Hotel, located in the heart of historic Savannah. Featuring extensive panels and sessions for the exchange of ideas and concerns relevant to the practice and study of art, the conference will include the annual awards luncheon and the fourteenth annual members’ exhibition, as well as a rich array of tours, workshops, and evening events. The curator Dan Cameron will jury the SECAC members’ exhibition, to be held at one of SCAD’s premier venues, and present the plenary address. For more information, contact secac@secollegeart.org or secac2011@scad.edu.
Solo Exhibitions by Artist Members
posted by CAA — Sep 18, 2010
See when and where CAA members are exhibiting their art, and view images of their work.
To learn more about submitting a listing, please see the instructions on the main Member News page.
September 2010
Abroad
Deborah Garwood, Evans Pond, July 14, 2007 (part 2 of 2), 2009, selenium-toned gelatin silver print, 15 x 18 in. (artwork © Deborah Garwood)Deborah Garwood. Fundación Antonio Pérez, Cuenca, Spain, August 6–September 30, 2010. Portrait of a Landscape: Imagery of Evans Pond, 1997–2009. Gelatin-silver and chromogenic prints.
Vivian Tsao, Bedroom in the Morning, 1982, pastel, 18 x 24¼ in. (45.7 x 62.2 cm) (artwork © Vivian Tsao)Vivian Tsao. National Museum of History, Taipei City, Taiwan, October 2–November 8, 2009. Paintings by Vivian Tsao. Oil on linen and pastel.
Mid-Atlantic
Beauvais Lyons, kiosks for The Association for Creative Zoology at the Rhea County Courthouse during the 2010 Scopes Trial Festival in Dayton, TennesseeBeauvais Lyons. Jefferson Garden, American Philosophical Society, Philadelphia, Pennsylvania, September 10–12 and 16–18. The Association of Creative Zoology. Lithography and taxidermy.
Midwest
Roger Shimomura, Yellow Terror, 2008, acrylic on canvas, 60 x 72 in. (artwork © Roger Shimomura)Roger Shimomura. Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, Michigan, October 21–November 24, 2010. Yellow Terror: The Collections and Paintings of Roger Shimomura. Painting and objects.
Linda Stein, Defender 696, 2010, leather, metal, and mixed media, 38 x 22 x 14 in. (artwork © Linda Stein)Linda Stein. Luce Gallery, Cornell College, Mount Vernon, Iowa, September 5–October 3, 2010. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)Linda Stein. P.E.O. Foundation Art Gallery, Cottey College, Nevada, Missouri, October 15–November 20, 2010. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
Northeast
Robert Knight, Untitled (7 hours, 23 minutes, January 1, 2008), 2009, archival inkjet print, 30 x 39 in. (artwork © Robert Knight)Robert Knight. Gallery Kayafas, Boston, Massachusetts, June 3–July 17, 2010. Sleepless. Photography, audio, and video.
Robert Knight, Untitled (5 hours, March 16, 2010), 2010, archival inkjet print, 8½ x 11 in., with paired audio recording, 16:27 min. (artwork © Robert Knight)Robert Knight. Danforth Museum of Art, Framingham, Massachusetts, September 12–November 7, 2010. Sleepless. Photography, audio, and video.
Richard Minsky, binding for the first American edition of George Orwell’s Nineteen Eighty-Four, 2004, 8½ x 5¾ x 4 in. Yale University Arts of the Book Collection (artwork © Richard Minsky)Richard Minsky. Robert B. Haas Family Arts Library, Yale University, New Haven, Connecticut, August 2–November 29, 2010. Material Meets Metaphor: A Half Century of Book Art by Richard Minsky. Book art.
Mimi Oritsky, The Pool #13, 2010, oil on canvas, 24 x 24 in. (artwork © Mimi Oritsky)
Mimi Oritsky. A.I.R. Gallery, Brooklyn, New York, September 8–October 3, 2010. Paintings and Works on Paper. Oil on canvas and graphite and gouache on paper.
Michael Rich, The Sea and Tulips, 2009, oil and wax on canvas, 68 x 62 in. (artwork © Michael Rich)Michael Rich. Old Spouter Gallery, Nantucket, Massachusetts, August 13–25, 2010. The Sea and Tulips: New Paintings by Michael Rich. Oil on panel and canvas.
Marianne Weil, Castelo Velho, 2010, bronze, unique casting, 13 x 9 x 4 in. (artwork © Marianne Weil)Marianne Weil. Kouros Gallery, New York, September 9–October 2, 2010. Ad Fundum: New Bronze Work. Bronze sculpture.
South
BiLan Liao, Unnatural Education, 2007, oil on canvas, 40 x 30 in. (artwork © BiLan Liao)BiLan Liao. Clemens Fine Arts Center, West Kentucky Community and Technical College, Paducah, Kentucky, August 27–September 24, 2009. A Window into Chinese History: Look Back at Chinese History through Five Generations of the Family of BiLan Liao. Oil on canvas.
Lisa Tubach, Bruise #2, 2010, graphite and gouache on paper, 31 x 23 in. (artwork © Lisa Tubach)Lisa Tubach. ArtGallery, Norfolk, Virginia, November 20, 2010–January 15, 2011. A Slow Walk through Secrets. Oil on canvas, graphite and gouache on paper, and video.
Jeff Whipple, The Ambivalent Genesis of Being, 2010, oil on canvas, 40 x 50 in. (artwork © Jeff Whipple)Jeff Whipple. 621 Gallery, Tallahassee, Florida, June 4–July 31, 2010. The Ambivalent Genesis of Being. Painting, drawing, sculpture, photography, and video.
Grants, Awards, and Honors
posted by CAA — Sep 15, 2010
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
To learn more about submitting a listing, please see the instructions on the main Member News page.
September 2010
Julia Whitney Barnes, installation view of National Academy Subway Proposal, 2020, at the National Academy Museum’s Edwin Austin Abbey Mural Fellowship exhibition (artwork © Julia Whitney Barnes)Julia Whitney Barnes, an artist based in Brooklyn, New York, has received a 2010 Edwin Austin Abbey Mural Workshop Fellowship from the National Academy Museum and School of Fine Arts in New York. The workshop, which took place in July 2010, was a unique opportunity for artists to learn how to compete successfully for public mural commissions.
Rachel Epp Buller has received a Fulbright Scholar Grant for 2010–11. The Fulbright, along with a grant from the Gerda Henkel Foundation in Düsseldorf, will fund research for a book on the German artist Alice Lex.
John Casey, a doctoral student at the Graduate Center, City University of New York, has received the Dedalus Foundation’s 2010 Dissertation Fellowship Award for his study, “Picturing Architectural Theory: The Architectural Photobook in Germany, 1910–1945.” The $20,000 fellowship is awarded annually to a PhD candidate at an American university who is working on a dissertation related to modern art and modernism.
Jackie Gendel, Liliput, 2010, oil on canvas, 44 x 34 in. (artwork © Jackie Gendel)Jackie Gendel, an artist based in Brooklyn, New York, has received a grant from the Marie Walsh Sharpe Art Foundation’s Space Program for 2010–11, which provides free studios in New York for the creation of new works of art.
David Claypoole Johnston, Sound Asleep & Wide Awake or Marker & Sleeper, 1855, watercolor, 26 x 32½ cm (artwork in the public domain)Jennifer A. Greenhill has received a subvention from the Wyeth Foundation for American Art to help support the publication of her book, Playing It Straight: Art and Humor in the Gilded Age, forthcoming from the University of California Press. The book investigates the strategies artists devised to simultaneously conform to and humorously undermine “serious” artistic culture during the late nineteenth century.
Kira Lynn Harris has won a grant from Art Matters, a nonprofit foundation based in New York, for travel to France and Spain to complete a series of large-scale drawings and photographs of the Chapel of Notre Dame du Haut by Le Corbusier, Antoni Gaudi’s Sagrada Família in Barcelona, and George Wyman’s Bradbury Building in Los Angeles. Art Matters supports artists based in the United States whose work focuses on communications and collaborations across national borders.
Sol Kjøk, Entre sol et ciel, 2010, graphite and pastel on wall, 9.5 ft. x 18 ft. x 20 in., 2 sides.Sol Kjøk, an artist based in Brooklyn, New York, has received a 2010 Edwin Austin Abbey Mural Workshop Fellowship from the National Academy Museum and School of Fine Arts in New York. The workshop, which took place in July 2010, was a unique opportunity for artists to learn how to compete successfully for public mural commissions.
A still from a work-in-progress video by Lucy Raven about motion capture (photograph © Lucy Raven)Lucy Raven has received funding from Art Matters, a nonprofit foundation based in New York, for research in Chennai, Kerala, and Mumbai, India, for a video project exploring the international outsourcing of three-dimensional animation and visual effects for the creation of American landscapes in Hollywood movies. Art Matters supports artists based in the United States whose work focuses on communications and collaborations across national borders.
The American Council of Learned Societies (ACLS) New Faculty Fellows Program allows recent PhDs in the humanities to take up two-year positions at universities and colleges across the United States, where their particular research and teaching expertise augment departmental offerings. CAA member Christopher R. Lakey, a recent graduate of the University of California, Berkeley, won the fellowship for his dissertation, “Relief in Perspective: Italian Medieval Sculpture and the Rise of Optical Aesthetics.” He has been appointed at Johns Hopkins University in Baltimore, Maryland, for 2010–12.
The Andrew W. Mellon Foundation/ACLS Early Career Fellowships for Recent Doctoral Recipients provide a year’s support for scholars to advance their research following completion of the doctorate. CAA members Richard Patrick Anderson of Columbia University in New York won for “Toward a Socialist Architecture, 1928–1953”; and Meghan C. Doherty of the University of Wisconsin, Madison, won for “Carving Knowledge: Printed Images, Accuracy, and the Early Royal Society of London.”
The Andrew W. Mellon Foundation/ACLS Early Career Fellowship Program awards Dissertation Completion Fellowships, which provide support for young scholars to finish their dissertations; the fellowships are the first part of a program offering funding to scholars at the early stages of their careers. Among the recipients are two CAA members: Ellery Elisabeth Foutch of the University of Pennsylvania in Philadelphia for “Arresting Beauty: The Perfectionist Impulse of Peale’s Butterflies, Heade’s Hummingbirds, Blaschka’s Flowers, and Sandow’s Body”; and Maile S. Hutterer of the Institute of Fine Arts at New York University for “Broken Outlines and Structural Exhibitionism: The Flying Buttress as Aesthetic Choice in Medieval France.”
The Henry Luce Foundation/ACLS Dissertation Fellowships in American Art are awarded to graduate students in any stage of PhD dissertation research or writing for scholarship on a topic in the history of the visual arts of the United States. Although the topic may be historically and/or theoretically grounded, attention to the art object and/or image should be foremost. CAA member recipients are: Matthew K. Bailey of Washington University in St. Louis, Missoufor “Turbulent Bodies: Disruptive Materiality in Modern American Painting, 1880–1930”; Amanda Douberley of the University of Texas at Austin, for “The Corporate Model: Sculpture, Architecture, and the American City, 1946–1975”; Jason Goldman of the University of Southern California in Los Angeles, for “Open Secrets: Publicity, Privacy, and Histories of American Art, 1958–69”; Anna C. Katz of Princeton University in Princeton, New Jersey, for “Hybrid Species: Lee Bontecou’s Sculpture and Works on Paper, 1958–1971”; Rebecca E. Keegan of Duke University in Durham, North Carolina, for “Black Artists, the Problem of Authenticity, and ‘Africa’ in the Twentieth Century”; Edward M. Puchner of Indiana University in Bloomington, for “‘speaking His mind in my mind’: Racialized Theology, Divine Inspiration, and African American Art”; and Katherine Elizabeth Roeder of the University of Delaware in Newark, for “‘Cultivating Dreamfulness’: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay, 1904–1914.”
The Andy Warhol Foundation for the Visual Arts has announced its 2010 Curatorial Fellowships for Travel and Research. CAA member recipients are: Heather Campbell Coyle of the Delaware Art Museum in Wilmington, for conducting research on an exhibition and publication of the work of Scott Heiser, a fashion photographer from the 1980s whose idiosyncratic body of work has been forgotten since his death in 1993 ($11,000); Kristina Van Dyke of the Menil Collection in Houston, Texas, working with Bisi Silva, to organize an exhibition on contemporary African art with a focus on how technology shapes notions and facilitates expressions of love in Africa ($38,400); and Jonathan Katz of the Tacoma Art Museum in Washington, working with Rock Hushka, to prepare for an exhibition that explores twenty-five years of art made in response to AIDS ($40,000).
Books Published by CAA Members
posted by CAA — Sep 15, 2010
Publishing a book is a major milestone for artists and scholars. Browse a list of recent titles below.
To learn more about submitting a listing, please see the instructions on the main Member News page.
September 2010
Peter Chametzky. Objects as History in Twentieth-Century German Art: Beckmann to Beuys (Berkeley: University of California Press, 2010).
Erina Duganne. The Self in Black and White: Race and Subjectivity in Postwar American Photography (Hanover, NH: Dartmouth College Press, in association with University Press of New England, 2010).
Michele Greet. Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920–1960 (University Park: Pennsylvania State University Press, 2009).
Matthew Landrus. Leonardo da Vinci’s Giant Crossbow (Heidelberg, Germany: Springer, 2010).
Maud Lavin. Push Comes to Shove: New Images of Aggressive Women (Cambridge, MA: MIT Press, 2010).
María Margarita Malagòn-Kurka. Arte como presencia indéxica. La obra de tres artistas colombianos en tiempos de violencia: Beatriz González, Oscar Muñoz y Doris Salcedo en la década de los noventa (Bogotá, Columbia: Ediciones Uniandes, 2010).
Heather Hyde Minor. The Culture of Architecture in Enlightenment Rome (University Park: Pennsylvania State University Press, 2010).
Mary B. Shepard, Lisa Pilosi, and Sebastian Strobl, eds. The Art of Collaboration: Stained-Glass Conservation in the Twenty-First Century (Turnhout, Belgium: Brepols, 2010).
Sandra Sider. Pioneering Quilt Artists, 1960–1980: A New Direction in American Art (New York: Photoart Publishing, 2010).
Richard A. Sundt. Whare Karakia: Maori Church Building, Decoration, and Ritual in Aotearoa New Zealand, 1834–1863 (Auckland, New Zealand: Auckland University Press, 2010).
John Willis, with an essay by Kent Nerburn and contributions by the Ogala Lakota people. Views from the Reservation (Chicago: Center for American Places and Columbia College Chicago, 2010).
Apply for a CAA Publication Grant
posted by CAA — Sep 15, 2010
CAA is offering two publishing grant opportunities this fall—the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant—that support new books in art history. Both grant programs have a fast-approaching deadline of October 1, 2010.
The publisher must submit the application to either or both grant, though only one award can be given per title. Awards are made at the discretion of the jury for each fund and vary according to merit, need, and number of applications. The Wyeth grant will be awarded in late November; the Meiss award will be announced shortly thereafter.
Millard Meiss Publication Fund
CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. For complete guidelines, application forms, a grant description, and past winners, visit www.collegeart.org/meiss or write to nyoffice@collegeart.org. Deadline: October 1, 2010.
Wyeth Foundation for American Art Publication Grant
Thanks to a second generous three-year grant from the Wyeth Foundation for American Art, CAA awards a publication grant to support book-length scholarly manuscripts in the history of American art and related subjects prior to 1970. Books eligible for the Wyeth grant have been accepted by a publisher on merit, but require a subsidy to be published in the most desirable form. For complete guidelines, application forms, a grant description, and past winners, visit www.collegeart.org/wyeth or write to nyoffice@collegeart.org. Deadline: October 1, 2010.
Committee on Women in the Arts Picks for September 2010
posted by CAA — Sep 10, 2010
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following conference and four exhibitions should not be missed. Check the CWA Picks archive at the bottom of the page, as several exhibitions listed there are still on view.
September 2010
“Heritage and Hope: Women’s Education in a Global Context”
Bryn Mawr College
101 North Merion Avenue, Bryn Mawr, PA 19010
September 23–25, 2010
As part of its 125th anniversary celebration, Bryn Mawr College is hosting an international conference to celebrate the empowering heritage of women’s education and to chart a course for its future. The conference will examine issues of educational access, equity, and opportunity in secondary schools and universities in the United States and around the world. Session topics will include: “Leveling the Academic Playing Field”; “Enhancing Global Networks,” a discussion of current and future collaborative connections among women’s colleges around the world; and “Partnering for Global Justice,” an exploration of potential partnerships among schools, colleges, and international NGOs to promote women’s rights and educational opportunities.
Pauline Boty, With Love to Jean Paul Belmondo, 1962, oil on canvas, 48 x 59 7/8 in. Collection of Nadia Fakhoury, Paris (artwork © Pauline Boty)
Seductive Subversion: Women Pop Artists, 1958–1968
Sheldon Museum of Art
University of Nebraska, Lincoln, 12th and R Streets, Lincoln, NE 68588
July 30–September 24, 2010
Seductive Subversion: Women Pop Artists, 1958–1968 turns on its head the notion that male artists largely dominated this twentieth-century movement. The first major exhibition of its kind, Seductive Subversion features paintings and sculptures by an international group of artists—including Vija Celmins, Rosalyn Drexler, Niki de Saint Phalle, Joyce Wieland, Marisol, Faith Ringgold, and Martha Rosler—that expand the Pop canon as most know it. Sid Sachs, director of exhibitions at University of the Arts in Philadelphia, where the exhibition originated, will deliver a lecture about the exhibition on September 14 at 5:30 PM in the Sheldon’s Ethel S. Abbott Auditorium.
Catherine Opie: Figure and Landscape
Los Angeles County Museum of Art
5905 Wilshire Boulevard, Los Angeles, CA 90036
July 25–October 17, 2010
Catherine Opie explores issues of masculinity, community, and national identity in her current exhibition at the Los Angeles County Museum of Art. A Southern California–based photographer whose diverse body of work includes images of Alaskan landscapes, challenging self-portraits, and urban street scenes, Opie has visited and documented high school football games, players, and fans in seven states across America since 2007. “The high capture, dramatic tenebrism, vivid colour and density of the landscapes are entirely consonant with commercial sports photography,” wrote Christopher Bedford in Frieze, “but Opie’s insistence on recording the endless passages of tedium and readiness that punctuate the experience of a football game makes these images aniconic and elusive.” A second exhibition at the museum, Manly Pursuits: The Sporting Images of Thomas Eakins, is shown in conjunction with Catherine Opie: Figure and Landscape.
Susie (Sarah) Barstow, Landscape, 1865, oil on canvas, 30 x 22 in. Collection of Elizabeth and Alfred Scott (artwork in the public domain; photograph provided by the Thomas Cole National Historic Site)
Remember the Ladies: Women of the Hudson River School
Thomas Cole National Historical Site
218 Spring Street, Catskill, NY 12414
May 2–October 31, 2010
Focusing on nineteenth-century America, Remember the Ladies: Women of the Hudson River School highlights female artists who were contemporary to figures like Asher Durand and Frederic Edwin Church. Curated by Nancy Siegel and Jennifer Krieger, the exhibition features twenty-five works in painting, photography, and drawing manuals by Julia Hart Beers (sister of William and James Hart), Evelina Mount (niece of William Sidney Mount), Susie Barstow, Eliza Greatorex, Harriet Cany Peale, Josephine Walters, and Sarah and Emily Cole (sister and daughter, respectively, of Thomas Cole).
Experimental Women in Flux
Museum of Modern Art
11 West 53rd Street, New York, NY 10019
August 4–November 8, 2010
Organized by Sheelagh Bevan with David Senior, both of the Museum of Modern Art Library, Experimental Women in Flux focuses on artists’ books, event scores, performance instructions, catalogues, periodicals, and other printed matter from the recently acquired Gilbert and Lila Silverman Fluxus Collection Reference Library. Documents of live, ephemeral, and durational work by such artists and performers as Alison Knowles, Charlotte Moorman, Shigeko Kubota, Yoko Ono, and Simone Forti are included. Presented in conjunction with the museum’s publication of Modern Women: Women Artists at The Museum of Modern Art, the exhibition boasts a full website with images and descriptions, as well as audio selections from Mieko Shiomi’s musical portraits of her Fluxus associates.
Affiliated Society News for September 2010
posted by CAA — Sep 09, 2010
American Institute for Conservation of Historic and Artistic Works
The American Institute for Conservation of Historic and Artistic Works (AIC) has partnered with the Smithsonian Institution and the US Committee of the Blue Shield to help recover cultural and historic artifacts damaged by the earthquake in Haiti on January 12, 2010. Since April, volunteer AIC conservators, initially only members of the AIC Collections Emergency Response Team, have been working at the Haiti Cultural Recovery Center (maintained by the Smithsonian) in Port-au-Prince and onsite on wall murals, such as those at the Cathedral of Sainte Trinité. In addition to helping set up conservation labs at the center, conservators have performed assessments and treatments ranging from basic stabilization to more complete aesthetic reintegration. In addition to travel costs for the volunteers, grant support has, to date, enabled the purchase of over $8,000 in supplies and tools. AIC response is made possible through the support of the National Endowment for the Humanities, the National Endowment for the Arts, the Institute of Museum and Library Services, and AIC’s foundation.
Appraisers Association of American
The Appraisers Association of America (AAA) has launched its new website. New features include online registration and payment for courses and programs and an improved “Find an Appraiser” tool. Fall programs for fall 2010, which include study days, lectures, events, and the national conference, have also been announced. To register, AAA members will need to sign in and create a username and password.
Arts Council of the African Studies Association
The fifteenth triennial symposium of the Arts Council of the African Studies Association (ACASA) will be held at the University of California, Los Angeles, March 23–26, 2011. Proposals for papers, panels, and roundtables addressing the theme, “Africa and Its Diasporas in the Marketplace: Cultural Resources and the Global Economy,” are invited. Please read the triennial theme announcement for submission guidelines and information on travel support and stipends.
Association for Latin American Art
The second triennial conference of the Association for Latin American Art (ALAA), called “Origins of State/Origins of Identity,” will be held November 13–14, 2010, at the Los Angeles County Museum of Art in California. The event coincides with the museum’s exhibition, Olmec: Colossal Masterworks from Ancient Mexico, and with Obsidian Mirror-Travels: Refracting Ancient Mexican Art and Archaeology at the Getty Research Institute. Responding to the idea of discovery, the conference is divided into three panels reflecting the main areas of research undertaken by the association’s members: pre-Columbian art and architecture, viceregal and colonial art and architecture, and modern and contemporary Latin American and Latino art and architecture. A PDF of the conference program is available for download.
Association of Academic Museums and Galleries
The Association of Academic Museums and Galleries (AAMG) acknowledges that students are one of the prime constituencies of all our institutions as well as our future colleagues and leaders. AAMG values the student voice and student participation, and to kick off this academic year it is offering free one-year student memberships from August 15 to October 15, 2010. To become a member, please send the required information via an online form, along with a digital copy (Word or PDF) of your unofficial transcript or student ID, to Emily Forsgren. Or, mail the application and copy of your student ID or transcript to: AAMG Membership, Mary and Leigh Block Museum of Art, 40 Arts Circle, Northwestern University, Evanston, IL 60208-2410.
Association of Historians of American Art
The Association of Historians of American Art (AHAA) is offering a travel grant to cover CAA Annual Conference expenses up to $500 for an ABD student of historical art of the United States who will travel to the 2011 meeting in New York to participate in the program. The successful recipient must be enrolled in a graduate program and an AHAA member. Deadline: February 1, 2011.
AHAA is hosting a symposium, called “Current Research in American Art,” to be held at St. Francis College in Brooklyn, New York, October 7–9, 2010. The event is free but attendees must preregister and be AHAA members.
To sustain AHAA’s mission of supporting scholarship, the organization has introduced a new lifetime membership. Dues are $750, of which $730 is tax deductible.
Association of Historians of Nineteenth-Century Art
The Association of Historians of Nineteenth-Century Art (AHNCA) has announced that new and standing members may now pay electronically for their annual membership using Google Checkout.
Foundations in Art: Theory and Education
Foundations in Art: Theory and Education (FATE) is hosting its biannual conference, “ON STREAM,” in partnership with the Mid-America College Art Association, another CAA affiliated society. Held in St. Louis, Missouri, the event will take place March 30–April 2, 2011, at the Ball Park Hilton. The conference will explore connections and question the status quo of how “creativity” is being developed and fostered as we enter the second decade of the third millennium. For more details, please contact Jeff Boshart, conference coordinator.
Historians of British Art
The Historians of British Art (HBA) welcomes Peter Trippi as its new first vice president. Currently editor of Fine Art Connoisseur, he will serve a one-year term before assuming the post of HBA president.
HBA is accepting papers for an upcoming minisession of work by emerging scholars to be held during the HBA business meeting at the CAA Annual Conference in New York, February 9–12, 2011. Current or recent graduate students are invited to submit proposals for consideration. (If an applicant is a PhD recipient, his or her degree must have been earned within the past three years.) Papers may address any topic related to British art, architecture, and visual culture. Presentations or “works in progress” should be limited to fifteen minutes to allow for ample discussion. This minisession is an opportunity for informal presentations of new or ongoing research followed by open discussion. To submit a paper for consideration, send the following items to Colette Crossman, HBA second vice president: (1) a one-page abstract; (2) a CV (limited to two pages); and (3) a brief cover letter explaining interest in the field. Upon selection, presenters are requested to join HBA if they are not current members. Deadline: October 1, 2010; decisions made by November 1.
Historians of Eighteenth-Century Art and Architecture
The Historians of Eighteenth-Century Art and Architecture (HECAA) has announced the recipient of the Mary Vidal Travel Award: Iris Moon, a PhD student at the Massachusetts Institute of Technology in Cambridge. She will conduct research on the French architects Charles Percier and Pierre-François-Léonard Fontaine.
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) will hold its second biennial symposium on the theme of “Objects, Collections and Cultures” at the Freer and Sackler Galleries in Washington, DC. Taking place October 21–23, 2010, the program features an opening address by Julian Raby, director of the Freer and Sackler; thematic sessions with formal presentations; seminar-style workshops on art objects in the museums’ collections; and a roundtable discussion on the arts of the object in Islamic art history today. The complete program and registration information are available online.
HIAA is pleased to welcome Stephennie Mulder as the new editor of its listserv, H-Islamart, and to thank the outgoing editor Christiane Gruber for her years of exemplary service.
Historians of Netherlandish Art
The Historians of Netherlandish Art (HNA) has announced the submission deadline—March 1, 2011—for the Summer 2011 issue of the Journal of Historians of Netherlandish Art: Please consult the journal’s submission guidelines for more information about the process. An open-access, peer-reviewed journal published twice per year, JHNA features articles that focus on art produced in the Netherlands (north and south) during the early modern period (ca. 1400–ca.1750) and in other countries and later periods as they relate to this earlier art. These include studies of painting, sculpture, graphic arts, tapestry, architecture, and decoration, from the perspectives of art history, art conservation, museum studies, historiography, technical studies, and collecting history. Book and exhibition reviews, however, will continue to be published in the HNA Newsletter.
International Association of Art Critics
The United States section of the International Association of Art Critics (AICA USA) launched a new website in mid-August. Designed to be more interactive and more attractive visually, the website will be an active tool for information about members’ professional achievements, such as new books, exhibitions, awards, participations in major conferences, and the like. In addition, AICA USA will publish cyclical reports on important issues related to art criticism.
AICA USA has elected a new president, Marek Bartelik, to serve from May 2010 to May 2012. Bartelik teaches modern and contemporary art at the Cooper Union for the Advancement of Science and Art in New York and is a graduate critic-in-residence at the Maryland Institute College of Art in Baltimore.
International Association of Word and Image Studies
The International Association of Word and Image Studies (IAWIS) seeks submissions for the Max Nänny Prize for the best article in word and image studies. First awarded in 2008, the prize—named in honor of the late Max Nänny, a former IAWIS president—is presented every three years on the occasion of the organization’s triennial conference. Both members and nonmembers may submit already published articles, dated no earlier than three years before the submission deadline. Deadline: October 31, 2010.
IAWIS seeks proposals for papers for its ninth international conference, on the theme of “L’imaginaire/The Imaginary.” The meeting will take place in Montreal, Quebec, August 22–26, 2011. Descriptions of all sessions can be found online. Deadline: October 1, 2010.
International Sculpture Center
The International Sculpture Center (ISC) is celebrating its fiftieth anniversary at the Metropolitan Pavilion in New York on October 22, 2010. The evening’s festivities will include a cocktail reception, entertainment, and an art sale featuring works by Fletcher Benton, Chakaia Booker, Mark di Suvero, John Clement, Carole Feuerman, John Henry, Jun Kaneko, Donald Lipski, Jesús Moroles, Manuel Neri, Tom Otterness, Albert Paley, Joel Perlman, Judy Pfaff, Kenneth Snelson, Stretch, James Surls, Boaz Vaadia, and Mia Westerlund, among others to be announced. Also taking place are a raffle—with top prize being a one-week vacation in Saint Martin—and a Chinese auction with fabulous prizes. Honorary hosts for the evening include di Suvero, Snelson, and Joyce Pomeroy Schwartz. Space is limited. Tickets are $350 per person, and tables are available for $3,000 and $5,000. Cocktails start at 6:00 PM with dinner at 7:30 PM. For questions or more information, please write to events@sculpture.org.
Italian Art Society
The Italian Art Society (IAS) invites proposals for the 2011 Italian Art Society/Kress Foundation Lecture in Italy. The lecture series seeks to promote intellectual exchanges among art historians of North America and the international community of scholars living or working in Italy. The lecture will be held in Florence in late May or early June 2011. The proposed lecture may address any period in Italian art but must relate to the city of Florence or the region of Tuscany; it also may not have been previously published or presented at another conference or venue. Application details are published online. Deadline: January 1, 2011.
Leonardo Education and Art Forum
The Leonardo Education and Art Forum (LEAF), a part of Leonardo/The International Society for the Arts, Sciences, and Technology, hosted a two-part panel on “Grand Challenges in Education” at the Los Angeles ACM SIGGRAPH on July 28, 2010. The participants addressed issues in education in light of new opportunities for participatory and collaborative learning in society. Speakers also responded to a white paper issued by the MacArthur Foundation called “The Future of Learning Institutions in a Digital Age.” Panelists were: David T. Goldberg, Rebecca Allen, Pamela Jennings, Sarah Cunningham, Glenn Entis, and Marc Barr. Discussants were Donna Cox, James Foley, Andy van Dam, and Ellen K. Levy, with remarks by Roger Malina.
LEAF sponsored a meeting and workshop, called “Art-Science – Curricular Models and Best Practices,” at the 2010 International Symposium on Electronic Art on August 27, 2010. Leaders of the workshop, which was coordinated by Edward Shanken, were Jennifer Kanary Nikolov, Jill Scott, and Paul Thomas.
Fran Ilich was selected as the winner of the Media Art Histories (MAH) Leonardo Scholarship for notable contributions to the field. MAH is a collaborative project between Leonardo and the Department for Image Science at Danube University Krems in Austria.
LEAF is sponsoring workshops at the Ars Electronica Festival, taking place September 2–11, 2010, in Linz, Austria.
Pacific Arts Association
The Pacific Arts Association (PAA) convened its tenth international symposium, “Pacific Art in the 21st Century: Museums, New Global Communities, and Future Trends,” from August 9 to 11, 2010, in Rarotonga, Cook Islands. PAA hosted over eighty-three presenters and seventy-five presentations, highlighting issues surrounding the creation, dispersal, possession, repatriation, stewardship, and interpretation of Pacific art in the twenty-first century. The symposium welcomed three keynote speakers: Michelle Hippolite of Te Papa Tongarewa, Museum of New Zealand; Jean-Marc Pambrun of the Museum of Tahiti and Her Islands; and Jonathan Mane-Wheoki of Auckland University. Special exhibitions, artist presentations, and events included Janet Lilo’s TOP16, curated by Ron Brownson; a craft exhibition; Nanette Lela’ulu’s In the House of My Heart; Wrapping the Cook Islands: Tivaivai; and the launch of Art Monthly Australia’s special Pacific issue. Visit the symposium website for a complete list of presenters, abstracts, and schedule of events.
Society for Architectural Historians
The Society of Architectural Historians (SAH) invites CAA members to gather at the Four Seasons in midtown Manhattan next month for conversation about the restaurant’s historical developments. This free event takes place on Saturday, September 25, 2010, at 9:00 PM. The gathering concludes a tour day in which SAH members will have spent studying the work of Richard Kelly, who was responsible for the interior and exterior lighting of the Seagram Building and the Four Seasons. Joining the group will be Belmont Freeman, the restaurant’s current restoration architect, and Dietrich Neumann, the tour leader, past SAH president, and editor of the forthcoming book, The Structure of Light: Richard Kelly and the Illumination of Modern Architecture.
Society for Photographic Education
The Society for Photographic Education (SPE) offers student scholarships to offset the cost of attending its 2011 national conference, titled “Science, Poetry, and the Photographic Image,” to be held March 10–13 in Atlanta, Georgia. A conference fee waiver and a one-year SPE membership are provided in addition to the cash awards.
Ten SPE Awards and the SPE Award for Innovations in Imaging in Honor of Jeannie Pearce feature a $500 travel stipend. The Freestyle Crystal Apple Award for Outstanding Achievement in Black and White Photography is generously sponsored by Freestyle Photographic Supplies and offers a $5,000 cash prize and recognition for the sponsoring faculty member.
Applicants must be SPE student members and current full-time students enrolled at a postsecondary institution as an undergraduate or graduate majoring or concentrating in photography but not graduating before the end of academic year 2010–11. Deadline: November 1, 2010.
Southeastern College Art Conference
From November 9 to 12, 2011, the Southeastern College Art Conference (SECAC) will hold its sixty-seventh annual meeting, hosted by the Savannah College of Art and Design (SCAD) in Georgia. The conference headquarters will be the DeSoto Hilton Hotel, located in the heart of historic Savannah. Featuring extensive panels and sessions for the exchange of ideas and concerns relevant to the practice and study of art, the conference will include the annual awards luncheon and the fourteenth annual members’ exhibition, as well as a rich array of tours, workshops, and evening events. The curator Dan Cameron will jury the SECAC members’ exhibition, to be held at one of SCAD’s premier venues. For more information, contact secac@secollegeart.org or secac2011@scad.edu.
Visual Resources Association
The Visual Resources Association (VRA) 2010 Nancy DeLaurier Award, honoring distinguished achievement in the field of image management, has been given to Murtha Baca and Patricia Harpring for their work on the Getty Vocabulary Program. The program is instrumental to standardizing image cataloging across the cultural-heritage community. Professionals in visual-resources collections, libraries, museums, and archives regularly use three important sources: the Art and Architecture Thesaurus, the Union List of Artist Names, and the Getty Thesaurus of Geographic Names—all developed, sustained, and nurtured, primarily by these two individuals, under the auspices of the Getty Research Institute in Los Angeles, California. Attesting to their ongoing vision of the future is their promotion of a new Cultural Objects Name Authority. The Getty Vocabulary Program not only provides uniform terminology to describe works of art, architecture, material culture, and other associated materials for metadata creation, but it also enhances access to online resources and the knowledge bases on which researchers rely.
September 2010 Issue of The Art Bulletin Published
posted by Christopher Howard — Aug 30, 2010
The September 2010 issue of The Art Bulletin, the leading publication of international art-historical scholarship, has just been published. It will be mailed to all individual CAA members who elect to receive the journal, and to all institutional members.
The issue interweaves three essays that focus on art and visual culture in Europe with three texts exploring works from the Americas. On the Continent, Molly Swetnam-Burland looks at issues of reuse, display, and cross-cultural appropriation through the history of the obelisk in the Piazza Montecitorio in Rome. For his essay “Material Futures,” Richard Taws views Philibert-Louis Debucourt’s print Almanach national (1790) as articulating relations between the materiality expressed in the image and changing conceptions of time in the French Revolution. In his contribution, Darius A. Spieth investigates the “politics of nostalgia” in modern Italian culture through the reception history of Giandomenico Tiepolo’s fresco Il Mondo Nuovo (1791).
Across the Atlantic, “Circles of Creation” is Amara L. Solari’s exploration of how the Maya in early colonial Yucatán invented their own cartographic tradition that allowed for the preservation of community identity during the chaos of colonization. In “Rioting Refigured,” Ross Barrett examines the way in which George Henry Hall’s painting A Dead Rabbit (1858) reframes a mid-nineteenth-century rioter in New York City as an ideal nude, both tempering and exacerbating connotations of violence. Moving into the twentieth century, Ken Allen argues that Ed Ruscha’s experimentations with size and scale in his images of 1960s Los Angeles gave viewers a new experiential understanding of the city.
The reviews section presents four books on diverse topics. Timon Screech evaluates Melissa McCormick’s study of an early member of the Tosa School in Tosa Mitsunobu and the Small Scroll in Medieval Japan, and Charles Dempsey examines Stuart Lingo’s book on Federico Barocci: Allure and Devotion in Late Renaissance Painting. Erika Naginski’s Sculpture and Enlightenment, which looks at how historical forces and philosophical debated affected public funerary monuments in eighteenth-century France, is reviewed by Satish Padiyar. Finally, Karen Beckman considers Flesh of My Flesh, the latest book by the film theorist and art historian Kaja Silverman.
Please read the full table of contents for more details. The final Art Bulletin for 2010 will be published in December.